Michael Wohl
List Price: $39.99
By: Peachpit Press
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Customer Reviews:
Total reviews: 20
Average rating: 4.5 of 5
A perfect mix of editing theory and practical advice 5 out of 5 stars.
12 of 12 people found this review helpful.
If you are serious about Film Editing, you are probably already been looking at books like Shot by Shot by Steven Katz, and checking out local training courses. You may also be trying to learn how to use Final Cut Pro, and checking out the many books on that topic.This book could save you a lot of time and effort, by combining both subjects into one. It teaches, from a completely practical viewpoint, how to frame and edit shots. It also discusses how to use Final Cut Pro in order to achieve the right effect. There are also sections on sound, special effects and distribution - and again, all are realistically explained.
At every point, real-world editing examples are used, so it's not simply a discussion of every menu option. There are plenty of screenshots, and even though it doesn't cover the very latest version of FCP, everything is still 100% relevant.
After working through the huge pile of paper that is the FCP manual set, this book should be next on your list. It will tell you which features you will actually need to know, and pass on some very useful cinematic editing information at the same time.
Editorial Review:
Editing Techniques with Final Cut Pro, 2nd Edition is an insightful and practical guide for intermediate to advanced Final Cut Pro users who want to extend their use of the tool to achieve sophisticated storytelling. The second edition of this popular book by professional filmmaker and editor Michael Wohl includes an entirely new chapter on finishing and outputting video to a variety of formats for both film and the Web; a major new section on color correction, including color photo illustrations; and a comprehensive look at how to create effective sound design. A unique blend of editing theory and practice, this book opens the readers' eyes and ears, making them more perceptive movie viewers and giving them the essential film vocabulary they need to advance their work to the next level and develop their own editing style.