History & Criticism Books - Page 6

Fingerprint: The Art of Using Hand-Made Elements in Graphic Design

Chen Design Associates

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Customer Reviews:
Total reviews: 21 Average rating: 4.5 of 5

Editorial Review:

Make Your Mark

Design is at a turning point. Our infatuation with--and the backlash against--technology is over. Today's best designers have learned to embrace its advantages and think beyond its limitations by combining the power of the computer with the tactile qualities of handmade elements.

Inside you'll find examples of work that showcase a variety of design methods, including mixed media, illustration, letterpress, screenprinting and collage. You'll find inspiration in examples from outstanding designers and see how traditional elements can make a more powerful statement than anesthesized computer-only work. Fingerprint also includes insightful essays on the power of the handmade by Debbie Millman, Jean Orlebeke, Jim Sherraden, Martin Venezky and Ross Macdonald.

The projects in this book are beautiful, technical, simple, layered and powerful. Each project communicates its intended message with eloquence.

You can be part of this exciting design revolution. Leave your own fingerprint on the world by exploring the fusion of the digital with the hand-wrought.

Chen Design Associates is a visual communications firm based in San Francisco. Firm Principal Joshua Chen is a frequent guest speaker for professional conferences, workshops, studio tours and educational institutions. The firm self-published the award-winning Peace: 100 Ideas.

Andy Goldsworthy: A Collaboration with Nature

Andy Goldsworthy

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Customer Reviews:
Total reviews: 54 Average rating: 5.0 of 5

not too shabby. 3 out of 5 stars.
1 of 1 people found this review helpful.

while i bought this book for another, i find it to be pretty good. some pictures aren't up to todays digital quality, but its still great to look at. you won't be disappointed.

Andy Goldsworthy is AWESOME 5 out of 5 stars.
0 of 0 people found this review helpful.

AMAZING - INSPIRING - AWESOME. This book was purchased in tandum with the video "Rivers and Tides". I don't think I could just pick one or the other. What one begins, the other ends and the relationship is perfect. Be inspired - spend time, REAL TIME - looking at these images and reading about his work and his methods. You will look at the world a new way. I am a professional photographer and the photography is gorgous. You can't miss this one.

Editorial Review:

Scottish artist Andy Goldsworthy uses a seemingly infinite array of purely natural materials, from snow and ice to leaves, stone, and twigs in the creation of his one-of-a-kind sculptures. Unlike such artists as Christo and Michael Hiezer, whose works leave definite marks on the landscape, Goldsworthy's approach is to interrupt, shape, or in some other way temporarily alter or work with nature to produce his fragile, mutable pieces. To create "Broken Icicle," for example, Goldsworthy was only able to work on the sculpture in the early morning, when temperatures were below freezing. As with most of his works, ultimately, the materials used to create this piece returned to their natural state, leaving no trace of the artwork's existence save for the stunning photos in this book.

Dark Water: Flood and Redemption in the City of Masterpieces

Robert Clark

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Customer Reviews:
Total reviews: 5 Average rating: 4.0 of 5

Editorial Review:

This dramatic, beautifully written account of the flood that ravaged Florence, Italy, in 1966 weaves heartbreaking tales of the disaster and stories of the heroic global efforts to save the city’s treasures against the historic background of Florence’s glorious art.

On November 4, 1966, Florence, one of the world’s most historic cities and the repository of perhaps its greatest art, was struck by a monumental calamity. A low-pressure system had been stalled over Italy for six weeks and on the previous day it had begun to rain again. Nineteen inches fell in twenty-four hours, more than half of the annual total. By two o’clock in the morning twenty-thousand cubic feet of water per second was moving towards Florence. Soon manhole covers in Santa Croce were exploding into the air as jets of water began shooting out of the now overwhelmed sewer system. Cellars, vaults, and strong-rooms were filling with water. Night watchmen on the Ponte Vecchio alerted the bridge’s jewelers and goldsmiths to come quickly to rescue their wares. By then the water was moving at forty miles per hour at a height of twenty-four feet. At 7:26 a.m. all of Florence’s electric civic clocks came to a stop. The Piazza Santa Croce was under twenty-two feet of water. Beneath the surface, twelve feet of mud, sewage, debris, and oil sludge were starting to ooze and settle into the cellars and crypts and room after room above them. Six-hundred-thousand tons of it would smother, clot, and encrust the city. 
Dark Water brings the flood and its aftermath to life through the voices of witnesses past and present. Two young American artists wade heedlessly through the inundated city carrying their baby in order to witness its devastated beauty: the Ponte Vecchio buried in debris and Ghiberti’s panels from the doors of the Florence Baptistery, lying heaped in yard-deep mud; the swamped Uffizi Gallery; and, in the city libraries, one billion pages of Renaissance and antique books, soaked in mire. A Life magazine photographer, stowing away on an army helicopter, arrives to capture a drama that, he felt, “could only be told by Dante” amid the flooded tombs of Machiavelli and Michelangelo in Giotto and Vasari’s Santa Croce. A British student, one of thousands of “mud angels” who rushed to Florence to save its art, spends a month scraping mud and mold from Cimabue’s magnificent and neglected Crocifisso as intrigues and infighting among international art experts and connoisseurs swirl around him. And during the fortieth anniversary commemorations of 2006 the author asks himself why art matters so very much to us, and how beauty seems to somehow save the world even in the face of overwhelming disaster.

Graphic Design: The New Basics

Ellen Lupton, Phillips Jennifer Cole

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Customer Reviews:
Total reviews: 8 Average rating: 4.5 of 5

Editorial Review:

How do designers get ideas? Many spend their time searching for clever combinations of forms, fonts, and colors inside the design annuals and monographs of other designers’ work. For those looking to challenge the cut-and-paste mentality there are few resources that are both informative and inspirational. In Graphic Design: The New Basics, Ellen Lupton, best-selling author of such books as Thinking with Type and Design It Yourself, and design educator Jennifer Cole Phillips refocus design instruction on the study of the fundamentals of form and ideas in a critical, rigorous way, informed by contemporary media, theory, and software systems.

Through visual demonstrations and concise commentary, The New Basics shows students and professionals how to build interest and complexity around simple relationships between formal elements of two-dimensional design such as point, line, plane, scale, hierarchy, layers, and transparency. The New Basics explains the key concepts of visual language that inform any work of design—from a logo or letterhead to a complex Web site. It takes a fresh approach to design instruction by emphasizing visually intensive, form-based thinking in a manner that is in tune with the latest developments in contemporary media, theory, art, and technology. Colorful, compact, and clearly written, The New Basics is the new indispensable resource for anyone seeking a smart inspiring introduction to graphic design, and destined to become the standard reference work in design education.

www.gdbasics.com, the on-line companion to Graphic Design: The New Basics, includes a variety of student responses to the design problems featured in the book. Sample syllabi for a variety of course levels are included along with key technical information from each chapter.

How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects

Nita Engle

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Customer Reviews:
Total reviews: 49 Average rating: 4.5 of 5

Excellent resource 4 out of 5 stars.
1 of 1 people found this review helpful.

Book purchased to present to our watercolor instructor at the end of our session. It has so many different techniques, and really lovely examples. At least two members of the class have ordered the book after examing this one. She plans to incorporate some of the unusual techniques in the next session she leads.

Editorial Review:

Award-winning artist Nita Engle’s breakthrough approach to watercolor shows readers how to combine spontaneity and control to produce glowing, realistic paintings. Her method begins with action-filled exercises that demonstrate how to play with paint, following no rules. Subsequent step-by-step projects add planning to the mix, demonstrating how to turn loose washes into light-filled watercolors with textural effects achieved by spraying, sprinkling, pouring, squirting, or stamping paint. Engle’s approach, and her results, are dramatic and dynamic; now watercolor artists can create their own exciting paintings with help from How to Make a Watercolor Paint Itself.

The Polaroid Book: Selections from the Polaroid Collections of Photography (Taschen's 25th Anniversary Special Editions)

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Total reviews: 9 Average rating: 4.5 of 5

What a SEXY book!!! 5 out of 5 stars.
16 of 16 people found this review helpful.

WOW... words can't even begin to describe how much I love this book! It's about time they released a book like this! And the wrapper of this book is genius! It looks like a gigantic box of Polaroid film... I didn't even want to remove the cover at first... I fondled it for awhile and then I slowly peeled it off and curled up on the couch for an hour or two and looked at all the pretty pictures.
This book is highly recommended for any Polaroid enthusiast! And if you want to see some great 'roids on the net- check out Polanoid.net!

Do not miss the opportunity to own this treasure! 5 out of 5 stars.
2 of 2 people found this review helpful.

This is a classic which sold out its first printing. BUY THIS NOW! You will have, preserved on your bookshelf the essence of what Edwin Land envisioned over 65 years ago distilled in one BEAUTIFUL volume. How can the Petters Group (who now owns Polaroid) dare to banish such a beautiful art form from humanity? That's right, Polaroid has stopped making instant film and the supply may barely run through the end of this year, and all expire by the end of next year. THIS IS A CRIME AGAINST ART AND HUMANITY!! Buy the book, then go to savepolaroid.com and join us all to save this incredible art form. JUST LOOK AT THE PAGES OF THIS INCREDIBLE VOLUME!!! You will be amazed!

Editorial Review:

This survey features more than 400 works from the Polaroid Collection along with essays by Hitchcock, who illuminates the beginnings and history of the Polaroid Corporation.

Color by Betty Edwards: A Course in Mastering the Art of Mixing Colors

Betty Edwards

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Total reviews: 31 Average rating: 4.5 of 5

Editorial Review:

Millions of people have learned to draw using the methods of Dr. Betty Edwards's bestseller The New Drawing on the Right Side of the Brain. Now, much as artists progress from drawing to painting, Edwards moves from black-and-white into color. This new guide distills the enormous existing knowledge about color theory into a practical method of working with color to produce harmonious combinations.

Using techniques tested and honed in her five-day intensive color workshops, Edwards provides a basic understanding of how to see color, how to use it, and-for those involved in art, painting, or design-how to mix and combine hues. Including more than 125 color images and exercises that move from simple to challenging, this volume explains how to:

- see what is really there rather than what you "know" in your mind about colored objects
- perceive how light affects color, and how colors affect one another
- manipulate hue, value, and intensity of color and transform colors into their opposites
- balance color in still-life, landscape, figure, and portrait painting
- understand the psychology of color
- harmonize color in your surroundings

While we recognize and treasure the beautiful use of color, reproducing what we see can be a challenge. Accessibly unweaving color's complexity, this must-have primer is destined to be an instant classic.

Juxtapoz Illustration (Juxtapoz) (Juxtapoz)

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Customer Reviews:
Total reviews: 4 Average rating: 5.0 of 5

Buy this book immediately! 5 out of 5 stars.
3 of 3 people found this review helpful.

Even if you're not a subscriber to the legendary Juxtapoz magazine, this is a must-purchase for anyone even mildly interested in the modern 'pop surrealism' or 'low brow' art movements. Some of my very favorite artists appear in here.

All in all, this is chock-full of absolutely stunning works of art. Buy it now if you have any unusual artistic aesthetic tastes whatsoever. This is dirt-cheap for a nicely hardbound book with great printing and sturdy paper.

Disclaimer: One of my main goals is to have my work appear in the magazine or the Great 'FSM' willing, an esteemed publication such as this, so if I sound like a fan-boy, I must admit the shoe fits... ;)

PS: I plan to pick up the other books in the series too, they have a tattoo one out now as well but others are on the way. Check 'em out.

WOW 5 out of 5 stars.
3 of 3 people found this review helpful.

I am a big fan of the magazine and this book is just mind blowing, Page to page full of artworks and different artist, some featured in the magazine and some new comers never seen before. If you love juxtapoz get the book you wont be disapointed. The makers of Juxtapoz really have out done themself's this time. Even if you have never heard of the magazine or don't like the magazine you will love this book.

A Year of Mornings: 3191 Miles Apart

Maria Alexandra Vettese, Stephanie Congdon Barnes

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Total reviews: 6 Average rating: 4.5 of 5

Editorial Review:

The morning hours before the hustle and bustle of the day commences is the perfect time to pause and enjoy a sense of renewal and vitality. On the morning of December 7, 2006, Maria Alexandra Vettese and Stephanie Congdon Barnes each took a digital photo of everyday objects randomly arranged on their kitchen tables and, unbeknownst to one another, uploaded them to the website Flickr.

"A Year of Mornings" collects 236 images – always taken before 10AM without discussion between the two women – from this uniquely 21st-century artistic collaboration. The intimacy of these photographs – discarded clothing, a view of a snowy day from the window, a table cloth – combined with their striking similarities in color and composition defies the reality of their long-distance collaboration. While clearly kindred spirits, the two women have met in person only once. Their friendship is maintained solely online, sustained by a shared love for moments of serenity, solitude, and peacefulness. The annotated photographs in "A Year of Mornings" radiate an aura of sweetness and light – the promise of a new day.

Dressing the Man: Mastering the Art of Permanent Fashion

Alan Flusser

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Total reviews: 48 Average rating: 4.0 of 5

Editorial Review:

Dressing the Man is the definitive guide to what men need to know in order to dress well and look stylish without becoming fashion victims.

Alan Flusser's name is synonymous with taste and style. With his new book, he combines his encyclopedic knowledge of men's clothes with his signature wit and elegance to address the fundamental paradox of modern men's fashion: Why, after men today have spent more money on clothes than in any other period of history, are there fewer well-dressed men than at any time ever before?

According to Flusser, dressing well is not all that difficult, the real challenge lies in being able to acquire the right personalized instruction. Dressing well pivots on two pillars -- proportion and color. Flusser believes that "Permanent Fashionability," both his promise and goal for the reader, starts by being accountable to a personal set of physical trademarks and not to any kind of random, seasonally served-up collection of fashion flashes.

Unlike fashion, which is obliged to change each season, the face's shape, the neck's height, the shoulder's width, the arm's length, the torso's structure, and the foot's size remain fairly constant over time. Once a man learns how to adapt the fundamentals of permanent fashion to his physique and complexion, he's halfway home.

Taking the reader through each major clothing classification step-by-step, this user-friendly guide helps you apply your own specifics to a series of dressing options, from business casual and formalwear to pattern-on-pattern coordination, or how to choose the most flattering clothing silhouette for your body type and shirt collar for your face.

A man's physical traits represent his individual road map, and the quickest route toward forging an enduring style of dress is through exposure to the legendary practitioners of this rare masculine art. Flusser has assembled the largest andmost diverse collection of stylishly mantled men ever found in one book. Many never-before-seen vintage photographs from the era of Cary Grant, Tyrone Power, and Fred Astaire are employed to help illustrate the range and diversity of authentic men's fashion. Dressing the Man's sheer magnitude of options will enable the reader to expand both the grammar and verbiage of his permanent-fashion vocabulary.

For those men hoping to find sartorial fulfillment somewhere down the road, tethering their journey to the mind-set of permanent fashion will deliver them earlier rather than later in life.