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Customer Reviews:
Total reviews: 274
Average rating: 3.5 of 5
Worthless, fiendishly turgid, self indulgent ultra pretentious bollux 1 out of 5 stars.
2 of 7 people found this review helpful.
DeLillo has unwittingly contrived the perfect speedy cure for even compulsive obsessive cabin fever. This is complete and utter garbage!!!! Even the seemingly only mildly ironic title of White Noise fails to convey just how juvenile and puerile these 300+ pages will so often be.
Even allowing for the mid 1980's publication date and the obviously now dated technology/consumer references this rubbish is supremely unamusing and frequently witless. The slobbering self appointed literary pillocks who assert that DeLillo 'anticipated' the internet and media age etc are just shameless fawning morons.
Unsurprisingly once again, supercilious lemming like literary - presumably uber liberal - freaks have tribally banded together to bestow rarefied literary honours on a wholly pointless, unredeemed concoction that is way beyond execrable. Happily DeLillo will all too swiftly lose this readers paltry royalty as this demented drivel is being returned forthwith. The cartoonish characters are about as credible as the windbag Biden is on foreign policy. This excruciatingly tedious literary (as if?) experience approximates a painfully extended, cliche spewing Barak Hussein Obama campaign rally with a decided similar lack of perspicacity. Offering absolutely nothing to the beholder but hapless, almost anal vacuity and tortuous dullardish navel gazing, all enmeshed in regular, almost Fred Flintstonesque postmodern hectoring with all the depth of a Hannah Montana puke fest.
The South Parkesque characters are ALL utterly repugnant, and frequently quite cretinous, except for the noble chemical sniffing German Shepherds - who at least have some plot resonance. DeLillo's creations could easily all die horribly on page one without in anyway coming close to ruining this oft magniloquent crap. The almost non-existent cardboard plot has all the sapience and bite of a typical self absorbed (still after all these years) adolescent Jackson Browne song. Proffering the reader nothing in the way of intellectual sustenance whilst puking up a gossamer thin veneer of an academic setting in some generic non-descript mid-western city. The endless repetition and seemingly unremitting tracts of tumid prose throughout the book compels even the most patient, increasingly concerned for DeLillo reader to begin feverishly skimming. I frequently found myself hoping both the Elvis obsessed professor and the supposedly nationally acclaimed Hitler professor's chubby wife would be mercilessly water boarded at Niagara Falls (geddit DeLillo???).
The absurd, sorry excuse of an ending is weaker and even more poorly written than the worstest (smirk) yet perpetrated by my fellow Brit Nick Hornby who at least has the irrefutable excuse of being an Arse-nal fan. Both the Sopranos and Anne of Green Gables will teach DeLillo much about plotting, characterisation, pacing, and scene setting etc, but then so would even Micky and Donald.
The author's ultra trite unimaginative obsession about death and dying and its insipid, clichéd treatment is more than quite irritating after the first five (hundred) instances. There really is NOTHING WHATEVER to recommend this worse than wretched novel. Other than as a superb real life case study in how to cynically inveigle your way into back slapping post modern literary freak heaven. Penguin should be deeply, deeply ashamed of suggesting this is one of the "great" books of the 20th Century. ZERO STARS!!
Editorial Review:
Winner of the National Book Award, White Noise was immediately hailed as Don DeLillo's "breakout novel" when it first appeared in 1985. The novel entertains a wide array of compelling topics and concerns with consummate agility. Study this spot-on satire of post-war America. The title, Don DeLillo’s White Noise, part of Chelsea House Publishers’ Modern Critical Interpretations series, presents the most important 20th-century criticism on Don DeLillo’s White Noise through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on Don DeLillo, a chronology of the author’s life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University.