Alejo Carpentier
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By: Farrar, Straus and Giroux
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Customer Reviews:
Total reviews: 8
Average rating: 4.5 of 5
The Kingdom of this World 5 out of 5 stars.
29 of 29 people found this review helpful.
Not long after Haiti's liberation from French colonial rule, King Henri-Christophe reigned through an era of chaos, violence, superstition and socio-political upheaval. Carpentier details the story of this era, and the eventual overthrowing of Henri-Christophe's black regime, through the narrative of slave Ti-Noel.
For me, the interesting thing about this book was the way in which Carpentier shows how the black regime failed on the same sort of grounds that caused the French regime to become corrupt, outwardly oppulent and inwardly self-destructive. I find it very reminiscent of the sort of dialogue popularized by Freire's "Pedagogy of the Oppressed" where he explains how, in an effort to overthrow an oppressive system of education (but this has to work, to some extent, for politics, culture, etc) the rebels end up instituting essentially the same sort of system---only with themselves at the top instead of bottom.
The novel also deals convincingly with issues of cultural patrimony, the occult, and obviously with historical and political scenario. As with many of his books, Carpentier combines a strong dedication to the factual or realistic history with allegory, metaphor and allusion.
The writing style is fairly dense and I did find it difficult to read the novel straight through. However, I found the read very rewarding and also enlightening.
Editorial Review:
A few years after its liberation from the brutality of French colonial rule in 1803, Haiti endured a period of even greater brutality under the reign of King Henri-Christophe, who was born a slave in Grenada but rose to become the first black king in the Western Hemisphere. In prose of often dreamlike coloration and intensity, Alejo Carpentier records the destruction of the black regime—built on the same corruption and contempt for human life that brought down the French while embodying the same hollow grandeur of false elegance, attained only through slave labor—in an orgy of voodoo, race hatred, madness, and erotomania.