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After God (Religion and Postmodernism Series)

Mark C. Taylor

After God (Religion and Postmodernism Series) Mark C. Taylor Amazon Price: $28.00
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Editorial Review:

Religion, Mark C. Taylor argues in After God, is more complicated than either its defenders or critics think and, indeed, is much more influential than any of us realize. Our world, Taylor maintains, is shaped by religion even when it is least obvious. Faith and value, he insists, are unavoidable and inextricably interrelated for believers and nonbelievers alike.

The first comprehensive theology of culture since the pioneering work of Paul Tillich, After God redefines religion for our contemporary age. This volume is a radical reconceptualization of religion and Taylor’s most pathbreaking work yet, bringing together various strands of theological argument and cultural analysis four decades in the making.

 

Praise for Mark C. Taylor
“The distinguishing feature of Taylor’s career is a fearless, or perhaps reckless, orientation to the new and to whatever challenges orthodoxy. . . . Taylor’s work is playful, perverse, rarefied, ingenious, and often brilliant.”—New York Times Magazine

 

 

The Routledge Companion to Postmodernism (Routledge Companions)

The Routledge Companion to Postmodernism (Routledge Companions) List Price: $115.00
By: Routledge
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Total reviews: 5 Average rating: 5.0 of 5

New horizons... 5 out of 5 stars.
13 of 13 people found this review helpful.

When I first ordered Stuart Sim's `Routledge Companion to Postmodernism', I was expecting a narrative discourse on postmodernism, most from a philosophical standpoint. What I received was quite different, but quite wonderful, and an indispensable resource as I study theology and philosophy as they relate to postmodern ideas.

The text, edited by Sim, who is a professor of English Studies at the University of Sunderland, has dozens of contributors drawn from the academy and professional ranks. They provide an insight in the broad and varied diversity of postmodernism, which is far from being a monolithic enterprise. There are two main sections to the book - first, a series of 14 essays on sources and developments in modernism, and the second, a critical dictionary of names and terms.

The first section of essays includes essays such as Postmodernism and Philosophy, Postmodernism and Politics, etc. The topics deal with feminism, science and technology, art and architecture, many aspects of popular and current culture (cinema, television, literature, music, lifestyles), as well as the general idea of postmodernity vis-à-vis modernity and traditions of criticism and dissension. Each of the essays is interesting and engaging, brief enough to be read in one sitting, yet thorough enough to be the sort the interested reader will return to again. Postmodernism can be defined in various ways, but Sim gives the definition out of Lyotard as the rejection of `grand narratives' and universal theories -- the sort that science, metaphysics, mathematics, and other such disciplines have tried since the Enlightenment (or even further back) to support and impose. There is a strong antifoundational sense to postmodernism, that often makes it controversial.

One of the really useful aspects of the essays is that the text includes words (names, terms) in boldface when they are included in the general dictionary in the second section. There are brief biographical sketches of key intellectual players in postmodernism (Derrida, Lyotard, Barthes, Baudrillard, Foucault, etc.) as well as creative and artistic types (Pound, Carter, Rushdie, Vonnegut, etc.) contained, as well as figures who, while not postmodern themselves (Kant, etc.) nonetheless provide necessary and significant pieces to the postmodern project.

Rare is the book that will contain references to both Derrida and Heidegger's destruction/deconstruction as well as MTV and the rock band U2. This is truly postmodern! The cross-referencing makes this book a real pleasure to use; both the index and the bibliography make this of real value to scholars as well. The text is difficult at times (given the subject matter, there is no escaping that) but not needlessly so; the careful reader will find value regardless of the lack of previous critical and philosophical training.

I began my interest in postmodernism as a piece of theological investigations arising out of narrative theology. This book goes much further afield than that narrow disciplinary focus, but I am grateful for that, for it opens up a broad vista on the subject, and asks questions that need to be addressed in intellectual pursuits and cultural/creative tasks across the board.

Editorial Review:

What is 'deconstruction'? What authors are considered 'postmodern novelists'? The Routledge Companion to Postmodernism combines a series of 14 in-depth background chapters with a body of A-Z entries to create an authoritative, yet readable guide to the complex world of postmodernism. Following full-length articles on postmodernism and philosophy, politics, feminism, lifesyles, television, and other postmodern essentials, readers will find a wide range of alphabetically-organized entries on the people, terms and theories connected with postmodernism, including: Peter Ackroyd; Jean Baudrillard; Chaos Theory; Death of the Author; Desire; Fractals; Michel Foucault; Frankfurt School; Generation X; Minimalism; Poststructuralism; Retro; Gayatri Chakravorty Spivak ; and Trans-avant-garde; Students interested in any aspect of postmodernist thought will find this an indispensable resource.

Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places

Edward W. Soja

Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places Edward W. Soja Amazon Price: $101.95
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Editorial Review:

Contemporary critical studies have recently experienced a significant spatial turn. In what may eventually be seen as one of the most important intellectual and political developments in the late twentieth century, scholars have begun to interpret space and the embracing spatiality of human life with the same critical insight and emphasis that has traditionally been given to time and history on the one hand, and social relations and society on the other. Thirdspace is both an enquiry into the origins and impact of the spatial turn and an attempt to expand the scope and practical relevance of how we think about space and such related concepts as place, location, landscape, architecture, environment, home, city, region, territory, and geography.

The book's central argument is that spatial thinking, or what has been called the geographical or spatial imagination, has tended to be bicameral, or confined to two approaches. Spatiality is either seen as concrete material forms to be mapped, analyzed, and explained; or as mental constructs, ideas about and representations of space and its social significance. Edward Soja critically re-evaluates this dualism to create an alternative approach, one that comprehends both the material and mental dimensions of spatiality but also extends beyond them to new and different modes of spatial thinking.

Thirdspace is composed as a sequence of intellectual and empirical journeys, beginning with a spatial biography of Henri Lefebvre and his adventurous conceptualization of social space as simultaneously perceived, conceived, and lived. The author draws on Lefebvre to describe a trialectics of spatiality that threads though all subsequent journeys, reappearing in many new forms in bell hooks evocative exploration of the margins as a space of radical openness; in post-modern spatial feminist interpretations of the interplay of race, class, and gender; in the postcolonial critique and the new cultural politics of difference and identity; in Michel Foucault's heterotopologies and trialectics of space, knowledge, and power; and in interpretative tours of the Citadel of downtown Los Angeles, the Exopolis of Orange County, and the Centrum of Amsterdam.

Deconstructing Popular Culture

Paul Bowman

Deconstructing Popular Culture Paul Bowman Amazon Price: $27.93
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Editorial Review:

Deconstruction thrives on uncertainty, which is often baffling for newcomers. Applying complex theory to recognisable examples from pop music, TV, film, books and newspapers, Paul Bowman clearly unpicks the ideas of deconstruction. This book shows all students of Cultural Studies how to use deconstruction to read and make sense of culture today.

The Resurgence Of The Real: Body, Nature, And Place In A Hypermodern World

Charlene Spretnak

The Resurgence Of The Real: Body, Nature, And Place In A Hypermodern World Charlene Spretnak List Price: $22.00
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Total reviews: 5 Average rating: 4.5 of 5

Editorial Review:

The closing years of this century find Americans skeptical of modern institutions—the political system, the gloablized economy, the public schools—and their abilities to solve the most basic problems of our time. Amid the rising tide of discontent, the public debates—including the ”culture wars”—seem to be a mere spinning of wheels.In a penetrating analysis of our times, Charlene Spretnak asserts that both the liberal and conservative sides in those debates are situated in the very orientation that created the modern crisis: the mechanistic worldview with Homo economicus at the center. The grand claims of modernity no longer inspire confidence because its destructive effects seem to be multiplying. The author, an influential public intellectual, speaks poignantly to our growing sense of what has been lost and what is slipping away.Yet Charlene Spretnak argues persuasively that the intensification of the modern crises is not inevitable and is already being challenged by an impressive network of corrective efforts. The new acceptance of holistic medicine (forced by the healthcare crisis, the new understandings in science of nature’s powers of dynamic creativity and self-organization, the new political opposition of community-based activists to the forces of globalization, and the new surge of independence efforts by ancient nations that have been devoured by modern states—all are part of an emergent value system that counters the modern conception of liberty as a flight from body, nature and place.After identifying ”epochal rumblings” embedded in the nightly news in the 1990s, Charlene Spretnak illuminates the sources of the modern condition with exceptional clarity. Moreover, she reframes ”the other history” of the modern era: the ecospiritual lineage of movements that resisted the corrosive effects of the industrialized modern world. These include the Arts and Crafts movement, the cosmological schools of painting, the stream of Modernist writers and artists who did not embrace the ”machine aesthetic” after World War One, and Gandhi’s ”Constructive Program.” The grassroots movements today that are forging a new politics of local and regional revitalization beyond left-and-right are heir to a rich tradition, to which the author brings original interpretations.Finally, Charlene Spretnak concludes her wideranging exploration with an engaging story of an American heartland city in the near future that has largely decoupled from the destructive dynamics of the globalized economy and initiated a range of pragmatic alternatives in its region.Both a sharp critique and a graceful performance of the art of the possible, The Resurgence of the Real changes the way we thing about living in the modern world.

From Modernism to Postmodernism: An Anthology

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Total reviews: 1 Average rating: 5.0 of 5

Editorial Review:

Motivated by the assumption that students cannot appreciate philosophical postmodernism without first understanding the development of modernity, this anthology puts the contemporary philosophical debate over postmodernism in the context of the development and criticism of modernity since the 17th century. Half of the 42 selections are devoted to postmodernism in philosophy, literature and architecture, and its critics; and half to the formation and criticism of modernity from the 17th through the mid-20th centuries. Intellectual precusors of current postmodernists are systematically included. The result is a collection of writings from Descartes to Derrida. Selected authors include: Rousseau, Burke, Kant, Marx, Peirce, Baudelaire, Nietzsche, Freud, Weber, Husserl, Wittgenstein, Le Corbusier, Adorno, Heidegger, Derrida, Foucault, Hassan, Lyotard, Irigary, Rorty, Habermas and MacIntyre. An editor's introduction defines the problems raised by postmodernism, and introductory paragraphs help to contextualize each selection.

Beginning Postmodernism (Beginnings)

Tim Woods

Beginning Postmodernism (Beginnings) Tim Woods List Price: $69.95
By: Manchester Univ Pr
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Total reviews: 1 Average rating: 3.0 of 5

And away we go 3 out of 5 stars.
3 of 4 people found this review helpful.

What isn't postmodernism? You may wonder this after reading this book. It's not modernism? It's not postpostmodernism? I don't know.

It's "Blade Runner". It's "Naked Lunch". It's Peter Handke's "Kaspar". It's "Gravity's Rainbow." So far, so good. But, unfortunately for me, postmodernism is also Deridda and Foucault, neither of whom I could make much sense of. And, with them and Baudrillard, I get the feeling that I could never read enough about history, politics, pyschology, culture, economics, art and literary criticism (not to mention architecture) to have any basis for evaluating postmodernist claims. It seems like postmodernist theorists opinionate widely and at a high level, making their claims impossible to verify. But maybe verification isn't postmodern. At any rate, it's beyond my little brain that would like to have some illusion of keeping track of things.

Perhaps postmodernism is characterized, among other things, by moving away from any simple sense that reality can be represented. Accepting fragmentation. In this book Woods shares a lot of ways to recognize postmodernism.

Where that leads, I don't know. Not to Kansas. This is a stimulating book. After you get into it some, you may wish it were less stimulating. How Woods knows as much as he does, I have no idea. He mentions Handke, although the index doesn't include Handke. The index doesn't include Warhol and I didn't find him in the main text. I would have thought Warhol was as postmodern as one could get, but I suppose Woods couldn't cover everyone. Just almost everyone. The bibiography is annotated and should be able to take you onto some good further journeys into postmodernism. It depends on how complicated you want to be. Artists seem to have a much better sense of postmodernism than philosophers. Perhaps postmodernism renders philosophy as we've known it obsolete? If so, then the "Philosophy of Andy Warhol" may point the way to what a postmodernist philosophy csn be.

Editorial Review:

"Postmodernism" has become the buzzword of contemporary society. Yet it remains baffling in its variety of definitions, contexts and associations. Beginning Postmodernism aims to offer clear, accessible and step-by-step introductions to postmodernism across a wide range of subjects. It encourages readers to explore how the debates about postmodernism have emerged from basic philosophical and cultural ideas. With its emphasis firmly on "postmodernism in practice," the book contains exercises and questions designed to help readers understand and reflect upon a variety of positions in the following areas of contemporary culture: philosophy and cultural theory; architecture and concepts of space; visual art; sculpture and the design arts; popular culture and music; film, video and television culture; and the social sciences.

Postmodernism and Education: Different Voices, Different Worlds

Richard Edwards

Postmodernism and Education: Different Voices, Different Worlds Richard Edwards Amazon Price: $170.00
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Editorial Review:

In this book, the authors explore and clarify the nature of postmodernism and provide a detailed introduction to key writers in the field such as Lacan Derrida Foucault Lyotard They examine the impact of this thinking upon contemporary theory and practice of education, concentrating particularly upon how postmodernist ideas challenge existing concepts, structures and hierarchies.

The Illusions of Postmodernism

Terry Eagleton

The Illusions of Postmodernism Terry Eagleton List Price: $44.95
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Total reviews: 13 Average rating: 3.5 of 5

A brilliant critique 4 out of 5 stars.
18 of 19 people found this review helpful.

In his attempt to find a working definition, Eagleton makes a distinction between postmodernism and postmodernity. For him, postmodernism is a style of culture reflecting something of the epochal changes during the historical phase of postmodernity. In this book he explores the culture and milieu of postmodernist philosophy as a whole and does not much discuss particular works of art or specific theorists. Eagleton's approach is to look at what a student today might believe about postmodernism and to prove that most of that is false. Although his view is mainly negative, he judges both postmodernism's strengths and its failures from a broadly socialist political and theoretical perspective.

The book draws extensively on the author's writings in the London Review Of Books, Times Literary Supplement, Monthly Review, Textual Practice and Socialist Register and is divided into the chapters Beginnings, Ambivalences, Histories, Subjects, Fallacies and Contradictions. Eagleton's sense of irony and gift of satire ensure an engaging text, especially when he comes up with turns of phrase like: " ... from Lyotard to leotards ...". He also touches on subjects are disparate as Madonna, graphic novels and gothic architecture, which enliven the text.

Eagleton considers the politics of postmodernism to have been both enrichment and evasion. For all its supposed openness, Pomo can be just as censorious and exclusivist as the orthodoxies it opposes. He explains that it is a type of orthodox heterodoxy that needs its straw men in order to stay in business. In its attempt to cut the ground from under its opponents' feet, Pomo unavoidably pulls the rug from under its own, the author observes. He explores pomo's hatred of essentialism (the specific "whatness" of a thing) and concludes that if enlightenment universalism is exclusivist in practice, ethnic particularism can be exclusivist in both practice and theory.

Eagleton concludes that pomo is not just some theoretical mistake. It is the ideology of a particular historical epoch in the West when reviled and humiliated groups discovered something of their history and selfhood. But its inherent failings are its cultural relativism, moral conventionalism, cynicism, localism and lack of any adequate theory of political agency. As such, he observes that postmodernism cannot confront ideologies like fascism.

In simple parlance, pomo thought with its relativism denies distinctions between right and wrong or good and evil, whilst claiming that everything is just a power game and we are all victims. It in fact provides a fertile breeding ground for fascism, something that Eagleton is perhaps too polite to spell out. But his book has broadened my perspective on this jargon-jaded phenomenon, all thanks to his elegant prose and intellectual acuity. The book concludes with notes and an index. I also recommend Intellectual Impostures (Fashionable Nonsense) by Alan Sokal and Jean Bricmont, an investigation of how postmodernist theorists twist and abuse the language of the natural sciences.

Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault

Intellectual Morons: How Ideology Makes Smart People Fall for Stupid Ideas

The Anti-Chomsky Reader

Indoctrination U:The Left's War Against Academic Freedom

Editorial Review:

This critique explores the origins and emergence of postmodernism, revealing its ambivalences and contradictions. Its primary concern is less with the more intricate formulations of postmodern philosophy than with the culture or milieu of postmodernism as a whole. Above all, it speaks to a particular kind of student or consumer, of popular "brands" of postmodern thought. Although Terry Eagleton's view of the topic is, as he says, generally a negative one, he points to postmodernism's strengths as well as its failings. He sets out not just to expose the illusions of postmodernism, but to show the students he has in mind that they never believed what they thought they believed in the first place.

The divine feminine: The biblical imagery of God as female

Virginia R Mollenkott

The divine feminine: The biblical imagery of God as female Virginia R Mollenkott By: Crossroad
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Where are the Range and Depth in the Divine Feminine? 3 out of 5 stars.
2 of 2 people found this review helpful.

Since I've recently been studying the relationship between gender and God, I was excited when I found out there was a book that examined the "feminine" imagery and language found in Scripture and dealt with the traditional issues regarding God's father/motherhood. Sad to say, I was disappointed to find that the author's exegesis was not thorough or profound. Furthermore, the research in this book is lacking in depth and range since it looks like the author depends on a few sources for her conclusions and fails to document a number of assertions that she makes about Augustine, Anselm and Gregory Palamas. While I have no problem applying maternal imagery to God, Mollenkott, unlike writers such as John W. Cooper or Marianne M. Thompson fails to make carefully needed distinctions and the result is an unnuanced discussion about the divine feminine. The book does contain insights and Mollenkott frequently appeals to Scripture in order to support the case she is arguing. But she does not devote enough time to seriously wrestling with the original languages of the biblical text. I thus would not recommend buying this book, but borrowing it from a friend. There is better feminist literature at our disposal.

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