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Laughing Lost in the Mountains: Poems of Wang Wei

Wang Wei

Laughing Lost in the Mountains: Poems of Wang Wei Wang Wei List Price: $30.00
By: UPNE
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Customer Reviews:
Total reviews: 2 Average rating: 5.0 of 5

An Awesome Book of Poetry 5 out of 5 stars.
8 of 15 people found this review helpful.

The publisher hit all the key points, so I'll just say a quick few words. Wang Wei is one of my favorite poets, he paints like DaVinci and moves you like Mozart. Reading his work takes you to a whole new world.

A great escape, and a great way to spend an afternoon. Get this book! You will be pleased, guranteed!

Wang Wei, China's nature poet 5 out of 5 stars.
3 of 3 people found this review helpful.

A beautiful book full of nature poems by the chinese poet Wang Wei, this book contains over 170 wonderful poems, including the complete Wang River sequence. One of the best translations of Wang Wei's poems. If you want a more detailed history of this poets life, get the book 'Wang Wei' by Marsha L Wagner. I highly recommend both books.

Editorial Review:

Fine contemporary translations of one of the great poets of the T'ang dynasty.

Daughters of Emptiness: Poems of Chinese Buddhist Nuns

Beata Grant

Daughters of Emptiness: Poems of Chinese Buddhist Nuns Beata Grant Amazon Price: $13.56
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Customer Reviews:
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Important Female History of Buddhism Documented Here 5 out of 5 stars.
11 of 13 people found this review helpful.

Unfortunately, Buddhism throughout the ages has been mostly a Patriarchy. Where there were Buddhist nuns , it was a rarity to see their names and teachings preserved. This particular book by Beata Grant deals with some of the loveliest poems that were written by female Buddhist nuns. The reasons why Buddhist nuns have received little attention is partly due to the fact that men were the one's throughout Chinese history documenting the histories and collections of sayings. Lately many lineages in the west have become much more inclusive and all embracing in respect to this. In Kwan Um Zen (Korean), there are some female Zen masters teaching. Slowly but surely we are becoming more democratic in the way we conduct our affairs in our Buddhist circles. But make no mistake about it, we still have many hurdles to overcome. Here I will leave you with a poem in this book:

FLOWER-GAZING
By Chaoyi

"Using the soil to irrigate them,
Using water to plant them in:
This tipsy-turvy way of working
Allows me to do as I please.
In the garden full of spring breezes,
The flowers chatter to themselves;
They do not feel the need to show
Off their colors to anyone!"

Order this book today, it's a must read.

Editorial Review:

Beata Grant renders a great service by recovering and translating the enchanting verse — by turns assertive, observant, devout — of forty-eight nuns from sixteen centuries of imperial China. This selection of poems, along with brief biographical accounts that accompany them, affords readers a glimpse into the extraordinary diversity and sometimes startling richness of these women's lives. Daughters of Emptiness includes original hand-drawn calligraphies of each poet's name, as well as the poems in their original Chinese, alongside the translations.

Chinese Poetry, 2nd ed., Revised: An Anthology of Major Modes and Genres

Chinese Poetry, 2nd ed., Revised: An Anthology of Major Modes and Genres Amazon Price: $22.45
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Subjects -> Literature & Fiction -> Poetry -> Anthologies

Customer Reviews:
Total reviews: 8 Average rating: 4.5 of 5

Editorial Review:

This is the first paperback edition of a classic anthology of Chinese poetry. Spanning two thousand years—from the Book of Songs (circa 600 B.C.) to the chü form of the Yuan Dynasty (1260–1368)—these 150 poems cover all major genres that students of Chinese poetry must learn.
Newly designed, the unique format of this volume will enhance its reputation as the definitive introduction to Chinese poetry, while its introductory essay on issues of Chinese aesthetics will continue to be an essential text on the problems of translating such works into English. Each poem is printed with the original Chinese characters in calligraphic form, coordinated with word-for-word annotations, and followed by an English translation. Correcting more than a century of distortion of the classical Chinese by translators unconcerned with the intricacies and aesthetics of the Chinese language, these masterful translations by Wai-lim Yip, a noted and honored translator and scholar, allow English readers to enter more easily into the dynamic of the original poems. Each section of the volume is introduced by a short essay on the mode or genre of poem about to be presented and is followed by a comprehensive bibliography.

The New Directions Anthology of Classical Chinese Poetry

Eliot Weinberger

The New Directions Anthology of Classical Chinese Poetry Eliot Weinberger Amazon Price: $12.71
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Customer Reviews:
Total reviews: 2 Average rating: 5.0 of 5

Editorial Review:

A groundbreaking anthology of classical Chinese translations by giants of Modern American poetry.

A rich compendium of translations, The New Directions Anthology of Classical Chinese Poetry is the first collection to look at Chinese poetry through its enormous influence on American poetry. Weinberger begins with Ezra Pound's Cathay (1915), and includes translations by three other major U.S. poets—William Carlos Williams, Kenneth Rexroth, Gary Snyder—and an important poet-translator-scholar, David Hinton, all of whom have long been associated with New Directions.

Moreover, it is the first general anthology ever to consider the process of translation by presenting different versions of the same poem by various translators, as well as examples of the translators rewriting themselves. The collection, at once playful and instructive, serves as an excellent introduction to the art and tradition of Chinese poetry, gathering some 250 poems by nearly 40 poets. The anthology also includes previously uncollected translations by Pound; a selection of essays on Chinese poetry by all five translators, some never published before in book form; Lu Chi's famous "Rhymeprose on Literature" translated by Achilles Fang; biographical notes that are a collage of poems and comments by both the American translators and the Chinese poets themselves; and also Weinberger's excellent introduction that historically contextualizes the influence Chinese poetry has had on the work of American poets.

Women Poets of China (New Directions Paperbook, 528)

Women Poets of China (New Directions Paperbook, 528) Amazon Price: $11.01
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Customer Reviews:
Total reviews: 4 Average rating: 4.0 of 5

Unashamed, direct, honest, on par with women poets today. 5 out of 5 stars.
4 of 4 people found this review helpful.

This collection was a huge surprise. Unlike the steryo type of what women in China was like, subservient to husbands they are forced to marry, with little thoughts and feelings for themselves.

These women poets starting from 1644-1911, shout out thier love of thier partners, discuss drinking, sex, lust, romance, infactutation and even loving other women.

The metaphors are soft and light at the first reading, yet if you look deeper you realise some of the subjects are far from the softness the poetry is conveyed in.

A good histrical text on Chinese Women and a good read. As the previous reviewer said, buy two and give one to a friend.

One of the greatest collaborative translations ever 5 out of 5 stars.
3 of 3 people found this review helpful.

An exciting selection of poems by known and previously unknown women poets. Ling Chung's scholarship and sensitivity gave the late great Kenneth Rexroth the insight and inspiration to outdo himself here. Buy two copies and give one to a friend.

BEAUTIFUL!! 5 out of 5 stars.
0 of 0 people found this review helpful.

Probably my favorite of the asian poetry books that I've read. Thanks for the compilation, Kenneth.

Precious Records: Women in China's Long Eighteenth Century

Susan Mann

Precious Records: Women in China's Long Eighteenth Century Susan Mann Amazon Price: $65.00
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Total reviews: 2 Average rating: 4.0 of 5

Editorial Review:

This first book-length study of gender relations in the Lower Yangzi region during the High Qing era (c. 1683-1839) challenges enduring late-nineteenth-century perspectives that emphasized the oppression and subjugation of Chinese women. Placing women at the center of the High Qing era shows how gender relations shaped the economic, political, social, and cultural changes of the age, and gives us a sense of what women felt and believed, and what they actually did, during this period.

Most analyses of gender in High Qing times have focused on literature and on the writings of the elite; this book broadens the scope of inquiry to include women's work in the farm household, courtesan entertainment, and women’s participation in ritual observances and religion. In dealing with literature, it shows how women's poetry can serve the historian as well as the literary critic, drawing on one of the first anthologies of women's writing compiled by a woman to examine not only literary sensibilities and intimate emotions, but also political judgments, moral values, and social relations.

After an introductory chapter that evaluates the historiography of Chinese women, the book surveys High Qing history, charts the female life course, and discusses women's place in writing and learning, in entertainment, at work, and in religious practice. The concluding chapter returns to broad historiographic questions about where women figure in space and time and why we can no longer write histories that ignore them.

Penguin Book of Zen Poetry

Lucien Stryk, Takashi Ikemoto

Penguin Book of Zen Poetry Lucien Stryk, Takashi Ikemoto List Price: $12.95
By: Ohio Univ Pr
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Customer Reviews:
Total reviews: 1 Average rating: 5.0 of 5

One bath/after another/how stupid. (Isso) 5 out of 5 stars.
6 of 6 people found this review helpful.

This is a nice collection of Chinese and Japanese poetry in English translation--not only haiku, but all the works are haiku-esque in their brevity and style. After an excellent introduction explaining the Zen aesthetic of suggestion rather than depiction come four sections of poetry in English translation: Chinese Poems of Enlightenment and Death; Poems of the Japanese Zen Masters; Japanese Haiku; and Shikichi Takahashi, Contemporary Japanese Master. The poems are complemented by 14 black and white reproductions of Eastern paintings also demonstating the Zen influence in which detail is suggested rather than portrayed.

One might quibble about what is missing--apparently nothing from China after the southern Sung dynasty, or about the proportions of Japanese to Chinese work, or the inclusion of so much by a single modern master. But to do so would be to miss the point, and certainly to fail to bring a Zen sensibility to the collection as a whole. And here the introduction is invaluable--not only in explaining the selection made, but more importantly discussing the sensibility required. Certainly, for many Westerners, Zen is at best inscrutable and at worst commonplace; and they may see a haiku like Onitsura's likewise: Autumn wind--/across the fields/faces. Lucien Stryk has a very nifty comparison of this haiku with a short poem of Ezra Pound's which reveals its immediacy, and suggests an approach of thought that is absolutely necessary to the understanding of this poetry. All in all, a very worthwhile product. ...

Selected Poems of Su Tung-P'o

Su Tung-P'o

Selected Poems of Su Tung-P'o Su Tung-P'o Amazon Price: $12.60
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Total reviews: 4 Average rating: 5.0 of 5

A poetry that cleanses and refreshes the sensibility. 5 out of 5 stars.
19 of 19 people found this review helpful.

SELECTED POEMS OF SU TUNG-P'O : Translated from the Chinese by Burton Watson. 148 pp. Port Townsend, WA : Copper Canyon Press, 1994. ISBN 1-55659-064-4 (pbk.)

Burton Watson has always struck me as an eminently civilized scholar and as a fine translator. Unlike certain others, he wears his scholarship lightly, and doesn't overburden the text with extraneous matter. His many translations from Chinese and Japanese Literature are of uniformly high quality, and are well worth having as they are books one often wants to returns to.

The present book, after a typically brief but interesting and informative introduction which provides all we really need before diving into the poems, gives us translations of 105 of Su Tung-p'o's poems, lightly annotated and beautifully printed on spacious pages.

Su Tung-p'o is one of China's greatest poets, and Watson has outdone himself here. The wrapper includes a highly laudatory appreciation by Gary Snyder, and it's easy to see why. Watson has always been a brilliant translator, and a true artist with words, but in this book he has lifted himself into the ranks of the very best, and has produced translations indistinguishable in quality from those of Snyder himself.

Here, as an example of his marvelous control of tone, thought, feeling, image, rhythm, and sound, are the opening lines of poem 52 (with my obliques added to indicate line breaks) - 'Reading the Poetry of Meng Chiao' :

"Night : reading Meng Chiao's poems, / characters fine as cow's hair. / By the cold lamp, my eyes blur and swim. / Good passages I rarely find - / lone flowers poking up from the mud - / But more hard words than the Odes or Li Sao - / jumbled rocks clogging the clear stream, / making rapids too swift for poling. / My first impression is of eating little fishes. . . . " (p.70).

What we find here is what Burton Watson, in his 'Columbia Book of Chinese Poetry' (1984), has described as "a freshness and immediacy that is often quite miraculous" (p.3).

Not poems about airy notions and exalted abstractions, then, but poems describing events from daily life, poems recording the scenes of a journey, poems expressing grief, joy, boredom, or irritation as here, poems both serious and funny and by someone who is in many ways like ourselves.

Su Tung-p'o's is a wholesome poetry, a poetry that cleanses and refreshes the sensibility, and that translates us from the technoid madness of our own chaotic world to something more human and hence more nourishing. There's real food for the spirit in these poems. Watson has done them full justice. Sensitive readers would be unwise to pass them by.

Editorial Review:

tr Burton Watson, from 11th century Chinese

Songs of the South: An Anthology of Ancient Chinese Poems by Qu Yuan and Other Poets (Penguin Classics)

Various

Songs of the South: An Anthology of Ancient Chinese Poems by Qu Yuan and Other Poets (Penguin Classics) Various List Price: $11.95
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Ian Myles Slater on A Mysterious Classic 5 out of 5 stars.
12 of 12 people found this review helpful.

This edition of "Songs of the South" is a revised form (1985) -- rather more extensively altered than Hawkes' modest description might suggest -- of a complete, and annotated, translation (first edition 1959) of one of the oldest anthologies of Chinese poetry. Among surviving poetic texts, the "Ch'u Tz'u" (Wade-Giles transliteration) is supposedly second in age only to the "Book of Songs," traditionally edited by Confucius himself. Time and layers of interpretation, mainly derived from an early commentary of uncertain reliability, have made it a difficult work, but it is reputed to contain poetry of great beauty. David Hawkes managed to capture at least some of that beauty, and to supply an interpretive framework, and a great deal of fascinating lore about early Chinese civilization.

Large portions of the "Songs of the South" in fact clearly belong to the Han dynasty, several centuries later. These sections are imitations and extensions of a group of poems supposed to be the work of a certain Qu Yuan (Ch'u Yuan), a minister of the state of Ch'u (Pinyin Qu) in "southern" (now more like central) China, around 300 B.C. These "original" poems are themselves supposed to be imitations of traditional religious songs of the region, written by the minister while in exile from the royal court, and intended as criticism of the king's policies, and treatment of the author. The shamans (men and women) who courted the gods are seen as the minister seeking the king. Their supposed author himself became the subject of a sentimental legend of a noble official who drowned himself rather than witness the destruction of his ruler and country, and was later still connected with the Dragon Boat Festival, which was said to re-enact the search for his body. The exotic and troubling imagery of spirit lovers was thus adjusted to the self-image of the scholar-bureaucrats of Imperial China.

Although this political reading still has its defenders (see Geoffrey R. Waters' "Three Elegies of Ch'u" for an elaborate example), Hawkes spent decades studying this original core as more or less direct reflections of Chinese religion, myth, and legend before they were subjected to Confucian systematization. From this point of view (shared by, among others, Arthur Waley, who also translated a number of these poems), the appropriation of their imagery for Taoist-sounding visionary poems and prose extravaganzas in the rest of the anthology makes perfect sense. A political application of the relations between a shaman (male or female) and a sought-after deity is, of course, not ruled out. The "Nine Songs" (actually there are more; eleven) are extremely moving, whatever interpretation is adopted.

Another of the early poems, "Tian wen," or "Heavenly Questions," appears to be a collection of riddles about early gods, kings, and heroes, and is a somewhat opaque source of evidence for early Chinese narratives. Hawkes supplies it with fascinating notes, and cautiously favors the theory that it originally referred to a set of paintings, or perhaps a pictorial map. (Less inclusive examples of both have been turning up in Han Dynasty tombs, so this theory has some physical evidence to support it.)

Of the various translations of this material I have seen, I prefers Hawkes' revised version, but with the Penguin edition currently out of print (although often available used), alternatives may be easier for the curious to find.

Selections from the *original* (Clarendon Press, Oxford, 1959; Beacon Press Paperback, Boston 1962) version of Hawkes' translations have been anthologized, notably in Cyril Birch's "Anthology of Chinese Literature: From Early Times to the Fourteenth Century" (1965), which seems to stay in print.

Among translations by others, Arthur Waley's "The Nine Songs: A Study of Shamanism in Ancient China" (1955) is reprinted from time to time, and his translations from other parts of the collection are scattered through his volumes of Chinese poetry. More conveniently, entirely new translations of all eleven of the "Nine Songs," the beautiful and difficult "Li Sao," and several other pieces from the collection, along with later imitations and variously affiliated compositions, are included in Stephen Owen's "An Anthology of Chinese Literature: Beginnings to 1911" (1996) -- see mainly "The *Chu-ci*: 'Lyrics of Chu'," pages 155-175, and "The *Chu-ci* Tradition," pages 176-203," with "Calling Back the Soul," pages 204-214.

(Reposted from my "anonymous" review of September 10, 2003)

Sugawara no Michizane and the Early Heian Court

Robert Borgen

Sugawara no Michizane and the Early Heian Court Robert Borgen Amazon Price: $29.00
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Editorial Review:

Winner of the 1990 American Historical Association's James Henry Breasted Prize. A great book for anyone interested in the Heian period of Japan.

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