Jack Prelutsky
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By: HarperCollins
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Customer Reviews:
Total reviews: 4
Average rating: 5.0 of 5
If not for this book / And the witty poems it makes / I would hate haiku 5 out of 5 stars.
15 of 15 people found this review helpful.
For years and years now a curse has been floating over Jack Prelutsky's head. The curse reads, and I am quoting here, "Thou shalt make no silly poem books without being compared, first and foremost, to Shel Silverstein at all times". Mr. Prelutsky has labored under this curse for years, finding his own way to express himself but undoubtedly gritting his teeth whenever someone, however innocently, says, "It's good. But I think I like 'Where the Sidewalk Ends' better". View now Jack Prelutsky's greatest hour. In this, quite possibly the best book of haiku for children, he has teamed with remarkable watercolor artist Ted Rand to bring us one of the most beautiful, most well-written, and most deeply moving books of poetry to hit the market in a long long time. I don't usually bite my cheek in frustration when a book is not awarded a Caldecott Honor after publication, but I do so now (painfully) in spades.
The book contains seventeen sweet and simple haikus. The titular poem reads, "If not for the cat / And the scarcity of cheese / I could be content". This sort of sets the tone for the rest of the book. For once, Prelutsky isn't afraid to bring out the big guns. He throws out large words that kids will learn simply by reading the poems in the context in which they occur. Says a jellyfish of deep blue, "Boneless, translucent / We undulate, undulate, / Gelatinously". The humor of these poems is of a slower sweeter nature than you'll find in books like, "Baby Uggs Are Hatching". A particularly Yoda-like sloth comments with baby on its chest, "I am slow I am / Slowest of the slow I am / In my tree I am". I better stop copying down these poems word for word, but you get the idea. They're all remarkably well-written and some carry a slight philosophical bent. Of these, the sweetest and most meaningful comes from the surprising source of a mother kangaroo and her joey.
The pictures? The pictures are breathtaking. It's no wonder that the image of a hummingbird sipping nectar was taken as the cover of the New York Public Libraries Best Children's Books of 2004. Using a mix of sumi brush drawings in India ink, traditional watercolors, chalk, spatter (no idea), and printmaking techniques on BOTH rag stock watercolor paper and rice paper ... well let's just say a lot of work has gone down here. I could literally flip through this book all day just staring at the images. Whether it's a small delicate white moth nearing a homey if dangerous candle flame or a sweet playful otter cracking red spiky urchins on its tummy, Rand has given us a book that is truly worth reading.
At a certain time of year teachers will enter my library and ask for recommendations of haiku for their children. Before, my suggestions were always half-hearted well-I-heard-this-was-goods. Now I have a book to be excited about. Even if you don't particularly like haiku as a form (like myself) you will adore this book. It brings out the best in its author, its illustrator, and the style itself. One of the few must-purchase picture books currently in stores.
Editorial Review:
A creature whispers: If not for the cat, And the scarcity of cheese, I could be content.
Who is this creature? What does it like to eat? Can you solve the riddle?
Seventeen haiku composed by master poet Jack Prelutsky and illustrated by renowned artist Ted Rand ask you to think about seventeen favorite residents of the animal kingdom in a new way. On these glorious and colorful pages you will meet a mouse, a skunk, a beaver, a hummingbird, ants, bald eagles, jellyfish, and many others. Who is who? The answer is right in front of you. But how can you tell? Think and wonder and look and puzzle it out!
