Music Books

Five Percenter Rap: God Hop's Music, Message, And Black Muslim Mission (Profiles in Popular Music)

Felicia M. Miyakawa

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Editorial Review:

The Five Percent Nation is a controversial organization and a substantial cultural force. Also known as "Five Percenters", this offshoot of the Nation of Islam has employed commercial rap, or "God Hop," to teach its beliefs, comment on relevant issues, and recruit new members. Rap artists such as Erykah Badu and Queen Latifah are past members of the Five Percent Nation; GURU and Wu-Tang Clan are currently affiliated. "Five Percenter Rap: God Hop's Music, Message, and Black Muslim Mission" examines the phenomenon from musical, historical, and cultural perspectives. Such a kaleidoscopic approach is necessary given the Five Percent Nation's complex theology - grounded in Black Muslim traditions, black nationalism, Kemetic (ancient Egyptian) symbolism, Masonic mysticism, and Gnostic spirituality - its historical ties to major movements and moments in American history, and its deep involvement with popular culture.After establishing the theological and historical underpinnings of Five Percenter Rap, Felicia Miyakawa considers its marketing approaches and its use of specific musical techniques such as sampling, groove, and layering (often in significant numerical groupings). These techniques, she argues, are in service to the greater goal of Five Percenter rappers, who see themselves primarily as teachers and as bringers of a specific type of redemption and self-knowledge to benighted souls. Vividly written and solidly researched, "Five Percenter Rap" will appeal to readers interested in popular music, American music and history, and African American religion and culture. Felicia Miyakawa is Assistant Professor of Musicology at the Robert W. McLean School of Music, Middle Tennessee State University. She lives in Murfreesboro, Tennessee.

Music in Ancient Israel/Palestine: Archaeological, Written, and Comparative Sources (The Bible in Its World)

Joachim Braun

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Customer Reviews:
Total reviews: 3 Average rating: 5.0 of 5

Editorial Review:

This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record.

Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginnings in the Stone Age, through the Bronze and Iron ages, and into late Roman times—a span of time ranging from the twelfth millennium B.C. to the fourth century A.D.

This is not a study of "music in the Bible" or music in "biblical times" but a unique, in-depth investigation of the historical periods and cultures that influenced the music of the region and its people. Braun combines significant archaeological findings—musical instruments, terra cotta and metal figures, etched stone illustrations, mosaics—with evidence drawn from written (mainly biblical) texts and anthropological, sociological, and linguistic sources.

The portrait Braun assembles of this past musical world is both fascinating and innovative, suggesting a reconsideration of many views long accepted by tradition. Enhanced with approximately 200 illustrations, this exceptional work will be a valued resource for scholars, students, and general readers interested in the history of music, biblical studies, the ancient Near East, Jewish studies, and the Holy Land.

Challenges of the Muslim World, Volume 19: Present, Future and Past (International Symposia in Economic Theory and Econometrics) (International Symposia in Economic Theory and Econometrics)

William W. Cooper, Piyu Yue

Amazon Price: $140.00 List Price: $140.00 Usually ships in 24 hours By: Elsevier Science Amazon Marketplace: 4 new & used starting at $136.00

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Editorial Review:

This book provides a data-based approach to present and future developments in the Muslim world. This is an unusual approach to this topic that highlights important underlying forces in current and projected future economic and social behaviour that range from prices of gasoline to terrorism and related activities.
In the context of the rich histories of Muslim cultures, the effects of rapid changes in economic and social trends are examined, as well as the effect of Western policies which have often exacerbated underlying tensions in these fast-growing populations, extending to the trouble and hostilities that are currently being manifested in proposed interpretations by al-Qaeda and similar organizations. This volume also suggests an approach that deals with the high illiteracy rates and inadequate education facilities in many Muslim countries.

*New volume in the established ISETE series
*Focuses on the economics of the Muslim world, including hot topics such as terrorism and oil-prices

Memory, Music, And Religion: Morocco's Mystical Chanters (Studies in Comparative Religion)

Earle H. Waugh

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Editorial Review:

Why do religious communities remember some events and not others? Why do some kinds of music find a continuing place in worship while others seem to lose their appeal? Why is it that the Islamic tradition is understood so narrowly, even by some Muslims, when in fact it has a broadly textured history of belief and practice? In Memory, Music, and Religion, Earle H. Waugh addresses such probing questions while exploring a rich vein of Islam in Morocco—the mystical chanters. In this book, a detailed study of the interplay between memory, music, and religion, Waugh opens new areas of thought, particularly regarding a theme that cuts across religious traditions: the role of memory in religious formation.

Since the glorious days of Andalusia, Muslim poetic and musical traditions have found a vibrant home among Moroccan Sufis. Through rituals of dhikr, or remembrance, the old forms of music and word blend into a new form of worship for today. In this study, Waugh probes the depths of religious memory within Islam and notes the singular importance of memory in comprehending the meaning and styles of music. Showing how the powerful tradition of music nurtures the Muslim soul, Waugh brings new insights to the study of the religious function of memory.

Muslim Women Sing: Hausa Popular Song (African Expressive Cultures)

Beverly B. Mack

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Editorial Review:

In "Muslim Women Sing", Beverly B. Mack shows Muslim women in northern Nigeria actively involved in creative activity. Although most of the songs and oral poetry are performed for female audiences only, some are performed for mixed groups, and typically men of the household are permitted to listen as women sing and recite songs and poems that reflect their contemporary social and cultural concerns. Themes such as women's roles in society, women and Islam, history, politics, AIDS prevention, child care, and hygiene form an integral part of their repertoire. Descriptive portraits of the singers interspersed between chapters reveal how they have learned to compose or play instruments and expand on sources of their creative energies. An accompanying audio CD introduces Western audiences to the beauty and richness of Hausa women's song.

Music Education and Muslims

Diana Harris

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Editorial Review:

Music has had an unhappy history in the lives of many Muslims. Because religion is so tightly bound up with culture it is not always clear why this should be the case. Nonetheless, music is a sensitive issue for many Muslims and this has to be understood when providing appropriate music education. Music is a compulsory part of the curriculum in the U.K., so it is essential that music teachers understand the relationship between Muslims and music.

This book looks at the history and position of music in Islam. It considers music education in Muslim countries, and looks at music lessons in multiethnic classrooms in the U.K. The recommendations about how music lessons can be made more appropriate to Muslim pupils are based on the author’s research and experience. She suggests ways to ensure that people are never persuaded to do anything which conflicts with their religion, while extending the opportunity for meaningful music lessons for all pupils.

This book is for all principals striving to fulfill their statutory obligations to all pupils, and essential reading for music teachers in multicultural schools.

An American Mecca: A New Muslim Homeland

Murad C. Ali

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Editorial Review:

Muslims are a new and emerging group on the American scene. Within the next few generations they will have the population size and political influence to change American life as we know it. Public schools, political parties, and national demographics will begin to take on a more Islamic flavor as this population begins to exert their influence. In order for Muslims to truly participate in American society they must understand that this is their new homeland and therefore they should have no association with overseas entities. Being kind to one's neighbors, buying into pragmatism, and protecting oneself and one's neighbors during times of adversity are all major factors in success. Unfortunately, danger lurks in every corner of Muslim integration into the U.S., which comes in the form of foreign culture and radicalism. To combat these tendencies this young group must develop a sense of self and begin the construction of institutions that are both American and Muslim.

Mawlid ad-Dayba'i

Shaykh , 'Abd ar-Rahman ad-Dayba'i

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Editorial Review:

We say, and we are not shy to say it: Prophet Muhammad (s) is our light; Prophet Muhammad (s) is our heart; Prophet Muhammad (s) is our life; For without our beloved Prophet (s) we would never have been guided to know of Allah, the Mighty and Sublime, nor of the Angels, the prophets, the books of revelation nor of the Afterlife. When our master 'Ali (r) was asked about the strength of his devotion to Allah's Prophet (s) he replied: "By Allah, we cherished him more than we did our children, our parents, and all of our possessions. He was much dearer to us than fresh water is for a thirsty soul." Such was the esteem and the honor the Prophet (s) was held in by his Companions. By the same token, the hearts of true believers ought to be filled with similar devotion to the Prophet (s). Sending blessings on Allah's Beloved (s) is certainly the best way of invoking him, in compliance with the command of the Lord Almighty. In thus blessing him we show him gratitude and acknowledge his countless favors to us. To send blessings on the Prophet (s) is only a negligible payment for the unending benefits and good we have seen through him. In truth, to thank the Prophet (s) is to thank Allah, and Allah Himself is Champion and Supporter of those who honor His Beloved Messenger (s). Blessing the Prophet (s) is a token of devotion, obedience and the highest form of worship to bring the believer closer to Allah. The Almighty reserves the best of rewards and the most complete forgiveness for those who continually bless His Prophet (s). Suffice it to point out in this respect that it is out of honor and commendation of His Prophet (s) that Allah, revealed this Quranic verse starting with His Divine Self and followed by His Angels, orders His servants thus: ¿Allah and His Angels send blessings on the Prophet; O ye who believe! Send your blessings on him and salute him With all respect.this verse, obligating believers to praise the Prophet (s), Allah then describes the incomparable Bounty that He (s) is: ¿Allah did confer a great favor on the believers, when He sent among them a messenger from among themselves, rehearsing unto them the signs of Allah, purifying them and instructing them in the Book and wisdom, while, before that, they had been in manifest error.ce to the Divine Order and in expression of our love and admiration for the Treasurehouse of Allah's Munificence and the Manifestation of the Reality of The Almighty's Divine Names and Attributes, and in the blessed tradition of our ancestors and predecessors in faith, we present this book of perfumed verse dedicated to the love of our Master, and the Master of All Creation, Prophet Muhammad (s) , upon whom be the choicest of Allah's peace and blessings, and upon his Family, Companions, House and Followers, up to the Day of Rising.

Music of Canada

Timothy J. McGee, Wilfred J. Ethier

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Editorial Review:

This book is addressed to all those interested in Canada: its history, its culture, its music. Written by Timothy McGee, professor of music at the University of Toronto, the narrative ranges across the many genres of music that have flourished in Canada: art music, folk and popular music, church music, and jazz.

The Spirit of Sounds: The Unique Art of Ostad Elahi (1895-1974)

Jean During

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