John Docker
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By: Cambridge University Press
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Customer Reviews:
Total reviews: 2
Average rating: 2.5 of 5
Adolescent Petulance from a Converted Poststructuralist 1 out of 5 stars.
3 of 7 people found this review helpful.
John Docker demonstrates the kind of arrogance that is so prevalent in academia. He has a massive chip on his shoulder and, apparently, thinks that being a critic means he can criticize without maintaining any consistency within his logic. In his world modernity is equivilent to elitism, and an epithet to be hurled at anyone who doesn't maintain his standards of poststructuralism (Apparently Docker believes that poststructuralism and postmodernity are the same thing). He praises Benjamin for the complexity of his writings yet simplifies him into a pro-mass media precursor. Derrida is derided as postivistic, Jameson and Baudrillard are dismissed as modernists, and Adorno and Horkeimer are ignored as classist. Anyone who dare disagree with Docker's positive take on pop culture is, through Docker's hyperbole, seen as portraying mass culture as "evil and satanic".His discrediting of various authors utilizes extensive paraphrasing with his own editorial slant and re-contexturalizing. A common complaint of his is that authors over-generalize from limited examples yet he does this exclusively - considering one chapter of one book rather than the entire body of work from each author. He complains when authors speak for others and somehow know what everyone feels yet he does this freely, especially in the sections of self-aggrandizement where he attempts to show his intellectual skills in practice ("see, I got quoted int the newspaper!").
Based upon his shoddy misrepresentation of articles that I am familiar with, there is no reason for me to trust any of his (re)presentation of any of the authors' ideas.
Editorial Review:
In this provocative study, John Docker takes his readers on an intellectual adventure. The journey includes a guided tour of the history of modernism, consideration of the development of postmodernism, explanation of structuralism and poststructuralism, and discussion of the debates and conflicts around each. It ranges widely, from theoretical discussion to consideration of everything from architecture, television and detective writing to Sydney's monorail. The book engages with some of the most important debates of our time, combining polemical force with intellectual rigor, and reclaims popular culture from the forces opposed to it.