General Books - Page 4

Adventure of Huckleberry Finn (A+ Audio)

Mark Twain

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Customer Reviews:
Total reviews: 514 Average rating: 4.0 of 5

Finn & Sawyer Part 2 5 out of 5 stars.
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Everyone should read or re-read this classic. Most of us read it in school, probabaly not in its entirety. Schools struggled then and now with the use of the N word, although teenage boys in the 1830's clearly would never have heard a synonym.

These adventures are a classic. The royals were a hoot, how many failed fraudulent enterprises could they invent before the inevitable tar and feathering. Huck and Jim are on the run from an abusive father and the law, respectively, and Twain shows all people have a great deal in common, in spite of theories prevalent in the antebellum era.

I'm not sure why Tom Sawyer needs to show up to conclude this thing. The ending could work without him, maybe Twain not sure that Finn could carry the book or film alone.

Editorial Review:

An abridged audio version of Twain's classic novel of life on the Mississippi and of Huck Finn's attempt to help an escaped slave is accompanied by a guidebook containing a glossary, character list, scene-by-scene synopsis, and study references. Narrated by John O'Connell.

The Poisonwood Bible (Barnes and Noble Reader's Companion) (Barnes & Noble Reader's Companion)

Barbara Kingsolver

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Customer Reviews:
Total reviews: 1424 Average rating: 4.0 of 5

"Gripping story of growing up and finding meaning in life" 5 out of 5 stars.
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A masterpiece of literary craft and social conscience. A well-researched and biting critique of American imperialism in Africa in the 1950s and '60s, and a matching parable of religion at its worst (and best, thanks to Brother Fowles), all rolled into a gripping story of growing up and finding meaning in life. The multiple first-person structure (wonderfully easy to follow) is pure writer's genius. (I fell in love with Adah!)

My Introduction to Writing 5 out of 5 stars.
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This is a book folks have probably already described as one of those you'll compare all that you've read before and since. I will describe it as my introduction to literature, to writing. Perhaps I'm late to the party, what's new? The book was an Oprah book, so lots of us have already been all over this juan, and writefully so.

This story is told first person by 5 persons. I would say girls or women, but can't because it's not that simple, better than that and it wouldn't be fair. A mom and four daughters. Each and every one of them tell this story in turn. These ladies go to Africa with their baptist minister dad, Nathan Price. I want to tell you about these Prize girls and their mom. I'll let them tell you about brother Nathan Price and the other parts. This wheel has already been invented and perfected.

I was thinking earlier today that stories must dream of being told by Kingsolver, like (may god forgive me) an egg wants to be an Egg McMuffin in a corny McDonalds kind of way. To be told by Kingsolver is to be told well. She goes in and doesn't come back out until there are no story prisoners left behind. Like a net dropped into the ocean and brought up and released on deck. The details are there jumping all over the place in plain sight now, as exciting as all get out. Everyone of them will be touched and moved to their rightful place. Every marvelous one of them. I had no idea there was that much just under the surface.

Barbara does 5 entire souls in about 543 paperback pages. Before I finished I knew I was going to go again, and I did. I'm like what am I gonna read now?

From Rachel, the oldest daughter: If anyone presumed I was too young for a conversation about adulters and not getting babies they had another think coming.

From Leah, one of the twins: It struck me what a wide world of difference there was between our sort of games -- "Mother May I?", "Hide and Seek" -- and his: "Find Food", "Recognize Poinsonwood", "Build a House". And here he was a boy no older than eight or nine. He had a younger sister who carried the family's baby everywhere she went and hacked weeds with her mother in the manioc field. I could see that the whole idea and business of childhood was nothing guaranteed. It seemed to me, in fact, like something more or less invented by white people and stuck onto the front end of grown-up life like a frill on a dress.

From Orlenna, mom: I was just one more of those women who clamp their mouths shut and wave the flag as their nation rolls off to conquer another in war. Guilty or innocent, they have everything to lose. They are what there is to lose. A wife is the earth itself, changing hands, bearing scars.

From Adah, the other twin, my favorite: And all of us with our closed eyes smelled the frangipani blossoms in the big rectangles of open wall, flowers so sweet they conjure up sin or heaven, depending on which way you are headed.

From Rachel, describing her twin sisters: They spent so much time staring at each other's faces before they were born they can go the rest of their lives passing up mirrors without a glance.

From Leah describing Mama Tataba, their house-mom. She had a blind eye. It looked like an egg whose yolk had been broken and stirred just once. As she stood there by our garden, I stared at her bad eye, while her good eye stared at my father.

From Adah: Silence has many advantages. When you do not speak other people presume you to be deaf or feeble-minded and promptly make a show of their own limitations. ... It is true I do not speak as well as I can think. But that is true of most people, as nearly as I can tell.

And one more from mom: I know how people are, with their habits of mind. Most will sail through from cradle to grave with a conscience clean as snow. It's easy to point at other men, conveniently dead, starting with the ones who first scooped up mud from riverbanks to catch the scent of a source. Why, Dr. Livingstone, I presume, wasn't he the rascal! He and all the profiteers who've since walked out on Africa as a husband quits a wife, leaving her with her naked body curled around the emptied-out mine of her womb. ...

This is a book I'll always have a copy of to lend, if I'm lucky to have copies of any. There is just so much in this book, so much to love about these women and Africa. The excerpts above are just that, excerpts. None of us can be rightfully described by an excerpt. No way. But a glimpse. The bar has been raised by Kingsolver.

Editorial Review:

Barbara Kingsolver's national bestseller The Poisonwood Bible paints an intimate portrait of a crisis-ridden family amid the larger backdrop of an African nation in chaos. Critics and readers alike have acclaimed the novel as the greatest achievement of one of America's foremost living authors. Examine how the tragedy of the Price family mirrors the political unrest in the Congo, how the novel views religion and marriage, and how Kingsolver reconciles the demands of art with her belief that writing should support a political cause.

A Clockwork Orange

Anthony Burgess

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Customer Reviews:
Total reviews: 623 Average rating: 4.5 of 5

"Oh, it was gorgeosity and yumyumyum." 5 out of 5 stars.
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This sentence from the second-to-last chapter of our modern Dante's journey through Hell sums up this book in many ways. Intellectually stimulating, violent, fun, beautiful, dark and open; you won't find a better dystopia.

The problems I tend to have with dark novels about possible futures are that the authors tend to be extremely proud of themselves, and this smugness can ruin a book--and also that the changes in society often seem too clever or silly for me to actually enjoy the story.

A Clockwork Orange, however, pleases the ear as much as it does the mind. Maybe this is because most of Burgess' new words are actually words stolen from other languages. Whatever the reason, this counter-culture comes off as eminently plausible; and one that embraces violence without condemning it is a refreshing change from all these didactic novels about the "dangers" of the nature of humanity.

Editorial Review:

Anthony Burgess's modern classic of youthful violence and social redemption, reissued to include the controversial last chapter not previously published in this country, with a new introduction by the author.

The History of Love: A Novel

Nicole Krauss

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Total reviews: 286 Average rating: 4.0 of 5

Editorial Review:

A long-lost book reappears, mysteriously connecting an old man searching for his son and a girl seeking a cure for her widowed mother's loneliness.

Leo Gursky is just about surviving, tapping his radiator each evening to let his upstairs neighbor know he's still alive. But life wasn't always like this: sixty years ago, in the Polish village where he was born, Leo fell in love and wrote a book. And though Leo doesn't know it, that book survived, inspiring fabulous circumstances, even love. Fourteen-year-old Alma was named after a character in that very book. And although she has her hands full—keeping track of her brother, Bird (who thinks he might be the Messiah), and taking copious notes on How to Survive in the Wild—she undertakes an adventure to find her namesake and save her family. With consummate, spellbinding skill, Nicole Krauss gradually draws together their stories.

This extraordinary book was inspired by the author's four grandparents and by a pantheon of authors whose work is haunted by loss—Bruno Schulz, Franz Kafka, Isaac Babel, and more. It is truly a history of love: a tale brimming with laughter, irony, passion, and soaring imaginative power.

Much Ado About Nothing (Arden Edition of the Works of William Shakespeare)

William Shakespeare, A. R. Humphreys

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Customer Reviews:
Total reviews: 290 Average rating: 4.5 of 5

Great! 5 out of 5 stars.
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Wonderful movie! Now to find the Flying Karamazov Brothers' rendition of the Merchant of Venice.

Great Movie 5 out of 5 stars.
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A great movie to watch. It's kind of shallow in the plot, but very witty and comical. The acting is excellent, and it's definitely worthy of imagination of Shakespeare himself... as if these people were watched while he penned this play.

For those worried about being able to follow the archaic language, don't worry. The movie has subtitle options and it's by far one of the easiest to grasp!!!

DVD Much Ado About Nothing 5 out of 5 stars.
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This is an excellent Hollywood presentation of Shakespeare's play Much Ado About Nothing. Emma Thompson is an excellent actress. I would definitely be careful not to show it to children or young teens as there is a fairly explicit sexual scene in it unless you totally fast forward that scene.

Editorial Review:

Part of the "New Penguin Shakespeare" series, this book offers a complete edition of "Much Ado About Nothing". It has been prepared from the original texts and is accompanied by an introduction, a list of further reading, a full commentary, and a short account of the textual problems of the play.

To the Lighthouse (Wordsworth Classics)

Virginia Woolf

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Customer Reviews:
Total reviews: 169 Average rating: 4.0 of 5

An insightful, sensitive reading. 5 out of 5 stars.
2 of 2 people found this review helpful.

The idea of Virginia Woolf's fiction being read aloud effectively has struck me as an impossibility. The very interiority of Woolf's style seemed to suggest that readers hear the narrative voice within themselves. This reading proves me dead wrong. Virginia Leishman's reading--and interpretation--added much to my passion for a novel I have always loved. Readers--and listeners--new to Virigina Woolf need to be able to listen for long stretches of time in order to follow the stream of consciousness that propels the story. This commitment will be amply rewarded.

I am glad I purchased this. I will listen to it many, many times.

Transience 5 out of 5 stars.
1 of 2 people found this review helpful.

After reading some lighter fiction, I decided to delve into something deeper, a novel by Virginia Woolf. I located the tattered copy from my school days and took a deep breath. Here is another phenomenal book by Virginia Woolf. Published in 1927, To the Lighthouse broke new ground and Virginia Woolf emerged as the chief figure of modernism--and perhaps feminism--in England.

The book begins as Mrs. Ramsay, mother to eight children, speaks to her youngest child, James, age six, about his wish to go to the Lighthouse on the following day:

"Yes, of course, if it's fine tomorrow," said Mrs. Ramsay. "But you'll have to be up with the lark", she added.
To her son these words conveyed an extraordinary joy, as if it were settled, the expedition bound to take place, and the wonder to which he looked forward to, for years and years it seemed, was, after a night's darkness and a day's sail, within touch.
~To the Lighthouse, Virginia Woolf

However, Mr. Ramsay, as well as Charles Tansley, soon shatter the boy's hopes by saying that it will rain the next day, and that a trip to the Lighthouse is out of the question, which upsets both James and his devoted mother greatly. The setting for the story begins at the summer house at the Isle of the Skye during the summer, where the Ramsays entertain numerous friends in addition to their large family. Mrs. Ramsay tries to soothe the boy by saying that the weather may be fine, because she has a far greater understanding of her sensitive, gifted child than either her husband or his friend. Keenly aware of the beauty and brevity of childhood, she wants her children to be happy and hopeful, to be filled with light, in a world with ample darkness. The novel focuses on the intensity of childhood emotions, and highlights the impermanence of adult relationships and the transient nature of everything. The issue of the trip to the Lighthouse is brought up time and time again in the first section of To the Lighthouse, The Window, in which through repetition and stream-of-consciousness writing (Virginia Woolf's trademark style), the interior monologues of various characters are presented, seizing fleeting moods, feelings, thoughts, and insecurities, and the transient nature of things and relationships, giving permanence to these moments in the book, making them immortal--which seems to have been the author's goal. Like our own thoughts, which are often repetitious (and dare I say dull at times), the characters seem to tire of their own cyclical thoughts. At other times, their disjointed thoughts are featured. Virginia Woolf captures the dual reality of thought in To The Lighthouse, thought which is alternatively repetitive and disconnected. (Think about your own thinking--isn't it also this way?)

Just as in the story the painter Lily Briscoe tries to capture beautiful Mrs. Ramsay in a painting (although Lily is scoffed at, and the male belief was that women could neither paint nor write) the book attempts to make the impermanent permanent, and portrays these fleeting moments brilliantly, especially those between husband and wife. This is Virginia's Woolf's most autobiographical novel, and her husband, Leonard Woolf, called it a masterpiece. Virginia Woolf broke from tradition in this three part book, a novel in which there's not much action or dialogue, but instead much thought, about the ordinary as well as about time and the fleeting nature of life. One of the book's main themes is the ubiquity of transience. Is there an antidote for this often disturbing transience? Virginia Woolf suggests to women that while family and human relationships are important (although difficult sometimes), creative work may hold the key--meaningful work that will engage and may even outlive us. In this way, transience may be transcended to some degree.

(This review is from my blog about books, Suko's Notebook, suko95.blogspot.com.)

Editorial Review:

To the Lighthouse is the most autobiographical of Virginia Woolf's novels. It is based on her own early experiences, and while it touches on childhood and children's perceptions and desires, it is at its most trenchant when exploring adult relationships, marriage and the changing class-structure in the period spanning the Great War.

Understanding Comics: The Invisible Art

Scott Mccloud

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Customer Reviews:
Total reviews: 126 Average rating: 4.5 of 5

Brilliant Book! 5 out of 5 stars.
1 of 1 people found this review helpful.

Okay, this is seriously one of the most brilliant books I have ever read, and I have Henry (who is also brilliant) to thank for introducing this to me. (Thank you, Henry.) Although this book has been around since '93, I suspect it's nowhere near as recognized as it deserves to be, but with time that will change, I hope.

The full title is "Understanding Comics: The Invisible Art," and what Scott McCloud does is explain what we take almost completely for granted, not just about comics, which he convincingly raises to a fine art, but also about the way we 'see,' and think we see, the world around us, especially as it is represented in words and images.

It's an important book because he talks in deceptively simple terms about how we perceive reality. McCloud shows the reader, through the seemingly "childish" mechanism of comics, how we think about what we perceive. Therefore, it's an epistemological text, and those are always of tremendous interest to me. It's also a book about how creativity works, and that's a central theme to my research. I've spent most of my adult life dealing with 90% of what he encapsulates in 215 densely packed (and highly entertaining) pages. Did I mention that the entire work is written in the form of a comic book? No? Well, it is.

It purports to be about comics, but that is only the tip of the philosophical iceberg. It's a study of how to think about words and images, and how we have come to use them, not just in Western society, but also in the East. He calls this the "invisible art," the effect of the combination of words and pictures, and if you read this, you'll get a much better understanding of the term "closure," which is the phenomenon of what the brain does when interpreting the gaps between words and pictures (in comics, this gap is represented visually by the space between each frame of words and images). We make up a story in our minds to close this gap, and it's a crucial piece of the story-telling process, this 'silence' that leads the reader to decide what really happens.

Scott McCloud combines semiotics (the discussion of the meaning of signs and signifiers), art history, rhetorical analysis (why it's so brilliant), cognitive and neurological research (another reason it's so brilliant), with an analysis of art and literature's influence on human social dynamics. The synthesis he reaches makes the invisible, visible, and will help the reader understand how comics evolved and where they come from. Hopefully, it will give the reader a new appreciation for the comics art form.

I have studied the theory behind virtually every aspect of what he's talking about, except comics, and so I know the sources he's relying on to get to the information he's condensed for the reader, and I also know you won't like those sources, but you will like this book because it's accessible in a way semiotics, rhetorical analysis, and the finer points of art history, are not. But if you read this book, that's part of what you'll be reading, and you'll be glad you did.

Editorial Review:

Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, this innovative comic book provides a detailed look at the history, meaning, and art of comics and cartooning.

The Bell Jar

Sylvia Plath

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Customer Reviews:
Total reviews: 486 Average rating: 4.5 of 5

The most famous book you've never read 5 out of 5 stars.
2 of 3 people found this review helpful.

How did I go 34 years without picking up and reading this gem? I'll tell you...It is not included on any public school reading list that I have ever seen and every college literature course that I took (just for fun) never examined Sylvia Plath's writing. Instead I had the misfortune of several lit. courses that focused on less talented modern poets/writers.

In 1963, this book would have been shocking. The main theme is mental disturbia, suicide, losing virginity, (an all out attack on the quiet suburban status quo.)

As I read this book with the jaded perspective of a modern day American citizen, I couldn't shake the overwhelming feeling of innocence this 40 year old story emits.

This book is like a three year old child attempting to shock her parents with something "provocative" but falling short of the parental outrage so desired and ending up with parental amusement.

It is only a sign of the times. In 1963 this story of Esther Greenwood most likely provided the 1-2 punch. (Only a feeling on my part, as I was not around in those days.)

Don't think I am putting this book down in my review. I enjoyed every minute I spent reading this story. There was a time that I would read a book in two days. I haven't done that in several years. Too busy, too tired, too distracted.
I couldn't stop reading the Bell Jar. My laundry, dishes, and vacuuming took a hit on this one. I was tempted to take it to work with me. Thankfully it was not a 1000 page book. I am back to full capacity once again.

I suggest you read this classic and keep one thing in mind, Sylvia Plath based this on her own crack-up in college. It is a heavy thought to me,the reader, knowing that she eventually lost her battle to her mental demons years later while living with her two young children.

How to Read a Book (A Touchstone book)

Mortimer J. Adler, Charles Van Doren

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Total reviews: 107 Average rating: 4.5 of 5

Must Read! 5 out of 5 stars.
1 of 2 people found this review helpful.

This book has greatly helped me. I think this should be required reading in any school, be it home or public. I will certainly have my new born read it (well, once she is old enough). Now I have so many more tools available to me while reading. You will not read the same after reading this book. If you apply this book your skill will greatly increase. It has help me love to read!

Daniel Fuller, John Piper's hermeneutics teacher uses this book for his class. He doesn't believe in special hermeneutics but general hermeneutics. You can learn more here: http://www.desiringgod.org/ResourceLibrary/ConferenceMessages/ByDate/1994/ and http://www.desiringgod.org/ResourceLibrary/Articles/ByDate/2006/1625_Where_can_I_learn_more_about_the_Bible_study_method_called_arcing/

Editorial Review:

How to Read a Book, originally published in 1940, has become a rare phenomenon, a living classic. It is the best and most successful guide to reading comprehension for the general reader. And now it has been completely rewritten and updated.

You are told about the various levels of reading and how to achieve them -- from elementary reading, through systematic skimming and inspectional reading, to speed reading, you learn how to pigeonhole a book, X-ray it, extract the author's message, criticize. You are taught the different reading techniques for reading practical books, imaginative literature, plays, poetry, history, science and mathematics, philosophy and social science.

Finally, the authors offer a recommended reading list and supply reading tests whereby you can measure your own progress in reading skills, comprehension and speed.

Reading Lolita in Tehran: A Memoir in Books

Azar Nafisi

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Total reviews: 363 Average rating: 3.5 of 5

Editorial Review:

We all have dreams—things we fantasize about doing and generally never get around to. This is the story of Azar Nafisi’s dream and of the nightmare that made it come true.

For two years before she left Iran in 1997, Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they began to open up and to speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading—Pride and Prejudice, Washington Square, Daisy Miller and Lolita—their Lolita, as they imagined her in Tehran.

Nafisi’s account flashes back to the early days of the revolution, when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. When a radical Islamist in Nafisi’s class questioned her decision to teach The Great Gatsby, which he saw as an immoral work that preached falsehoods of “the Great Satan,” she decided to let him put Gatsby on trial and stood as the sole witness for the defense.

Azar Nafisi’s luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women’s lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice.