General Books

The Forbidden Rumi: The Suppressed Poems of Rumi on Love, Heresy, and Intoxication

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Customer Reviews:
Total reviews: 2 Average rating: 5.0 of 5

Editorial Review:

The first collection of poems translated into English from the forbidden volume of the Divan of Rumi

• Presents Rumi’s most heretical and free-form poems

• Includes introductions and commentary that provide both 13th-century context and modern interpretation

After his overwhelming and life-altering encounters with Shams of Tabriz, Rumi, the great thirteenth-century mystic, poet, and originator of the whirling dervishes, let go of many of the precepts of formal religion, insisting that only a complete personal dissolving into the larger energies of God could provide the satisfaction that the heart so desperately seeks. He began to speak spontaneously in the language of poetry, and his followers compiled his 44,000 verses into 23 volumes, collectively called the Divan.

When Nevit Ergin decided to translate the Divan of Rumi into English, he enlisted the help of the Turkish government, which was happy to participate. The first 22 volumes were published without difficulty, but the government withdrew its support and refused to participate in the publication of the final volume due to its openly heretical nature. Now, in The Forbidden Rumi, Will Johnson and Nevit Ergin present for the first time in English Rumi’s poems from this forbidden volume. The collection is grouped into three sections: songs to Shams and God, songs of heresy, and songs of advice and admonition. In them Rumi explains that in order to transform our consciousness, we must let go of ingrained habits and embrace new ones. In short, we must become heretics.

How to Read the Egyptian Book of the Dead

Barry Kemp

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Editorial Review:

Using excerpts from the major texts to explain essential topics, the How to Read series provides a context and an explanation that will facilitate and enrich your understanding of texts vital to the canon.

In Search of the Kite Runner (Popular Insights)

Judi Slayden Hayes

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Subjects -> Religion & Spirituality -> Bible & Other Sacred Texts -> General

Customer Reviews:
Total reviews: 2 Average rating: 3.5 of 5

Popular insights 2 out of 5 stars.
1 of 2 people found this review helpful.

Not really what I thought it would be, not really needed after reading The Kite Runner unless you're doing a bit of research.

Kite Runner's Connections to Other Great Literature 5 out of 5 stars.
0 of 0 people found this review helpful.

Reading Hosseini's Kite Runner inspires both an emotional and spiritual response. Author Judi Hayes explores these reponses in her book by bringing in connections to other great "coming of age" literature. She also provides clear insight into the different paths people take in developing a spiritual nature and how some of these paths are reflected in Hosseini's novel.

Editorial Review:

In Search of the Kite Runner looks at the basic themes that make The Kite Runner (Riverhead Books, 2003) such a fascinating and thought-provoking story. Written from a Christian perspective, In Search of the Kite Runner begins with the rudiments of Islamic faith and the Islam of Afghanistan. Hayes brings to light the complexities of interpersonal and intrafamily relationships and examines the impact that power, guilt, and the quest for forgiveness and redemption can have on our lives

Defending the West: A Critique of Edward Said's Orientalism

Ibn Warraq

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Total reviews: 8 Average rating: 4.5 of 5

Editorial Review:

This is the first systematic critique of Edward Said's influential work, Orientalism, a book that for almost three decades has received wide acclaim, voluminous commentary, and translation into more than fifteen languages. Said’s main thesis was that the Western image of the East was heavily biased by colonialist attitudes, racism, and more than two centuries of political exploitation. Although Said’s critique was controversial, the impact of his ideas has been a pervasive rethinking of Western perceptions of Eastern cultures, plus a tendency to view all scholarship in Oriental Studies as tainted by considerations of power and prejudice.

In this thorough reconsideration of Said’s famous work, Ibn Warraq argues that Said’s case against the West is seriously flawed. Warraq accuses Said of not only willfully misinterpreting the work of many scholars, but also of systematically misrepresenting Western civilization as a whole. With example after example, he shows that ever since the Greeks Western civilization has always had a strand in its very makeup that has accepted non-Westerners with open arms and has ever been open to foreign ideas. The author also criticizes Said for inadequate methodology, incoherent arguments, and a faulty historical understanding. He points out, not only Said’s tendentious interpretations, but historical howlers that would make a sophomore blush.

Warraq further looks at the destructive influence of Said's study on the history of Western painting, especially of the 19th century, and shows how, once again, the epigones of Said have succeeded in relegating thousands of first-class paintings to the lofts and storage rooms of major museums.

An extended appendix reconsiders the value of 18th- and 19th-century Orientalist scholars and artists, whose work fell into disrepute as a result of Said’s work.

Woman at Point Zero

Nawal El Saadawi

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Total reviews: 32 Average rating: 4.5 of 5

It's also about the larger issue of the haves exploiting the have-nots 5 out of 5 stars.
5 of 6 people found this review helpful.

The story takes place in the early 1970s. The author, Dr. Saadawi is a psychiatrist and consultant for the women's prison. A young woman named Firdaus is scheduled to be executed for fatally stabbing her pimp. Thus far Firdaus has refused to speak to anyone, but Dr. Saadawi breaks through and thus a novel is born.

Firdaus is born to a poor family. Her parents die and she goes to live with her perverted uncle. He gets married and wants to be rid of Firdaus so he sends her to boarding school. She finishes her secondary school exams placing 7th in all of Egypt.

Her uncle and his wife decide that sending her to university would be a waste of time as there aren't that many job opportunities available. So, they marry her off to a sheik, who's supposed to be a real catch. He's plenty old enough to be her grandfather, and prone to tirades and violence that cause his repulsive facial sores to ooze pusty goo. Prior to this "arranged" marriage Firdaus contemplates escaping, but realizing how limited her options are acquiesces. Eventually, the marriage becomes unbearable and she flees only to be "rescued" by a pimp. She goes through a series of pimps, and one madam, before having a major epiphany.

Firdaus realizes she has been selling herself short. Drastically raising her prostitution rate makes her a hot commodity. Being a product of American pop culture myself this came as no great surprise to me. After all, some of my compatriots have been known to spend as much as $50,000 for a handbag. This concept of setting the price too high in order to raise the product's perceived worth in the eyes of the consumer is known in the advertising industry as "prestige pricing."

Firdaus sets herself up as a freelance pro. She has a nice apartment and picks and chooses her clients, and has free-time to pursue intellectual interests. Before long she has another major revelation after a male friend, whom she believes respects her as an astute liberated woman, lets her know that she's "just a whore." She then decides to get an "honest" 9 to 5 job working for the government. In doing so she must drastically reduce her standard of living. She is in for a rude awakening as she discovers the subculture of office politics. Not only did she make far more money as a prostitute she got more respect. Putting out is one of the unwritten rules of the job description.

Coincidentally, two nights before I read this book I saw a TV show about one of Nevada's legal brothels. The pimp, or CEO, boasted that their top "girl" grossed half a million dollars last year. That's more than 10 times what the average teacher makes (if not for the union they would make even less) and five times that of a nurse practitioner (HMOs don't mind paying this because it's still far cheaper than hiring MDs). Firdaus' story takes place about 35 years ago and I know there have been a lot of positive changes since then, but I wonder how many of them are cosmetic.

Two days after reading Firdaus' story I came across an article about the human organ "business." (Buying and selling organs is illegal in the US, but entrepreneurs circumvent this bete noire by charging "service" and "handling" fees. Organ procurers can strip a body much like a car, fetching $250,000 through legal channels!) In China harvesting death row inmates to sell their organs is reported to be a booming business. Regardless of how one feels about the death penalty, once profit is factored into the equation look out! So, if Firdaus were executed today in China her body could continue to be a commodity post-mortem.

This novella bears uncanny similarities to Lao She's "Crescent Moon." It's a short story in an anthology by the same name. A widowed mother is forced to prostitute to support her daughter then the daughter ends up prostituting to support the mother. Neither of them is named but, the daughters observations are very similar to Firdaus', so similar I began to wonder if Saadawi has read "Crescent Moon." Lao She was a casualty of the Cultural Revolution in 1966.

The motif of the stalking and judgemental green eyes can also be found in Li Ang's 1969 short story, "Curvaceous Dolls" that appears in The Colombia Anthology of Modern Chinese Literature edited by Joseph S.M. Lau and Howard Goldblatt. Li Ang also wrote The Butcher's Wife. "Curvaceous Dolls" is about a young wife's saphic longings, not unlike Firdaus' feelings for Miss Iqbal.

Editorial Review:

"All the men I did get to know, every single man of them, has filled me with but one desire: to lift my hand and bring it smashing down on his face. But because I am a woman I have never had the courage to lift my hand. And because I am a prostitute, I hid my fear under layers of make-up." --Excerpt

Reading Orientalism: Said and the Unsaid (Publications on the Near East)

Daniel Martin Varisco

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Editorial Review:

The late Edward Said remains one of the most influential critics and public intellectuals of our time, with lasting contributions to many disciplines. Much of his reputation derives from the phenomenal multidisciplinary influence of his 1978 book "Orientalism". Said's seminal polemic analyzes novels, travelogues, and academic texts to argue that a dominant discourse of West over East has warped virtually all past European and American representation of the Near East. But despite the book's wide acclaim, no systematic critical survey of the rhetoric in Said's representation of Orientalism and the resulting impact on intellectual culture has appeared until today.Drawing on the extensive discussion of Said's work in more than 600 bibliographic entries, Daniel Martin Varisco has written an ambitious intellectual history of the debates that Said's work has sparked in several disciplines, highlighting in particular its reception among Arab and European scholars. While pointing out Said's tendency to essentialize and privilege certain texts at the expense of those that do not comfortably fit his theoretical framework, Varisco analyzes the extensive commentary the book has engendered in Oriental studies, literary and cultural studies, feminist scholarship, history, political science, and anthropology.He employs "critical satire" to parody the exaggerated and pedantic aspects of post-colonial discourse, including Said's profound under appreciation of the role of irony and reform in many of the texts he cites. The end result is a companion volume to Orientalism and the vast research it inspired. Rather than contribute to duelling essentialisms, Varisco provides a path to move beyond the binary of East versus West and the polemics of blame. Reading Orientalism is the most comprehensive survey of Said's writing and thinking to date. It will be of strong interest to scholars of Middle East studies, anthropology, history, cultural studies, post-colonial studies, and literary studies.

The Arabian Nights: A Companion

Robert Irwin

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Customer Reviews:
Total reviews: 4 Average rating: 5.0 of 5

Good companion 5 out of 5 stars.
35 of 37 people found this review helpful.

As someone who loved the "Arabian Nights" since childhood, I eagerly read this book as well. For the most part, I wasn't disapointed. It does a wonderful job of setting the scene, discussing its origins, its distortions, and showing how the stories relate to medieval Arabian life. I was particularly impressed with the section discussing the connections between various story collections in both Asia and Europe. In short, this book helps the reader better understand this complex (and often confusing)work. The chapters are all clearly laid out and well argued, and the book as a whole is easy to read. He has complex ideas, but is able to communicate them fluidly.

One idea I would challenge, however. I believe the scholars who argue that the more "complete" manuscripts probably arose from increased European interest in it. It makes sense that writers would add filler to reach 1001 nights in response to consumer demand.

An interesting read for fans of "Arabian Nights."

Editorial Review:

The Arabian Nights: A Companion guides the reader into this celebrated labyrinth of storytelling. It traces the development of the stories from prehistoric India and Pharaonic Egypt to modern times. It also explores the history of the translation, and explains the ways its contents have been added to, plagiarized and imitated. Above all, the book uses the stories as a guide to the social history and the counterculture of the medieval Near East and the world of the story-teller, the snake charmer, the burglar, the sorcerer, the drug addict, the treasure hunter and the adulterer.

The Arabian Nights (Modern Library)

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Universal, Timeless Storytelling 5 out of 5 stars.
8 of 10 people found this review helpful.

The Arabian Nights: Tales from A Thousand and One Nights -translated by Sir Richard F. Burton
Though the collection is incomplete (this edition contains only the "most famous and representative" tales from the entirety), the compendium outshines any expectation or foreknowledge of the stories and is choc with the marvelous wit of ancient Arabian storytelling. The stories have an underbidding theme all alike, good is good and evil is evil, Allah is all and always and man and manhood will be sundered, for without fail comes with the tail of every tale "the Destroyer of delights and Severer of societies, the Plunderer of palaces, and the Garnerer of graves." Reminding sundry-reader that, despite diamond caches and throes of love, all is vanity of vanity, and only the story will exist for aught. The structure of each of these stories is thematically similar: a poor man happens on a souterrain of riches, he is espied by someone of evil, foul play ensues, a moon of moons of a beauty entrances one and all, a jinn sneaks out of a signet ring, the enemy is bewitched, and the hero is consummated with love and gold. Or, the reverse. Or, the inverse. But what is unique to each of these stories is the complete freedom of happenstance. A man fishing in a pond nets a monkey. A marooned sailor flies with a giant bird to freedom. A man blind in one eye runs into another blind in one eye and they run into another blind in one eye. Ali-Babba overhears an eponymous password to a storehouse of plunder. Everything and anything goes. As well with the language, in "fairest favour and formous form," Sir Burton spares no joyance of neologism coined, alliteration aligned or rhyme rhymed. The text is bedight with proper consciousness of Shaharazad, "for interest fails in twice told tales," and "Words cannot undo the done," as we are gently and thematically reminded of the bookends: the murderous king and the maiden, Shaharazad's "fictitious" fight for survival. The stories that have so obviously leaked into our culture, Aladdin, Ali-Babba and the Forty Thieves, are so much richer, more profound, and less coddling than our cartooned interpretations (as is also the case with the Grimm and Andersen tales). In the end, it is obvious that nor King nor author nor Queen is the hero. None save the stories themselves and the love of the telling will live on.

Editorial Review:

Full of mischief and valor, ribaldry and romance, The Arabian Nights is a work that has enthralled readers for centuries. "A book that captivates in childhood and still delights in old age, " said Robert Louis Stevenson.

Literatures of the Middle East

Tony Barnstone, Willis Barnstone

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Editorial Review:

This book is suitable for courses in Middle Eastern Literature, Middle Eastern History, World Literature, and Non-Western Literature. This extraordinary anthology gathers together a broad selection of representative, authoritative writings-spanning antiquity to the present-from the non-Western civilizations of the Middle East. It combines extensive introductions, headnotes, and bibliographies with excellent literary translations of the best contemporary and classical writers. The selections reflect literary, religious, and philosophical traditions and reveal-despite cultural differences-the universality of life experiences.

Desiring Arabs

Joseph A. Massad

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Subjects -> Health, Mind & Body -> Psychology & Counseling -> Sexuality -> Human

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Total reviews: 3 Average rating: 4.0 of 5

Editorial Review:

Sexual desire has long played a key role in Western judgments about the value of Arab civilization. In the past, Westerners viewed the Arab world as licentious, and Western intolerance of sex led them to brand Arabs as decadent; but as Western society became more sexually open, the supposedly prudish Arabs soon became viewed as backward. Rather than focusing exclusively on how these views developed in the West, in Desiring Arabs Joseph A. Massad reveals the history of how Arabs represented their own sexual desires. To this aim, he assembles a massive and diverse compendium of Arabic writing from the nineteenth century to the present in order to chart the changes in Arab sexual attitudes and their links to Arab notions of cultural heritage and civilization.
A work of impressive scope and erudition, Massad’s chronicle of both the history and modern permutations of the debate over representations of sexual desires and practices in the Arab world is a crucial addition to our understanding of a frequently oversimplified and vilified culture.
“A pioneering work on a very timely yet frustratingly neglected topic. . . . I know of no other study that can even begin to compare with the detail and scope of [this] work.”—Khaled El-Rouayheb, Middle East Report “In Desiring Arabs, [Edward] Said’s disciple Joseph A. Massad corroborates his mentor’s thesis that orientalist writing was racist and dehumanizing. . . . [Massad] brilliantly goes on to trace the legacy of this racist, internalized, orientalist discourse up to the present.”—Financial Times