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The Turing Test (Doctor Who Series)

Paul Leonard

The Turing Test (Doctor Who Series) Paul Leonard List Price: $6.95
By: BBC Books
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Customer Reviews:
Total reviews: 6 Average rating: 4.0 of 5

Doctor Who in Greeneland 4 out of 5 stars.
7 of 7 people found this review helpful.

When I was a youngster the Doctor Who novelisations produced by Target sparked my interest in reading. The likes of Terrance Dicks, Gerry Davis, Ian Marter, and Malcolm Hulke provided me with much pleasure and led me to explore more of the local library before I ventured into "more serious" fiction. Those early novels were formulaic and this is wittily shown in an essay by Paul Magrs, a wonderful British novelist whose work seems to draw on magical realism from Gabriel Marquez and Terrance Dicks, where he explains how these early Target books influenced his writing. In those early Target books certain nouns always had the same qualifying adjectives. Pockets were capacious. Hair was "a mass of curls" or "an unruly mop".

It had been some years since I read a Doctor Who novel, and it was Paul Magrs move into the stable of BBC writers that led me to read one or two of the recent novels. The books today are very different to the fiction of fifteen or more years ago. They are well written adult science fiction. Things do not always work out for the best. Life is not simple. Characters are no longer brief descriptions recalling much enjoyed television stories but are fleshed out, alive.

The Turing Test is a fine example of the modern Doctor WHo novel, and indeed may be a level or two above the norm. Set in the Second World War and featuring as central characters Alan Turing, codebreaker, Graham Greene, spy and occasional novelist, and Joseph Heller, pilot and future novelist; the story features the eighth incarnation of the Doctor. Stranded on earth he has lost his memory, and is wandering waiting for a meeting in St Louis in 2001. It features codes, and aliens; but also meditations on sex and sexuality, the value of humanity, and the nature of fighting.

The novel is divided into three sections. One written from the perspective of Turing, one Greene, one Heller. Each is in the first person. The conceit in lesser hands would have failed but Paul Leonard mimics the styles of the latter two well, and provides a distinctive voice to the lonely Turing. As someone that has read a lot of Greene lately I feel that Leonard's writing evoked something of Greeneland.

The particular value of Leonard's style and structure is that in giving each character an opportunity to speak their character can be revealed in a manner that does not require revelation upon revelation. Further, each character's perspective being very different - from Turing's naivety, through Greene's bitter cynicism, to Heller's battling pacifism - we are shown different facets of the Doctor, the central character. For a character with a huge past (to his fanbase) placed in a story arc based on a breakdown and terrible amnesia, this novel succeeds in casting new light on him.

It is an impressive adult sci-fi novel. Mr Leonard is to be congratulated.

Readers are referred to the first novel in the arc, The Burning by Justin Richards, and Paul Magrs The Scarlet Empress, for other very good examples of the new Doctor Who novels.

Editorial Review:

A mysterious code is received at Bletchley and Alan Turing, the chief code-breaker, is unable to break it. He meets the Doctor in a club and when Turing tells him about the code, the Doctor reacts by running away, terrified. Turing confesses his indiscretion to the military and the Doctor is arrested. He eventually succeeds in breaking the code from his prison cell -- the message is a desperate cry for help from mysterious refugees in Vienna.

Genocide (Dr. Who Series)

Paul Leonard

Genocide (Dr. Who Series) Paul Leonard List Price: $5.95
By: BBC Books
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Customer Reviews:
Total reviews: 9 Average rating: 3.5 of 5

This book will make you think 4 out of 5 stars.
3 of 3 people found this review helpful.

If you find Saving The Whales, The Rainforests and ecology a boring subject, don't bother with this book. But, if you care, even a little, read on!

An odd book that brings back Jo Grant and UNIT. It is interesting to see how the Doctor's companions have fared after falling back into their old lives. Seems the life of anyone the Doctor touches is changed by it somehow or other. If you travel in the Tardis, you're never the same.

Jo Grant is a typically unhappy member of the human race as a divorced single mother. When the chance to work with the Doctor comes up again after several decades she grasps at it like a life saver to a drowning victim.

The horse-like society that is wiped out is fascinating. You find yourself wishing there was some way of saving it and that the Doctor didn't have to be such a stickler for the Proper Flow of Time.

The only problem is with the way the narrative goes back and forth. The story starts near the end, which is a good way to start. You wonder how in the world the Doctor got into such a state! This will hook you into staying with the story; and you will need to be hooked because it sometimes becomes boring and predictable. Still, it is an original story creating a wonderful new race of beings. Good show!

Editorial Review:

A Doctor Who story in which Jo Grant is asked to join a project 1.5 million years in the past, to observe the evolution of the human species at first hand. The Doctor learns of this only when he visits Earth in 2109 and finds the peaceful Tractites - but no trace of the human race.

Venusian Lullaby (Dr Who : the Missing Adventures)

Paul Leonard

Venusian Lullaby (Dr Who : the Missing Adventures) Paul Leonard List Price: $5.95
By: London Bridge (Mm)
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Customer Reviews:
Total reviews: 5 Average rating: 4.0 of 5

Very unique aliens and lots of action 4 out of 5 stars.
2 of 2 people found this review helpful.

This book really captures the first Doctor. I could just imagine him saying and acting the part in this book. The Venusians were some of the most enjoyable aliens I have read about in a long time. The only part of the novel that got a bit tedious was that Ian and Barbara seemed to get a bit too injured. Everytime they turned around they would get blown up or burned. All in all a wonderfully delightful tale.

Superb evocation of an alien culture, tragically dying 5 out of 5 stars.
0 of 0 people found this review helpful.

Probably the best of Virgin's 'Missing Adventures' series - for some reason, the First Doctor novels seem to be much more consistently well-written than any other era.

Set on Venus 3 billion years ago, this is the best-evoked alien civilisation I've read of in a Doctor Who novel, and the only novel not set in Earth's history which reads like a 'historical'; there's an epic sweep of tragedy in the world inevitably heading for destruction. It's almost impossible not to sniffle - but parts of it are very funny, too (such as the imaginative ways in which some Venusians attempt to escape their dying planet), or brilliantly imaginative (such as the whole nusiness of 'eating brains').

The regular cast - Barbara, Ian and a chianti-serving Doctor are well-rendered, too, and there's a cracking story (despite names which are a bit of a mouthful) which makes the best of the breathtaking background.

Doctor Who: The Last Resort

Paul Leonard

Doctor Who: The Last Resort Paul Leonard List Price: $6.95
By: BBC Books
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Customer Reviews:
Total reviews: 1 Average rating: 1.0 of 5

I think rhyme and reason just fell apart. 1 out of 5 stars.
4 of 5 people found this review helpful.

I'm actually shocked by how much I disliked THE LAST RESORT. Paul Leonard is an author I have a lot of time for. I found something to enjoy in all of his previous NAs/EDAs (yes, even THE DREAMSTONE MOON which is almost universally loathed). Yet outside the first few chapters, I didn't enjoy any of it. There's just not much here to like. Stuff happens. None of it to people we're interested in. Then more stuff happens. Not much of it makes sense. Then the book ends. Readers are left, scratching their heads, wondering why on Earth this book exists. Maybe it doesn't. Maybe I imagined it. Once the scars heal and the memory fades, I doubt I'll ever have any reason to want to go back and prove that this book really was published.

There's a strong beginning to the story. We actually have a plot that fits comfortably into the on-going story-arc; without the Time Lords to enforce the Laws Of Time, dangerous and destructive time travel is appearing. "Destructive", because of the havoc inadvertently unleashed upon the cosmos. Alternative universes are springing up with each instance of time travel (at least, that's what the book says, although unexplained exceptions are made). Any time traveler changing history is now responsible for the existence of two time-streams -- the first being his original time-stream (the unmolested chain of events that led to his time travel), the second being the altered, new time-stream (the new and improved version which may in fact be a paradox). The book's most successful moments involve the comedy potential of having all manner of modern-day icons turning up in human history.

The biggest problem with this book is that it's obvious by about page fifty that this state of affairs can't remain true and there's clearly going to be a reset of one sort or another before the book closes. "But", I hear some of you saying, "Surely what's important is the journey itself, not necessarily what we arrive at." And usually I would agree with that sentiment. But this journey itself is technobabble-laden nonsense. Most of it probably makes logical sense, but it's difficult to care about any of it. We're told that Sabbath's nonsensical plan to fix everything will work, but we aren't told why or given any information that would let us figure it out.

We're told that alternative universes are popping up every time someone (off-screen) makes a change to history. So, how often is this occurring? How many time-streams are created during the first, say, one hundred pages? Does each inconsistency point to a newer history? Are there new universes created without immediately noticeable effects? Are new universes being created with every chapter? Every scene? Every page? Every sentence? As far as I can tell, each of these could be true, but we aren't told why or given any information that would let us figure it out.

So, given that the majority of the book is simply extended padding, is there anything worth reading in the bulk of pages that makes up THE LAST RESORT? Sadly, no. In the past, Leonard has done a reasonably good job of presenting solid characterization. At times, he's done astonishingly well on this point. But not here. His characters simply cannot overcome the "plot" that they're mired in. The only exception is a bright spot in the character of Iyeeye. Leonard is playing to his strengths here. I found her thoughts while in her own environment to be engrossing. The problem is that the story is far too splintered for a deep character like this. She's stuck in something that is impossible to care about and unfortunately the effect is to dull any interest she may have brought.

One of the advantages to creating a whole bunch of identical duplicates is that it allows the author opportunity to kill off characters as many times as he likes without having to bother creating new ones. Oh boy. But yet, maybe seeing exactly how a beloved character may choose to sacrifice himself in one reality would give us further insight into the still-living character in another time-line. It's a nice idea... that only happens once (Anji's journal). The literally thousands of other deaths are just pointless. In the MST3k episode "Time Chasers", a movie which shares the same philosophy of time travel as this novel, one copy of our bespectacled, big-chinned, hockey-haired hero is blown away. "Don't worry, folks", mocks one of the robots wearily, "This movie's got a spare." Oh, you wouldn't believe the amount of times I thought of that line during THE LAST RESORT.

The plot eventually turns back on itself. Maybe. Something inexplicable that occurs near the beginning finally gets a time-travely explanation towards the end although I'm not convinced that the link-up actually matters. It would be more impressive if there was any reason to care by that point or any reason to believe that they were all part of the same universe or time-line or whatever. So something matches up. So what? It's been mere days since I read the book and I'm already struggling to remember why key plot points took place. This novel is the poster child for demonstrating that a convoluted plot is no replacement for a complex one. A complex plot is one in which multiple layers are carefully interweaved -- characterization, plot and tone all work together to enhance the author's chosen themes. A convoluted plot is one in which weird stuff happens just because the author says so. It may all make sense by the end, but it might not. And you might not even be able to tell anyway.

I have absolutely no problem with a storyline that requires me to give it a lot of thought. But I balk when that extra thinking leads only to the discovery of plot-holes, inconsistencies and sloppiness. This is not Paul Leonard's finest hour.

Editorial Review:

An adventure featuring the Eighth Doctor with Fitz and Anji. The heroes are used to finding themselves in different times, eras long before or long after the ones into which they were born. But when these eras come equipped with Hilton hotels and luxury theme parks, it's a different matter. In the 1950s, the Good Time Travel Company has discovered time travel in a big way - it's now time tourism, in fact - and they're not about to let go of their profits easily, no matter what some Doctor guy ssays about the fragility of the time/space continuum. But the ensuing paradoxes mean that chaos is swiftly encroaching on the happy day trips to Roman orgies. Something has to be done, before it engulfs the whole of time!

Dreamstone Moon (Doctor Who Series)

Paul Leonard

Dreamstone Moon (Doctor Who Series) Paul Leonard List Price: $5.95
By: BBC Books
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Customer Reviews:
Total reviews: 6 Average rating: 4.0 of 5

Editorial Review:

In Dreamstone Moon, Sam and the Doctor, via different routes because they are still apart, find themselves on a satellite called the Dreamstone Moon. It has come by this name because it is where dreamstone, a substance that allows the dreams of sleepers to be recorded and then played back (or something), is mined. But an artist named Anton finds that the dreamstones only give him nightmares and so determines to go to the moon to find out why.

Readers are unlikely to be impressed with any of the characters here. It is easy to mistakenly believe that the soldier Cleomides is an android since it is the only way to explain her wooden, stilted dialogue and strange actions. The only well-developed character besides Sam is an alien Krakenite named Aloisse (a totally inhuman, cephalopodic sort of creature).

An excellent subplot is the idea that some of the humans cannot see aliens as rational and dependable beings in their own right. This leads to Aloisse being systematically tortured, blinded, and seriously wounded, since the humans simply can't think of her as a sentient being. This, of course, echoes man's inhumanity to man--especially where race and color are concerned--and is nicely understated here. The Doctor is probably the only hope they have, but because he is an alien, those in charge cannot see how he can help them.

Sam spends her time moving from one disaster area to another and encountering a series of hostile environments: it's amazing that she survives at all. It's also slightly annoying that she and the Doctor never actually get to meet in the novel--they spend the whole time just missing each other and only actually see each other twice. (I think it was twice--I wasn't counting!)

The biggest problem with Dreamstone Moon, however, is that the action (and there is lots of it) is simply not very well handled. Whereas John Peel can write action so that you feel you are watching it on screen, Leonard's events seem diluted and distant, as if it's someone telling you about something that happened to a friend some years before. Dreamstone Moon is a little bland in parts. Or it could be that Leonard's writing simply doesn't appeal to this reviewer and that others will understand and enjoy the work more. --David J. Howe, Amazon.co.uk

Speed of Flight (Doctor Who)

Paul Leonard

Speed of Flight (Doctor Who) Paul Leonard List Price: $5.95
By: London Bridge (Mm)
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Customer Reviews:
Total reviews: 2 Average rating: 2.0 of 5

Subtle but in the end entertaining 2 out of 5 stars.
1 of 1 people found this review helpful.

Definitely not the best Doctor Who Missing Adventure, but it's got its good points. The story moves slowly, and there's not much action. The resolution of the chief bad guy's fate is a little bit of a letdown.

If you're a fast reader who doesn't mind a more slow-moving story, go ahead. If not, don't be afraid to skip this one.

Too clever and complex for its own good 2 out of 5 stars.
0 of 1 people found this review helpful.

The Doctor takes Jo and Mike Yates for a spin in the TARDIS, aiming for the planet Karfel (which the Doctor and Jo had visited, according to the story 'Timelash') but, given how awful the other story set on Karfel was, end up instead on the planet Nooma. I'm not sure, though, that this destination is any better.

This story is full of strange alien races and serious bodily transformations, especially for one of the regulars. And with any such transformations, the return to normal afterwards is a difficult thing to believe.

The society of Nooma also causes me some difficulty. I have a problem with so many intelligent races evolving side by side, even with the "explanation" that is offered as part of the book's resolution.

Something simpler would have been better. Getting too complex just leads to trouble.

Editorial Review:

The TARDIS brings the third Doctor, Jo, and Captain Yates to Nooma, a planet in the midst of an industrial revolution. There, they discover that survival of the fittest has become a religion and even the planet appears to be at war with itself.

Toy Soldiers (Doctor Who the New Adventures)

Paul Leonard

Toy Soldiers (Doctor Who the New Adventures) Paul Leonard List Price: $5.95
By: Virgin Pub
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Customer Reviews:
Total reviews: 2 Average rating: 3.5 of 5

Disappointing 3 out of 5 stars.
0 of 1 people found this review helpful.

The idea that an alien civilization would kidnap kids to fight their wars is an intriguing one; sort of "Peter Pan" meets "All Quiet on the Western Front." Unfortunately, this is yet another New Adventure that spends too much time on character and not enough on plot. In addition, the Doctor is absent for most of the book, and we're left with Roz dealing with racism in 1920's France (which I thought was a tad unrealistic; France was much more liberal about race than most countries at that time).

The March of the Wooden Soliders 4 out of 5 stars.
0 of 0 people found this review helpful.

TOY SOLDIERS, to be brief, is a collection of some absolutely brilliant set pieces tied together in a plot that is merely adequate. Paul Leonard definitely knows how to write a good sentence. He has a great ability to construct an emotional and heart-tugging scene. He even creates some extremely worthy characters. But the talent to put all those excellent pieces together in a coherent story is something that has at times escaped him during the course of his writing career. Fortunately, in this instance, it isn't enough to derail the project. The finished product is a little bit less than the sum of its parts, but I'm not going to complain too much when the author uses such quality parts.

In post-WWI Europe, most of the young men are dead. But something is happening to those that are left; children are being kidnapped, and the only clue is that each child was given a teddy bear by a mysterious stranger shortly before vanishing. The Doctor, Benny, Chris and Roz are, of course, investigating the disappearances. Chris and Roz stay in Europe looking for the responsible parties. The Doctor and Benny soon find themselves trapped on a planet called Q'ell, where the children are being forced to fight and die alongside aliens in a war that seems to serve no purpose.

The regular characters are extremely well portrayed here. They all have their place and their function, but there is room enough for the characters to move around. Roz and Chris pair off each other entertainingly within the larger group, while the Seventh Doctor and Benny remain practically writer-proof. Leonard is the first author since Andy Lane in ORIGINAL SIN to make effective use of the two Adjudicators, and it's great to see them back on form.

I particularly liked how, in the beginning, we see the TARDIS crew exclusively from the standpoint of the secondary characters that they encounter. We are allowed to view them as strange, different people who radiate an aura of power. This is the sort of thing that Andrew Cartmel liked to do in his novels, but he usually made the Doctor seem like a force of nature, something to be in awe of. Here, there is a sense of that, but they feel more like guardian angels, albeit ones dressed in unfamiliar clothes and speaking of strange anachronistic things.

The discussions on war, killing, death and hate are, for the most part, quite interesting. Unfortunately, there are one or two places where Leonard crosses the line between subtle hinting, and sledgehammer moralizing. I really appreciated the sequence where Roz unknowingly mimicked a 20th century xenophobic woman. I didn't like it so much when the author pointed out how clever the comparison was. Still, the understated portions outweigh the heavy-handedness, so the batting average on this count is fairly good even if there are a few obvious missteps.

During the beginning of this book, the imagery and situations that Leonard was throwing at me gave me goose bumps while reading. Towards the end, some of the luster had faded, and while the ending was weak comparatively, it still made for a satisfactory conclusion. Overall, the book does overcome its flaws, and I wish that I hadn't waited so long to read this one.

(I do not seem to have good luck with the physical copies of this book I have owned. When I first bought the book back in the mid-90s, it wasn't until I got home from the bookstore that I realized I had purchased a incorrectly bound copy; opening the front cover revealed not the publishing information or blank filler, but page number 201. Pages 201 through to the end replaced the first forty pages of the book, and those first forty pages were not to be found anywhere within the covers. I promptly made a mental note to take the novel back to the shop and obtain a free replacement. Flash-forward to the year 2002, and I discovered that I had never got around to doing that. I bought myself a copy on-line that fortunately had all the pages, but on this one the margins were messed up, sometimes being too close to the outside, and, worse, sometimes being too close to the center to read the text properly. Oh well, on some days you just can't win.)

Editorial Review:

Another suspenseful adventure, starring Dr. Who, Master of Time, and his cronies.

Decalog 5: Wonders : Ten Stories a Billon Years an Infinite Universe (New Adventures)

Jim Mortimore

Decalog 5: Wonders : Ten Stories a Billon Years an Infinite Universe (New Adventures) Jim Mortimore List Price: $6.95
By: Virgin Pub (Mm)
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Customer Reviews:
Total reviews: 2 Average rating: 2.0 of 5

Not Doctor Who 1 out of 5 stars.
1 of 4 people found this review helpful.

Admittedly, nowhere on the cover does this book claim to have any connection to Doctor Who. On the other hand, claiming that this book is a member of the "Decalog" series - which up until now has been Doctor-Who-oriented - is blatantly false advertising. At best, it is bait-and-switch.

Once I got past that, and read the stories as plain, non-Doctor-Who, ordinary science fiction, the situation did not improve much. Most of the stories are dreadful. Some are mediocre. Only one of them - "Bibliophage" - rises above the level of mediocrity.

A warning: Now that Doctor Who has moved beyond the TV and into books, it is no longer treated as a children's series. However, many Doctor-Who-related books are still suitable for children. This is not one of them. Many of the stories contain unnecessary swearing, and one story - "The Milk of Human Kindness" - contains an act which in my opinion borders on incest.

Editorial Review:

Ten stories, a billion years, an infinite universe. The Decalog series was initially an experiment in Doctor Who fiction. Decalog 4 moved beyond the world of Doctor Who and towards new realms of imaginative fiction. This fifth showcase of new and established writing talent continues that tradition.

Decalog 5: Wonders : Ten Stories a Billon Years an Infinite Universe (New Adventures)

Jim Mortimore

Decalog 5: Wonders : Ten Stories a Billon Years an Infinite Universe (New Adventures) Jim Mortimore List Price: $6.95
By: Virgin Pub (Mm)
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Customer Reviews:
Total reviews: 2 Average rating: 2.0 of 5

Not Doctor Who 1 out of 5 stars.
1 of 4 people found this review helpful.

Admittedly, nowhere on the cover does this book claim to have any connection to Doctor Who. On the other hand, claiming that this book is a member of the "Decalog" series - which up until now has been Doctor-Who-oriented - is blatantly false advertising. At best, it is bait-and-switch.

Once I got past that, and read the stories as plain, non-Doctor-Who, ordinary science fiction, the situation did not improve much. Most of the stories are dreadful. Some are mediocre. Only one of them - "Bibliophage" - rises above the level of mediocrity.

A warning: Now that Doctor Who has moved beyond the TV and into books, it is no longer treated as a children's series. However, many Doctor-Who-related books are still suitable for children. This is not one of them. Many of the stories contain unnecessary swearing, and one story - "The Milk of Human Kindness" - contains an act which in my opinion borders on incest.

Editorial Review:

Ten stories, a billion years, an infinite universe. The Decalog series was initially an experiment in Doctor Who fiction. Decalog 4 moved beyond the world of Doctor Who and towards new realms of imaginative fiction. This fifth showcase of new and established writing talent continues that tradition.

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