History & Criticism Books

Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs)

Ellen Lupton

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Customer Reviews:
Total reviews: 48 Average rating: 4.0 of 5

Strange, superficial overview of type-related topics 2 out of 5 stars.
6 of 6 people found this review helpful.

I love type, but I lack an educated background on its use. I was so looking forward to learning about such details as when to prefer a sans-serif versus a serif in certain situations, how people react to various different families of faces, prescriptions for when to apply different types of layouts, and so forth.

When I got was a partially complete history lesson on how different types of faces and families evolved, an introduction to grid layouts with very little prescriptive advice, and weirdly, a brief editorial primer teaching how to mark up the printed page with pen.

To its credit, the book is full of examples of layouts. As I read, I expected any minute I'd penetrate the entry level "Here we see an example of a layout" to the real meat, but it never ever happened.

To the author's credit, the book was meticulously assembled and was clearly the product of a great deal of effort. And, this is not the first design-related book I've discovered that lacked meaningful depth.

But to any practicing designer looking for some guidance for taking their use of type to the next level, or understanding beyond his own innate instincts when to apply certain techniques, this is not the book for you. In fact, I'm not sure who this book is for.

Editorial Review:

The organization of letters on a blank sheet -- or screen -- is the most basic challenge facing anyone who practices design. What type of font to use? How big? How should those letters, words, and paragraphs be aligned, spaced, ordered, shaped, and otherwise manipulated? In this groundbreaking new primer, leading design educator and historian Ellen Lupton provides clear and concise guidance for anyone learning or brushing up on their typographic skills.
Thinking with Type is divided into three sections: letter, text, and grid. Each section begins with an easy-to-grasp essay that reviews historical, technological, and theoretical concepts, and is then followed by a set of practical exercises that bring the material covered to life. Sections conclude with examples of work by leading practitioners that demonstrate creative possibilities (along with some classic no-no's to avoid).

Photography (9th Edition)

Barbara London, Jim Stone, John Upton

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Customer Reviews:
Total reviews: 61 Average rating: 4.5 of 5

If you are studying for the CPP test.... 3 out of 5 stars.
4 of 9 people found this review helpful.

This is the book! If you are studying for the CPP test this is the one. It is comprehensive to a fault. The explanations of photo concepts are complete and easy to understand. The only problem is that the book is so big that it is falling apart. Wish me luck on the test!

good textbook 5 out of 5 stars.
2 of 5 people found this review helpful.

textbook needed for photography class. Its new and arrived on time. One can also be satisfied with the older edition of the book- especially for a beginner.

Editorial Review:

A picture tells a thousand stories, but the one it doesn't tell is how the shot was made. Barbara London and John Upton's Photography is an all-inclusive look at the craft of photography. This book will help any amateur move up a few notches, and it serves as a refresher course for professionals as well. The sixth edition of this classic work (the first was published in 1976) includes a companion Web site with interactive activities, Web resources, and a learning archive. Amply illustrated with at least one photograph or diagram on almost every page, Photography is the one reference work every student of photography must have--even those who will never set foot in a classroom. --Brenda Pittsley

Art History, Vol. 1, 3rd Edition

Marilyn Stokstad

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Customer Reviews:
Total reviews: 2 Average rating: 5.0 of 5

Editorial Review:

In tune with today's readers–rich but never effete–this is the art history book of choice for a new generation. Presenting a broad view of art from prehistory through the Gothic Age, it sympathetically and positively introduces the works of all artists. This includes women, artists of color, and the arts of other continents and regions, as well as those of Western Europe and the United States. The new edition contains even more full-color reproductions, larger images, redrawn maps and timelines, and new photographs and higher quality images. Balancing both the traditions of art history and new trends of the present, Art History is the most comprehensive, accessible, and magnificently illustrated work of its kind. Broad in scope and depth, this beautifully illustrated work features art from the following time periods and places: prehistory; art of the ancients (Near East, Egypt, the Aegean, Greece, Etruscan, and Roman); early Christian, Jewish, and Byzantine art; Islamic art; India before 1100; Chinese art before 1280; Japanese art before 1392; art of the Americas before 1300; the art of ancient Africa; early Medieval European art; Romanesque art, and Gothic art. An excellent reference work and beautiful edition for any visual artist.

The New Drawing on the Right Side of the Brain

Betty Edwards

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Customer Reviews:
Total reviews: 167 Average rating: 4.5 of 5

Editorial Review:

illustrated with 12-page color photo insert and line art throughout

A revised and expanded edition of the classic drawing-instruction book that has sold more than 2,500,000 copies.

When Drawing on the Right Side of the Brain was first published in 1979, it hit the New York Times bestseller list within two weeks and stayed there for more than a year. In 1989, when Dr. Betty Edwards revised the book, it went straight to the Times list again. Now Dr. Edwards celebrates the twentieth anniversary of her classic book with a second revised edition.

Over the last decade, Dr. Edwards has refined her material through teaching hundreds of workshops and seminars. Truly The New Drawing on the Right Side of the Brain, this edition includes:

* the very latest developments in brain research;
* new material on using drawing techniques in the corporate world and in education;
* instruction on self-expression through drawing;
* an updated section on using color; and
* detailed information on using the five basic skills of drawing for problem solving.

Translated into thirteen languages, Drawing on the Right Side of the Brain is the world's most widely used drawing-instruction guide. People from just about every walk of life--artists, students, corporate executives, architects, real estate agents, designers, engineers--have applied its revolutionary approach to problem solving. The Los Angeles Times said it best: Drawing on the Right Side of the Brain is "not only a book about drawing, it is a book about living. This brilliant approach to the teaching of drawing . . . should not be dismissed as a mere text. It emancipates."

Meggs' History of Graphic Design

Philip B. Meggs, Alston W. Purvis

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Customer Reviews:
Total reviews: 33 Average rating: 4.5 of 5

Not as good as former editions 3 out of 5 stars.
2 of 2 people found this review helpful.

After using all the editions, the latest isn't up to the late Phil Meggs' standards. In its attempt to
be concise and concept oriented, it omits much cultural and marginal information that was
interesting and flavorful. This edition is not as delicious as the others. I'm thinking of switching
textbooks for my students.

Excellent resource 5 out of 5 stars.
0 of 0 people found this review helpful.

This book provides an excellent resource on the graphic design industry with in-depth information on typography and how different art movements affected graphic design. It is well written and has great pictures with detailed descriptions. I recommend it for every graphic designer's personal library.

Editorial Review:

Now in its Fourth Edition, this unrivaled, seminal work continues its long tradition of providing balanced insight and thorough historical background. Under the new authorial leadership of Alston Purvis, this authoritative book offers more than 450 new images, along with expansive coverage of such topics as Italian, Russian, and Dutch design. It reveals a saga of creative innovators, breakthrough technologies, and important design innovations.

Understanding Comics: The Invisible Art

Scott McCloud

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Customer Reviews:
Total reviews: 125 Average rating: 4.5 of 5

Reading between the lines 4 out of 5 stars.
2 of 3 people found this review helpful.

As previous reviewers have mentioned, Scott McCloud is passionate about comics; part of the purpose of writing the book, it seems is to justify the argument that comics are indeed art. I found this a moot point, although his evidence was interesting. Another reason behind the book, it seems, is to explain the message behind comics: the epistomological leaps we take when we read them, the artisitic decisions made when they are created, and the evolution the art form has taken. This was not only the strongest and most interesting part of the book, but also much less preachy.

I enjoy comics, from 19th century broadsheets to the Sunday funnies and the occasional graphic novel. Until now, however, I never really thought about the conscientious decisions the artist makes between realism and meaning when drawing them. Similarly, I had never critically thought about the fundamental differences between Asian (especially Manga) comics and Western comics. McCloud has shed much light on these topics, and explains these differences and decisions clearly, without pretense.

Avid readers of comics, aspiring comic artists and purists may find McCloud a bit pedantic - for the novice such as myself, I was fascinated, as a whole new world has been opened to me through his explaination. Why the four stars then? I took a star for his argument about comics as "art". I suppose there are those who believe comics are not art (or are "low" art at the most); while I disagree with this (and side with McCloud), I thought the argument was out of place, and ultimately moot. Still, a recommended read.

Editorial Review:

A comic book about comic books. McCloud, in an incredibly accessible style, explains the details of how comics work: how they're composed, read and understood. More than just a book about comics, this gets to the heart of how we deal with visual languages in general. "The potential of comics is limitless and exciting!" writes McCloud. This should be required reading for every school teacher. Pulitzer Prize-winner Art Spiegelman says, "The most intelligent comics I've seen in a long time."

A World of Art

Henry M. Sayre

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Customer Reviews:
Total reviews: 14 Average rating: 4.5 of 5

Thorough 4 out of 5 stars.
2 of 2 people found this review helpful.

The book covers an extensive array of facts about art in general as well as about specific works of art. By introducing artists and exploring their intentions, the student can better understand and perhaps come to appreciate a wider variety of all forms of art.
The CD holds some of the works that appear in the book, but not all, plus others that are not in the book which I thought was a little disconnected. But the CD also includes verbal pronunciation of artists' names, which cooresponds exactly to the Pronunciation Guide and is helpful. Overall, the book offers very thorough instruction for art appreciation.

Editorial Review:

For one semester courses in Art Appreciation.

A World of Art teaches students how artists create by helping them understand that creativity starts with critical thinking. By guiding students through a rich array of aesthetic elements and artistic media, along with an overview of art history, this text encourages students to develop an appreciation for a diverse range of art. Author Henry M. Sayre demystifies the creative process by showing how artists use critical thinking and problem solving to create great works of art. Studying art also requires critical thinking and problem solving, and this text shows students how to use these skills to understand and explore the world of art.

Gardner's Art Through the Ages, Volume I, Chapters 1-18 (with ArtStudy Student CD-ROM and InfoTrac )

Fred S. Kleiner, Christin J. Mamiya

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Customer Reviews:
Total reviews: 8 Average rating: 3.5 of 5

Editorial Review:

The market-leading text for the art history survey course, GARDNER'S ART THROUGH THE AGES has served as a comprehensive and thoughtfully crafted guide to the defining phases of the world's artistic tradition. With this book in hand, thousands of students have watched the story of art unfold in its full historical, social, religious, economic, and cultural context, and thus deepened their understanding of art, architecture, painting, and sculpture. By virtue of its comprehensive coverage, strong emphasis on context, and rich, accurate art reproductions, GARDNER'S ART THROUGH THE AGES has earned and sustained a reputation of excellence and authority. So much so, that in 2001, the Text and Academic Authors Association awarded both the McGuffey and the "Texty" Book Prizes to the Eleventh Edition of the text. It is the first art history book to win either award and the only title ever to win both prizes in one year. The Twelfth Edition maintains and exceeds the richness of the Gardner legacy with updated research and scholarship and an even more beautiful art program featuring more color images than any other art history book available. The Twelfth Edition features such enhancements as more color photographs, a stunning new design, and the most current research and scholarship. What's more, the expanded ancillary package that accompanies GARDNER'S ART THROUGH THE AGES, features a wealth of tools to enhance your students' experience in the course. With each new copy of the book, students receive a copy of the ArtStudy 2.0 CD-ROM--an interactive electronic study aid that fully integrates with the Twelfth Edition and includes hundreds of high-quality digital images, plus maps, quizzes, and more.

Ways of Seeing: Based on the BBC Television Series

John Berger

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Customer Reviews:
Total reviews: 36 Average rating: 3.5 of 5

Dreck 1 out of 5 stars.
6 of 65 people found this review helpful.

Dreck, dreck, dreck, dreck,dreck, dreck, dreck, dreck, dreck, dreck,more dreck, more dreck, more dreck, more dreck, more dreck, more dreck, more dreck, and more dreck, and more dreck, and more dreck . . . you get the idea?

Good to See Some Honest Debate Here 1 out of 5 stars.
5 of 7 people found this review helpful.

"Ways of Seeing " has become so universally available, so overused (especially in academia), and so often quoted, that it's refreshing to read the reviews of so many intelligent naysayers here. "Ways of Seeing" is perhaps mistitled in that it really proposes only one way of seeing works of art, which is as artifacts in the history of capitalism. It is propaganda, and like most propaganda, it heavily skews the evidence in favor of it's main argument, which is basically that European art from Raphael to Picasso is just a tool for enslaving women, non-Europeans and the working classes. (Warning: Berger is a real kill-joy. If you read this book and imbibe it's themes, be prepared to never innocently enjoy your favorite old masters again!) However, I would advise anyone with a serious interest in art criticism and theory to get a copy, fill the margins with notes, consult the original sources, and decide for herself/himself how well it stands up. To give just one instance of how sloppy Berger can be, I would invite the reader to consider whether he bothered to learn anything about the art of perspective drawing before indicting it as ideologically tainted, and then trashing it, all in two short paragraphs.

Art: A Brief History (3rd Edition) (MyArtKit Series)

Marilyn Stokstad

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Customer Reviews:
Total reviews: 2 Average rating: 4.0 of 5

Editorial Review:

This book, an introduction to the history of art that features excellent scholarship, takes a global approach with an emphasis on the Western tradition in art. It reflects new interests and issues, expanding the topic to include women and minorities, and showing media and techniques other than painting, sculpture, and architecture. Written in clear, standard English without art historical or aesthetic jargon, Art: A Brief History is visually appealing as well as intellectually stimulating. This comprehensive survey of world art is based on the most recent scholarship, and includes coverage of arts inspired by all the major religions, the contribution of women and minorities, and contains discussions of all the arts, including ceramics, glass, metal, enamel, and the fiber arts. This book serves as an introduction to the history of art and a ready reference for people working in the arts, including museum docents, and art gallery employees, owners, and managers.