Writing Books - Page 5

The War of Art: Winning the Inner Creative Battle

Steven Pressfield

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Customer Reviews:
Total reviews: 135 Average rating: 4.5 of 5

Editorial Review:

A succinct, engaging, and practical guide for succeeding in any creative sphere, The War of Art is nothing less than Sun-Tzu for the soul.

What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor-be it starting up a dream business venture, writing a novel, or painting a masterpiece?

Bestselling novelist Steven Pressfield identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success.

The War of Art emphasizes the resolve needed to recognize and overcome the obstacles of ambition and then effectively shows how to reach the highest level of creative discipline. Think of it as tough love . . . for yourself.

Whether an artist, writer or business person, this simple, personal, and no-nonsense book will inspire you to seize the potential of your life.

Deja Dead

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Customer Reviews:
Total reviews: 224 Average rating: 4.0 of 5

Not a favorite 2 out of 5 stars.
2 of 3 people found this review helpful.

A fan of the TV show Bones, I sought out the first novel in the series which contains the character the show is based on.

I was disappointed. About the only thing the TV character has in common with her novel counterpart is name and occupation. The TV character is quirky and charming while the novel Tempe is boring and makes some rather stupid choices to further the plot.

The novel also committed what I consider a sin in the mystery genre - it did not give the reader enough clues to figure out the whodunnit, and actually gave "clues" which had nothing to do with the murder at all. What happened to the heavy handed allusions to the fish tanks? The killer becomes a rabbit out of the hat trick since we've only met his Uncle, and even that is brief.

I was a bit discombobulated by the vast differences in the Tempe character from TV to novel, and would have maybe liked the book better had I not first been a fan of the TV show. But I still found the plot paced awkwardly, the characters a bit stilted and one-dimensional and the mystery lacking.

Editorial Review:

"Fans of TV's CSI: Crime Scene Investigation should be in heaven" (People) stepping into the world of forensic anthropologist Dr. Temperance Brennan, star of Kathy Reichs' electrifyingly authentic bestsellers.

Her life is devoted to justice -- for those she never even knew.

In the year since Temperance Brennan left behind a shaky marriage in North Carolina, work has often preempted her weekend plans to explore Quebec. When a female corpse is discovered meticulously dismembered and stashed in trash bags, Tempe detects an alarming pattern -- and she plunges into a harrowing search for a killer. But her investigation is about to place those closest to her -- her best friend and her own daughter -- in mortal danger. . . .

Blue Highways: A Journey into America

William Least Heat-Moon

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Customer Reviews:
Total reviews: 114 Average rating: 4.5 of 5

Editorial Review:

First published in 1982, William Least Heat-Moon's account of his journey along the back roads of the United States (marked with the color blue on old highway maps) has become something of a classic. When he loses his job and his wife on the same cold February day, he is struck by inspiration: "A man who couldn't make things go right could at least go. He could quit trying to get out of the way of life. Chuck routine. Live the real jeopardy of circumstance. It was a question of dignity."Driving cross-country in a van named Ghost Dancing, Heat-Moon (the name the Sioux give to the moon of midsummer nights) meets up with all manner of folk, from a man in Grayville, Illinois, "whose cap told me what fertilizer he used" to Scott Chisholm, "a Canadian citizen ... [who] had lived in this country longer than in Canada and liked the United States but wouldn't admit it for fear of having to pay off bets he made years earlier when he first 'came over' that the U.S. is a place no Canadian could ever love." Accompanied by his photographs, Heat-Moon's literary portraits of ordinary Americans should not be merely read, but savored.

A Rulebook for Arguments

Anthony Weston

Amazon Price: $6.95 List Price: $6.95 Not yet published By: Hackett Pub Co

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Customer Reviews:
Total reviews: 41 Average rating: 4.0 of 5

Many Virtues, Just One Fault 4 out of 5 stars.
3 of 3 people found this review helpful.

The virtues of this book are many. There is only one fault to this book, but it is significant. You decide which is more important.

This volume is slim and lightweight, precisely sized for the outside pocket of a student's backpack. Though too big for a shirt pocket, it is hard to imagine a book-bag so overstuffed that this book couldn't fit in one corner. Combined with the fact that it is inexpensive, that might make this the one book Freshman Composition students will hang onto when the class is over.

Unlike many books on writing papers, which are redundant and use many words to prove they're serious, this one is written to be short and useful. The tone is excellent for students who have a lot on their plates. The writing is concise, with short chapters which use straightforward rules and uncomplicated language to explain the most common forms of argument. The arrangement starts from broad rules and moves into specific categories, before getting into three chapters on writing papers. Each chapter is separated into clear subheads, allowing students to find the information they need very quickly.

This book does not address every form of argument. Arguments from commonplaces are not mentioned, and arguments from form are subsumed under the category of deduction, which is a bit of a loss. However, the forms of argument from external evidence are laid out in clear, readable language that college freshmen or advanced high-schoolers can savvy.

What the book lacks is any rules on case construction and the arrangement of complex multi-part arguments. The three chapters on writing papers focus on pre-writing, outlining, and the act of writing. The author says that complex arguments are no more than single arguments connected together, without bothering to say how they can or should be connected. I have graded too many Freshman Comp papers where the individual arguments are stuck together haphazardly like Lego blocks to consider this a small oversight.

So it's up to you which is more important: the many good traits this book brings, or the one glaring omission that you as a teacher will need to fill in. It's a delicate balance, and one that rides on your own skill with students. Only you can decide whether this book's many virtues matter more than its one big vice.

Editorial Review:

A Rulebook for Arguments is a succinct introduction to the art of writing and assessing arguments, organized around specific rules, each illustrated and explained soundly but briefly. This widely popular primer - translated into eight languages - remains the first choice in all disciplines for writers who seek straightforward guidance about how to assess arguments and how to cogently construct them.

The fourth edition offers a revamped and more tightly focused approach to extended arguments, a new chapter on oral arguments, and updated examples and topics throughout.

The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script

David Trottier

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Customer Reviews:
Total reviews: 107 Average rating: 4.5 of 5

Could be better than film schools. 5 out of 5 stars.
1 of 3 people found this review helpful.

If you are thinking of enrolling in a film school to study how to write scripts, GET THIS BOOK FIRST. You might save a lot of money. This book has everything. It's easy to read. I wish I'd found this book before wasting tons of money on U*LA.

Editorial Review:

This is six books in one. Book 1 - A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 - A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 - A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 - A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 - A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 - A resource guide that provides addresses and contacts for industry organisations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals.

How to Write a Lot: A Practical Guide to Productive Academic Writing

Paul J. Silvia

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Customer Reviews:
Total reviews: 40 Average rating: 4.5 of 5

Not worth the money 2 out of 5 stars.
10 of 11 people found this review helpful.

This product has a handful of useful tips but its basic premise can be summed up in a few words: Make a writing schedule, stick to it, and don't make emotional or psychological excuses. That's about all the book has to say, and while the author doesn't claim to do much more, nonetheless it is not worth the money and is not the kind of book you'd want to return to again and again. In addition, its sole target audience seems to be the field of psychology, so its usefulness is even less for people in other fields.

Editorial Review:

All students and professors need to write, and many struggle to finish their stalled dissertations, journal articles, book chapters, or grant proposals. Writing is hard work and can be difficult to wedge into a frenetic academic schedule. In this practical, light-hearted, and encouraging book, Paul Silvia explains that writing productively does not require innate skills or special traits but specific tactics and actions. Drawing examples from his own field of psychology, he shows readers how to overcome motivational roadblocks and become prolific without sacrificing evenings, weekends, and vacations. After describing strategies for writing productively, the author gives detailed advice from the trenches on how to write, submit, revise, and resubmit articles, how to improve writing quality, and how to write and publish academic work.

The Elements of Style Illustrated

William Strunk Jr., E.B. White

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Customer Reviews:
Total reviews: 53 Average rating: 4.5 of 5

Illustrations are superfluous 1 out of 5 stars.
3 of 4 people found this review helpful.

I could've done without the illustrations in this edition of the Elements of Style. Also, they've put the page numbers on the inside margins of the pages. So if you look up a reference in the index, you then have to open the book wide to find the page number, which should be placed on the outer margin where it's easy to spot as you flip through.

All I wanted was the Elements of Style, which is a great book. I'll buy the normal edition. This one is irritating.

Editorial Review:

The only style manual ever to appear on bestseller lists has explained to millions of readers the basic principles of plain English. The book’s mantra—make every word tell—is still on point. Whether seventeen or seventy, this much-loved classic, now in its fourth edition, will forever be the go-to guide when in need of a hint on how to make a turn of phrase clearer, or a reminder on how to enliven prose with the active voice. Kalman’s exquisite illustrations give the revered work a jolt of new energy, making the learning experience more colorful and clear. The Elements of Style Illustrated will come to be known as the definitive, must-have edition.

A Moveable Feast

Ernest Hemingway

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Total reviews: 146 Average rating: 4.5 of 5

Editorial Review:

"If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast."

-- ERNEST HEMINGWAY TO A FRIEND, 1950

Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. It is his classic memoir of Paris in the 1920s, filled with irreverent portraits of other expatriate luminaries such as F. Scott Fitzgerald and Gertrude Stein; tender memories of his first wife, Hadley; and insightful recollections of his own early experiments with his craft. It is a literary feast, brilliantly evoking the exuberant mood of Paris after World War I and the youthful spirit, unbridled creativity, and unquenchable enthusiasm that Hemingway himself epitomized.

Ernest Hemingway did more to change the style of English prose than any other writer in the twentieth century, and for his efforts he was awarded the Nobel Prize for literature in 1954. Hemingway wrote in short, declarative sentences and was known for his tough, terse prose. Publication of The Sun Also Rises and A Farewell to Arms immediately established Ernest Hemingway as one of the greatest literary lights of the twentieth century. As part of the expatriate community in 1920s Paris, the former journalist and World War I ambulance driver began a career that lead to international fame. Hemingway was an aficionado of bullfighting and big-game hunting, and his main protagonists were always men and women of courage and conviction, who suffered unseen scars, both physical and emotional. He covered the Spanish Civil War, portraying it in fiction in his brilliant novel For Whom the Bell Tolls, and he subsequently covered World War II. His classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. He died in 1961.

French Milk

Lucy Knisley

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Customer Reviews:
Total reviews: 3 Average rating: 5.0 of 5

Charming Paris Mother/Daughter Travelogue 5 out of 5 stars.
4 of 4 people found this review helpful.

The Glass Castle author Jeannette Walls once told me that memoir should be universal, and I've kept that in mind ever since when I read them. What I think she meant is that while a memoir is specific to the storyteller in the details, anyone should be able to relate to it, somehow. As I read Lucy Knisley's French Milk, I was struck by her storytelling, but also her age, use of photography, and that I could never write such a book, though I too have traveled to Paris with my mother.

The fact that her divorced parents are on good terms, a fact she casually drops in, resonated with me, especially when her father comes to join them for a brief visit during their six-week trip. This would never happen in my divorced family, and it made me, briefly, jealous--again, this goes back to Walls's maxim; my life circumstances may not be the same as Knisley's, but hers caused me to reflect on my own. She also exhibits a particular pride and faith in her work (with the occasional doubts), one that I still struggle with in my early thirties. Her dedication to her art and the creation of this book are apparent. Other moments are brief but powerful, such as going up the Eiffel Tower on a particularly windy day, where Knisley writes, "You could feel the tower move in the wind and see the birds blown off course."

I was torn as to the value of the photographs she included; at first, I thought there was something unfair about it, but then I came upon one of her kissing a wall and realized there was no other way to capture that moment, at least, not so thoroughly. The photos are used sparingly, without comment, filling in gaps in her story, fleshing them out and creating what feels more like an intimate scrapbook than a memoir, albeit an accessible one.

French Milk is a travelogue, and as such, sometimes the details of each meal become less interesting toward the end. But it's Knisley's personality, and little details that make this book so charming, whether it's the odd characters she meets or her feeling low on a particular day or railing against a piece of bad art, going so far as to name the artist, who's made a rendition of Paris Hilton, by name.

I finished the book a bit jealous of Knisley's closeness with her mother, and impressed that she managed to finesse both the details and the bigger picture, a portrait of a young woman just starting out in "the real world," but taking a detour to a city full of pastries, lush dinners, cemeteries, art and adventure before she does so. French Milk will appeal to Americans who've, like Knisley, fallen for Paris, and those looking to recapture their college traveling days. As for me, I'm giving a copy to my mom, and hope that our travels are as fruitful.

Editorial Review:

Through delightful drawings, photographs, and musings, twenty-three-year-old Lucy Knisley documents a six-week trip she and her mother took to Paris when each was facing a milestone birthday. With a quirky flat in the fifth arrondissement as their home base, they set out to explore all the city has to offer, watching fireworks over the Eiffel Tower on New Year's Eve, visiting Oscar Wilde's grave, loafing at cafés, and, of course, drinking delicious French milk. What results is not only a sweet and savory journey through the City of Light but a moving, personal look at a mother-daughter relationship.

Travels

Michael Crichton

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Total reviews: 134 Average rating: 4.0 of 5

Learning about our own minds by exploring the world 5 out of 5 stars.
1 of 1 people found this review helpful.

No arm chair traveler here. Chrichton shares adventures climbing Kilimanjaro, exploring New Guinea, hiking through the Himalayas, and participating in metaphysical retreats. He also shares his inner-most thoughts, insights about meaning of life, and impact of geography and culture on his world view and inner child. He willingness reveals his frailties but not to demonstrate humility but as object lessons on how to observe oneself and hence to better understand and benefit from how our mind works. Chrichton is willing to bare his soul to help himself and the reader have a better understanding about what is possible.

Editorial Review:

Often I feel I go to some distant region of the world to be reminded of who I really am.

When Michael Crichton -- a Harvard-trained physician, bestselling novelist, and successful movie director -- began to feel isolated in his own life, he decided to widen his horizons. He tracked wild animals in the jungles of Rwanda. He climbed Kilimanjaro and Mayan pyramids. He trekked across a landslide in Pakistan. He swam amid sharks in Tahiti.

Fueled by a powerful curiosity and the need to see, feel, and hear firsthand and close-up, Michael Crichton has experienced adventures as compelling as those he created in his books and films. These adventures -- both physical and spiritual -- are recorded here in Travels, Crichton's most astonishing and personal work.