Tolkien, Christopher Books

J.R.R. Tolkien Boxed Set (The Hobbit and The Lord of the Rings)

J.R.R. Tolkien

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Total reviews: 1245 Average rating: 4.5 of 5

Editorial Review:

Hobbits and wizards and Sauron--oh, my! Mild-mannered Oxford scholar John Ronald Reuel Tolkien had little inkling when he published The Hobbit; Or, There and Back Again in 1937 that, once hobbits were unleashed upon the world, there would be no turning back. Hobbits are, of course, small, furry creatures who love nothing better than a leisurely life quite free from adventure. But in that first novel and the Lord of the Rings trilogy, the hobbits Bilbo and Frodo and their elfish friends get swept up into a mighty conflict with the dragon Smaug, the dark lord Sauron (who owes much to proud Satan in Paradise Lost), the monstrous Gollum, the Cracks of Doom, and the awful power of the magical Ring. The four books' characters--good and evil--are recognizably human, and the realism is deepened by the magnificent detail of the vast parallel world Tolkien devised, inspired partly by his influential Anglo-Saxon scholarship and his Christian beliefs. (He disapproved of the relative sparseness of detail in the comparable allegorical fantasy his friend C.S. Lewis dreamed up in The Chronicles of Narnia, though he knew Lewis had spun a page-turning yarn.) It has been estimated that one-tenth of all paperbacks sold can trace their ancestry to J.R.R. Tolkien. But even if we had never gotten Robert Jordan's The Path of Daggers and the whole fantasy genre Tolkien inadvertently created by bringing the hobbits so richly to life, Tolkien's epic about the Ring would have left our world enhanced by enchantment. --Tim Appelo

The Lord of the Rings (50th Anniversary Edition)

J.R.R. Tolkien

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Total reviews: 177 Average rating: 4.5 of 5

Homely, Epic, Monstrous! 5 out of 5 stars.
1 of 2 people found this review helpful.

C. S. Lewis is often quoted in describing the revolutionary effect of *The Lord of the Rings* on 20th-century literature. And with good reason. He was, after all, the first bona fide fan of Tolkien's great work, even years before LoftR was finally published.

Back in the 30s, 40s and 50s, Fantasy in the vein of Tolkien was not exactly in vogue, and C. S. Lewis considered himself somewhat old-fashioned in his literary taste. But, as the 60s and subsequent decades would have it, his taste turned out to be ahead of his time, and today a mountain consisting of many Million Tolkien fans has raised C. S. Lewis to a pinnacle of special honor for having been the first *Lord of the Rings* fan.

That's why I thought readers might be interested - instead of just having a lowly peon like myself heap yet more praise on Tolkien - to read a few additional lines by C. S. Lewis about LoftR.

Lewis' description of the the trilogy as "lightening from a clear sky" is well known, but he also wrote a blurb for LoftR. He did it because Tolkien's publisher, Sir Stanley Unwin, found the book so difficult to describe and therefore asked Lewis to write something that might serve as a blurb on the cover (although I'm not sure if it was ever used for that purpose).

This is Lewis' blurb, dated Dec 4, 1953:

"It would be almost safe to say that no book like this has ever been written. If Ariosto rivalled it in invention (in fact he does not) he would still lack its heroic seriousness. No imaginary world has been projected which is at once so multifarious and so true to its own inner laws; none so seemingly objective, so disinfected from the taint of an author's merely individual psychology; none so relevant to the actual human situation yet so free from allegory. And what fine shading there is in the variations of style to meet the almost endless diversity of scenes and characters - comic, homely, epic, monstrous, or diabolic!"

What else can I add but to say that I share C. S. Lewis' enthusiasm? LoftR was my introduction to Fantasy literature, and I'll keep coming back to it.

Editorial Review:

The Fellowship of the Ring, part one of J.R.R. Tolkien’s epic masterpiece, fist reached these shores on October 21, 1954, arriving, as C. S. Lewis proclaimed, "like lightning from a clear sky." Fifty years and nearly one hundred million American readers later comes a beautiful new one-volume collector’s edition befitting the stature of this crown jewel of our list. With a text fully corrected under the supervision of Christopher Tolkien to meet the author’s exacting wishes, two large-format fold-out maps, a ribbon placemarker, gilded page edges, a color insert depicting Tolkien's own paintings of the Book of Mazarbul and exceptionally elegant and sturdy overall packaging housed within an attractive slipcase, this edition is the finest we’ve ever produced.

The Hobbit

J.R.R. Tolkien

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Total reviews: 1639 Average rating: 4.5 of 5

Editorial Review:

"In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort."

The hobbit-hole in question belongs to one Bilbo Baggins, an upstanding member of a "little people, about half our height, and smaller than the bearded dwarves." He is, like most of his kind, well off, well fed, and best pleased when sitting by his own fire with a pipe, a glass of good beer, and a meal to look forward to. Certainly this particular hobbit is the last person one would expect to see set off on a hazardous journey; indeed, when Gandalf the Grey stops by one morning, "looking for someone to share in an adventure," Baggins fervently wishes the wizard elsewhere. No such luck, however; soon 13 fortune-seeking dwarves have arrived on the hobbit's doorstep in search of a burglar, and before he can even grab his hat or an umbrella, Bilbo Baggins is swept out his door and into a dangerous adventure.

The dwarves' goal is to return to their ancestral home in the Lonely Mountains and reclaim a stolen fortune from the dragon Smaug. Along the way, they and their reluctant companion meet giant spiders, hostile elves, ravening wolves--and, most perilous of all, a subterranean creature named Gollum from whom Bilbo wins a magical ring in a riddling contest. It is from this life-or-death game in the dark that J.R.R. Tolkien's masterwork, The Lord of the Rings, would eventually spring. Though The Hobbit is lighter in tone than the trilogy that follows, it has, like Bilbo Baggins himself, unexpected iron at its core. Don't be fooled by its fairy-tale demeanor; this is very much a story for adults, though older children will enjoy it, too. By the time Bilbo returns to his comfortable hobbit-hole, he is a different person altogether, well primed for the bigger adventures to come--and so is the reader. --Alix Wilber

Tolkien Calendar 2009

J. R. R. Tolkien

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Customer Reviews:
Total reviews: 2 Average rating: 5.0 of 5

The past of Middle Earth 5 out of 5 stars.
7 of 7 people found this review helpful.

Out of all the esteemed artists who have created images of J.R.R. Tolkien's work, Ted Nasmith is probably in the top five somewhere.

Heck, he'd probably be higher on the list if it weren't for John Howe and Alan Lee, because his paintings of Middle Earth are lushly detailed, and rich with light and colour. And the "Tolkien Calendar 2009" has some of his lovelier pictures that were created for the illustrated "Silmarillion," full of ice and fire, light and shadow, and loads of orcs, Elves and ancient humans.

The cover obviously is a gorgeous picture of the Elves' white ships from Valinor, sailing into the bay of a white-and-gold city against a mountain. I don't know if that's supposed to be Valinor or not, but the whites and golds against the stone and grass is truly striking.

And inside, there are some far less pretty pictures -- though they're no less striking. We have a sky filled with smoke and flames as those same Valinor ships are burned, a winding phalanx marching across a snow-covered plain, a misty purplish forest where orcs are ambushed by an army of Men, and a woman weeping by a hillside covered in skulls, skeletons, half-rotted corpses, and rusted swords, shields and helmets. Lots of vultures and crows as well.

But it's not all doom'n'gloom in these pictures -- one picture shows a haunting forest with a shining river, while another has a river rushing out of three cavelike gates under a mountain. And there's a brief glimpse of the legendary Elf Luthien -- though you can't see much of her because she's wearing a big cloak -- riding a gigantic dog underneath a pale sun.

And the last three are the prettiest -- one has three figures congregating at a frozen waterfall, surrounded by the ruins of a burned forest. Another has a somber row of men walking alongside a river to a small bridge. And the last has Tuor on the side of a stormy sea with swans flying over him, and with dark clouds forming over a distant cliffside castle.

Ted Nasmith really outdid himself when he created these illustrations for a special illustrated edition of the "Silmarillion," and his love for Tolkien's original book is evident in every image he created. It just drips from the pages. There's no shying away from the darker facets of Tolkien's tales (Fire! Skulls! Swords! Battles!), but he doesn't let us forget that Middle-Earth is also a place of surpassing beauty.

This is partly conveyed by all the colours: blue skies, purple or blue mists, grey overhanging clouds, blindingly white snow, shockingly orange flames a bloody haze over the "Hill of the Slain," and a purplish sky over the escaping Luthien. And he makes great use of light and shadow -- there's always a dark edge to the more sinister pictures, and loads of warm light when there's a lack of overhanging doom. It really makes you feel what's going on.

But the best thing is the intricate, delicate details that Nasmith puts into it -- the individual boards on the White Ships, the stars above Luthien, the moss on river rocks, a series of waterfalls (seriously, every other picture seems to have a waterfall!), and the bare rafters of a ruined citadel. You can tell by looking how much love and attention was put into making them that good.

Ted Nasmith's "Tolkien Calendar 2009" gives us a few glimpses into the "Silmarillion," and fills these images with plenty of detail, shadow, light, and vibrant colour. Definitely a good way to spend the year.

The Lord of the Rings: 50th Anniversary, One Vol. Edition

J.R.R. Tolkien

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One Ring to rule them all,
One Ring to find them,
One Ring to bring them all
and in the darkness bind them

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.

From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.

When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.

The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.

This new edition includes the fiftieth-anniversary fully corrected text setting and, for the first time, an extensive new index.


J.R.R. Tolkien (1892-1973), beloved throughout the world as the creator of The Hobbit, The Lord of the Rings, and The Silmarillion, was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. His chief interest was the linguistic aspects of the early English written tradition, but while he studied classic works of the past, he was creating a set of his own.

The Lord of the Rings

J.R.R. Tolkien

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Three-volume boxed set edition lavishly illustrated in full color by Alan Lee

One Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, The Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth still it remained lost to him. After many ages it fell, by chance, into the hands of the hobbit, Bilbo Baggins.

From his fastness in the Dark Tower of Mordor, Sauron's power spread far and wide. He gathered all the Great Rings to him, but ever he searched far and wide for the One Ring that would complete his dominion.

On his eleventy-first birthday, Bilbo dissapeared bequeathing to his young cousin, Frodo, the Ruling Ring, and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord and destroy the Ring by casting it into the Cracks of Doom.

The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the wizard, the hobbits Merry, Pippin and Sam, Gimli the Dwarf, Legolas the Elf, Boromir of Gondor, and a tall, mysterious stranger called Strider.

The Histories of Middle Earth, Volumes 1-5

J.R.R. Tolkien

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Customer Reviews:
Total reviews: 23 Average rating: 4.5 of 5

Customer review 4 out of 5 stars.
0 of 1 people found this review helpful.

I'm completely satisfied. The product was exactly what I asked for and delivered in the right time.

Not for the casual reader 4 out of 5 stars.
0 of 1 people found this review helpful.

This book is definitely not for a casual reader. It was a compilation of random notes and documents that Tolkien left scattered at his death. Even so, Christopher Tolkien did a fine job of trying to organize this and I got a real in-depth view of how the Lord of the Rings COULD have turned out.

THE HISTORIES OF MIDDLE EARTH VOLUMES 1-5 5 out of 5 stars.
0 of 0 people found this review helpful.

AWESOME COLLECTION. LOTS OF READING AND PIECING THE STORIES TOGETHER. JRR TOLKIEN WAS A BRILLIANT MAN AND WITH THE HELP OF HIS SON THEY WERE ABLE TO HELP PIECE TOGETHER SOME OF THE QUESTIONS PEOPLE HAD HOW THE LORD OF THE RINGS TRILOGY CAME ABOUT. WORTH THE READ.

Overview of The History of Middle-earth Series 5 out of 5 stars.
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Collections of an author's work are often confusing, particularly when what the author has created is as complex as Tolkien's writings. Here's an overview of the twelve-volume History of Middle-earth, which was edited by his son Christopher Tolkien. Hopefully, it will help you select which book or books to buy.

Keep something in mind. In the U.S. Houghton Mifflin publishes Tolkien's authorized works in hardback and trade paperback editions, while Ballantine Books publishes them as cheaper mass-market paperbacks. For some reason, Ballantine doesn't always make it clear that some of their titles are part of the same History of Middle-earth series as those published by Houghton Mifflin. If the title is the same, the content is the same. Which you buy depends on your taste in books and finances. I have copies of both.


GROUP ONE, VOLUMES I - V, EARLY TALES

These five volumes deal primarily with Tolkien's writings before the publication of The Hobbit (1937) and The Lord of the Rings (1954-55). In them, Tolkien was struggling as a still unknown author to create his first history of Middle-earth.

Vol 1 & 2, The Book of Lost Tales Part 1 ( 1983) & 2 (1984). The Book of Lost Tales was written during the 1910s and 1920s. Wikipedia describes it this way: "The framework for the book is that a mortal Man visits the Isle of Tol Eressëa where the Elves live. In the earlier versions of the `Lost Tales' this man is named Eriol, of some vague north European origin, but in later versions he becomes Ælfwine, an Englishman of the Middle-ages."

Vol. 3, The Lays of Beleriand (1985). These are collections of poems, many of them incomplete, written between the 1920s and the late 1940s.

Vol 4, The Shaping of Middle-earth (1986). As you might guess by the title, in this book Christopher describes how his father shaped his vision of Middle-earth from the primitive The Book of Lost Tales to early versions of The Silmarillion. This theme is taken up again in volumes 10 and 11.

Vol 5. The Lost Road and Other Writings (1987). Along with other writings this volume includes Tolkien's drafts of a tale about time travel. Wikipedia describes it this way: "The Lost Road itself is a fragmentary beginning of a tale, including a rough structure and several intiguing chunks of narrative, including four entire chapters dealing with modern England and Numenor, from which the entire story as it should have been can be glimpsed. The scheme was of time-travel by means of 'vision' or being mentally inserted into what had been, so as to actually re-experience that which had happened. In this way the tale links first to Saxon England of Alfred the Great, then to the Lombard Alboin of St. Benedict's time, the Baltic Sea in Old Norse days, Ireland at the time of the Tuatha's coming (600 years after the Flood), prehistoric North in the Ice Age, a 'Galdor story' of Third-Age Middle-Earth, and finally the Fall of Gil-Galad, before recounting the prime legend of the Downfall of Numenor/Atlantis and the Bending of the World. It harps on the theme of a 'straight road' into the West, now only in memory because the world is round."


GROUP TWO, VOLUMES VI - IX, LORD OF THE RINGS

If you or the friend you're buying for is primarily interested in the LOTR, then these four volumes are the books to have. Just keep in mind that you'll find in them many unfinished plots that may or may not fit well into LOTR. Tolkien was a perfectionist, always trying to improve plots and fill in details. These are his drafts.

Vol. 6, The Return of the Shadow (The History of The Lord of the Rings v. 1, 1988). Describes the initial stages of writing LOTR and covers the first three-fourths of The Fellowship of the Ring (until the Mines of Moria).

Vol. 7, The Treason of Isengard (The History of The Lord of the Rings, v. 2, 1989). Covers from the Mines of Moria until Gandalf meets Théoden about one-fourth of the way into The Two Towers.

Vol. 8, The War of the Ring (The History of The Lord of the Rings, v. 3, 1990). Continues the tale up to the opening of the Black Gate not quite three-quarters of the way through The Two Towers.

Vol. 9, Sauron Defeated (The History of The Lord of the Rings, v. 4, 1992). Completes the tale and includes an alternate ending in which Sam answers questions from his children. There is also a much shortened version of Vol. 9 called The End of the Third Age, which leaves out material that isn't related to LOTR.


GROUP THREE, VOLUMES X - XI, SILMARILLION

Just as The Hobbit created a public demand for more tales about hobbits, The Lord of the Rings created a demand for more tales about Middle-earth. To meet that demand, Tolkien struggled to reconcile and adapt many of his earlier tales to the historical framework made well-known by his two published works. He never completed those labors, so it was left after his death to his son Christopher to do so in The Silmarillion (1977). If you or a friend is interested in knowing more about The Silmarillion, these two volumes may be of interest.

Vol 10, Morgoth's Ring (The Later Silmarillion, v. 1, 1993). Contains material from earlier (1951 and later) drafts of The Silmarillion. Wikipedia notes that: "The title of this volume comes from a statement from one of the essays: 'Just as Sauron concentrated his power in the One Ring, Morgoth dispersed his power into the very matter of Arda, thus the whole of Middle-earth was Morgoth's Ring.'"

Vol. 11, The War of the Jewels (The Later Silmarillion v. 2, 1994). Addition material about the earlier drafts of The Silmarillion. Includes information about the origin of the Ents and Great Eagles.


GROUP FOUR, VOLUME XII AND INDEX, WRAP-UP

Vol. 12, The People's of Middle-earth (1996). Contains material that did not fit into the other volumes. The most interesting include additional appendices like those at the back of LOTR, essays on the races of Middle-earth, and about 30 pages of a sequel to the LOTR called The New Shadow. It was set a century after the LOTR. Tolkien abandoned the tale as too "sinister and depressing."

The History of Middle-earth Index (2002) is an index of all twelve volumes.

******

Keep in mind that books in The History of Middle-earth are nothing like reading The Hobbit or The Lord of the Rings. What J. R. R. Tolkien wrote is often fragmentary and unpolished rough drafts, while what Christopher wrote is literary scholarship, concerned more with sources and texts than plots. If you or the friend you are buying for is more interested in understanding LOTR better, you might be happier with a reference works such as:

Karen Fonstad's The Atlas of Middle-Earth (Revised Edition)

Robert Foster's The Complete Guide to Middle-Earth

Or my own detailed, day-by-day chronology Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings

All three will give you a richer, deeper understanding of LOTR.

******

If you're interested in reading books with the same flavor as Tolkien, you might consider reading William Morris, a once well-known writer who influenced Tolkien. For tales like the warriors of Rohan, see his The House of the Wolfings and The Roots of the Mountains. For arduous quest journeys much like Frodo and Sam's quest to be rid of the Ring, read his The Wood Beyond the World and The Well at the World's End. The four tales have been collected into two inexpensive volumes:

More to William Morris: Two Books that Inspired J. R. R. Tolkien-The House of the Wolfings and The Roots of the Mountains

On the Lines of Morris' Romances: Two Books That Inspired J. R. R. Tolkien-The Wood Beyond the World and the Well at the World's End

******

I hope this helps you to select wisely based on your own interests. You can save some money by buying collections of The History of Middle-earth in multi-volume sets. You can also save by buying the Ballantine mass-market paperback instead of the Houghton Mifflin trade paperback edition, although the former may have smaller type and you may need to use both hands to keep it open while you read,

Letters From Father Christmas

J.R.R. Tolkien

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Customer Reviews:
Total reviews: 22 Average rating: 4.5 of 5

You don't know what you're missing 5 out of 5 stars.
6 of 6 people found this review helpful.

I am a big Tolkien fan but this book was new to me. It was a thrill to find and a thrill to read. I started over 20 years ago giving a Christmas book to my mother in November. I search for something special every year and the names on my Christmas book list keep growing. (I like to think it's because of my inspired choices.) LETTERS FROM FATHER CHRISTMAS has zoomed to the top of the list. The title doesn't do it justice. It is a marvelous story about Father Christmas, elves, polar bears, goblins and adventure. It also combines a family story and reflects a marvelous and moving sense of place and time. Pure genius. Get it for everyone on your list.

Editorial Review:

Every December an envelope bearing a stamp from the North Pole would arrive for J.R.R. Tolkien's children. Inside would be a letter in a strange, spidery handwriting and a beautiful colored drawing or painting. The letters were from Father Christmas.
They told wonderful tales of life at the North Pole: how the reindeer got loose and scattered presents all over the place; how the accident-prone North Polar Bear climbed the North Pole and fell through the roof of Father Christmas's house into the dining room; how he broke the Moon into four pieces and made the Man in it fall into the back garden; how there were wars with the troublesome horde of goblins who lived in the caves beneath the house, and many more.
No reader, young or old, can fail to be charmed by Tolkien's
inventiveness in this classic holiday treat.

The Silmarillion

J.R.R. Tolkien

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Total reviews: 667 Average rating: 4.5 of 5

Editorial Review:

The Silmarillion is J.R.R. Tolkien's tragic, operatic history of the First Age of Middle-Earth, essential background material for serious readers of the classic Lord of the Rings saga. Tolkien's work sets the standard for fantasy, and this audio version of the "Bible of Middle-Earth" does The Silmarillion justice. Martin Shaw's reading is grave and resonant, conveying all the powerful events and emotions that shaped elven and human history long before Bilbo, Frodo, Gandalf and all the rest embarked on their quests. Beginning with the Music of the Ainur, The Silmarillion tells a tale of the Elder Days, when Elves and Men became estranged by the Dark Lord Morgoth's lust for the Silmarils, pure and powerful magic jewels. Even the love between a human warrior and the daughter of the Elven king cannot defeat Morgoth, but the War of Wrath finally brings down the Dark Lord. Peace reigns until the evil Sauron recovers the Rings of Power and sets the stage for the events told in the Lord of the Rings. This is epic fantasy at its finest, thrillingly read and gloriously unabridged. (Running time: 14 hours, 6 CDs)

Unfinished Tales: The Lost Lore of Middle-earth

J.R.R. Tolkien

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Total reviews: 84 Average rating: 4.5 of 5

A wonderful gem for diehard Tolkien fans 4 out of 5 stars.
1 of 1 people found this review helpful.

J.R.R. Tolkien's Unfinished Tales is a terrific book for diehard Tolkien fans, in particular, fans of The Lord of the Rings who have not yet read The Silmarillion. Ever wondered what were the exact events that caused Isildur to lose the One Ring? Or the origins of Wizards? Or what Middle-Earth was like during its First Age? Unfinished Tales helps to shed light on the complex creation of Middle-Earth and the many tales and legends that relate the events in its long and largely tumultuous history.

I found this book to be very interesting with a number of wonderful never before told tales from Tolkien's furiously hoarded safe box of writings such as "Of Tuor and His Coming to Gondolin", "The Disaster of The Gladden Fields" and my personal favorite "Aldarion and Erendis: The Mariner's Wife". Even in their sometimes incomplete state, the archaic nature of the tales contained in this book add to the mystique that Tolkien discovered a trove of ancient manuscripts in some dark and remote cave recounting a lost and forgotten age of our world rather than merely conjuring it up out of his vast and unfettered imagination.

My only complaint about Unfinished Tales is that like the other history of Middle-Earth books, Tolkien's son and literary executor Christopher is too enamored of trivial events in his father's creation of Middle-Earth and seems too driven to point out every single nuance (and sometimes meaningless facts) about the many versions of the tales his father wrote before they came to their final, but incomplete forms. This makes for some rather unnecessarily confusing, if not, at times, dull reading.

Even so, I would recommend this book to anyone who wants to learn more about how Tolkien created the world behind The Lord of the Rings and the many wondrous and previously unpublished tales that we could only guess had existed.

Editorial Review:

An extraordinary discovery is waiting for you on these pages. Mythic lore and forgotten legends unearthed by Christopher Tolkien from his father's archives unveil never-before-told stories of the three ages of ancient Middle-earth.