Museums & Collections Books - Page 2

Giorgio Morandi 1890-1964: Nothing Is More Abstract Than Reality

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Customer Reviews:
Total reviews: 5 Average rating: 4.5 of 5

Much more than just a still-life 5 out of 5 stars.
12 of 12 people found this review helpful.

This is the catalogue for the current Morandi exhibition at the Met in NYC. It basically follows a strict chronology after two introductory essays, one attempting a reassessment of the artist's oeuvre in the light of the many studies that have been carried out in recent years and of his influence on contemporary art (no longer limited to abstraction)and the other dwelling on the visual sources that inspired the painter (Cézanne obviously, but also the Douanier Rousseau, Corot, Chardin to name but a few). These two essays are particularly interesting in that they provide in-depth information on the technique and working process of the artist and also on the somewhat paradoxical recognition of Morandi as a great master in the 1950's, at a time when abstraction was the dominant trend.

The book is then divided into five distinct periods, first displaying wonderful commented illustrations of the works pertaining to each period, and then followed by various essays (on the debatable influence of Piero della Francesca, on Morandi's etchings, on the critical reception and the market in Europe and the Americas, on debunking the myth of a reclused closed-off artist, on Morandi's famous saying that "nothing is more abstract than reality"). The book ends with a short text by Umberto Eco describing his discovery of Morandi's art, followed by transcripts of interviews of the artist.

This is probably the best artbook I have ordered this year (and I have ordered many!). The text is riveting, the illustrations (more than a hundred still-lifes and a dozen landscapes, all in full color) could not be better and some close-ups even give you the impression of holding the actual painting in your own hands (when I go through my library of some 800 artbooks, I have to disagree with the other reviewer of this book: the illustrations are outstanding).

Highly recommended.

Editorial Review:

This volume showcases 116 masterpieces arranged into the four major themes that characterize Giorgio Morandi’s work: self portraits, still lifes, landscapes, and flowers. The collection represents all the various expressive techniques used by Morandi over the years, including paint, etching, drawing and watercolor.The volume is the catalog of an outstanding exhibition organized by the Metropolitan Museum in New York and by the Museo d’Arte Moderna in Bologna. The exhibition will be open in New York from September 16 to December 14, 2008 and in Bologna from January 22 to April 12, 2009.The exhibition and the catalog also contain a number of photographs of Morandi’s studio and quotes from his admirers, as well as the memorable 1958 interview with Edouard Roditi.

Masters of Deception: Escher, Dali & the Artists of Optical Illusion

Al Seckel

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Customer Reviews:
Total reviews: 31 Average rating: 4.5 of 5

You cannot trust your eyes 5 out of 5 stars.
0 of 0 people found this review helpful.

This is a fascinating book to dip and absorb and marvel at how the artists use various techniques to show what we look at we dont see, and we see what we are "programmed" to see. Good fun.

Editorial Review:

Rings of seahorses that seem to rotate on the page. Butterflies that transform right before your eyes into two warriors with their horses. A mosaic portrait of oceanographer Jacques Cousteau made from seashells. These dazzling and often playful artistic creations manipulate perspective so cleverly that they simply outwit our brains: we can’t just take a quick glance and turn away. They compel us to look once, twice, and over and over again, as we try to figure out exactly how the delightful trickery manages to fool our perceptions so completely. Of course, first and foremost, every piece is beautiful on the surface, but each one offers us so much more. From Escher’s famous and elaborate “Waterfall” to Shigeo Fukuda’s “Mary Poppins,” where a heap of bottles, glasses, shakers, and openers somehow turn into the image of a Belle Epoque woman when the spotlight hits them, these works of genius will provide endless enjoyment.

Masters: Art Quilts: Major Works by Leading Artists (The Masters)

Martha Sielman

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Customer Reviews:
Total reviews: 31 Average rating: 5.0 of 5

It's A Master of A Book 5 out of 5 stars.
2 of 2 people found this review helpful.

This book is one of the best I have seen on contemporary quilt making. Martha Sielman chose the creme de la creme of the quilting world to include in the book- an arduous and difficult task I think! This is a book that you will look at again & again and always find something new. Fabulous! Well done! A must have for any contemporary quilter's library. Also, I think, a "must have" for libraries....come to think of it !

Editorial Review:

These art quilts showcase such versatility, innovation, and beauty that readers can’t help but be truly inspired. The gifted artists come from across the globe—including Africa, Asia, Europe, and North America—and their work displays their varying sensibilities, backgrounds, and talents.
Abstract appliquéd shapes cascade across the surface of Ita Ziv’s brilliantly colored quilts, creating vibrant celebrations of life. Noriko Endo captures her deep feeling for trees in a stunning interplay of light, shadow, and leaves. Gloves appear in nearly every quilt by Jane Burch Cochran, representing probing hands and, sometimes, angel wings. John Lefelhocz’s fantastic imagery—including an airplane silhouette that lights up—grabs viewers’ attention.
Esteemed curator Martha Sielman contributes an illuminating essay for each of the 40 featured artists, who are showcased in eight-page features.
.

 

The Polaroid Book: Selections from the Polaroid Collections of Photography (Taschen's 25th Anniversary Special Editions)

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Customer Reviews:
Total reviews: 9 Average rating: 4.5 of 5

What a SEXY book!!! 5 out of 5 stars.
16 of 16 people found this review helpful.

WOW... words can't even begin to describe how much I love this book! It's about time they released a book like this! And the wrapper of this book is genius! It looks like a gigantic box of Polaroid film... I didn't even want to remove the cover at first... I fondled it for awhile and then I slowly peeled it off and curled up on the couch for an hour or two and looked at all the pretty pictures.
This book is highly recommended for any Polaroid enthusiast! And if you want to see some great 'roids on the net- check out Polanoid.net!

Do not miss the opportunity to own this treasure! 5 out of 5 stars.
2 of 2 people found this review helpful.

This is a classic which sold out its first printing. BUY THIS NOW! You will have, preserved on your bookshelf the essence of what Edwin Land envisioned over 65 years ago distilled in one BEAUTIFUL volume. How can the Petters Group (who now owns Polaroid) dare to banish such a beautiful art form from humanity? That's right, Polaroid has stopped making instant film and the supply may barely run through the end of this year, and all expire by the end of next year. THIS IS A CRIME AGAINST ART AND HUMANITY!! Buy the book, then go to savepolaroid.com and join us all to save this incredible art form. JUST LOOK AT THE PAGES OF THIS INCREDIBLE VOLUME!!! You will be amazed!

Editorial Review:

This survey features more than 400 works from the Polaroid Collection along with essays by Hitchcock, who illuminates the beginnings and history of the Polaroid Corporation.

The Complete Cartoons of the New Yorker

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Customer Reviews:
Total reviews: 74 Average rating: 4.0 of 5

Editorial Review:

The book that Janet Maslin of The New York Times has called "indispensable" and "a transfixing study of American mores and manners that happens to incorporate boundless laughs, too" is finally available in paperback—fully updated and featuring a brand new introduction by Adam Gopnik.

Organized by decade, with commentary by some of the magazine's finest writers, this landmark collection showcases the work of the hundreds of talented artists who have contributed cartoons over the course ofThe New Yorker's eight-two-year history. From the early cartoons of Peter Arno, George Price and Charles Addams to the cutting-edge work of Alex Gregory, Matthew Diffee and Bruce Eric Kaplan (with stops along the way for the genius of Charles Barsotti, Roz Chast, Jack Ziegler, George Booth, and many others), the art collected here forms, as David Remnick puts it in his Foreword, "the longest-running popular comic genre in American life."

Throughout the book, brief overviews of each era's predominant themes—from the Depression and nudity to technology and the Internet, highlight various genres of cartoons and shed light on our pastimes and preoccupations. Brief profiles and mini-portfolios spotlight the work of key cartoonists, including Arno, Chast, Ziegler, and others.

The DVD-ROM included with the book is what really makes the "Complete Cartoons" complete. Compatible with most home computers and easily browsable, the disk contains a mind-boggling 70,363 cartoons, indexed in a variety of ways. Perhaps you'd like to find all the cartoons by your favorite artist. Or maybe you'd like to look up the cartoons that ran the week you were born, or all of the cartoons on a particular subject. Of course, you can always begin at the beginning, February 21, 1925, and experience the unprecedented pleasure of reading through every single cartoon ever published in The New Yorker.

Enjoy this one-of-a-kind protrait of American life over the past eight decades, as captured by the talented pens and singular outlooks of the masters of the cartoonist's art.

2009 Artist's & Graphic Designer's Market

Editors of Writers Digest Books

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Editorial Review:

Includes over 1,500 markets that exhibit and/or buy artwork; each listing Since 1975, Artist’s & Graphic Designer’s Market has been the most complete resource for fine artists, illustrators, designers and cartoonists who want to show and sell their work. This essential guide gives creatives completely updated contact and submission information for more than 1,500 art markets such as greeting card companies, magazine and book publishers, galleries, art fairs, ad agencies and more. Informative interviews with successful artists and art buyers offer advice on how to make contacts and succeed in the competitive art industry. Readers will also discover valuable resources for obtaining grants, marketing and promoting their work, and networking with fellow artists.

Disneywar: Library Edition

James B. Stewart

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Customer Reviews:
Total reviews: 103 Average rating: 4.5 of 5

Editorial Review:

"When You Wish Upon a Star," "Whistle While You Work," "The Happiest Place on Earth"—these are lyrics indelibly linked to Disney, one of the most admired and best-known companies in the world. So when Roy Disney, chairman of Walt Disney Animation and nephew of founder Walt Disney, abruptly resigned in November 2003 and declared war on chairman and chief executive Michael Eisner, he sent shock waves through the entertainment industry, corporate boardrooms, theme parks, and living rooms around the world—everywhere Disney does business and its products are cherished.

DisneyWar is the breathtaking, dramatic inside story of what drove America’s best-known entertainment company to civil war, told by one of our most acclaimed writers and reporters.

Drawing on unprecedented access to both Eisner and Roy Disney, current and former Disney executives and board members, as well as thousands of pages of never-before-seen letters, memos, transcripts, and other documents, James B. Stewart gets to the bottom of mysteries that have enveloped Disney for years: What really caused the rupture with studio chairman Jeffrey Katzenberg, a man who once regarded Eisner as a father but who became his fiercest rival? How could Eisner have so misjudged Michael Ovitz, a man who was not only "the most powerful man in Hollywood" but also his friend, whom he appointed as Disney president and immediately wanted to fire? What caused the break between Eisner and Pixar chairman Steve Jobs, and why did Pixar abruptly abandon its partnership with Disney? Why did Eisner so mistrust Roy Disney that he assigned Disney company executives to spy on him? How did Eisner control the Disney board for so long, and what really happened in the fateful board meeting in September 2004, when Eisner played his last cards?

Here, too, is the creative process that lies at the heart of Disney—from the making of The Lion King to Pirates of the Caribbean. Even as the executive suite has been engulfed in turmoil, Disney has worked—and sometimes clashed—with a glittering array of stars, directors, designers, artists, and producers, many of whom tell their stories here for the first time.

Stewart describes how Eisner lost his chairmanship and why he felt obliged to resign as CEO, effective 2006. No other book so thoroughly penetrates the secretive world of the corporate boardroom. DisneyWar is an enthralling tale of one of America’s most powerful media and entertainment companies, the people who control it, and those trying to overthrow them.

DisneyWar is an epic achievement. It tells a story that—in its sudden twists, vivid, larger-than-life characters, and thrilling climax—might itself have been the subject of a Disney animated classic—except that it’s all true.

The Photographer's Eye

John Szarkowski

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Customer Reviews:
Total reviews: 10 Average rating: 3.5 of 5

Editorial Review:

The Photographer's Eye by John Szarkowski is a twentieth-century classic--an indispensable introduction to the visual language of photography. Based on a landmark exhibition at The Museum of Modern Art in 1964, and originally published in 1966, the book has long been out of print. It is now available again to a new generation of photographers and lovers of photography in this duotone printing that closely follows the original. Szarkowski's compact text eloquently complements skillfully selected and sequenced groupings of 172 photographs drawn from the entire history and range of the medium. Celebrated works by such masters as Cartier-Bresson, Evans, Steichen, Strand, and Weston are juxtaposed with vernacular documents and even amateur snapshots to analyze the fundamental challenges and opportunities that all photographers have faced. Szarkowski, the legendary curator who worked at the Museum from 1962 to 1991, has published many influential books. But none more radically and succinctly demonstrates why--as U.S. News & World Report put it in 1990--"whether Americans know it or not," his thinking about photography "has become our thinking about photography."

The Illusion of Life: Disney Animation

Ollie Johnston, Frank Thomas

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Customer Reviews:
Total reviews: 63 Average rating: 4.5 of 5

Very inspirational... 5 out of 5 stars.
1 of 1 people found this review helpful.

This is a really inspirational book! It takes you through the history of Disney animation and how the founding animators discovered their secrets and modeled their craft. You will learn all about the fundamentals of great animation and how to apply proven techniques to form your skill. It is easy to read and is full of great imagery and references. Highly recommended!

Great Book For Animators! 5 out of 5 stars.
1 of 1 people found this review helpful.

Anyone who loves Disney animation and anyone who is learning the process of animation needs to get their hands on this book. It is long, it is detailed, but it is well worth it. This book mainly covers the essential Principles of Animation such as Squash and Stretch, Anticipation, Follow Through, etc. Go get it!

excelent book 5 out of 5 stars.
0 of 0 people found this review helpful.

Excellent book

This excellent book is a manual of animation.
Everything about animation you can find on it.

Editorial Review:

An out-of-print collector's item since 1986, the definitive account of the development of Disney animation explains what made Disney's style unique and features original sketches and drawings revealing the origins of Mickey and the rest. National ad/promo.

Alexander Calder: The Paris Years, 1926-1933 (Whitney Museum of American Art)

Joan Simon, Brigitte Leal

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Total reviews: 1 Average rating: 5.0 of 5

Editorial Review:

In 1926, Alexander Calder (1898–1976) moved from New York to Paris and began to use time and motion as "materials" for animating line and space. Calder’s years in Paris––an understudied part of the artist’s career––is the focus of this marvelous publication.

 

A team of international scholars discusses Calder’s many innovations of this period, chief among them his abstract, motorized, and mobile works. They analyze the extended cast of Calder’s animated Circus, made in Paris between 1926 and 1931, and include previously unpublished photographs by Brassaï and Kertesz of Calder and this beloved performative sculpture. The essays critically explore the intellectual, cultural, and artistic milieu of Paris in the late 1920s and early 1930s and the contexts of Calder’s friendships with Miró, Mondrian, Duchamp, and Man Ray, among others. What emerges in this fascinating book is a nuanced and detailed understanding of how Calder’s distinctive career first took flight.