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Man's Search for Meaning : An Introduction to Logotherapy

Viktor E. Frankl

Man's Search for Meaning : An Introduction to Logotherapy Viktor E. Frankl By: Simon&Schuster
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Customer Reviews:
Total reviews: 288 Average rating: 4.5 of 5

How to find happiness in a dismal situation 5 out of 5 stars.
3 of 3 people found this review helpful.

I bought this book because I was searching for yet another book on workplace bullying and another book came up in my search based on Frankl's book. I read the customer reviews on that book and one reviewer said something to the effect of, "If you want to read a book based on Viktor Frankl's opinion of how to get along at a bad work environment (like a Nazi death camp), why don't you just read Frankl's book?" So, that's where I started. I read it. Twice. Then I got out my computer and typed in passages that had meaning to me so I could re-read them during difficult times. I compressed the entire book down to about 10 pages, single spaced. I must admit that I consider myself a negative, often depressed sort of person, mostly because my work situation is so demoralizing. I was amazed by Frankl's coping mechanisms on how to get along in a difficult situation; every day meant multiple incidents of having to choose the correct path to avoid death or worse, making the choice to give up on your own life (suicide). He went through 5 years of that and lived to tell about it. It is a must read for everyone, particularly when you are having the hardest time of your life. I could tell that if I had read it as a college student, it wouldn't have the same meaning as now, when I am 50 and have had many ups and downs. I see everything at such a deeper level and appreciated this book so much more than I would have if I were younger. Briefly, the lessons in the book written 50 years ago still apply today. Here they are: Let luck be your guide. It's not what you know, it's who you know. Network with the equivalent of a one-step-up lateral (not your own) middle manager and they will help you when they can. Schmooze. Be kind to others. Don't complain, it doesn't help. You can't fix, deal with or appeal to a sadist, so don't try. Avoid sadists at all costs. Keep your mouth shut unless asked for your opinion and then be short and to the point. Praise, even when praise isn't deserved. Keep criticisms to yourself. Be inconspicuous. Work hard for the sake of doing a good job. Fantasize for escape. Everything can be taken away from you except for your past, so relish in it. When something good happens to you, write it down (keep a gratitude journal). Don't do anything that compromises your own values so you won't have regrets. Be careful who you abuse today because tomorrow they may be your master. You are not your job, your title or your position. You are a unique person loved by others. The only thing in life that really matters is the people you love and the people who love and need you. Love shared is eternal. Treat everyone with respect. The meaning of life is not what life can do for you, but what life expects of you; how you make the world a better place with your presence. The purpose of life is not happiness. The purpose of life is discovering what you can contribute to it. Save a slice of bread (or whatever is the only material thing that matters to you when there is nothing left) for later when you are really depressed and it's the only thing left that can get you through that difficult moment. (For me it's chocolate and a dark beer at the same time.) Apathy is the signaling of the beginning of the end of one's life. Everyone that you respect and look up to has human failings. Even tough guys cry. Suffering without purpose is meaningless. The larger the suffering, the bigger the lesson. There's lots more in the book for you to discover and it's an easy read.

The Virtue of Selfishness

Ayn Rand

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Customer Reviews:
Total reviews: 125 Average rating: 4.0 of 5

How Selfish 4 out of 5 stars.
5 of 5 people found this review helpful.

I find myself again reviewing a book by Ayn Rand that I quite liked. I am not a philosophy major so I won't be arguing about the soundness of her metaphysics or epistemology. I will simply say that while I don't agree with everything she has to say (few would) she makes very interesting observations. Her essay on the concept of human rights as a way to subjugate rulers to moral law is spot on. Her definition of sacrifice is also more logical than another one proposed in another review. Her idea that capitalism is the only free economic system borders on tautological and her support of property rights is a rarity amongst modern "thinkers". Again, while I don't support everything she said (I am still debating the idea of absolute morality, as if morality was something we can discover like the laws of physics) I think she makes strong arguments for personal freedom and the proper relation between a government and its governed.

Adolescent, juvenile philosophy 1 out of 5 stars.
4 of 23 people found this review helpful.

Objectism appeals to an adolescent mind. An individual who has thought about self, non-self, life, meaning, spirituality, materialism ... in any meaningful way cannot but come to the realization that Rand's philosophy is woefully superficial and juvenile. Or so one might hope...

People who are ardent devotees of Rand always seem to impress me as a bit odd. Their personalities and characters seem shallow, robotic, cold, underdeveloped but at the same time they appear smug and self-satisfied.

It is ironic that most Rand followers are intelligent, but not really. It truly does take an intelligent mind to convulute what is intuitive truth and combined with the ruse of so-called logic and rational thinking, build an artifice only a clever but misguided child might.

Rand's raison detre is the concept of "self". But what is the "self"? Rand superficially believes the self begins with one's personal mind or consciousness. And from there, all her "selfish" ethics follow. In her world, everything begins and ends with "self". In other words, the small little world encased in her tiny head.

To be sure, the "self" is the individual. This is not false. And therefore, it is logical that ethics should stem from this source and fountain.

But it's also not all true, either.

This is why Rand appeals to the adolescent. An adolescent is one who is yet maturing from childhood, growing into an adult individual. And this growing into his own is exciting. He is enthralled with his growing independence. His growing awareness of his individuality is exhilerating. To him, his little self is the beginning and end to all things.

But as adolescents grows older, most realize at some level that the "self" is not binary. As the ancient philosophers, mystics and sages before us have realized, the "self" is really a continuum. There are no clear lines. There is no beginning or end. No real boundaries; just those you create.

True wisdom comes when one is able to transcend the conventional, narrow definition of "self" that Rand defines and limits one's self to being.

Does a wider conception of self entail a politics and society empty of individual rights, liberties and freedoms? Of course not. Only a child would come to such a conclusion.

Contrary to Rand, a society that respects individual rights and liberties is possible concomitantly with a culture/philosophy that realizes that the "self" can be and is larger than the individual flesh and bones that encases our egos. It can be a society that respects not only individuals but peoples, nature and everything in the world... to fulfill and seek out their happiness in their own unique way while at the same time, helping each other without the need or expectation of "self interested benefit" in the narrowest sense.

Indeed, unlike Rand, whose ethics are driven by "self-interest"; the ethics of a "larger self" are driven by love and charity. But unlike Rand, the latter would realize that the two are really the same thing inasmuch as love is the enlargement of the self to include others in that idea of self, until ultimately, the binary notion of self disappears altogether.

Logically, then, loving others is really loving one's self inasmuch as one comes to realize that "I" am "you" and "you" are "me".

This realization however comes not by logic alone but intuitively. But it should not be dismissed because of that. All knowledge is first intuitive, until it is rationalized, categorized and logically made sense of by the conscious mind. However, what is intuitively obvious is sometimes mashed up into something else entirely by clever but juvenile minds.

Should self-interest in the Randian sense then play no part in our ethics? No. But in moderation.

If self is a continuum, then our ethics should reflect this. What I do, I do for myself, my family, my friends, my neighbor, for mankind and for the world in general. The mature individual realizes that ethics cannot be constructed based on the narowest definition of self alone. But neither can it be defined based solely on any one particular definition of self as well -- whether that be family, friends, tribe or nation. The mature, rational individual should keep all things in balance; and in this balance, his ethics follow.

I am "self" in the narrowest sense; but my "self" also exists in the widest sense that includes "you" and "everything" else. And when this is realized, "self-interest" = "your-interest" = "our interest" = "all interests" = love = transcendence.

Basic Writings of Nietzsche (Modern Library)

Friedrich Nietzsche

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Customer Reviews:
Total reviews: 34 Average rating: 5.0 of 5

Kaufmann Translations with all Footnotes 5 out of 5 stars.
1 of 1 people found this review helpful.

The Birth of Tragedy-75 Aphorism-Beyond Good and Evil-The Genealogy of Morals (3 Essays)-The Case of Wagner-Interpretations/commentaries

A great collection, though a strange chronological leap from BOT to BGE. Right for the price and a great review of the later published books of FN. All of Kaufmann's footnotes are maintained. You'll at least want to have had read The Gay Science before coming to this, or even TSZ; Beyond Good and Evil and The Genealogy of Morals are NOT the place to get your feet wet and FN is not joking in Ecce Homo when he says that a close reading and familiarity with his earlier writings is necessary to delve and dredge up all that he has thought through--and to then move on to further possibilities presented by the various threads lain therein.

But if you are really eager to get to these later works, do at least have some familiarity with Hegel and read the Untimely Meditations and then make the leap to this volume.

Caveat: I cannot recommend the Zarathustra translation by Kaufmann, as available through the Viking Portable Library or Penguin; it is truly facile. Hollingdale's translations of the TSZ, Twilight and the AntiChrist are much preferable, thought they lack K's commentary.

Editorial Review:

One hundred years after his death, Friedrich Nietzsche remains the most influential philosopher of the modern era. Basic Writings of Nietzsche gathers the complete texts of five of Nietzsche's most important works, from his first book to his last: The Birth of Tragedy; Beyond Good and Evil; On the Genealogy of Morals; The Case of Wagner; and Ecce Homo. Edited and translated by the great Nietzsche scholar Walter Kaufmann, this volume provides a definitive guide to the full range of Nietzsche's thought.

Included also are seventy-five aphorisms, selections from Nietzsche's correspondence, and variants from drafts for Ecce Homo.


From the Trade Paperback edition.

Thus Spake Zarathustra

Friedrich Wilhelm Nietzsche

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Customer Reviews:
Total reviews: 105 Average rating: 4.5 of 5

Algora pub./T. Wayne trans. edition is best 5 out of 5 stars.
0 of 0 people found this review helpful.

This is an amazing, but also sometimes amazingly difficult to access, work. It is unfortunate that Kauffman's is the most widely used translation, because his translation is clunky and ponderous. T. Wayne's translation, in contrast, is very lyrical and frequently simply makes more sense. In some places it does appear that Mr. Wayne tries too hard to distinguish his translation from that of Kauffman, meaning his difference in word choice does not improve the work but rather makes it worse. However, to be fair, that is rare and the vast majority of the differences mark a substantial improvement. The most disappointing thing about this edition is that the publishers/editors (Algora) did a pretty sloppy job, so there are a number stupid typographical errors that will hopefully be corrected if Algora ever re-publishes it.

Editorial Review:

No modern philosopher has been more completely misquoted and misrepresented than Friedrich Nietzsche (1844-1900). His phrase, "God is dead", his insistence that the meaning of life is to be found in purely human terms, and his doctrine of the superman and the will to power were all later seized upon and unrecognizably twisted by, among others, Nazi intellectuals. This translation of "Thus spoke Zarathustra" a spiritual odyssey through the modern world, enables the reader to judge for themselves an original thinker who has had a powerful influence upon such 20th century writers as Shaw, Mann, Sartre and Camus.

Zero: The Biography of a Dangerous Idea

Charles Seife

Zero: The Biography of a Dangerous Idea Charles Seife Amazon Price: $10.20
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Total reviews: 133 Average rating: 4.0 of 5

Editorial Review:

A concise and appealing look at the strangest number in the universe and its continuing role as one of the great paradoxes of human thought

The Babylonians invented it, the Greeks banned it, the Hindus worshiped it, and the Church used it to fend off heretics. Now, as Y2K fever rages, it threatens a technological apocalypse. For centuries the power of zero savored of the demonic; once harnessed, it became the most important tool in mathematics. For zero, infinity's twin, is not like other numbers. It is both nothing and everything.

In Zero science journalist Charles Seife follows this innocent-looking number from its birth as an Eastern philosophical concept to its struggle for acceptance in Europe, its rise and transcendence in the West, and its ever-present threat to modern physics. Here are the legendary thinkers--from Pythagoras to Newton to Heisenberg, from the Kabalists to today's astrophysicists--who have tried to understand it and whose clashes shook the foundations of philosophy, science, mathematics, and religion. Zero has pitted East against West and faith against reason, and its intransigence persists in the dark core of a black hole and the brilliant flash of the Big Bang. Today, zero lies at the heart of one of the biggest scientific controversies of all time, the quest for a theory of everything.

Readers of Fermat's Enigma, The Man Who Loved Only Numbers, Seeing and Believing, and Longitudewill find the revealingly illustrated Zero freshly informative, easy to understand, and--infinitely--fascinating.

The Myth of Sisyphus: And Other Essays

Albert Camus

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Customer Reviews:
Total reviews: 47 Average rating: 4.5 of 5

Shabby philosophical cant 1 out of 5 stars.
4 of 5 people found this review helpful.

I do not have any special quarrel with Camus' thesis, which is neither very complex nor very controversial. I am going to summarize it in plain English. Doing so, showing that it can be done, will bear out my criticism of Camus' writing.

Man thirsts for a holistic meaning from life that life cannot give him. It is this simple fact that constitutes the absurd, in the face of which Camus asks (with all the subtlety of a battering ram): Shall we all therefore commit suicide? His answer is, in short, no. The act of suicide symbolizes the triumph of both life and death over the individual, cutting the Gordian knot of the absurd without unravelling it. What then is man to do? According to Camus, he must do two things. Firstly, he must remain aware of the fact that life is absurd; that is, he must not be tempted to escape into oblivion. That much is clear. Camus' second imperative is both more obscure and more interesting, but what it amounts to is this: man must try to find a defiant enjoyment in, or in spite of, his absurd existence. If he can do this--if Sisyphus can admit that he is not unhappy, and smirk to himself as he descends for the millionth or billionth time after his ridiculous bolder, that ineradicable smirk is sufficient to undermine the gods that are punishing him and the universe in which that punishment is his fate. This is our only hope of defeating or at least of negotiating the absurd.

The problem with this book is not in the matter but in the mode, for Camus presents this not-particularly-complex thesis in the most obfuscatory philosophical cant that has ever been inflicted on the reading public.

I will focus by way of illustration on a single aspect of his writing style (or lack thereof), though I warn you that it is abundantly bad in almost every aspect.

Camus likes to introduce everyday words and phrases which, as his usage makes clear, are being given idiosyncratic meanings known only to Camus. He does not pause to clarify for the innocent reader what he means. Nor does he pause to substantiate the vaguest of presuppositions he uses these terms to postulate. Instead, he goes on, breathlessly, to combine them in new sentences from which additional, even more idiosyncratic ideas and presuppositions are extrapolated, and in which still more words are introduced from his maddening idiolect--and so on, in a kind of second- and third- and fourth-order multiplication of ambiguities. A single example will suffice (which, by the way, heads up a new section and is in no way foregrounded by his preceding paragraphs):

"Deep feelings always mean more than they are conscious of saying. The regularity of an impulse or a repulsion in a soul is encountered again in habits of doing or thinking, is reproduced in consequences of which the soul itself knows nothing. Great feelings take with them their own universe, splendid or abject. They light up with their passion an exclusive world in which they recognize their climate."

And again, with a question mark in square brackets to indicate where, I believe, Camus sorely owes his readers an explanation:

"Deep feelings [?] always mean [?] more than they are conscious [?] of saying [?]. The regularity of an impulse or a repulsion in a soul [?] is encountered again in habits of doing or thinking, is reproduced in consequences [?] of which the soul [?] itself knows nothing [?]. Great feelings [?] take with them [?] their own universe [?], splendid [?] or abject [?]. They light up [?] with their passion [?] an exclusive [?] world [?] in which they recognize [?] their climate [?!]. ... "

This pointless and pretentious fudging of sentences is done, it must be assumed, in order to make Camus' thesis appear more complex, more esoteric than it really is. The motive for his crime against the word is literary vanity. Or perhaps the game with which Camus finds defiant enjoyment in the absurdity of existence consists of avenging himself on his readers with his atrocious writing. Whatever the answer, the result is shabby, muddy, and bordering on complete gobbledegook. (I have read difficult books of philosophy before, from Baudrillard to Derrida, "in the unoriginal" and doubt very much that the blame can be laid squarely on James Wood, Camus' translator).

To conclude: His thesis, as I say, has some merit. But for that, why not consult Wikipedia. Hell, edit the page yourself. You'd be hard pressed to do a worse job at clarifying Camus than Camus has done in this complete abortion of a text.

Nausea (Penguin Modern Classics)

Jean-Paul Sartre

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Total reviews: 90 Average rating: 4.0 of 5

Editorial Review:

Winner of the 1964 Nobel Prize in Literature. Jean-Paul Sartre, philosopher, critic, novelist and dramatist, hold a position of singular eminence in the world of French letters. Among readers and critics familiar with the whole of Sartre's work, it is generally recognized that his earliest novel, Le Nausée (first published in 1938), is his finest and most significant. It is unquestionably a key novel of the Twentieth Century and a landmark in Existentialist fiction.

Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogues his every feeling and sensation about the world and people around him. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spread at the bottom of the viscous puddle, at the bottom of our time—the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain." Roquentin's efforts to come to terms with his life, his philosophical and psychological struggles, give Sartre the opportunity to dramatize trhe tents of his Existentialist creed.

he introduction for this edition of Nausea by Hayden Carruth gives background on Sartre's life and major works, a summary of the principal themes of Existentialist philosophy, and a critical analysis of the novel itself.

The Spell of the Sensuous: Perception and Language in a More-Than-Human World

David Abram

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Customer Reviews:
Total reviews: 40 Average rating: 4.5 of 5

mind magic 5 out of 5 stars.
6 of 6 people found this review helpful.

This is one of the rarest, most utterly original books there is, and indeed could ever be. It is written by someone whose soul is that of a magician and poet and whose art is so triumphant with sheer spirit that every sentence is radical and radicalizing. It is a book whose comprehension of the human condition is generous, natural and enormous. It describes the necessity of nature not just for human being but for human thinking; this is a cry for the protection of the human mind.

It has deeply influenced my own thinking, from the moment I read it, and has remained one of the best books I've ever read.

Editorial Review:

David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with passion and intellectual daring.

"Long awaited, revolutionary...This book ponders the violent disconnection of the body from the natural world and what this means about how we live and die in it."--Los Angeles Times

Fear and Trembling (Penguin Great Ideas)

Soren Kierkegaard

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Total reviews: 30 Average rating: 4.5 of 5

Provocative but flawed 4 out of 5 stars.
4 of 8 people found this review helpful.

Essential reading for anyone with the slightest interest in religion or philosophy. He makes an important point: faith cannot be collapsed into the ethical, taking the Old Testament story of Abraham's aborted sacrifice of Isaac as his proof text. If faith was simply a matter of acting ethically, then we wouldn't need religion, only ethics. That said, I don't like how he makes faith into something so superhuman and difficult that only a few spiritual athletes are capable of it. Which is wrong. Christian faith is available to anyone. Christ said, "come unto me all ye that are heavy laden, and I will give you rest. For my yoke is easy and my burden is light." And I don't believe that faith contradicts ethics either, as Kierkegaard suggests. Kierkegaard's message was to a largely Christian society that took faith for granted. He wanted to bring out the radicality of faith, which is a valuable message. But today, when Christian Churches are losing members, we need the evangelical message, to bring people in. Faith is first of all an expression of love for God and our fellow humans, not a leap into the absurd. Kierkegaard used to appeal to me more when I was younger, and I liked the idea of viewing my faith as something radical and even scandalous. Now that I'm more mature, I realize that faith is really about loving and trusting God and loving my neighbor as myself. Yes, there's a sacrifice involved; Kierkegaard is right about that, but trusting God means trusting his goodness and love.

Editorial Review:

The perfect books for the true book lover, Penguin’s Great Ideas series features twelve more groundbreaking works by some of history’s most prodigious thinkers. Each volume is beautifully packaged with a unique type-driven design that highlights the bookmaker’s art. Offering great literature in great packages at great prices, this series is ideal for those readers who want to explore and savor the Great Ideas that have shaped our world.

Wabi-Sabi: for Artists, Designers, Poets & Philosophers

Leonard Koren

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Total reviews: 27 Average rating: 4.5 of 5

Editorial Review:

From the Introduction

Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete.
It is a beauty of things modest and humble.
It is a beauty of things unconventional.

The immediate catalyst for this book was a widely publicized tea event in Japan. The Japanese aesthetic of wabi-sabi has long been associated with the tea ceremony, and this event promised to be a profound wabi-sabi experience. Hiroshi Teshigahara, the hereditary iemoto (grand master) of the Sogetsu school of flower arranging, had commissioned three of Japan's most famous and fashionable architects to design and build their conceptions of ceremonial tea-drinking environments. Teshigahara in addition would provide a fourth design. After a three-plus-hour train and bus ride from my office in Tokyo, I arrived at the event site, the grounds of an old imperial summer residence. To my dismay I found a celebration of gorgeousness, grandeur, and elegant play, but hardly a trace of wabi-sabi. One slick tea hut, ostensibly made of paper, looked and smelled like a big white plastic umbrella. Adjacent was a structure made of glass, steel, and wood that had all the intimacy of a highrise office building. The one tea house that approached the wabi-sabi qualities I had anticipated, upon closer inspection, was fussed up with gratuitous post- modern appendages. It suddenly dawned on me that wabi-sabi, once the preeminent high-culture Japanese aesthetic and the acknowledged centerpiece of tea, was becoming-had become?-an endangered species.

Admittedly, the beauty of wabi-sabi is not to everyone's liking. But I believe it is in everyone's interest to prevent wabi-sabi from disappearing altogether. Diversity of the cultural ecology is a desirable state of affairs, especially in opposition to the accelerating trend toward the uniform digitalization of all sensory experience, wherein an electronic "reader" stands between experience and observation, and all manifestation is encoded identically.

In Japan, however, unlike Europe and to a lesser extent America, precious little material culture has been saved. So in Japan, saving a universe of beauty from extinction means, at this late date, not merely preserving particul

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