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Magnum Stories

Chris Boot

Magnum Stories Chris Boot Amazon Price: $50.37
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Customer Reviews:
Total reviews: 4 Average rating: 4.0 of 5

Editorial Review:

This book explores the 'photo story' through 61 master classes by some of the world's greatest photographers, all members of the international photographic agency Magnum. Henri Cartier-Bresson, Eve Arnold, Elliott Erwitt and their colleagues use the photo story as a vehicle to explain their approach to taking and editing photographs. It is about the Magnum photographers, their subjects and their approaches to photography in general and to the particular form of the photo story. The book will also comprise a history of Magnum practice and photojournalism over a 70-year period. Magnum Stories is a collection of photo stories produced by the photographers of Magnum. Through the work of key Magnum photographers, including Henri Cartier-Bresson, Robert Capa, Eugene Richards, Martin Parr, Inge Morath and Leonard Freed, this book covers a wide range of subjects including the Vietnam War, student protests in Tiananmen Square, Fidel Castro overthrows Cuban dictator in 1959, Picasso, Malcolm X, the French theatre group Theatre du Soleil, the US invasion of Grenada in the early 1980s, the New York police, Apartheid and Buddhism. The photographic genres covered include war photography, documentary, photojournalism, social realism, portraits of people and places, fashion and news. There are 61 Magnum photographers featured in the book. Each photographer is represented across 8 pages by a photo story of their choice, which is fully illustrated, and a text which is written in the photographer's own voice based on new interviews with the author. The texts are intelligent, idiosyncratic, each with their own voice and style. Accessible and engaging to read, they reveal different perceptions and approaches to photography and each photographer's unique and varied takes on the photo story and their practice - what is the photo story?, what does it mean?, how did they come across it? what key decisions are made when taking the story, etc. As well as featuring the work of individual photographers, this book functions as a history and interrogation of the form of the photo story - the key vehicle for photography in the twentieth century, from its earliest developments in the 30s, through the death of 'photojournalism', to contemporary manifestations, all of which is explored by the author in the introduction. The book explores the influences that have affected the photo story, such as key twentieth century events and the life of photographic magazines such as Newsweek, Time, and Paris Match, all of which have helped to define the genre. It provides a unique reflection on the course of photojournalism in the second half of the twentieth century and into the twenty-first, from the common purpose of the post-WWII years to the individualistic range of practices and interests that constitute documentary photography today.

The Meaning of Photography (Clark Studies in the Visual Arts)

The Meaning of Photography (Clark Studies in the Visual Arts) Amazon Price: $17.96
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Editorial Review:

 

With essays by Geoffrey Batchen, François Brunet, Mary Ann Doane, José Luis Falconi, Robin Kelsey, Douglas R. Nickel, Blake Stimson, and John Tagg, and additional contributions by Lars Kiel Bertelsen, Anne McCauley, Jorge Ribalta, John Roberts, Eric Rosenberg, Eric C. Shiner, and Bernd Stiegler

 

Photo essays by Sharon Harper, Lilla LoCurto and Bill Outcault, Fiona Tan, and Akram Zaatari

 

How can we write the histories of photography? How should art history and visual studies integrate the special technical and aesthetic challenges posed by the medium and respond to the intense interest it has provoked in the art world in recent years? In this timely volume, fifteen leading scholars discuss the discipline, practice, historiography, and study of photography, from William Henry Fox Talbot to Louise Lawler, and reflect on the status of photography today. In addition, the book features works by important contemporary artists that probe and illustrate these same issues, together offering new perspectives on the field and what photography means to us in the early 21st century.

Burning with Desire: The Conception of Photography

Geoffrey Batchen

Burning with Desire: The Conception of Photography Geoffrey Batchen Amazon Price: $19.80
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Editorial Review:

In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the mediums undeniable conceptual, political, and historical complexity.

Winogrand: Figments From The Real World

John Szarkowski

Winogrand: Figments From The Real World John Szarkowski List Price: $55.00
By: The Museum of Modern Art, New York
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Total reviews: 4 Average rating: 5.0 of 5

Editorial Review:

Back in Print The first comprehensive overview of the work of Garry Winogrand, long out of print and difficult to come by, contains an eloquent and important essay on the life and work of the photographer by John Szarkowski and a lavish plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work-- many of the 179 plates are works that had never before been published. The last section includes 25 pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984. In his essay, Szarkowski, who knew the photographer well during most of his career, describes the development of Winogrand's pictorial strategies during his years as a photojournalist, the increasing complexity of his motifs as he pursued more personal goals, and the challenge posed for other photographers by the powerful and distinctive authority of Winogrand's best work, "with its manic sense of a life balanced somewhere between animal high spirits and an apprehension of moral disaster."

Icons Of Photography: The 20th Century

Icons Of Photography: The 20th Century Amazon Price: $15.96
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Customer Reviews:
Total reviews: 8 Average rating: 3.0 of 5

Not Especially Iconographic 3 out of 5 stars.
6 of 6 people found this review helpful.

This volume sells itself as an invaluable collection of the century's most powerful and moving images featuring some 160 masterpieces by more than 90 photographers from 1900 to 2000. Honestly, maybe one half of the photos collected in this book truly deserve to be called icons. Any reasonably well educated person should be able to immediately place an iconic photo. An example being Robert Capa's "Death of a Loyalist Solider". This is the single most famous image of the Spanish Civil War and most reasonably well educated people will know it. Martin Parr's "Sediscombe, from "Think of England", does not quite hit the mark.

This book was produced by the German Publishing Company, Prestel. In turn, many of the 90 photographers exhibited in this book are German. Quite frankly, I have never heard of many of these photographers. If I were German, maybe I would know their works. The other weakness of this book are a number of images from contemporary photogaphers. Although the images are interesting, not enough time has passed to raise them to the level of icons.

This is an interesting book but by no means are all the 160 photos presented masterpieces nor the 90 photographers all masters of the art of photography. A good book to purchase in the discount bin.

Editorial Review:

Ninety seminal images by the world’s greatest photographers provide a stunning tour of the twentieth-century’s greatest camera work.

From the first image, Heinrich Zille’s Nine Boys Practicing Handstands, to the final, Nan Goldin’s backstage portrait of transvestite performers, this generously illustrated volume explores photography’s impact on the way we experience the world. Every major photographer is represented in double-page spreads, which feature one full-page image, a brief essay on the artist, and additional images of note. Presented chronologically, photographs testify to the evolution of an art form that is continually reinventing itself. From portraiture, photojournalism, and abstraction, to landscape, fashion, and works that transcend genre labels, the selection of masterworks presented here demonstrates the beauty of photography in all its variety.

Looking at Photographs

John Szarkowski

Looking at Photographs John Szarkowski Amazon Price: $27.52
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Seizing the Light: A Social History of Photography

Robert Hirsch

Seizing the Light: A Social History of Photography Robert Hirsch Amazon Price: $94.06
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By: McGraw-Hill Humanities/Social Sciences/Languages

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Total reviews: 5 Average rating: 4.5 of 5

This is the One Great Book on the History of Photography! 5 out of 5 stars.
25 of 25 people found this review helpful.

Seizing the Light: A History of Photography. is a wonderfully broad, contemporary, eclectic and entertaining book. Robert Hirsch has produced the most useful, readable, and practical successor to Beaumont Newhall's classic, The History of Photography, first published in 1937. Seizing the Light is written in a friendly, accessible way -- dense with information, but more hip and lively than other offerings, especially those aimed at college students. Hirsch includes the "canon" of standard western photographic history (represented by Stieglitz, Weston, Adams, White, et. al.) first set forth by Newhall and other researchers, but updates the information with special emphasis on the last five decades of photographic practice, including digital imaging.

Many teachers and interested readers will greatly appreciate Hirsch's conscious effort throughout the book, to include numerous women and photographers from other cultures. (Chapter Two opens with an image of an American Indian, and includes a portrait of an African-American, affording students the realization that marginalized groups actually did appear as subjects before the camera in addition to working behind them.)

Students will also appreciate Hirsch's habit of opening new chapters with a description of cultural and political events occurring during the period under discussion: Chapter Twelve starts with a harrowing description of life for immigrants in New York City in the late Nineteenth Century during the time of Jacob Riis, and Chapter Seventeen has a helpful summary of the ending of the Vietnam War, connecting it smoothly to such diverse influences as Richard Nixon and the BeeGees! There are also wonderful endnotes following each chapter that are absolutely addictive, giving curious readers further information and surprising tidbits of information.

Hirsch's knowledge gained as a Director of CEPA Gallery in Buffalo (a contemporary non-profit Artist's space) provides him with exceptional insight into contemporary photography. This is especially evident in his last Chapter, Eighteen, "Thinking About Photography," which abounds with infrequently seen and challenging images by Arnulf Rainer, Nam June Paik, John Baldessari, Anselm Keifer, Gilbert and George, William Wegman and the Bechers. There is a clear and helpful section on Postmodernism, including the usual suspects: Cindy Sherman, Richard Prince, Barbara Kruger, Sherrie Levine, and Victor Burgin. There are sections on "Gender Issues" with Judith Golden, as well as one on "Fabrications" with Sandy Skoglund, Olivia Parker, Joel Peter Witkin and others. "Altering Time and Space" includes David Hockney, the Starn Twins, and the delicious hand-colored work of Holly Roberts. Other sections include "Investigating the Body" (Andres Serrrano, Robert Mapplethorpe, Nan Goldin, Sally Mann) and "Multiculturalism" (Clarissa Sligh, Carrie Mae Weems, Lorna Simpson, and the Guerilla Girls). Hirsch closes this bulging chapter with a discussion of digital imaging, including images by Pedro Meyer, Nancy Burson and several rising young artists in new media. He concludes with an extensive bibliography of related books and resources, a helpful list of monographs by the major artists presented throughout the text, and a section on sources for artists' books.

Robert Hirsch has produced a most impressive and useful book that readers will find engaging and relevant. The currency and eclectic nature of Hirsch's thought is fascinating and his book serves as a much-needed supplement to existing texts in the history of photography.

(Submitted by Brian Taylor, Professor of Art and Design at San Jose State University, where he has taught the History of Photography for 25 years. Prior to that, he studied with Beaumont Newhall for three years during graduate school at the University of New Mexico.)

Editorial Review:

Seizing the Light: A Social History of Photography provides a thought-provoking, accurate, and accessible introduction to the photographic arts for all readers. With stunning images and commentary by hundreds of international artists, the text clearly and concisely provides the building blocks necessary to critically explore photographic history from the photographers' eye, an aesthetic point of view.

Dorothea Lange: Photographs of a Lifetime (Aperture Monograph)

Robert Coles

Dorothea Lange: Photographs of a Lifetime (Aperture Monograph) Robert Coles List Price: $35.00
By: Aperture
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Total reviews: 5 Average rating: 5.0 of 5

Photographs of a Lifetime 5 out of 5 stars.
20 of 20 people found this review helpful.

I had just recently seen a Lange exhibit when I bought this wonderful book. It starts with an essay on Lange by Robert Coles. Then it moves into her photographs and her own words. Her work is beautiful on its own, but to have the photographs and her philosophy side by side is an enriching experience. The photographs fill the entire book so it's a great read and a nice coffee table book. The images are primarily from her depression photos, but there are also pictures from around the world, her family and her early portraits. I also like that they included photographs of her and her oak trees. Dorothea Lange was a woman with such a unique perspective on life. I feel that this book does an excellent job of presenting her work.

Editorial Review:

The most comprehensive collection of the photographer's work ever published.

Dorothea Lange: Photographs of a Lifetime begins with her portraits from the early years, when she was a fashionable studio photographer, and moves into the classic images that established Lange as the preeminent documentary artist of her time: the Depression bread lines and demonstrations, the blighted farms, the migrating farm families, and the makeshift, desolate tent camps. The book concludes with her photographs from the final years, when Lange traveled the globe, finally turning the lens on her children and grandchildren and the familiar objects of her daily life.

In a penetrating critical biography, Pulitzer Prize-winning author Robert Coles offers an incisive study of Lange's life and work.

Towards a Philosophy of Photography

Vilem Flusser, Vil¿m Flusser

Towards a Philosophy of Photography Vilem Flusser, Vil¿m Flusser Amazon Price: $16.20
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Total reviews: 1 Average rating: 2.0 of 5

Not my bag 2 out of 5 stars.
0 of 2 people found this review helpful.

This is another of those books that either goes over my head or somewhere else off target. While not especially verbose, for this sort of material, I just can't get excited about detailed discussion of stuff that does not really seem relevant to either making or appreciating photography, or any other art form, for that matter. Not of practical use to photographers.

Editorial Review:

Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. Flusser showed how the transformation of textual into visual culture (from the linearity of history into the two-dimensionality of magic) and of industrial into post-industrial society (from work into leisure) went hand in hand, and how photography allows us to read and interpret these changes with particular clarity.

First Doubt: Optical Confusion in Modern Photography: Selections from the Allan Chasanoff Collection (Yale University Art Gallery)

Joshua Chuang

First Doubt: Optical Confusion in Modern Photography: Selections from the Allan Chasanoff Collection (Yale University Art Gallery) Joshua Chuang Amazon Price: $31.50
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Editorial Review:

Many photographers have been intrigued with the baffling distortions—both subtle and disquieting—that can occur when the camera “captures” the real world. Not always intentional, some images dazzle with impossible juxtapositions or disorienting spatial orders, while others confound the viewer’s belief in the documentary promise of photography.

 

Drawn from the highly respected collection of Allan Chasanoff, the photographs in this intriguing volume confront viewers with the challenge of doubt and confusion in so-called “straight” pictures. Featured are perceptually provocative images by Manuel Alvarez Bravo, Clarence John Laughlin, Imogen Cunningham, and Lee Friedlander, among others. The book’s essays raise awareness of the interpretive nature of the lens and the interpolative nature of the medium.


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