T. S. Eliot
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Customer Reviews:
Total reviews: 11
Average rating: 4.0 of 5
Murder in the Cathedral 4 out of 5 stars.
9 of 10 people found this review helpful.
The play is about Thomas Becket, the Archbishop of Canterbury and is not worth reading if you like a literal story, where what you read is what you get and reading between the lines is unnecessary. That is what I liked about this play. It allows you to interpret the dialogue so that you develop your own understanding behind the plot.
Thomas Becket lived in the 12th century and rose to power because of his friend King Henry. Becket at first had been a Chancellor in Henrys court and had then been given the title of Archbishop. Henry wanted him to have both the titles whereas Becket refused because he felt he could not perform both jobs to the same expectations. This was because Henry had radical views about the separation of the church and the state and Becket did not agree with these views because he did not believe he could serve two very opposite masters. The result was an argument between the two.
Literally, Henry and Becket are in a skirmish during the play, but the actual conflict is between Becket and his conscience. The play goes deep into Christianity and the Catholic faith, which I found to be enjoyable. Just as Christ had tempters, so does Becket. They offer him power and material wealth, when all they want in return is for Becket to alter and transform his principles.
I liked how you saw main characters in this play, such as the Chorus, progress from fearing the unknown to joyfully accepting God. While the play has Christian connotations within, it stresses primarily on universal human values such as humility and devotion.
The entire play is written in verse and Eliot managed to capture such complex themes and dialogue in such concise yet poetic words.
Editorial Review:
A dramatization in verse of the murder of Thomas Becket at Canterbury. “The theatre as well as the church is enriched by this poetic play of grave beauty and momentous decision” (New York Times). “Within its limits the play is a masterpiece.... Mr. Eliot has written no better poem than this and none which seems simpler” (Mark Van Doren, The Nation).