Composers Books - Page 2

Parallels and Paradoxes: Explorations in Music and Society

Daniel Barenboim, Edward W. Said

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Total reviews: 4 Average rating: 4.0 of 5

Editorial Review:

This fascinating exchange between two of the most prominent figures in contemporary culture, Daniel Barenboim, Music Director of the Chicago Symphony Orchestra and the Deutsche Staatsoper Berlin, and Edward W. Said, the eminent literary critic and scholar and a leading expert on the Middle East, grew out of the acclaimed Carnegie Hall Talks. A unique and impassioned discussion about politics and culture, it touches on many diverse subjects: the importance of a sense of place; the differences between writing prose and music; the conductors Wilhelm Fürtwangler and Arturo Toscanini; Beethoven as the greatest sonata composer; the difficulty of playing Wagner; the sound at Bayreuth; the writers Balzac, Dickens, and Adorno; the importance of great teachers; and the power of culture to transcend all national and political differences——something they both witnessed when they brought together young Arab and Israeli musicians to play at Weimar in 1999.

Although Barenboim and Said have very different points of view, they act as catalysts for each other. The originality of their ideas makes this a book that is both accessible and compelling for anyone who is interested in the culture of the twenty-first century.

Beethoven: The Universal Composer (Eminent Lives)

Edmund Morris

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Total reviews: 23 Average rating: 4.0 of 5

Editorial Review:

Ludwig van Beethoven (1770-1827) was a genius so universal that his popularity, extraordinary even during his lifetime, has never ceased to grow. It now encircles the globe: Beethoven's most famous works are as beloved in Beijing as they are in Boston.

Edmund Morris, the author of three bestselling presidential biographies and a lifelong devotee of Beethoven, brings the great composer to life as a man of astonishing complexity and overpowering intelligence. A gigantic, compulsively creative personality unable to tolerate constraints, he was not so much a social rebel as an astute manipulator of the most powerful and privileged aristocrats in Germany and Austria, at a time when their world was threatened by the rise of Napoleon Bonaparte.

But Beethoven's achievement rests in his immortal music. Struggling against progressive, incurable deafness (which he desperately tried to keep secret), he nonetheless produced towering masterpieces, such as his iconic Fifth and Ninth symphonies. With sensitivity and insight, Edmund Morris illuminates Beethoven's life, including his interactions with the women he privately lusted for but held at bay, and his work, whose grandeur and beauty were conceived "on the other side of silence."

Classical Style

Charles Rosen

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Total reviews: 13 Average rating: 5.0 of 5

Classic writing about Classical music 5 out of 5 stars.
23 of 25 people found this review helpful.

Charles Rosen by now has attained a place among musical analysts on a par with the likes of Tovey and Grout, though his style is very different from either of these luminaries. Taking the music of Haydn, Mozart and Beethoven as the pinnacle of the musical style that developed in the late eighteenth-century, Rosen explains how around 1775 there was a decisive shift away from the High Baroque style of Bach and Handel, and why this new music was different. After his general introduction to the style most of the book explores different genres, symphony, opera, concerto and string quartet among them, to create a lucid and multi-faceted picture of how these three great composers approached and solved common musical and formal problems. The new edition adds a preface that addresses criticisms of the original book and an additional late chapter on Beethoven.

Rosen's writing, though it can be dense and repetitive, at its best is unmatched in its ability to relate analysis to what actually is heard by a listener. To this end, an ability to read and understand the copious and detailed musical examples is essential to fully grasping his points--this book is not for the casual amateur. But to those willing to do the work, The Classical Style remains as richly rewarding after three-plus decades as when it first appeared. As another reviewer has mentioned, it is a book one returns to again and again simply for the sheer pleasure of reading it.

Editorial Review:

A greatly expanded edition of the National Book Award-winning masterpiece by a world-class pianist and writer on music. This outstanding book treating the three most beloved composers of the Vienna School is basic to any study of Classical-era music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language. For this expanded edition, now available in paperback for the first time, Rosen has provided a new, 64-page chapter on the later years of Beethoven and the musical conventions he inherited from Haydn and Mozart. The author has also written an extensive new preface in which he responds to other writers who have commented on his ideas.

The Magic Flute

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Total reviews: 25 Average rating: 4.5 of 5

The Definitive Magic Flute 5 out of 5 stars.
6 of 7 people found this review helpful.

I'm usually dismissive of most Die Zauberflotes because I find the overall quality of the singers and recording lacking. Then I came upon this recording...I have to say that it is simply the most amazing Die Zauberflote I've ever heard! The orchestrations to the singers to the conductor himself...everything is mind-blowing! I'm not a Mozart person, but if I really like a recording of his I will buy it. This is an excellent way to introduce yourself to the Flute, especially since there is such a wonderful introduction accompanying this extremely famous opera. And the Queen of the Night-Edda Moser!!! Amazing! Simply amazing! No other Queen has conveyed that much drama into her singing. This is the Flute. I would suggest Marriner's version if I hadn't seen this one, but then here is a Flute with all the greats in it! Get it now!

Editorial Review:

Enter a magical world of monster serpents, mysterious ladies, and flying machines where giant flowers and butterflies the size of birds abound. Readers will thrill as Prince Tamino strives to save Princess Pamina from the wicked Queen of the Night and the Chancellor Monostatos. This beautiful retelling of Mozart's famous opera is combined with an audio CD that will enchant both readers and music lovers. Full color.

W.A. Mozart

Hermann Abert

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Total reviews: 4 Average rating: 5.0 of 5

Editorial Review:

Hermann Abert's classic biography, first published in German more than eighty years ago and itself based on the definitive mid-nineteenth century study by Otto Jahn, remains the most informed and substantial biography of Mozart in any language. The book is both the fullest account of the composer’s life and a deeply skilled analysis of his music.
Proceeding chronologically from 1756 to 1791, the book interrogates every aspect of Mozart’s life, influences, and experience; his personality; his religious and secular dimensions; and the social context of the time. In “a book within a book,” Abert also provides close scrutiny of the music, including the operas, orchestral work, symphonies and piano concertos, church music and cantatas, and compositions for solo instruments.
While the tone of Abert’s great work is expertly rendered by Stewart Spencer, developments in Mozart scholarship since the last German edition are signaled by the Mozart scholar, Cliff Eisen, in careful annotations on every page. Supported by a host of leading Mozart scholars, this immense undertaking at last permits English-language readers access to the most important single source on the life of this great composer.

Amadeus: A Play by Peter Shaffer

Peter Shaffer

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Total reviews: 33 Average rating: 5.0 of 5

Spiritual Vs. Material 5 out of 5 stars.
1 of 1 people found this review helpful.

Peter Shaffer's award-winning and highly popular play AMADEUS is in many ways a morality play but seen through the eyes of a complicated postmodern villain. The play is called AMADEUS but the chief character of the story is Antonio Salieri. Salieri is the Court Composer for Emperor Joseph II of Austria during the end of the 18th Century. He is held in esteem not only by the Emperor and Court, but by the masses as well. Then Amadeus Mozart makes his way to the Austrian Court at Salzburg and Salieri recognizes in the young man a musical genius superior to anything musical he has ever heard. He becomes enraged with bitter jealousy. Feeling that God has abandoned him and given the talent that he has trained to develop and possess his entire life, Salieri declares a war against God that he will fight on the battleground that is Amadeus Mozart.

AMADEUS is a fantastic play. Author Peter Shaffer has revised the play several times since its first performance in 1979 and this version of the show (written twenty years later in 1999) is in my opinion the best because it is the one that portrays Salieri more than just an evil man, but as a human being that the audience and readers can relate to and actually understand somewhat. A must see play that anyone who enjoys theatre should be familiar with.

Editorial Review:

0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.

Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of historical fiction.

The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents

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Total reviews: 6 Average rating: 5.0 of 5

Comprehensive collection 5 out of 5 stars.
17 of 19 people found this review helpful.

A wonderful collection of letters by and articles about Bach, both from his own era and afterwards.

Some of his letters have even been set to music! Amazon also has available Peter Schickele's [a k a PDQ Bach] "1712 Overture and other Musical Assaults" which includes his parody on Copland's Lincoln Portrait, in which, instead of reciting The Gettysburg Address, he reads 2 of Bach's many letters complaining about his lack of money.

These are among the best known of Bach's letters, and are a fairly good indication of the general tone of many of his letters.

In one letter he complains to a relative that the cask of wine he had sent was half empty by the time it arrived, and that he had had to pay so many taxes as it passed through various districts of Germany that receiving it was rather expensive!

He concludes by saying something like "Please don't send me any more gifts ... I can't afford it!"

In the second letter, he writes warmly of his very musical family, but also whinges about his pay being less than he expected. He says that he had been promised a certain amount of money per funeral, but unfortunately the winter was so mild very few people died!

Highly recommended for lovers of Bach.

Editorial Review:

Reveals the life and career of Johann Sebastian Bach through hundreds of letters, family papers, anecdotes, and records relating to his personal and professional life.

Beethoven's Letters

Ludwig van Beethoven

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Total reviews: 3 Average rating: 5.0 of 5

BEETHOVEN "A Look Behind The Notes" 5 out of 5 stars.
5 of 5 people found this review helpful.

Beethoven's Letters
As a pianist, teacher, adjudicator, examiner, critic and author, I am often presented with performances of Beethoven's works that offer no insight or understanding of Beethoven the man or his music! When giving master classes, I encourage students to read his letters and analyze his music before attempting to perform it. Most consider Beethoven an unpleasant, angry, reclusive human being! Beethoven's letters prove these thoughts to be totally invalid! When writing to his brothers (Heiligenstadt Testament),Beethoven shows an essence of lament because he is so distraught about the false opinions of others toward him. In his letter's we find the true essence of this great man.
Beethoven was a man of morality, truth, and beauty very much like Schubert. Beethoven's deep love of nature is well-known and well documented in his letters and shows in his music too! He was a deeply religious man. Beethoven's attitude may have been more of conventional Catholic ecclesiastical views, but as his letters show, there are countless evidences of his spirituality.
In Beethoven's letter's the fundamental differences are clear. I feel the most important ones are these:
Purity. There is never one single moment of something demonic or unhealthy in his music.
Dignity. He is always completely honest in his music. And there is never a trace of something that might be interpreted as self pity. Pain and sorrow, yes, but nothing to suggest that he ever felt sorry for himself.
His letter's convey a very good guess that Beethoven's deafness may have been a result of his attempts to press his excellent hearing sense to the extreme in order to gain the ultimate understanding of music! The reading of Beethoven's letters is paramount for those who truly want to know the essence of the man and how to approach performing his music!

Author: Raymond Vacchino M.Mus.(MT) A.Mus. L.R.S.M. Licentiate (hon.)

Editorial Review:

of Beethoven’s most candid letters dealing with such topics as his deafness, his declining health, other composers and their influence, his own work. 15 illustrations.

Mozart: A Life

Maynard Solomon

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Total reviews: 30 Average rating: 4.5 of 5

Enjoyable to read.... 4 out of 5 stars.
12 of 14 people found this review helpful.

Mozart's financials were now up now down, and this also reflects the vicissitudes attendant on the way this great musician genius was living.
Indeed Constanze was the inadvertent witness of his financial engagements and, being so keen on money, she brought about a gloomy catalogues of his Balance Sheet (so to speak) so that his heirs would not have greedy `appetite' after him.

Mozart's personal letters to his cousin (before he married Constanze) are full of frivolity, vivacity, and written in unorthodox language, in their contents, using `flagrant' terms and words befitting a merry teenager full of gaiety and high spirits. Mozart's soulful personality, for instance, didn't know the pressures of antagonisms from anyone, including Saliere.
Mozart always had a personal touch of sincere friendliness to clear away any lingering misunderstanding with the Royal court (The marriage of Figaro)

There have been awful lot of exaggerations in the movies and in the literatures written about Mozart, which made us wonder what was true vs. dramatized.

It is a documented fact, though, that Mozart (and his friend Haydn) found great personal diversion in the Masonic Lodges of Vienna.
Mozart's first complete musical contribution honouring the `Lodge' with Masonic themes and allegory was his `Die Zauberflote'- The magic Flute, music and libretto of devoted love and unique delight.
At the Lodge, some of the lectures also spoke of the meaning of `death'. Should it be feared? Should it be regarded `friendly' as the secession of all mundane excessive endurance to quietness, self-relief and freedom of the soul? Mozart composed the `Requiem' of music combining `happiness' and `acceptance' of the inevitable as `duty' and `obligation', not of fear.

Editorial Review:

and revealing unknown aspects of his family relationships, a definitive biography utilizes bold interpretations and insights, as well as modern analysis to examine Mozart's personality in a new light.

Godel, Escher, Bach: An Eternal Golden Braid

Douglas Hofstadter

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Total reviews: 14 Average rating: 5.0 of 5

One of the biggest influences in my life, and a classic. 5 out of 5 stars.
12 of 13 people found this review helpful.

Douglas Hofstadter uses the art of M.C. Escher, the music of J.S. Bach, and Kurt Goedel's mathematics as the centerpieces for a magnificent inquiry into the nature of the mind. Along the way you will encounter Bertrand Russel, Carroll Lewis, particle physics, molecular biology, Magritte's paintings, and Zen koans. These are all used to probe recursion and the mystery of how we form thoughts. But the list of topics alone is not what makes this book great, it's the playful, joyful sense that characterize's Hofstadter's treatment of this. This sense of wonder is critical, as without it this highly challenging book would be very frustrating. The book's style itself is based on Bach's canons, and the chapters are interspersed with dialogues between the Tortois and the Hare, in the style of Carroll's Alice in Wonderland. The result is an artistic as well as scientific or philisophical masterpiece. I am currently a triple-major in molecular biology, physics, and philosophy, and much of my curriculum has been influenced by the beauty of Hofstadter's book. This will go down as one of the 20th Century's bests books.