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X-Force Volume 2: Final Chapter TPB

Peter Milligan

X-Force Volume 2: Final Chapter TPB Peter Milligan Amazon Price: $15.99
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Customer Reviews:
Total reviews: 7 Average rating: 4.5 of 5

What mutants would REALLY be like 4 out of 5 stars.
2 of 2 people found this review helpful.

So here's the problem I always had with the X-Men: They were feared and hated by the world they were sworn to protect. Okay, so that makes for good angst, but was it that realistic? These days, it seems to me that anybody with any sort of special power wouldn't be reviled, he'd be a celebrity! He'd get music videos and endorsements and his picture on a cereal box! He'd be... well... exactly what Peter Milligan and Mike Allred turned X-Force into.

Before they took over, this was just another militaristic X-Men clone. Under them, it became something different. These are mutant celebrities, brought together mainly to become famous and get rich. (Another reviewer said they're a government sponsored team -- he's totally wrong. They're a commercial outfit).

Somehow, in this setting, they've managed to tell great character stories about the cult of celebrity and what it means to be a hero. This series continued as X-Statix, and it's still just as good.

Editorial Review:

Break out the Kleenex -- and the body bags -- as the X-Force embarks on its most hazardous mission yet. Whose swan song will it be -- The Orphan's? The Anarchist's? U-Go Girl's? Or maybe even Doop's?

X-Force Volume 1: New Beginning TPB

Peter Milligan, Mike Allred

X-Force Volume 1: New Beginning TPB Peter Milligan, Mike Allred List Price: $14.95
By: Marvel Comics
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Customer Reviews:
Total reviews: 16 Average rating: 4.5 of 5

OH, THIS IS WEIRD... 4 out of 5 stars.
2 of 3 people found this review helpful.

Of all the graphic novels I've read of late, this was far and away the most compelling and intriguing.

I'm still wondering why.

I didn't identify or sympathize with any of the characters. The story itself is kind of thin. Heck, even the heroes mutant abilities are the most far-fetched and silly yet. And Mike Allred's art is in direct contrast to the John Byrne/Jim Lee school of conventional wisdom of bulging biceps and powerful pecs.

In large measure, I think it's the sheer AUDACITY and courage it took Marvel to publish this book. I thought Grant Morrison was turning the X-Men concept on its' ear. By comparison with what Milligan and Allred are up to on this title, he's...well, it's still pretty great, but think of Morrison as Bruce Springsteen - original within the traditions he sets to follow and expand - to Milligan and Allred's Tom Waits - bizarre, deconstructionist, and startilingly unique.

This book was designed to draw a line in the sand. You'll either be completely absorbed in it or just be totally offended and turned off by it. One way or the other, you'll walk away with a strong opinion, but either way you'll be aware of a whole perspective and possibilites that maybe previously you weren't.

And that's what art is all about.

Editorial Review:

Adored by humans, reviled by their fellow mutants, X-Force does the dirty jobs that others can't, or won't. All they want in return is fame, money, sex, power and lucrative endorsement deals.

X-Men: Blood of Apocalypse

Peter Milligan, Salvador Larroca

X-Men: Blood of Apocalypse Peter Milligan, Salvador Larroca List Price: $17.99
By: Marvel Comics
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Customer Reviews:
Total reviews: 2 Average rating: 4.0 of 5

Maybe things are looking up after HoM? 3 out of 5 stars.
19 of 22 people found this review helpful.

I haven't been thrilled with the X-Men for the past few years, but Apocalypse has always been a favorite character of mine. The way they got rid of him in the 90's never appealed to me very much (that whole 12 saga ended up being an anticlimax after years and years of buildup, ya know?), and we all knew he'd be back anyway sooner or later.

Now, I was not crazy about House of M. The stated goal according to Marvel was to make the X-Men and friends a more "realistic" metaphor for the vicissitudes of human prejudice by reducing the mutant population with a big ole deus ex machina. Because, you know, killing off six million mutants in Genosha with wild sentinels under Cassandra Nova's control (six million? There were that many mutants in the world? What the...) wasn't enough of a trimming, I guess. And hey, we all know in the real world, minorities usually only number a few thousand (WHAT THE....)

So, yeah, pretty much typical delusional Marvel editing decisions. I didn't expect the X-Men to recover from that debacle.

But maybe I spoke too soon. Now that mutantkind has been decimated, and Sentinels have been turned into defacto slave overseers for Homo Superior, Apocalypse Returns! And it is a pretty neat idea to make him sort of an anti-Messiah who returns when his "people" most need him to restart the Darwinian struggle for supremacy. I'm sure that's how Apocalpyse thinks of himself--a kind of dark King Arthur, right?

Well, he's got a pretty daring plan this time around. And while some of the visual choices are questionable--Apocalypse is flying around in a big metal sphinx-shaped spaceship, and his new character design makes him look like he grew a beer belly and bolted robot guts to his arms and legs--they don't detract too much from the neat ideas flying around here.

I gotta say, I'm getting kind of tired of the Horseman lineup changing for every different outing. I sort of like the idea that the Four Horsemen would be fixed (and that they would be four nobodies who traded their souls for power and allowed to grow into characters in their own right, like Kieros and Rolfson who were the original War and Famine--remember them?), but for the last ten years they've been like Menudo--new guys every single tour. The Four Horseman this time are all familiar X-Men characters except for War (or did I just not recognize who he is supposed to be?), which gives the whole thing some personal resonance for the other characters--so it's not like that time they make the Hulk into War or anything. And hey, you might even find the lineup a little shocking. You're supposed to.

The real gem of this storyline is the insight into Apocalypse's personality and ideals, though. Not since Stryfe's Strike File have I gotten such a thrill out of peeking into an X-Villain's twisted psyche. The things Poccy says to his 'recruits' when he's trying to get them to choose to be Horsemen--notably the new Famine--it's great stuff.

If I had twelve bucks to burn and decided to buy a "recent" X-Men TPB, this would be my first choice.

Editorial Review:

When his people need him the most, he shall return! Lord Apocalypse is here to lead mutantkind into the future of the earth and only the strongest can survive! Plus, just wait until you see his new Horsemen! Even we were surprised! Collects X-Men #182- 187.

Spider-Man's Tangled Web, Vol. 1

Garth Ennis, John McCrea, Peter Milligan, Greg Rucka, Duncan Fegredo, Eduardo Risso

Spider-Man's Tangled Web, Vol. 1 Garth Ennis, John McCrea, Peter Milligan, Greg Rucka, Duncan Fegredo, Eduardo Risso Amazon Price: $12.44
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Customer Reviews:
Total reviews: 2 Average rating: 4.0 of 5

Great creators bring a fresh look at Spider-Man's world 5 out of 5 stars.
4 of 4 people found this review helpful.

Marvel Comics have been resurrecting the sales and popularity of their flagship character, Spider-Man, in the past year. It seems so obvious, but a big part of the character's resurgence has been due to the quality of writers and artists employed on the various monthly books. Tangled Web falls outside the "ongoing continuity" of the two main "core" titles, Amazing Spider-Man and Peter Parker, telling self-contained stories that focus on Spider-Man's world, as opposed to the lead character himself. The first volume of Tangled Web stories make up this book and within the pages you'll find the single best comic book produced this year. That story is the one-issue "Severance Package", a tale of the New York underworld. The Kingpin of Crime summons one of his hitmen, who has failed to carry out an order due to Spider-Man's interference. This story is the essence of Tangled Web: the people on the edges of the Spider-Man story, some never seen before, others (such as the Rhino, featured in the third story in this collection) who have been, at best, second-rate supporting characters, but in these stories become interesting characters in their own right. Fans of crime fiction should buy this book - it ranks alongside other current gritty mainstream comics such as Powers and 100 Bullets.

Editorial Review:

The neighborhood isn't so friendly anymore. Spider-Man has been operating in New York City for years; shunned or reviled, he has touched most of its eight million citizens. And each of them has a story.

It's an entirely different way at looking at Spider-Man, the way he operates and the world he lives in. Each story is by a different set of today's top comics creators, starting with "The Thousand," which introduces a new threat to Spider-Man courtesy of Garth Ennis (Punisher, Preacher, Hitman) and John McCrea (Hitman, Jenny Sparks, Hulk Smash!). What's it like to work for the Kingpin? It's answered in "Severance Package" from crime novelist Greg Rucka (Shooting at Midnight, Black Widow) and Edward Risso (100 Bullets). "Flowers for Rhino" is an offbeat look at one of Spider-Man's oldest foes, from Peter Milligan (X-Force, Shade the Changing Man) and Duncan Fegredo (Jay and Silent Bob).

X-Statix, Vol. 1: Good Omens

Peter Milligan

X-Statix, Vol. 1: Good Omens Peter Milligan Amazon Price: $10.79
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Customer Reviews:
Total reviews: 7 Average rating: 4.5 of 5

Milligan + Allred = Greatness 5 out of 5 stars.
4 of 4 people found this review helpful.

After the mildly disappointing (yet still recommended) "X-Force: The Final Chapter", Milligan and Allred change the name of the team to X-Statix, and add the brilliant Venus De Milo to the cast. The results are a return to form to their highly recommended "X-Force: New Beginnings" TPB.

Milligan continues to rewrite standard superteam comics with refreshing imagination and biting satire. The Allreds continue to dazzle with sharp, stylish imagery and vivid colors. I continue to thank whoever put them together in the first place. The writing and art work perfectly together to present this iconoclastic material to maximum impact.

The characters all look great, and behave distinctly, which helps to hold the reader's interest regardless of who is the focal point at any given time. Often when superheroes team up, there's some overlap in characterization. This usually seems to be due in part to a particular writer's lack of differentation between characters, which is often sacrificed in favor of keeping the plot moving. There also tends to be some overlap due to the general behavioral similarity, or inherent heroism of a superteam's members. Milligan takes extra care in creating very distinctive personalities. Of course, this also leads to more conflict than is typically found in a superteam comic. But this conflict also adds tremendously to the power of the work.

While each of the five issues presented here form a complete story arc, the work does suffer somewhat when an artist fills in for Allred. Darwyn Cooke's style has worked reasonably well in the past, and is represented in a short section of this book without detracting from the continuity of the story arc. Paul Pope, on the other hand, fails to live up to the almost impossibly lofty standard set by Allred. Pope takes on the final segment of the book, and while the story still moves and has its impact, primarily due to Milligan's admirable skills (although I find myself going back to that storyline and questioning Guy's decisionmaking in respects to his dealing with Arnie), Pope's pencils appear sloppy and even out of sync with Laura Allred's usually fantastic colors.

Besides the minor art gripe, "X-Statix: Good Omens" is an outstanding, darkly satirical depiction of super mutants banding together as heroes in a world apparently gone crazy, yet one which may mirror our own even more so than the one traditionally presented in the pages of mainstream comics. I am looking forward to getting the next TPB volume.

Editorial Review:

Rising from the ashes of X-Force comes the X-Statix, America's favorite mutant team. Instead of hiding from the spotlight, these photogenic mutants are camera-friendly, heavily marketed media darlings, garnering monumental press and fame that would put any movie star to shame. The only threat to their runaway success is a rival group of flashy new mutants threatening to steal their thunder. With the entire world watching, can the X-Statix reclaim their rightful place in the spotlight?

Tank Girl Movie Adaptation

Peter Milligan, A. Young

Tank Girl Movie Adaptation Peter Milligan, A. Young List Price: $5.00
By: DC Comics
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Customer Reviews:
Total reviews: 3 Average rating: 3.0 of 5

I guess i liked it 3 out of 5 stars.
0 of 0 people found this review helpful.

DONT BUY THIS BOOK! I ts really not very good so dont bother!

Tank Girl: explosive adaptation of the hit film. 1 out of 5 stars.
0 of 1 people found this review helpful.

Drudgery. Uninspiring adaptation from a great writer. For collectors.

Great for collectors 5 out of 5 stars.
0 of 0 people found this review helpful.

This is a must have book for any tank girl collector!

Enigma (DC Comics Vertigo)

Peter Milligan

Enigma (DC Comics Vertigo) Peter Milligan List Price: $19.95
By: Vertigo
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Customer Reviews:
Total reviews: 12 Average rating: 5.0 of 5

twilight zone-ish comic 5 out of 5 stars.
1 of 2 people found this review helpful.

Brilliant comic with a great twist at the end. Very underated from Vertigo's early days. Offbeat characters like Envelope Girl and Titus Bird bring this book to life paying homage to 70's whacked out comics world. Enjoy! and then what?

Third try's a charm! 5 out of 5 stars.
1 of 1 people found this review helpful.

I attempted to read Peter Milligan and Duncan Fegredo's ENIGMA series back in 1993 and gave up about halfway through it, seeing it as an indulgent mess that would leave me with no explanations as to what was going on. When the trade was released in 1995, I read the whole thing and was annoyed that a story with so many angles would seemingly just boil down to an issue of the main character's sexuality. Forward to 2007: I pick up the trade during a rebirth of my interest in Vertigo books, read it in one day, and am amazed. I finally got it. Yes, ENIGMA does place a heavy emphasis on sexual preference, but it's so much more.

Michael Smith's routine life is shattered by the arrival of the Enigma, a superhero from his childhood. Battling such bizarre foes as the Head, the Truth, Envelope Girl, and the Interior League (my personal favorites, like something from Grant Morrison's Doom Patrol), it is apparent to Michael that the lines between fantasy and reality are blurring, and clues lead him to believe that he is somehow responsible. Michael tracks down the comic's creator, Titus Bird, and the two of them work to reveal the Enigma's identity and how he came to be. In turn, the Enigma helps Michael to discover quite a number of things about himself, but ultimately, this is a story postulating how four-color superheroes could exist in the "real world". Let's face it... if real people had superpowers, they likely wouldn't dress in garish costumes and speak in purple prose, so how could this happen? Your answer is here.

Milligan's story is excellent, now that I finally got my head around it (gee, it only took me 14 years). There's not one boring bit in the entire book, and the narration is excellent, providing just the right amount of "gotcha" at the conclusion. Fegredo's art is spectacular, as always, with every person and object carefully rendered. A perfect team for a perfect book!

Human Target: Final Cut

Peter Milligan, Javier Pulido

Human Target: Final Cut Peter Milligan, Javier Pulido List Price: $19.95
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Customer Reviews:
Total reviews: 2 Average rating: 4.5 of 5

Fans Of Mission: Impossible Will Love Final Cut! 5 out of 5 stars.
3 of 3 people found this review helpful.

Since DC has become notorious for publishing Hardcover books that DO NOT deserve the Hardcover format (I, Paparazzi, Batman books The Chalice, Fortunate Son, Harvest Breed, Dark Knight Dynasty, Etc.), I was ready to be disappointed by Human Target: Final Cut. I enjoyed Milligan's previous Human Target story, however, so I thought I'd give it a try. Glad I did! After finishing it, I actually had to sit for a few minutes and try to digest what I'd just experienced. It was a truly staggering read!

Christopher Chance, the titular "Human Target", is just what his name implies: For the right price, Chance will assume the identity of people whose lives are endangered, using everything from fake mustaches and wigs, to Dermal Implants and Plastic Surgery. Here Chance assumes the identity of Dai Thomas, B-Movie actor, who is the third target of a homicidal Hollywood screenwriter trying to raise money for his movie project. After killing the stalker, Chance gets a bit of shocking news: The writer had kidnapped child-star Ronan White, and had hidden him away. With the kidnapper dead, Ronan will die of starvation, if he isn't dead already....and so Chance is forced to assume the identity of the killer/kidnapper, and descends into a maelstrom of drugs, murder, and nasty secrets.

The underlying theme of Chance being absorbed into the "Roles" he plays is dealt with by Writer Peter Milligan very convincingly, and the art by Javier Pulido is perfectly suited to the twisty story. Milligan manages to tie all of the loose ends up in an ending that is not only satisfying, but jaw-dropping. How often can you sat that a book left you speechless at the end? Simply an amazing effort all around. The book is divided into 4 comic-book sized chapters, which makes me think that this was originally intended as a mini-series, and someone at DC thought it was so good it merited the deluxe treatment. If that's the case, there may be hope for DC's hardcover line yet.... :)

Infinity Inc. VOL 01: Luthor's Monsters (Infinity Inc.)

Peter Milligan

Infinity Inc. VOL 01: Luthor's Monsters (Infinity Inc.) Peter Milligan Amazon Price: $11.69
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Total reviews: 2 Average rating: 2.5 of 5

"The u-underpants s-seem to be leading us to that house." 3 out of 5 stars.
0 of 1 people found this review helpful.

I think I'm just gonna have to adapt a wait-and-see attitude with this one. This trade, INFINITY INC. Vol 01: LUTHOR'S MONSTERS, collects the new series's first five issues and, while it's not horrible, neither does it generate that good old comic book thrill. At least, I wasn't feeling it. But I'm curious enough that I'll probably keep checking out further issues, hoping I can soon get on board.

Okay, some bits of background: First, this isn't at all the generational team that was so closely linked to the Justice Society. This incarnation of Infinity Inc. debuted in the DC series 52, with the team assembled by Lex Luthor, who had developed a metagene-based program called the Everyman Project which granted super powers to non-meta-humans. Luthor took six of these converted persons and formed Metropolis's newest superhero team. But, because bastards will be bastards, it wasn't too long before Luthor showed his true colors. Turns out Luthor can also take away what he giveth. On New Year's Eve, he pushed a button and effected a comprehensive metagene shutdown on his test subjects, resulting in devastating fatalities (for example, all the specimens with flight capability instantly plummeted to their deaths). Thanks in part to John Henry Irons (Steel), Luthor got his comeuppance.

INFINITY INC. opens up about a year and a half later, and things aren't good for the survivors of the Everyman Project. This series catches us up with several of the ex-Infinitors, Natasha Irons (formerly Starlight), Erik Storn (formerly Fury), and Gerome McKenna (formerly Nuklon). These guys are still traumatized, still trying to cope with the loss of their powers. Therapy doesn't seem to be working. John Henry Irons is worried about his niece, Natasha, who is drifting away from him. And, then, shockingly, she evaporates in front of his eyes.

Seeking answers, John Henry tracks down two of her ex-teammates, Erik and Gerome, who don't have a clue. Meanwhile, a life-force leeching vampire (Kid Empty) begins to make his rounds. Himself a product of the Everyman Project, he begins jonesing for that extra rush only derived from victimizing fellow meta-humans. He's soon tussling with what's left of Infinity Inc. And if these shrink-seeing crime-fighters don't have it tough enough, waiting in the wings is a psychotic shape-shifter. And Kid Empty's metahuman groupie. I think the theme here is that the good guys will end up going against other, even more twisted survivors of the Everyman Project, against more of Luthor's monsters.

You didn't think that these kids would remain without powers, did you? Turns out that when Luthor did the shutdown, the metagene was supressed but not eradicated, meaning that, in time, it finds a new way to express itself. Meaning, new abilities for the test subjects.

Writer Peter Milligan has built a rep for churning out offbeat, nonmainstream comic book stuff (100 BULLETS, THE HUMAN TARGET, SHADE THE CHANGING MAN, ENIGMA). Here, his penchant for unconventional storytelling and for quirky, even controversial themes holds true. While the story arc comes with its share of action, Milligan does take time to delve into the Infinitors' messed-up psyches, which happen to be, by the way, directly linked to how their new powers manifest. For example, there's a rather disturbing explanation for Erik's stuttering. Then, there's the spectacularly self-absorbed Gerome, whose vanity figures into his new talent.

So, plenty of psychology here, played out to varied success. I dug the respective neuroses Milligan inflicts on Natasha, Erik, and Gerome; it's all interesting stuff. Erik's alter ego, in particular, is a pretty cool character, a direct contrast from his normal timid, awkward self. But I wasn't feeling Kid Empty, who is deeply troubled and Goth and horribly dull. I wasn't feeling this Big Bad at all. And, since Kid Empty plays a pivotal part in the plot and is in much of the story, there were plenty of times where I was pretty much in a disconnect mode.

But here's some sugar. Although readers of 52 would initially get more out of this new series than fledgling readers, these characters look to be strong enough to stand up on their own. As stated, Erik (or, rather, his other persona) has quickly become my favorite. Natasha, who used to lead Infinity Inc., has potential, but really hasn't had a chance to shine yet in these five issues. Gerome, to me, is like Flash Thompson, but with powers. Look for John Henry Irons to stay on as mentor of the team. And, as Infinity Inc.'s purview is in Metropolis, don't be too surprised if a certain Man of Steel shows up. As well, a certain chauffer and bodyguard to Lex Luthor. And she has an interesting proposition.

This trade isn't a bad read, but it didn't knock me over, either. It has potential, and I do like enough of the characters. One thing going against it is that five issues seem awfully skimpy. Milligan gives us a nibble, instead of a good-sized bite. It'll either whet your appetite for more or lend you the sense that the story feels a bit scattershot (I don't think that the Persona sub-plot meshed in too well). Primary artist Max Fiumara is solid; Matthew Southworth, who pencilled the "Persona" side stories, is not. So if I'm not exactly going out of my way to act all Joe FanBoy over this one, well, at least, I'm still recommending it.

Editorial Review:

From the twisted mind of Lex Luthor comes the 52 spin-off that will change everything you know about the members of Infinity, Inc.

When Lex Luthor and his Everyman project was taken down by John (Steele) Henry Irons, it appeared the story of Infinity Inc. was over. But one year-plus later, it seems that life hasn't been kind to Starlight, Fury and Nuklon. John suspects the problems may lead back to their experience on the Everyman Project, which may have opened doors that can never be shut!

Wolverine/Punisher Volume 1 TPB

Peter Milligan, Lee Weeks

Wolverine/Punisher Volume 1 TPB Peter Milligan, Lee Weeks List Price: $13.99
By: Marvel Comics
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Customer Reviews:
Total reviews: 3 Average rating: 2.5 of 5

just ok ........... 3 out of 5 stars.
7 of 7 people found this review helpful.

The wolverine/punisher limited series of 2004 presented here in one volume is a slighty disappointing affiar. Thats not to say the story of a sect of criminals building thier own secret santurary to escape the punisher and his like is not an interesting one , its just that its dragged out over a series of issues when just a couple could have done the job. Of course there is the usual fight between wolvie and pun, but its been done before and far better too .(This is the third limited series they have had together never mind the guest apperances in each others monthly books!!!! ) So unless the reader is new to the pair they will have seen it all before ! On the plus side you cant really not get excited about the two hardest bas***ds in the marvel universe coming together to fight a whole town full of "crims". With out spoiling it to much, the story too, does not always unfold in the expected way which adds a welcome twist to the proceedings. All in all if your a fan already you will have seen it (mostly) all before, but if your new you could enjoy the plot and the welcome(odd) bit of humour.

Editorial Review:

Marvel's bad boys of the big screen join forces for a gun-toting, claw-popping adventure not to be forgotten! Deep in the South American jungle there's a place of legend - a final refuge where nastiest of the masty can disappear from the prying eyes of the world. Now, the vigilante known as the Punisher and the X-Man called Wolverine have stumbled upon this secret sanctuary, and the residents of "Erewhon" couldn't be happier...or more prepared. Collects WOLVERINE/PUNISHER #1-5.

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