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One Winter in Eden

Michael Bishop

One Winter in Eden Michael Bishop List Price: $13.95
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Blue Kansas Sky

Michael Bishop

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Customer Reviews:
Total reviews: 5 Average rating: 4.5 of 5

Editorial Review:

Blue Kansas Sky collects four powerful and beautifully written novellas (one previously unpublished) by one of science fiction's best writers, Michael Bishop, winner of the Nebula Award, the Mythopoeic Fantasy Award, and the Locus Award.

The opening story is "Blue Kansas Sky," which is original to this volume, and may or may not be fantasy. The story line alternates between the coming-of-age of Sonny Peacock, fatherless child of the '50s and '60s, and the redemption of his ex-inmate uncle, Rory Peacock. Set in 1988, the World Fantasy Award-nominated "Apartheid, Superstrings, and Mordecai Thubana" examines South Africa's brutal institutionalized racism through the lens of a white Afrikaner who becomes a quantum-mechanical invisible man to members of his own race. In the Hugo and Sturgeon Award finalist "Cri de Coeur," three Earthly starships travel to the Epsilon Eridani star system, with disastrous results. In the Hugo and Nebula Award finalist "Death and Designation among the Asadi," an anthropologist comes to the planet BoskVeld to study an inexplicable alien race; he may be the first to unlock their secrets, or he may be going mad--or both. --Cynthia Ward

Ancient of Days

Michael Bishop

Ancient of Days Michael Bishop List Price: $13.95
By: St Martins Pr
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Customer Reviews:
Total reviews: 1 Average rating: 5.0 of 5

Imaginative, a wonderful sensitivity absent in most SiFi. 5 out of 5 stars.
9 of 17 people found this review helpful.

I feel a certain closeness to this tome, for I live in this little Georgia town and operate the Restaurant featured in the tale. Michael and his wife have been my land persons for over 10 years . . . This gifted writer has the ability to take an impossibility and build it into a charming character. His habaline grew so believibly in every aspect that I felt a kinship to him and echoed his emotional experiences as they occured. If this is his statement of personal philosophy, Michael Bishop is a very strong and admirable person! Treat yourself to a well-written story that will leave a lasting impression with you.

Editorial Review:

Now back in print--a powerful science fiction masterwork from the Nebula Award-winning author of Count Geiger's Blues. Ancient of Days is among Michael Bishop's most appealing works--the story of a prehistoric man found wandering in a Georgia orchard, whose honesty and deep spirituality bring him into conflict with the modern world.

Nebula Awards 25 (Nebula Awards Showcase)

Michael Bishop

Nebula Awards 25 (Nebula Awards Showcase) Michael Bishop List Price: $14.95
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Total reviews: 1 Average rating: 4.0 of 5

1989 Short Fiction Nebula Awards Anthology 4 out of 5 stars.
2 of 2 people found this review helpful.

It's still two years until officially the Science Fiction Writers of America (SFWA) change their name to the Science fiction AND FANTASY Writers of America (with the F in SFWA changing from Fiction to Fantasy) (in 1991) but unofficially it had already occurred two years *before*, in 1987. This means if your hoping to read science fiction in these anthologies after that date, it's hit or miss. Fortunately the SF collections are still pretty good for the following few years before the shorter works awards eventually become corrupted by the Speculative Fiction writers branch of the SFWA. (The Nebula *novels* are definitely to be approached with extreme caution as none to few are awarded to actual science fiction novels.) But the anthology of this year, 1989, is good.

All of three stories awarded the Nebula are good. If you're not familiar with the short fiction breakdown, they loosely follow the 15/30/60 rule of thumb. Roughly:

Short story is about 15 pages
Novelette is about 30 pages
Novella is about 60 pages
These are rough estimates. The length could be plus or minus 10 pages or more from the above.

First off the novella winner "The Mountains of Mourning" by Lois McMaster Bujold is probably the most solid. Bujold won her first significant SF award last year for her novel Falling Free (although it's debatable on whether that was deserved), but it apparently has given much, much recognition considering the numerous Nebula and particularly Hugo Awards for her novels that she's won. This novella, I believe, is one of her first entries into her Vorkosigan universe, and his story is about Miles Vorkosigan on his first assignment after graduating from the academy on the planet Barrayar. Her writing is brilliant. You can almost feel the air shimmering in the heat and hear the bugs in the air from her writing.

"Ripples in the Dirac Sea" by Geoffrey A. Landis, the Nebula short story winner, quite briefly is about time travel in particular back to the 1960's and is brilliant. This has all the nostalgia of that time. Landis has set up the rules for time travel and because of the circumstances he's somewhat `trapped' there, but trapped as in being trapped in paradise from the way it's written. Very enjoyable

"At the Rialto" by Connie Willis, the Nebula novelette winner, is quite a funny story and can be appreciated by anyone who had to go to a conference, or even more so by anyone's whose ever had their hotel reservations screwed up.

There are other fictional stories in this collection, but what are really worth reading are the several essays. One being "What is Science Fiction?" by Damon Knight. Damon Knight founded the SFWA in 1965 and so he knows quite a bit about it. His essay is actually from 1977 but parts were updated for 1990. In the 1990 section he apparently is not happy with the SFWA becoming amalgamated with Fantasy and as we all now know his hopes and visions have failed. This is what he writes: "I think it's a mistake of catastrophic proportions to bill the Nebula anthology as SFWA's choices for the best science fiction *and fantasy*. The Nebula was never intended to be and should not be an award for fantasy... My solution to this problem when I was president of SFWA was to tell people, `If *you* think it's fantasy, don't nominate it and don't vote for it.' " Powerful and ultimately futile words coming from the person who *founded* the SFWA, especially considering the very next year the SFWA officially incorporated Fantasy into their name. Knight was married to Kate Wilhelm, so she may have had an influence. Being on the outside, it's difficult to know what the heck happened that the science fiction side lost. In later anthologies, those on the winning side smugly suggested that if science fiction writers want to give awards to *just* science fiction they will have to break off and start their own new organization. This may not be a bad idea. Nascar broke away from the major car racing organization whose showcase was the Indianapolis 500 maybe ten or more years ago, and look at the stunning success and popularity of Nascar now. Does anyone watch the Indy 500 anymore, does it even exist? SFWA, in all sense and purposes, stands for Speculative Fiction Writers of America and the Nebula awards in all categories completely are awarded to speculative fiction works (if it also happens to be science fiction that's just happenstance) from the 90's on and for the foreseeable future. If you want to read science fiction, you'll have to use the Hugo awards as a guide (who have not had an overlap with the Nebula awards in any of the short fiction for the past ten years!!!, this is a bad, bad sign for the Nebula's).

The other essay in this anthology relevant to this topic is "Vulgar Art" by Orson Scott Card. Ironically, in the beginning of reading his essay I thought he was referring to the difference between speculative writers, the Elitists writing elitist art, and the science fiction writers writing the vulgar art. He was, however, writing about the difference between mainstream writers, being the elitists, and SF, being the vulgar art. This essay, in conjunction with one written in Nebula Winners 15 by Frank Herbert in 1979, really highlights a sense of insecurity science fiction writers have about their field. I can understand that, for one to say "I write science fiction" could have a twinge of embarrassment. Particularly I suppose to `mainstream' writers. Now for one to say "I write speculative fiction" has a sense of mystery and newness, and I suppose for SF writers, a greater sense of prestige. But it also has a sense of flakiness. It's like it's not cool to say I listen to the music of Led Zeppelin, or Skid Row, or Nickelback, because someone can come back and say "oh man, those are old dinosaur bands". (In factor the metaphor `dinosaur' is what speculative writers say about science fiction writers). No, it's cool instead to say I listen to `Hot New Thing' and puff out your chest in pride as no one's heard much about it. But... regarding what mainstream writers may think of science fiction writers: so what! Science fiction has methodically collected a solid loyal following over the years, over the *decades*. This is not something to be lightly cast aside. If the Speculative F Writers of America end up falling by the wayside, who then would the metaphor `dinosaur' be more applicable towards. Scott's Vulgar Art essay is just one of several essay's I've read before and since on the conflict within the SFWA and there's no apparent resolution in sight.

Nebula Awards 24: Sfwa's Choices for the Best Science Fiction and Fantasy 1988 (Nebula Awards Showcase)

Michael Bishop

Nebula Awards 24: Sfwa's Choices for the Best Science Fiction and Fantasy 1988 (Nebula Awards Showcase) Michael Bishop List Price: $13.95
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Customer Reviews:
Total reviews: 1 Average rating: 4.0 of 5

A Stellar (Nebular?) Collection 4 out of 5 stars.
2 of 2 people found this review helpful.

This is one of the books written every year to commemorate the nominees and award recipients for the Nebula awards, essentially the Oscars of science fiction. These awards which are chosen every year by the Science Fiction Writers of America seem to do a pretty good job of recognizing the most outstanding contributions of that year. This series was put together to publish some of the shorter fiction that won each year and to also mention some outstanding things that happened that year. For awhile this series was edited by Michael Bishop, and this is one of them, published to recognize the 1988 awards.

I bought this book several years back on a bargain table at Borders or Barnes & Nobles. I really love short fiction and I love science fiction, so this is a great combination. I actually had several of these stories already ("Last of the Winnebagos" was printed in Isaac Asimov's Science Fiction Magazine and I had a subscription for awhile), but I decided it would still be interesting to read what others had to say about the works. Anyway, I finally got around to reading it.

The anthology starts out with an introduction by Michael Bishop where he essentially explains his philosophy and how he wants to try and recognize all of the works that won awards but also just to emphasize major accomplishments from that year. He also lists the winners and nominees, the winners were:

Novel-Falling Free by Lois McMaster Bujold (some controversey surrounded this selection since many considered it a juvenile) Novella-"The Last of the Winnebagos" by Connie Willis Novelette-"Schrodinger's Kitten" by George Alec Effinger Short Story-"Bible Stories for Adults, No. 17: The Deluge" by James Morrow

Ian Watson continues the anthology with a piece that basically summarizes and analyzes each of the pieces nominated, and he mentions his disapproval with the choice of a juvenile for novel. Since the full novel can't be reproduced, Lois McMaster Bujold then talks about Falling Free, and responds to Ian's allegations, basically stating that the novel deals with universal themes and therefore whether or not it is a juvenile is irrelevant. Both of these are interesting in there discussion of science fiction themes but of course somewhat dated and don't seem very relevant nowadays.

Ray Bradbury was also immortalized with a Grand Master award (essentially a lifetime achievement award). Greg Bear talks about Ray Bradbury's contributions to the field. This is a very personal look at Ray and not very in-depth but provides a side we usually don't see. Ray himself contributes an original poem, "The Collector Speaks" which is interesting and definitely an example of Ray's style of art. There is also a reprint of Ray's nonfiction piece, "More Than One Way To Burn A Book" which warns about the dangers of censorship in any form. It's something everyone should read at least once.

At this point we start to look at some of the winners and nominees. "The Devil's Arithmetic" by Jane Yolen is actually a nominee for the novella category, and is not reprinted in its full version but a significant portion is present. This piece which has a young girl being transported back to Nazi Germany, is definitely a juvenile, and not all that original. "Bible Stories For Adults..." the short story winner is a unique rewriting of the flood story and it will obviously be considered sacrilegious by some but it is funny and fairly innovative.

The three winners of the Rhysling award for 1987 are also reprinted. This is essentially science fiction's poetry award, and though the pieces are very good, I didn't find any of the really outstanding.

"Schrodinger's Kitten" is about a woman trapped to repeat a certain set of events in life until they work out correctly. This is extremely original and very interesting, since it combines quantum theory and traditional laws (a Muslim code of ethics) in a very unique and well told story. "The Fort Moxie Branch" is another short story nominee and is perhaps one of the better non-winners present in this collection. This story about a weird library that appears in a small town, asks questions about what it means to be good, and makes us wonder how much we've lost in the last 2000 years simply because no one thought it was worth preserving.

Clifford Simak and Robert Heinlein also died the year this book was put to press and hence there are memoriams to them by Gordon Dickinson and Frank Robinson respectively. I'm not a big Simak fan, but was a huge Heinlein fan and the memoriam to Heinlein I thought was particularly well done. I knew most of what was contained in it, but for those interested in Heinlein's life it is a very well done summary.

There are then several more stories reprinted. There is also a discussion of movies from the year 1988. The most notable of all the reprints in my opinion is "The Last of the Winnebagos" by Connie Willis. This novella is set in the not too distant future, and conjures up a world where dogs are extinct. The world it envisions is interesting in its own right, but Connie does a great job as well of developing great characters who really have to go through some emotional trials and growth in just the short span of a novella, and she pulls it all off quite successfully.

The second to last piece in this collection is perhaps my favorite. It is called "My Alphabet Starts Where Your Alphabet Ends" and essentially is a work by Paul Di Fillipo that tries to argue that Dr. Seuss is perhaps the best and most visionary science fiction writer of the last century. Written in a very witty style Paul does a very good job of convincing me by the end.

This is a great collection all around and if it weren't so dated by now I'd give it five stars. I highly recommend this as well as the whole Nebula series to anyone who likes to read short science fiction, or who is interested in science fiction as a whole. A remarkable combination of pieces and very well edited.

Editorial Review:

As the most respected anthology of the year in science fiction, Nebula Awards 24 gives what science fiction writers themselves regard as the best of the best.

Philip K. Dick is dead, alas

Michael Bishop

Philip K. Dick is dead, alas Michael Bishop List Price: $12.95
By: Orb Books
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Customer Reviews:
Total reviews: 8 Average rating: 4.0 of 5

FAILED SEANCE 3 out of 5 stars.
4 of 4 people found this review helpful.

Alas, Bishop climbed aboard the PKD Express without a destination in mind. His attempt to contact the ghost of PKD only produced some raps on the ceiling. Using bumper sticker brevity, there was too much of this and not enough of that. Alas, too many of his characters had nothing to do but fester in their boring world. Dick, himself, usually gave his quirky characters an alternate world to escape into. This story's tacked on Brave New World ending, the "redemptive shift," a gift from super aliens, didn't quiet work.

Admittedly, it is difficult to develop character for a ghost. But giving him a craving for strong coffee doesn't quite do it. And it was hard for the other characters to react to the command, "Don't touch me." There were some interesting characters drawn. Cal Pickford, who idolized PKD much as the author Bishop must have, was very well developed. But most of the others were but wheels to keep the story moving, that alas, kept falling off. Still, not a bad read when you're snowed in for the winter.

Editorial Review:

It is 1982. The United States has a permanent Moonbase. Richard M. Nixon is in the fourth term of the "imperial presidency." And an eccentric novelist named Philip K. Dick has just died in California.

Or has he? Psychiatrist Lia Pickford, M.D., is nonplussed when Dick walks into her office in small-town Georgia, with a cab idling outside, to ask for help. And Cal Pickford, a longtime Dick fan stunned by the news of his hero's death, is electrified when his wife tells him of the visit.

So begins a sequence of events involving Cal in the repressive Nixon regime, the affairs of an aging movie queen, a hip but frightened Vietnamese immigrant and an old black man who works as a groom--all leading up to a fateful confrontation between Dick, Cal, and Nixon himself on the moon.

The Color of Neanderthal Eyes/and Strange at Ecbatan the Trees (Tor Double Novel No, 16)

James Tiptree, Michael Bishop

The Color of Neanderthal Eyes/and Strange at Ecbatan the Trees (Tor Double Novel No, 16) James Tiptree, Michael Bishop List Price: $3.50
By: Tor Books
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Customer Reviews:
Total reviews: 1 Average rating: 5.0 of 5

A Perfect Story 5 out of 5 stars.
1 of 1 people found this review helpful.

Tom Jared is tired out from long months in space as the telepath in a first contact party. He picks a world that was only visited once long ago to take a vacation. He sets down on the half of the planet that is not inhabited. He soon discovers that it is inhabited by a very gentle humanoid amphibian species when one jumps in his little rubber raft. They are able to communicate telepathically. Tom soon learns that this creature's name is Kamir and that she is a female. She is very beautiful by human standards. Tom learns that she is considered ugly by her people because she is too skinny. They fall in love almost instantly. Tom and Kamir spent many days being together and traveling from island to island. Kamir thought that she would never find a husband because she was so ugly. She is very happy and so is Tom. All too soon Kamir's brother tracks them down and asks them to return to the village.

I gave this book a 99 out of 100 on my personal ranking scale. The only point I took off was for the ending. This was such a wonderful story, I guess I wanted it to have a happier ending. But if it did, it might not be as great as it is. I really liked the love story themes. They are at many levels really. Tom falls in love first with Kamir, then her people and finally the entire planet. He breaks all the Federation's Rules of Contact in order to save them.

The story is very short being only 76 pages long, but it feels so much longer. I find myself wishing that there was a part two.

James Tiptree Jr. is a pen name for Alice B. Sheldon. She used a male name to get her Science Fiction Published. The appears to be an older story that was finally printed in 1990.

Count Geiger's Blues: A Comedy

Michael Bishop

Count Geiger's Blues: A Comedy Michael Bishop List Price: $12.95
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Customer Reviews:
Total reviews: 4 Average rating: 4.0 of 5

Enemies of decency (and good comic books) beware 5 out of 5 stars.
4 of 4 people found this review helpful.

As an author, Michael Bishop is hard to classify. His novels manage to attain that nebulous position between SF and fantasy, maintaining enough realism for the reader to truly believe that his novels could happen in the "real world". Most of the time his novels function on more than one level, telling both the story and conveying another layer of meaning above that . . . "Brittle Innings" was both a poignant look back at the golden days of baseball and a comment on what truly makes a monster. In this book, things are a little farther out, but not by much. In a fictional town, Xavier Thaxton writes for the Fine Arts section of the local newspaper. His disdain for popular culture is unmatched and he takes every opportunity he can to slam "low" art and elevate the fine arts, opera and classical music and nice paintings and what not. Then one day a bunch of things happen to him at once. His nephew, a "retro-punk" whose hatred for fine art equals his uncle's dislike of pop culture, comes to live with him . . . and Xavier takes a dip in water tainted by radioactivity and finds that he can no longer stand the presence of fine art without being exposed to an equal amount of pop culture. Eventually he finds that events are steering him to become that perfect embodiment of pop culture . . . the superhero. Bishop wonderfully deconstructs the superhero concept, from his weird origin (with a perfectly realistic eventual outcome) to taking the idea of "doing good" to absurd extremes, as Xavier tries to get bars to show seminars on how to respect women, and in fact there's very little superheroesque action involved in the story itself so those purely interested in strangely dressed people beating each other up should go to their local store and find an Image comic (or watch wrestling, I guess). Those wanted dense, rapid storytelling should look elsewhere too, or at least discover new reserves of patience . . . in comics there's a term called "decompressed storytelling" and that certainly applies here, Bishop takes his sweet time developing all of this and the concept of Xavier as superhero doesn't even appear until the book is half over. This isn't a bad thing but there are points where you're wondering where this is all going. The general tone of the book is satire and lightheartedness, definitely not in the "grim and gritty" Dark Knight Returns/Watchmen style of comics, although Bishop knows how to contrast utterly real moments (like the fate of everyone else who gets exposed to the radiation) and he manages to ground the book in a tangible sense of reality and not make it seem like some weird cartoon. Not all the characters really come across as three-dimensional, Xavier is really the only person to truly feel real, his girlfriend Bari is fun but never really comes alive and while his nephew "the Mick" has his moments, his annoying line of supercool hipper-than-thou speak reminds me of old Justice League comics with Snapper Carr. Which is probably the point. But Bishop manages to make this all somehow effortlessly entertaining, and you need to know nothing about superheroes to enjoy the book, just an appreciation that the line between "high art" and pop culture isn't as well defined as you might think. And if the ending doesn't tear your heart out then you might as well be dead. A book that will surprise you with its depth and well worth searching out.

Editorial Review:

Critic Xavier Thaxton detests popular culture. But when a wildly improbable plunge into a pool of toxic waste gives him an allergy to High Art and transforms him into (of all things) a costumed superhero, he is forced to reconsider his values--and his life.

At the City Limits of Fate

Michael Bishop

At the City Limits of Fate Michael Bishop List Price: $14.00
By: Edgewood Press
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Customer Reviews:
Total reviews: 1 Average rating: 4.0 of 5

Required college reading material 4 out of 5 stars.
0 of 1 people found this review helpful.

Having to read Bishop's book as a required piece of literature in my 1102 English class at North Georgia College and State University did not make me feel as though I would enjoy reading the book. However, as I read it, I decided that even if it had not been required, I think I would have read this book anyways. It was actually very good! I loved the fact that so much of the book was set in the South and that it was based on things that I could actually relate to. My favorite of the short stories was probably "Among the Handlers", I had actually seen things on the news about people who handled snakes as a part of their religion and it was a very engrossing story. If only all of the other required reading I had to do at school was this interesting!

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