General Books - Page 12

The Souls of Black Folk (Modern Library Series)

W.E.B. Du Bois

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Customer Reviews:
Total reviews: 44 Average rating: 4.5 of 5

The Soul Of All Folk: 4 out of 5 stars.
2 of 2 people found this review helpful.

"The Soul Of Black Folk" Is a book I think everyone should read regardless of race, ethnicity, religion, color, or creed simply because there's something in it for all. W.E.B. Dubois' engaging book falls more inline with the panorama of all American experiences, not just the Black experiences alone: if that makes any sense?
This fine book was originally published in 1903 and is still a significant piece of literature today. The anecdotes that are shared in this book belong in the lexicon of American history, but what's most striking are Dubois' references to Negro music called the sorrow songs, which of course spanned through hundreds of years of sanguineous slavery. And it was these same songs that set the foundation of Gospel, the Blues, Rock n Roll, and the American dream.
The reason I'm using this terminology is because in-spite of the torture blacks suffered they still managed to sing amazing songs such as "Steal Away," and "Poor Rosy." (Some songs were in reference to allegorical content).
Furthermore, the British rock-band Led Zeppelin is a fine example of individual intellectualism insofar as embracing American Negro culture considering they were influenced by this book because in 1968, Led Zeppelin's first album debuted and not only did they cover blues favorites written by Willie Dixon, but they also covered Negro spirituals, which Du Bois referred to as the "Sorrow Songs."
Led Zeppelin's song "How Many More Times" is an opus of Negro "Sorrow Songs." It's amazing that it took the bluesy cadence of an English rock band to pay homage to the very people whose hardship and strife inspired them to borrow the lyrics and the music from this book. It's a wonderful sight to see when people like Jimmy Page and Robert Plant take the time to learn about Black Americanism and about themselves. It just goes to show that all Americans should embrace their African heritage because without acknowledging the Black experience it's impossible to be a true American.
It's upsetting to note that in today's America racism is so rampant that the subject of Rock n Roll history can't even be encroached upon like it was in the 1960's civil rights movement, due to the fact that the political language has significantly changed.
(In layman's terms we can't be honest with ourselves and discuss the sheer fact that racism still dictates our everyday lives simply because the corporate world creates the phony left/right paradigm and ad-hominems through the media, which leaves America with an erroneous history).
Anyway, music played a major role during the 1960's. It helped people prosper through the horrific struggle for independence. The poetry that the slaves introduced over two-hundred years ago would yet again set the recalcitrant atmosphere that was needed when Blacks won the right to vote in 1965. And it was that moment in history that systemic change began. It was almost like an ancestral eidolon cascading over America with the strength and perseverance of a god in love with his people.

Moreover, Dubois elaborates on many subject matter with a linguistic style coming across as the perfect salubrious prolepsis for today's readers.

Sorry to digress, but another high point in the book was Dubois' rebuttal to Booker T. Washington's bourgeois attitude. Even today many Black scholars quote Booker T, but the inquiry was...is that wise? Well, according to Dubois, promulgating Booker T's message was rather pernicious and would only lead to more draconian virulence. Booker T's stance on waiting for White America to become simpatico to the needs of the Negro, while hoping for acceptance to proliferate from them in due time was not realistic at all.
Dubois strongly felt that Booker T's ideas were a depravity, a mummery, and an insult. Waiting for the bully to stop picking on you never works; for some reason Booker T couldn't contemplate that this scenario he was promulgating was ambiguous. If the powers that be are unwilling to negotiate with you then you have no other recourse but recalcitrancy. Booker T was in favor of slow progression, but just imagine what America would be like if Blacks took on Booker T's mindset? Life would be very different that's for sure.
Dubois hits on many touching moments in his memoirs and the personal lives of his students, which everyone reading this will enjoy. "The Soul Of Black Folk" is required reading for all. Give this book a chance! Dubois' writings are an inspirational experience!

Editorial Review:

"The problem of the twentieth century is the problem of the color line." Thus speaks W.E.B. Du Bois in The Souls Of Black Folk, one of the most prophetic and influental works in American literature. In this eloquent collection of essays, first published in 1903, Du Bois dares as no one has before to describe the magnitude of American racism and demand an end to it. He draws on his own life for illustration, from his early experiences teaching in the hills of Tennessee to the death of his infant son and his historic break with the conciliatory position of Booker T. Washington.

Far ahead of its time, The Souls Of Black Folk both anticipated and inspired much of the black conciousness and activism of the 1960's and is a classic in the literature of civil rights. The elegance of DuBois's prose and the passion of his message are as crucial today as they were upon the book's first publication.

The Wretched of the Earth

Frantz Fanon

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Total reviews: 31 Average rating: 4.0 of 5

Understand the Psychology of Violent Revolt 5 out of 5 stars.
10 of 11 people found this review helpful.

This was required reading for a graduate course in the Humanities. Frantz Fanon (July 20, 1925 - December 6, 1961) was a Martinique-born French author and essayist. He was perhaps the preeminent thinker of the 20th century on the issue of decolonization and the psychopathology of colonization. His works have inspired anti-colonial liberation movements for more than four decades.

"The Wretched of the Earth" (French: Les Damnés de la Terre, first published 1961) is Frantz Fanon's best-known work, written during and regarding the Algerian struggle for independence from colonial rule. As a psychiatrist, Fanon explored the psychological effect of colonisation on the psyche of a nation as well as its broader implications for building a movement for decolonization. A controversial introduction to the text by Jean-Paul Sartre presents the thesis as an advocacy of violence. This focus derives from the book's opening chapter `Concerning Violence' which is a caustic indictment of colonialism and its legacy. It discusses violence as a means of liberation and a catharsis to subjugation. It also details the violence of the colonialism as a process itself.

Structural politics of race and making oneself is a continuous theme of Pan Africanism 1950', 60's. Colonialism is toppled , growing awareness of colonial conditions and kinds of people that emerge from it, no one comes out of it unchanged both colonizers and subjects recognize colonialism is product of Enlightenment reason a perversion of what it stood for and its ideals. Justify feelings of superiority people of science over people of mythology. All people are transformed by colonization. Justify economy of colonization. The colonizer has to invent a new human being, the colonized. Sigmund Freud and W. E. B. Du Bois are intellectual fathers of Fanon. Colonialism depersonalizes people in their own country. Theory of Manichean logic. Binary thinking, thinking in duality. A society structured around race is Manichean. Social and racial structure of colonialism is Manichean. Us or them, no in between. Black is bad, white is good, etc. Fanon argues to get over this, a new world must be created. A Utopian idea. He advocates revolution and violence. 20th century preoccupation with violence that which is formative of the subject. Theme of 20th century philosophy and psychology. We finally recognize we are violent. 1968 Algerian revolt shakes French society and history to its core. Algerians were promised full democracy for years, they finally get suspicious. Men were cheap labor and biggest import to France. Economic downturn in 1950's causes France to bar Algerians from working in country, so violence ensues. French intellectuals push out old guard and old thinking, student protests, etc. Jean-Paul Sartre led the movement, and wanted to find a genuine authentic voice of this revolt, he finds it in Fanon. Fanon questions who is crazy, tortured or torturer.
For Fanon, there is nothing more consistent than racist humanism since the European has been able to only become a man thru slavery. 2 groups are opposed they can't get along. Empire needs slaves. He critiques Enlightenment. 2 people live as perpetual protagonists. Colonizer and colonists are backed in a struggle. Colonization is good and colonized are amused by this. Both see each other as morally superior. Colonizer uses violence to keep colonized in check, so they learn to use more violence to overthrow colonizer. Colonizer has their history, and history books on their side. Colonized see them as delusional they see the propaganda as a form of violence. Colonized people will accept servitude because they fear death. Once they don't fear death you can't control them. Anger and rage starts to build and 1st violence against their own people and family, and finally they turn violent on colonizers. As soon as they see colonizers can be killed, they will revolt, it gives them self-respect. Oppression is practiced and institutionalized violence. Oppression must be done cruelly and violently. This is what will overthrow Manichean world. A different kind of person will now emerge. He is openly celebratory of violence. He is shaped by his history. Fanon's work in Algeria changes his way of thinking. He concludes counter violence will make a new man. Violence leaves scars on people. Subject consciousness in his book violence is dialectic of master slave process. Colonialism is another stage of slavery. Colonial racism in crudest form anthropologists say colonized have no culture, then they say there is a hierarchy of culture colonizer higher than colonized. He makes links to culture and economic relations and how change in one changes the other. Fanon argues that when the oppressed are lazy, it is one more way for them to sabotage. Laziness is passive resistance. This is a stage in process before colonized is ready to fight back. Colonized can use subtle ways to resist laws and mores. Colonized do this to revolt against oppression. Colonized must develop framework of collective struggle to fight against oppressor. Fanon believes that to have a new person violence is necessary to destroy category of blackness and whiteness Manichean racial duality. Decolonization is always a violent phenomena. Replacement of 1 kind of man with another kind of man. Must have a clean sweep of change in society. Fanon's insistence on violence grounded in his history and personal nature. Psychoanalytic theory of his is different than Freud's, they come from different society and culture. Freud never took race into account in his theories.

On his return to Tunis, after his exhausting trip across the Sahara to open a Third Front, Fanon was diagnosed with leukemia. He went to the Soviet Union for treatment and experienced some remission of his illness. On his return to Tunis, he dictated his testament "The Wretched of the Earth." When he was not confined to his bed, he delivered lectures to ALN (Armée de Libération Nationale) officers at Ghardimao on the Algero-Tunisian border. He made a final visit to Sartre in Rome and went for further leukemia treatment in the USA. Ironically, he was assisted by the CIA in traveling to the United States to receive treatment. He died in Bethesda [Maryland, US], on December 6, 1961 under the name of Ibrahim Fanon. He was buried in Algeria, after lying in state in Tunisia.

Recommended reading for anyone interested in history, psychology, or philosophy.

Editorial Review:

Frantz Fanon's seminal work on the trauma of colonization made him the leading anti-colonialist thinker of the twentieth century. Written at the height of the Algerian war for independence from French colonial rule and first published in 1961, it analyses the role of class, race, national culture and violence in the struggle for freedom. Fanon, himself a psychotherapist, makes clear the economic and psychological degradation inflicted by imperialism. Showing how decolonization must be combined with building a national culture, this passionate analysis of relations between the West and the Third World is still illuminating about the world today.

Heart of Darkness & Other Stories (Wordsworth Collection)

Joseph Conrad

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Customer Reviews:
Total reviews: 385 Average rating: 4.0 of 5

humidity drips off the end of each line like a light mist in a heavy fog 4 out of 5 stars.
1 of 1 people found this review helpful.

Probably the dampest book I've ever read--humidity drips off the end of each line like a light mist in a heavy fog. More is left unsaid than is written on the page, and this is truly a classic even though there is too much left unsaid for me to rate it at the very top.

Favorite line: As Marlow cautiously pilots the steamboat up the river toward the inland station and its mysterious keeper Kurtz, his manager says "I authorize you to take all the risks." Marlow curtly snaps back "I refuse to take any."

Very, Very Short and Unremarkable 3 out of 5 stars.
0 of 1 people found this review helpful.

Like most people, I was familiar with Heart of Darkness, both as an acclaimed work of literature and as the inspiration for the remarkable movie Apocolypse Now. For some reason, I recently decided to make an attempt at reading it, despite my concern that it was written at a level beyond my capacity to understand.

Upon receipt of the volume from Amazon, I was initially under the impression that I had mistakenly ordered the Cliff's Notes version of the work. I had no idea that the book was essentially a short story, easily readable in 2-3 hours.

Even more surprising, was the ease with which I was able to follow and understand the story, though admittedly written in a slightly dense prose. Perhaps this was due to having seen Apocolypse Now and being familiar with the broad outline of the story and having read other works of history on the Belgian Congo.

In any event, it was a decent story, filled with some beautifully descriptive language and imagery. I must say, however, that I was not bowled over. Steamship Captain pilots a ragged boat up the Congo, accompanied by colonial agents and support staff (cannibals and other natives) in an attempt to relieve a long stranded station agent (Kurtz) who has "gone native" and become the insane source of worship for the local natives. If you've seen Apocolypse Now, you know the story, just replace the Mekong with the Congo.

I go back to my first paragraph in which I related a concern over my ability to understand what is considered a classic work of literature. I fully understood it, but was perhaps not qualified to fully appreciate it.

Editorial Review:

Introduction and Notes by Gene M. Moore, Universiteit van Amsterdam Heart of Darkness is a chilling tale of horror which, as the author intended, is capable of many interpretations. Set in the Congo during the period of rapid colonial expansion in the 19th century, the story deals with the highly disturbing effects of economic, social and political exploitation of European and African societies and the cataclysmic behaviour this induced in some individuals.

How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines

Thomas C. Foster

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Total reviews: 64 Average rating: 4.0 of 5

Elementary way to read professionally 5 out of 5 stars.
1 of 1 people found this review helpful.

This is indeed a fantastic aid when analyzing literature. In AP literature, one must definitely know how to analyze different works. This work gives simple ways to explain difficult concepts or difficult to find ideas. Sometimes the book does over-state key ideas, this reiteration could be quite bothersome when reading the entire book at once. i would advise that you only look up things as you need them, but the writing is fascinating and can be quite colorful and even enjoyable. This was a great purchase for me!

Editorial Review:

What does it mean when a fictional hero takes a journey?. Shares a meal? Gets drenched in a sudden rain shower? Often, there is much more going on in a novel or poem than is readily visible on the surface -- a symbol, maybe, that remains elusive, or an unexpected twist on a character -- and there's that sneaking suspicion that the deeper meaning of a literary text keeps escaping you.

In this practical and amusing guide to literature, Thomas C. Foster shows how easy and gratifying it is to unlock those hidden truths, and to discover a world where a road leads to a quest; a shared meal may signify a communion; and rain, whether cleansing or destructive, is never just rain. Ranging from major themes to literary models, narrative devices, and form, How to Read Literature Like a Professor is the perfect companion for making your reading experience more enriching, satisfying, and fun.

Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)

Francine Prose

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Total reviews: 79 Average rating: 4.0 of 5

Editorial Review:

Long before there were creative-writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says Francine Prose.

In Reading Like a Writer, Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers—Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov—and discovers why their work has endured. She takes pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carré for a lesson in how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted.

Written with passion, humor, and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart.

The Yacoubian Building

Alaa Al Aswany

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Customer Reviews:
Total reviews: 48 Average rating: 4.0 of 5

The World of Cairo 3 out of 5 stars.
4 of 4 people found this review helpful.

Reading literature about a particular city gives you insight into the mores and character of that community. This is true of Alaa Al Aswany's novel from 2002, The Yacoubian Building (ImaratYa'qubyan). I found the novel both well written and structured. Using the title building as his center Aswany portrays a diverse group of contemporary Cairenes to demonstrate the experience of living in the world of Egypt today. The author presents the issues of political corruption, class conflict and the "science" of love in a believable narrative; however, I found his portrayal of homosexuality less effective: sensitive at times but ultimately concluding with a stereotypically brutal end for the spurned lover. The difficulties of living in this society are highlighted as the novel moves smoothly from episode to episode building toward a climax that, while somewhat melodramatic, brings the story to an effective conclusion. Overall the complex narrative and view of the city of Cairo made this an engaging and satisfying read.

Editorial Review:

The Yacoubian Building holds all that Egypt was and has become over the 75 years since its namesake was built on one of downtown Cairo’s main boulevards. From the pious son of the building’s doorkeeper and the raucous, impoverished squatters on its roof, via the tattered aristocrat and the gay intellectual in its apartments, to the ruthless businessman whose stores occupy its ground floor, each sharply etched character embodies a facet of modern Egypt -- where political corruption, ill-gotten wealth, and religious hypocrisy are natural allies, where the arrogance and defensiveness of the powerful find expression in the exploitation of the weak, where youthful idealism can turn quickly to extremism, and where an older, less violent vision of society may yet prevail.

Alaa Al Aswany’s novel caused an unprecedented stir when it was first published in 2002 and has remained the world’s best selling novel in the Arabic language since.

The Garden of Last Days: A Novel

Andre Dubus III

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Total reviews: 89 Average rating: 3.0 of 5

Editorial Review:

From the author of the New York Times bestseller and Oprah's Book Club selection House of Sand and Fog—a new big-hearted, painful, page-turning novel.

One early September night in Florida, a stripper brings her daughter to work. April's usual babysitter is in the hospital, so she decides it's best to have her three-year-old daughter close by, watching children's videos in the office, while she works.

Except that April works at the Puma Club for Men. And tonight she has an unusual client, a foreigner both remote and too personal, and free with his money. Lots of it, all cash. His name is Bassam. Meanwhile, another man, AJ, has been thrown out of the club for holding hands with his favorite stripper, and he's drunk and angry and lonely.

From these explosive elements comes a relentless, raw, searing, passionate, page-turning narrative, a big-hearted and painful novel about sex and parenthood and honor and masculinity. Set in the seamy underside of American life at the moment before the world changed, it juxtaposes lust for domination with hunger for connection, sexual violence with family love. It seizes the reader by the throat with the same psychological tension, depth, and realism that characterized Andre Dubus's #1 bestseller, House of Sand and Fog—and an even greater sense of the dark and anguished places in the human heart.

Heart of Darkness (Norton Critical Editions)

Joseph Conrad

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Total reviews: 13 Average rating: 5.0 of 5

Editorial Review:

The Fourth Edition is again based on Robert Kimbrough's meticulously re-edited text. Missing words have been restored and the entire novel has been repunctuated in accordance with Conrad's style. The result is the first published version of Heart of Darkness that allows readers to hear Marlow's voice as Conrad heard it when he wrote the story.

"Backgrounds and Contexts" provides readers with a generous collection of maps and photographs that bring the Belgian Congo to life. Textual materials, topically arranged, address nineteenth-century views of imperialism and racism and include autobiographical writings by Conrad on his life in the Congo. New to the Fourth Edition is an excerpt from Adam Hochschild's recent book, King Leopold's Ghost, as well as writings on race by Hegel, Darwin, and Galton.

"Criticism" includes a wealth of new materials, including nine contemporary reviews and assessments of Conrad and Heart of Darkness and twelve recent essays by Chinua Achebe, Peter Brooks, Daphne Erdinast-Vulcan, Edward Said, and Paul B. Armstrong, among others. Also new to this edition is a section of writings on the connections between Heart of Darkness and the film Apocalypse Now by Louis K. Greiff, Margot Norris, and Lynda J. Dryden.

A Chronology and Selected Bibliography are also included.

About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Crime and Punishment

Fyodor M. Dostoevsky

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Customer Reviews:
Total reviews: 465 Average rating: 4.5 of 5

Good, but overrated 4 out of 5 stars.
1 of 2 people found this review helpful.

The novel is a very good one, and compared to the crap that passes as literature these days it is a classic, however, it is not a great piece of literature. The book has too many manifest flaws, such as being far too long, far too `talky', and most of all, aside from the belief that it's a `Christian tract', the biggest misread of the book is that it is somehow a work of `social realism'. Nothing could be less true- it is primarily a work of symbolism. This is evident from its title, as the very punishment referred to is not that of the legal variety, but that of internal guilt. Yes, when it was first published, in pre-Freudian 1866, it may have seemed a work of psychological depth, but even compared to the fiction of Anton Chekhov, just a few decades later, it is utterly Neolithic in its approach to the human psyche....If Dostoevsky's novel can be considered great, by some, it is not because of the things he intended within it that manifest its greatness, but that which was unwitting, and beyond him at the time, such as the real key to understanding the work, its great insight, that people do not change at a fundamental level. I was recently watching the Up documentary film series, by Michael Apted, on DVD, and those films are premised on the very notion that Crime And Punishment is, the Jesuit saying of `Give me the child till he is seven, and I shall give you the man.' We do not glimpse Raskolnikov at seven, but given what we know becomes of him it is not difficult to extrapolate that he was as amoral then as his twentysomething self appears in the book. If Dostoevsky intended this work to be an allegory on Christianity's redemptive power he clearly failed, so I posit that that was not his intent at all, and that the psychological and ethical stasis of most human beings was his major theme.

Regardless, the book is not a great piece of art. It contains great moments, some brilliant writing, and is a very good work of art, however primitive, but it is certainly not great. A modern reader can simply not ignore all its manifest flaws, such as the awkward and heavy-handed symbolism, the stilted and unrealistic dialogue, which reinforces the truth of the characters' symbolism, as it veers between mawkishness during some of the death scenes and Raskolnikov's several confession scenes, and preachiness in many of the philosophical engagements.
Another problem with the work, one not in the actual work, but in its willful misinterpretation by critics with axes to grind, is that, aside from the confusion over the literary value of the work, all the poor theories regarding psychology and the fundaments of criminality have somehow found their way into pop culture, and done much to lead people astray in their ideas of true good and evil. Yet, the many fundamental questions that Raskolnikov deals with are never directly addressed, and are only used as a flawed premise for the main action of the novel to go off on. Raskolnikov ponders why those who have power or mass murder in war are labeled heroes, gain fame and respect, have paeans and monuments made for them while the low born, who have to struggle with and against each other, are jailed if they kill. In Part Five, Chapter Four, he rationalizes not confessing to the murders by using this defense: `What wrong have I done them? Why should I go to them? What should I say to them? That's only a phantom....They destroy men by millions themselves and look on it as a virtue. They are knaves and scoundrels, Sonia! I am not going to them. And what should I say to them- that I murdered her, but did not dare to take the money and hid it under a stone?' he added with a bitter smile. `Why, they would laugh at me, and would call me a fool for not getting it. A coward and a fool! They wouldn't understand and they don't deserve to understand. Why should I go to them?' This is a philosophically legitimate point, yet, instead of plumbing this, and applying it to the social caste he exists within, Raskolnikov flies off into mere pop sociological dementia with his ideas on supermen and exceptionalism, never realizing that exceptionalism in one or two fields, no matter how exceeding, brilliant, nor gifted, does not imply any sort of reciprocal ethical exceptionalism.

Yet, throughout the book, despite moments of brilliance, whenever Dostoevsky gets too close to the core, the nub of what the book is really about, he backs away. Whether because he lacked the answer or lacked the desire to deal with its clash with his own belief systems I do not know. But it is a flaw, and one that results in banal and bland sermonizing, such as that which ends the book in a very trite Hollywood film fashion:



He did not know that the new life would not be given him for nothing, that he would have to pay dearly for it, that it would cost him great striving, great suffering.

But that is the beginning of a new story- the story of the gradual renewal of a man, the story of his gradual regeneration, of his passing from one world into another, of his initiation into a new unknown life. That might be the subject of a new story, but our present story is ended.



To end, Crime And Punishment is certainly a milestone work in the development of both Dostoevsky and the art of the novel, but a work's cultural or artistic import is not equivalent to its artistic excellence. Therefore, while it may be a great representation of its time, artistically and culturally, it is not a great book- neither as a social tract nor as a novel. It reads more like a mid-stage version of better models to come, which is exactly what it really is. The very fact that such gross misreadings of it has taken root is a testament to the laziness of most readers, and the unwillingness of most to think for themselves. It is this problem with readers, their own anomic stasis, writ into the larger society, that Dostoevsky actually deals with. Raskolnikov, however, still smiles.

Editorial Review:

CRIME AND PUNISHMENT by Fyodor Mikhailovitch Dostoevsky (1821-1881) is an unparalleled psychological study of the criminal mind, conscience, guilt, and redemption, coupled with an examination of spiritual purity and devotion. The tension-filled story of Raskolnikov - a student who plans and executes the murder of an old moneylender -- of Sonia, the pitiful young woman from the streets who cares for him, and the inevitable events that follow is considered Dostoevsky's masterpiece.

Persuasion (Penguin Classics)

Jane Austen

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Customer Reviews:
Total reviews: 27 Average rating: 4.5 of 5

Another Enjoyable Austen 4 out of 5 stars.
5 of 5 people found this review helpful.

Persuasion, Jane Austen's last novel, is the story of Anne Elliott and Frederick Wentworth, two young lovers who are persuaded to be separated rather than marrying when they first fall in love around age nineteen because of lack of prospects. The story picks up eight years later when circumstances have changed and the now Captain Wentworth has returned to the area with a successful career and Anne's family is now reduced in financial status. Anne wonders if perhaps Frederick might still harbor feelings for her, but this being Austen, things never go smoothly and there is quite a lot of wondering and subterfuge, and colorful characters to keep things amusing.

This is not my favorite Austen; things started off quite slowly and there is not a great deal of dialogue. I did enjoy the fact that Frederick and Anne rediscovered each other relatively later in their lives, and as always, the build-up to the happy ending kept me smiling. While Persuasion doesn't have quite the emotional zing that Austen's earlier works do, it is still enjoyable. I doubt there's such a thing as an Austen novel that won't capture you in some way, and Persuasion accomplishes just that in its subtle, quiet style.

Editorial Review:

New chronology and further reading.