Medieval Books

The Book of Kells: An Illustrated Introduction to the Manuscript in Trinity College Dublin

Bernard Meehan

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Customer Reviews:
Total reviews: 7 Average rating: 4.5 of 5

Darkness into Light 5 out of 5 stars.
40 of 40 people found this review helpful.

I was glad I had this book along with me when I went to see the real Book of Kells at the Trinity College Library in Dublin. The lines of tourists waiting to view this famous eighth century manuscript were about a quarter of a mile long, and the museum proctors were really hustling us through the area where a small sampling of pages were actually on view.

(If you take the tour, be sure to check out the main chamber of the Old Library with its first editions of Newton and Darwin, plus the harp that is (alas, falsely) attributed to Brian Boru, high king of Ireland).

The first facsimile of the Book of Kells was published in 1974, and although this book only advertises itself as 'an illustrated introduction to the manuscript...' it contains good color plates of many of the most famous pages, e.g. the symbols of the four evangelists and the beginning of the 'Breves causae' of Matthew, among others.

Author, Bernard Meehan, the current Keeper of Manuscripts at Trinity College states that "the sacred text itself was copied in the Book of Kells with a remarkable degree of inaccuracy." It consists of the Latin text of the Gospels, illuminated in the very ornate Hiberno-Saxon style ('Hiberno' refers to the Irish, or Hibernians).

Legend has it that the Book of Kells was produced by St. Colum Cille on the island of Iona off western Scotland. Although it was probably begun in the Irish monastery on Iona, it was taken to the monastery of Kells in County Meath, after a series of Viking raids. The monastery on Iona was pillaged in 795, and again in 802. According to the author, "In 806, sixty-eight of the community were killed in another raid. The following year, the survivors migrated to Ireland and began to erect conventual buildings at Kells..." where the illumination of the manuscript was probably completed.

If you are interested in the historical background of the Book of Kells, the author devotes a whole Appendix to it.

Alas, according to this book's second Appendix, "Losses, Additions and Marginalia," the Book of Kells has not remained intact down through the centuries. "At present there are 340 folios, but around thirty folios, including some major decorated pages have been lost." The monks also used blank spaces in the manuscript to record details of property transactions in the late eleventh and twelfth centuries.

Meehan's book is definitely worth viewing and reading. It also contains a wealth of the smaller decorative illustrations that do not always relate to the sacred text, e.g. hares, dogs, horses, and at least one moth. The color and minute details of these decorations are a source of endless fascination, and the scholarly text, although a trifle dry, is also very interesting.

The Art of Illumination: The Limbourg Brothers and the "Belles Heures" of Jean de France, Duc de Berry (Metropolitan Museum of Art)

Timothy B. Husband

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Editorial Review:

One of the most lavishly illustrated codices of the Middle Ages, the Belles Heures (1405–1408/9) is the only manuscript executed in its entirety by the famed Limbourg brothers. Commissioned by its magisterial patron, Jean de France, duc de Berry, this richly illuminated Book of Hours, intended for private devotion and now housed in The Cloisters at the Metropolitan Museum, counted among the duke’s large collection of prized possessions. The luminous scenes depicting the legends of the saints, the Hours of the Virgin, and the like, many with elaborately designed borders, exemplify the transcendent splendor of the Limbourg brothers’ talents.

The Macclesfield Psalter

Stella Panayotova

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Editorial Review:

The first reproduction of this exquisite illuminated manuscript that brings medieval ways, beliefs, and thought to life.

Discoveries of real artistic treasures are exceptionally rare. The Macclesfield Psalter (c. 1335), a jewel of manuscript painting, was virtually unknown before its sale by Sotheby's in 2004.

The manuscript offers a window into the medieval world, an intimate view of the faith, sentiments, prejudices, follies, and aspirations of medieval people. Doctors, minstrels, mummers, farmers, dancers, jesters, and beggars mingle on the pages as they would have done on the streets of a busy town. And the marginal imagery tempts the viewer to leave the confines of the prayer book and enter a wonderland of literary conceits, visions, and fables, with naked wild men, a dog dressed as a bishop, or a giant fish swimming across a page.

The Macclesfield Psalter is a revealing product of artistic and patronage exchange in the Middle Ages. A complete reproduction of the manuscript at its original size is accompanied by an authoritative text that not only interprets the textual and artistic content but also beguiles the reader through its vivid descriptions and rich insights.

Holy Terrors: Gargoyles on Medieval Buildings

Janetta Rebold Benton

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Customer Reviews:
Total reviews: 6 Average rating: 5.0 of 5

A excellent book on the history and meaning behind gargoyles 5 out of 5 stars.
30 of 30 people found this review helpful.

After searching several times for a book that gives the true meaning behind what gargoyles are, and where to find them, it has been found. This book combines a great number of detailed pictures with excellent writing. Way to go Janetta Benton!!!!

Family Appeal 5 out of 5 stars.
19 of 19 people found this review helpful.

"Holy Terrors" is that rarest of books, one that is of genuine value to adults curious about art and architecture, but also very much capable of holding the interest of children. My five-year-old son loves the pictures--especially the "Hairy human with animal head" that adorns the cathedral in Burgos, Spain. We also both appreciate the excellent selection of medieval illustrations, such as Schongauer's "Temptation of Saint Anthony." Skimming through "Holy Terrors" is a fun way to introduce kids to one of the cultural treasures of Europe.

Editorial Review:

A true gargoyle is a waterspout, an architectural necessity that medieval artisans transformed into functional fantasies. In clear, lively language, this charming survey of these mischievous creatures explains everything there is to know about their history, construction, and purposes. 109 illustrations, 108 in color.

Medieval Calligraphy: Its History and Technique

Marc Drogin

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Customer Reviews:
Total reviews: 13 Average rating: 5.0 of 5

Worth having in your library. 5 out of 5 stars.
3 of 6 people found this review helpful.

Medieval Calligraphy by Marc Drogin is comprehensive and historically informative, certainly worth having in your collection.

More colour please! 3 out of 5 stars.
2 of 4 people found this review helpful.

This is an excellent book with the exception of the glaring lack of colour in the photos.
Great explanations, good connnections between the different eras and styles, but again, if one is depending on a book for colour suggestion, this is not the tome.

Good Basic Book 4 out of 5 stars.
1 of 3 people found this review helpful.

Pros: Nearly half the book covers the history of calligraphy as well a selection of various scripts. The other half covers basic technique and specific instructions for 13 different scripts plus numerals.

Con: No colour images of period examples.

Great for SCA/reenactor

Editorial Review:

Spirited history, comprehensive instruction manual covers 13 important writing styles (ca. 4th century thru 15th). Fascinating facts about Roman Rustic, Uncial, Carolingian Minuscule, Early Gothic, eight other styles; all examples beautifully photographed. Detailed directions for duplicating medieval techniques with modern tools. 232 illustrations.

Coat of Arms

Catherine Daly-Weir

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Total reviews: 7 Average rating: 5.0 of 5

Hear Ye! Hear Ye! 5 out of 5 stars.
10 of 11 people found this review helpful.

Catherine Daly-Weir has done an excellent job of presenting a general and yet fairly complete introduction to Heraldry. The illustrations are beautiful and attractive. Obviusly written for the younger reader, adults will enjoy just as well. If you are working on a club/class project and need to creat a Coat of Arms, this book and Rosemary Chorzempa's "Design Your Own Coat of Arms" are all you need! You will have no trouble creating your own Coat of Arms expecially with the plastic stencil which is included in the book. A must have!

Great for younger children 5 out of 5 stars.
3 of 4 people found this review helpful.

I think this is excellent for younger children. It is a good basic introduction.

Excellent book 5 out of 5 stars.
3 of 3 people found this review helpful.

This book is great. It covers several aspects of heraldry (history, battlefield, heralds, tournaments, rules, positioning, meaning of designs etc.) without being overwhelming for children. I have used this book with my art therapy students, and my sister has used it with her students with art class...all the students loved it. Even those who can't read can get alot from the book as illustrations are excellent. I highly recommend. Ages 6-adult...I have even used this book to design a shield for myself. For those interested in other sources...Heraldic Design by Hubert Allcock is also a great sourcebook.

Editorial Review:

Why did knights of the Middle Ages have coats of arms? What did the different symbols and colors mean? Could anyone have one? Even girls? Here's a fascinating first look at heraldry with an accompanying stencil so that readers can create a shield with their very own coat of arms.

The Lost Painting: The Quest for a Caravaggio Masterpiece

Jonathan Harr

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Customer Reviews:
Total reviews: 86 Average rating: 4.0 of 5

Editorial Review:

In 1992 a young art student uncovered a clue in an obscure Italian archive that led to the discovery of Caravaggio's original The Taking of the Christ, a painting that had been presumed lost for over 200 years. How this clue--a single entry in an old listing of family possessions--led to a residence in Ireland and the subsequent restoration of this Italian Baroque masterpiece is the subject of this brisk and enthralling detective story. The Lost Painting reads more like a historical novel than art history, as Harr smoothly weaves several narratives together to bring the story alive. Though he does not provide an in-depth examination of the painting itself--the book is not aimed specifically at art experts--Harr does include many details for lay readers about restoration, the various methods used to track artwork through history, how originals are distinguished from copies, and an inside view of the art world, past and present. He also discusses various forensic approaches, including X ray, infrared reflectography, chemical analysis of the paints and canvas, and other modern techniques. But most of the book is focused on more primitive methods, including dogged research through dusty archives and meticulous attention to detail.

This entertaining book boasts an engaging cast of characters, all of whom are inflicted with the "Caravaggio disease," including some of the foremost Caravaggio scholars in the world, persistent students, obsessive restorers, and most of all, the artist himself. Mercurial, supremely gifted, and prone to violence, Caravaggio lived like an outlaw and a pauper most of his troubled life. Yet even when he attained wealth and fame--and briefly, respectability--he was still hounded by the law (for murder) and numerous vengeful enemies. Harr does an admirable job of bringing the man alive in these pages while keeping his long-lost painting at the center of the action. --Shawn Carkonen

Art and Beauty in the Middle Ages

Umberto Eco

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Customer Reviews:
Total reviews: 3 Average rating: 4.0 of 5

Strike Out 2 out of 5 stars.
21 of 34 people found this review helpful.

Umberto Eco's best efforts are probably contained in this rather labyrinthine and meandering effort to codify Thomistic philosophy. Thomism doesn't have a philosophy of the "aesthetic,' a notion wholly alien to the medieval mind. So Eco has to kind of create such a notion from a plethora of Thomas' writings. Fortunately, Eco does stay on track, even if he creates and follows tangents widely, by staying focused on the contribution ART (vis-a-vis "aesthetics") offers to modern sensibility.

Frankly, if one wants a better understanding of Medieval attitudes toward art, Emile Male's "Gothic" is incomparable. Male's work is a tour d'force and a "must" for anyone seriously interested in medieval art.

Even Jacques Maritain's "Art and Scholasticism" does a better job of presenting Thomistic views on art and beauty. The same can be said of Josef Pieper, who has written many books on art and the scholastic mind.

Eco, who made a name for inviting deconstruction into the Italian worldview, is better skilled at directing his attentions to that field than the medieval notions, concepts, and theories of art and beauty. If one wants a more concolidated assessment of the "philosophical" underpinnings of scholasticism's attitude toward art, simply read Aristotle. The scholastic view isn't much different, except that it is differently deployed in a manner consistent with Male's "Gothic."

This book bored me.

Editorial Review:

In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture.

Byzantium, 330-1453

Robin Cormack, Maria Vassiliki

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Editorial Review:

In this magnificent book exploring the artistic and cultural riches of Byzantium, eminent scholars lead a thrilling visual tour of the history and cultural developments of more than a thousand years of Byzantine art, revealing Constantinople’s endless splendors.

From icons, wall paintings, mosaics, and manuscripts to ivories, metalwork, and jewelry, numerous artifacts reveal the distinct style and character of Byzantine art. Highlighting over three hundred works from the collections of the holy monasteries of Sinai and Mount Athos, the Treasury of Saint Mark’s in Venice, and museums and institutions across the globe, this landmark publication—which accompanies a spectacular exhibition—explores the artistic identity of this turbulent empire and its influence on European and Islamic traditions.

Masterpieces of Illumination: The World's Most Famous Manuscripts 400 To 1600

Ingo F Walther, Norbert Wolf

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Customer Reviews:
Total reviews: 6 Average rating: 5.0 of 5

A joy to hold and behold 5 out of 5 stars.
10 of 10 people found this review helpful.

Illumination has fascinated me since I was a boy. This is the best book I have seen of illuminations. The scope includes books in Greek, Latin, Old Church Slavonic, Persian, and Mayan. The printing is superb. Detailed descriptions tell who did the work, who patronized it, who owned the book, where it is now, and so forth. Great for browsing for enjoyment and as a source of inspiration. I expect this book to be a favorite for many years to come. Anybody who enjoys calligraphy and illumination would be delighted to own this book.

The Best Available Overview of Illuminated Manuscripts 5 out of 5 stars.
9 of 9 people found this review helpful.

"Masterpieces of Illumination: The World's Most Beautiful Illuminated Manuscripts from 400 to 1600" is essentially a reprint of "Codices illustres: The World's Most Famous Illuminated Manuscripts 400 to 1600." The former is one of many 25th anniversary Taschen editions, and bears the series logo on its dust-jacket and bright green cover (rather than the classier illumination of the Limburg Brother's Anatomical Man that adorns the cover of the latter). "Masterpieces" is also slightly smaller (9 ¾" x 12 ½") than the original (10 ¼" x 13 ¼"). There are a few other slight differences between the two editions: different endpapers; white paper for the appendix in "Masterpieces," ivory in "Codices"; and slightly darker illustrations in Masterpieces (only noticeable if you actually compare the editions side by side). Otherwise the two editions are virtually identical.
This is a truly wonderful book. It contains discussions and representative illuminations from 167 of the most famous and influential extant codices, books of hours, psalters, Bibles and histories from Europe and Asia (23 or the 167 are from Persia, turkey and India) during the 1200 years in which manuscript illumination flourished as an art form (and at the end of the text proper are samples from yet another 29 manuscripts). The full-color and often full-page illustrations are beautifully and accurately rendered, and the accompanying descriptions are both authoritative and unusually informative. The appendix contains artist biographies, along with a comprehensive bibliography, glossary, and index. In short, this is more than just a coffee-table book; in fact, I use it in my university course on manuscript illumination (along with Christopher De Hamel's excellent "A History of Illuminated Manuscripts," which forms the perfect companion piece to this volume.).
At the current retail price ($29.95) this book is an absolute steal. If you only get one book on the subject of manuscript illumination, this should be the one!

Editorial Review:

Famous Manuscripts - The fascinating world of medieval miniature painting and illumination