Adams, Ansel Books

Ansel Adams 2009 Wall Calendar

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Features:

• Size: 15 1/2" x 12 1/2"
• Art

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Customer Reviews:
Total reviews: 7 Average rating: 5.0 of 5

Forever Beautiful 5 out of 5 stars.
1 of 1 people found this review helpful.

I purchase this wall calendar every year. Ansel Adams is my favorite black/white photographer and I enjoy photography myself, as a hobby- The photos are stunning. I look forward to the beginning of each month so I can see what the next masterpiece will look like. There is plenty of room to fill in all your apppointments-All-around great calendar!

Beauty in Black & White 5 out of 5 stars.
0 of 0 people found this review helpful.

I've always had a great appreciation for Black & White photography. Of all the Famous B&W photographers Ansel Adams is my favorite. The photographs, as always with these calendars, are breathtaking. One of the nicest things about this calendar is that after the year is over the images are of high enough quality to frame and hang on the wall. You won't regret this purchase!

A favorite in our family 5 out of 5 stars.
0 of 0 people found this review helpful.

Every year at Christmas time we give an Adams wall calendar to a daughter who is a wonderful photographer and a nature lover. One year we decided maybe it was time to stop doing that, and we heard about it! I'm glad you carry it, because it is not as easily available elsewhere as it used to be.

Editorial Review:

This fabled wall calendar, perhaps the most popular and long-lived calendar ever published, continues to please its audiences with its handsome reproductions of Ansel Adams' most famous images.

Ansel Adams: 400 Photographs

Ansel Adams

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Customer Reviews:
Total reviews: 23 Average rating: 4.5 of 5

Editorial Review:

ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum Adams' greatest work in a single volume for the first time, offering an entirely new perspective on his monumental career..
The photographs are arranged chronologically into five major periods in order to convey Adams' development as an artist-from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams' life, document the evolution of his technique, and give voice to his artistic vision.
Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams' vision and a lifetime of hard work that a book of this scale can be justified. ANSEL ADAMS: 400 PHOTOGRAPHS is a must-have reference and gift book for anyone who appreciates photography and the allure of the natural world.

The Camera (Ansel Adams Photography, Book 1)

Ansel Adams

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Customer Reviews:
Total reviews: 26 Average rating: 4.5 of 5

The FIRST BOOK YOU SHOULD READ! 5 out of 5 stars.
3 of 3 people found this review helpful.

I got into photography about 3 years ago (digital) and read through about 2 dozen glossy "authoritative" books. None of which could explain the basics to relate ISO/fStop/Speed in a way that didn't assume you already knew what they were.

Most of the book relates to Large Format which may at first seem a bit off-putting to a novice, but after a few pages you'll see how it doesn't matter whether you're using an 8x10 antique or a digital point and shoot. The way they work is the same.

Ansel does an EXCELLENT job explaining the mechanics of light and photography while assuming the reader has some intelligence, makes it very accessible to everyone.

Get this book. Recommend it to all your photography friends. Get the next book "The Negative". You won't need to buy any other books. period.

Editorial Review:

This is an atrractively priced photography c lassic made accessible to a wider, new audience. It covers e verything from "seeing" the finished photo in advance, to le ns choices. It is illustrated with many of Ansel Adams most famous images. '

The Negative (Ansel Adams Photography, Book 2)

Ansel Adams

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Customer Reviews:
Total reviews: 36 Average rating: 5.0 of 5

learn the zone system 3 out of 5 stars.
9 of 11 people found this review helpful.

Ansel Adams was a master of photography but not the most exciting storyteller , in my opinion.

This book is one that you should read as part of a complete education in photography, but there are some long sections in it. The parts of the book explaining Adams' zone system are very worthwhile and great stuff. Much of the rest of the book is only interesting if you are shooting film (not digital), as it deals specifically with darkroom processing.

Read about the zone system here or somewhere else, but learn it. If you are a film photog, read this whole book. For digital shooters, you might want to read only the sections of interest.

An excellent technical reference 5 out of 5 stars.
1 of 1 people found this review helpful.

Concisely written in Adams' own scholarly style, "The Negative" is a valuable resource for photographers learning the foundation of technically correct (as opposed to generally good) base exposure in a variety of scenes, both pedestrian and those that are more conflicting. One must, however, consider that more than 4 decades have passed since the techniques were founded and the technology described can be viewed, in many cases, with a quaint tug at nostalgia. Today's evaluative and matrix metering systems, programmed along the Zone System, do a remarkable job where once exposure was tedious and error prone, and this is where learning the Zone System to competently handle difficult scenes is a useful addition to a photographer's "book of tricks". But despite the clarity of explanation and steps, Adams' Zone System remains a complex, intertwining system to understand (theory) and apply (field application); it never was and never will be a five-minute task. For B&W fine art photographers, "The Negative" holds a timeless reference quality with many techniques remaining the solid benchmarks for fine art production. In summary, a tremendously good read and a most valuable addition to any learned photographer's library.

The Negative (Ansel Adams Photography, Book 2)

Editorial Review:

The early chapters are devoted to a discussi on of light, film and exposure. What follows is a detailed d iscussion of the zone system, chapters on natural and artifi cial light and at the end is an extensive chapter on the dar kroom and its equipment. '

Ansel Adams 2009 Engagement Calendar

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Customer Reviews:
Total reviews: 1 Average rating: 4.0 of 5

Ansel Doesn't Disappoint 4 out of 5 stars.
0 of 0 people found this review helpful.

Lovely vintage Ansel Adams photos - perfect for our decorating project - six framed photos over the black entertainment center.

Editorial Review:

The sophisticated and splendidly printed black-and-white desk calendar features fifty-three photographs by Ansel Adams, including many of his best-loved images as well as an engaging mix of natural and architectural details, and lesser-known photographs of the American West. The weekly calendar facing each image allows ample space for noting appointments, and a section of monthly calendars facilitates long-range planning. Printed to the exacting standards of the Ansel Adams Publishing Rights Trust, the 2009 calendar is a satisfying and practical way to enjoy the beautiful photographs of this legendary American artist throughout the year.

The Print (Ansel Adams Photography, Book 3)

Ansel Adams

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Customer Reviews:
Total reviews: 10 Average rating: 5.0 of 5

content excellent, one little remark for the publisher. 5 out of 5 stars.
5 of 5 people found this review helpful.

The book is excellent. Although these techniques are not widely applied today, with appropriate experience and thinking this knowledge can be applied and transferred to modern software like Adobe Photoshop. It can help relate modern and classic photography printing processes (traditional vs computerized).

One little remark would be for the publisher. The paper the book is printed is gloss with quite a high reflectance index. This results in making reading the book at certain angles quite impossible for your eyes.

This is great book 5 out of 5 stars.
5 of 10 people found this review helpful.

In this book, Adams said Expression is more important than reality, idea more important than fact, the print more important than its subject. For it is only in the print that such magnificence can be unfailingly orchestrated. Those words made me think that what is good photograph. The book opens with a thoroughly enjoyable, albeit brief, history of photography before getting down to explain printing techniques.

The majority of the text concentrates it's efforts in educating the reader in the art of B&W photography. This book tells readers that what are good prints making techniques. After reading this book you will feel like that your printing skills are very improved. The reader will see many wonderful pictures as examples, that will surely create a better impression as to what type of pictures Adams takes.

Editorial Review:

The technical information is clear and conci se, starting with deisinging and euqipping a darkroom and co ntinues through making the first print, ending with all sort s of professional tips and tricks for achieving that special image. '

Examples: The Making of 40 Photographs

Ansel Adams

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Customer Reviews:
Total reviews: 15 Average rating: 5.0 of 5

A charming insight into the soul of a great photographer 5 out of 5 stars.
3 of 3 people found this review helpful.

There are many great books about photography, of which this is just one, but there are relatively few books about how to be a great photographer. On the latter topic this book is exceptional.

Ansel Adams was clearly both a gentleman and a gentle man, who lived to create great images for the pleasure and education of others. We are exceptionally lucky that he left us both his wonderful pictures, but also a few books which explain not only how, but also why some of them were created.

This book covers a photography career of over 60 years, taking 40 of his greatest pictures, and describing how they were made. Although much of the technical advice is still valid today, a lot of it requires on the fly translation from the language of large format cameras and glass plates to the world of digital SLRs, with tiny sensors and vast memory cards. That exercise might put some people off, but it makes you think harder about his advice, and that's a good thing.

However, where this book really scores is with the human stories of how and why Adams made certain pictures. Two examples stick in my mind.
Firstly, how one of his iconic views of Yosemite was made after a day's hard hiking with a full size view camera, large wooden tripod, and just twelve glass plates. He suspected that he had wasted the first eleven, and had just one left for a favourite view of Half Dome. He took extra care with that one, and the results are still thrilling 80 years on.

Then there's his tale of photographing 50s Californian farming families. This is a charming insight into how a great photographer of people develops both trust and ideas, lubricating both with an appropriate supply of beer. You suspect these days were not so hard for Adams as the great Yosemite hikes.

"Examples" also contains some remarkable philosophical insights into the process and role of photography. The one which now sticks foremost in my mind is that enthusiasm for a subject will not create great photographs - you have to visualise the image and its impact mentally, then make it. This is perhaps the single most powerful piece of advice in the book.

In 1935 Adams was concerned that the advent of 35mm would result in a vast number of bad photographs. Yet he was keen on the new medium, because he could also see its benefits. The same page could be written ten times over about digital photography, but you know that had Adams lived a little longer he would have been a keen PhotoShop-er.

This is a good book on photographic technique, but there are others. But there are few books which give such an insight into the soul of a great photographer.

Editorial Review:

Ansel Adams recounts the circumstances surrounding the making of many of his most famous photographs and the methods he used in their realization. Each image is accompanied by a narrative that explores the technical and aesthetic problems presented by the subject, and includes reminiscences of the places and people involved and anecdotes on matters ranging from timing to the weather. Specific technical information about the camera and lens, filters, exposure times and development and printing of the image is given in an agreeable balance with more general information. Further technical considerations can be explored by using the references in each selection to the books in "The New Adams Photography Series".

Georgia O'Keeffe and Ansel Adams: Natural Affinities

Georgia O'Keeffe Museum, Barbara Buhler Lynes, Richard B. Woodward, Sandra S. Phillips

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Customer Reviews:
Total reviews: 2 Average rating: 3.0 of 5

See the show, skip the book 1 out of 5 stars.
3 of 3 people found this review helpful.

I just saw this show at the Smithsonian Museum of American Art. The show was very well put together, except that the Ansel Adams photographs were over matted covering a slight amount of the border and Ansel's signature.

Copies of this book were available at the show and after seeing the actual art I was very disappointed in the quality of the book. The color reproductions of O'Keeffe's work were OK, but the reproductions of the photographs were just awful. The reproductions appeared flat in comparison to the photographs but also in comparison to many other better reproductions of Ansel's work. No only that but there appeared to be a lot of dust on the photographs when they were reproduced. For instance the black sky in his iconic 'Moonrise Over Hernandez New Mexico' has several dozen white spots in the sky. Other photographs suffer from this same problem. It is unfortunate since the show included a couple images I had not seen reproduced before.

The publisher of this book (Little Brown) has recently published several of Ansel's books in the past including 'Trees' and the excellent '400 photographs.' Both of these books were printed in Western Europe. For some reason (probably to save money) they decided to go with a printer in Singapore for this book, the quality unfortunately suffered.

Editorial Review:

Ansel Adams and Georgia O'Keeffe first metin Taos, New Mexico, in 1929. She was already an established artist, while he was at the beginning of his career, and their friendship lasted for the rest of their lives.

GEORGIA O'KEEFE AND ANSEL ADAMS: NATURAL AFFINITIES suggests parallels in their distinctive visions of both natural and human-made environments and illustrates the artists' achievements in capturing the reality and essence of the world around them. More than 100 beautifully reproduced paintings and photographs are accompanied by critical essays on Adams and O'Keeffe and a biographical essay on the friendship between Adams, O'Keeffe, and Alfred Stieglitz.

The Ansel Adams Guide: Basic Techniques of Photography - Book 1 (Ansel Adams's Guide to the Basic Techniques of Photography)

John P. Schaefer

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Total reviews: 8 Average rating: 4.5 of 5

Editorial Review:

Arguably the best book yet written for those wishing to pursue photography seriously, Basic Techniques of Photography, Book 1 has been completely revised and updated in order to keep pace with fast-moving technological advances in the field. The revised edition includes more than fifty new illustrations, offering still greater clarity in presenting Ansel Adams legendary approach to photography.

Since its publication in 1992, The Ansel Adams Guide: Basic Techniques of Photography, Book 1 has sold more than 100,000 copies and is used in many introductory photography courses. This revised edition offers new information on: -variable-contrast papers -digital cameras and view cameras -the Advance Photo System

Book 1 is organized to present the principles of black-and-white and color photography to a broad range of photographersfrom the serious beginner to the advanced amateur. It draws extensively on the philosophy and techniques of Ansel Adams, the best-known writer/teacher of photography of all time, and is profusely illustrated with Adams own work as well as that of other photographers. Adams technical writings were famously difficult to understand. However, in Book 1, John Schaefer skillfully interprets Adams words, theories, and art as a foundation for a more clearly written, understandable, and actively up-to-date guide to creative photography.

Ansel Adams: Our National Parks

William A. Turnage, Andrea G. Stillman

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Total reviews: 4 Average rating: 4.0 of 5

Editorial Review:

In the century since the establishment of the world's first national park at Yellowstone, no individual has been a more ardent champion of the "national park idea" than Ansel Adams. Over a span of six decades, beginning in 1916, Adams photographed America's great national parks, making thousands of pictures, some of them among the most memorable images of the natural scene ever created.

In this book, a selection of Adams' legendary photographs of over forty national parks and monuments is presented, along with a sampling of his impassioned letters, speeches, and writings (all long out of print of never before published) about the critical issues facing the park system. These insightful, and sometimes controversial, writings by one of the great environmental thinkers of the twentieth century are as relevant today as when they were written. Top-quality reproduction in a reasonably priced paperback add to the appeal of this fascinating presentation of one of the most important themes in Ansel Adams' life and work.