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Hamlet

William Shakespeare

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Customer Reviews:
Total reviews: 154 Average rating: 4.0 of 5

To thine own self be true ... 5 out of 5 stars.
5 of 5 people found this review helpful.

NOTE: THE FOLLOWING CHIEFLY PERTAINS TO THE NEW FOLGER LIBRARY EDITION.

William Shakespeare's "Hamlet" is arguably the most famous play ever written in the English language; it presents the world with questions and characters that have been the subject of thespian and scholarly debate ever since the Prince of Denmark's first appearance on the stage of London's Globe Theatre. Probably written and first performed in 1601 (estimates vary between 1600 and 1602), the play draws on Saxo Grammaticus's late 12th/early 13th century chronicle "Gesta Danorum," which includes a popular legend with a similar plot centering around a prince named Amleth; as well as several more contemporaneous sources, primarily Francois de Belleforest's "Histoires Tragiques, Extraicts des Oeuvres Italiennes de Bandel" (1559-1580), which expands on the story told in the "Gesta Danorum," and a lost play known as the "Ur-Hamlet" (i.e., original "Hamlet"), sometimes also attributed to Shakespeare, but equally likely written by a different author a few decades earlier. Another work frequently cited in this context is 16th century playwright Thomas Kyd's "Spanish Tragedie."

Pursuant to Shakespeare's wishes and like all of his works, "Hamlet" was not immediately published, and the original manuscript did not survive. However, in the absence of copyright laws or other forms of protection of what today would be called the playwright's intellectual property rights, first bootleg copies (so-called quartos) based on transcripts made during or after performances began to appear in 1603. Yet, it would not be until 1623 - seven years after Shakespeare's 1616 death - that his former fellow actors John Hemmings and Henry Condell published 36 of his plays (including this one) in a collection known as the First Folio.

As no print version of any of Shakespeare's plays has a bona fide claim to its author's first-hand blessings, ever since the Bard's death the world is left with numerous questions about his characters' motivations and psychological makeup; first and foremost, in this particular case: who is this Prince of Denmark anyway, and what's driving him - is he a reluctant suicide or reluctant avenger? A Renaissance man? Wrecked by Freudian guilt? Genuinely mad, or merely putting on a clever act of deception? Or is he someone else entirely? - Indeed, we're even left in doubt as to what exactly it was that Shakespeare meant his characters to say, with all attendant interpretative consequences: Does the Prince wish for his "too too sullied" or his "too too solid" flesh to "melt, thaw, and resolve itself into a dew" in his first major soliloquy (Act I, Scene 2)? Does he really contemplate "the stamp of [that] one defect" which may fatally taint the perception of a man's other virtues, "be they as pure as grace," before meeting his father's ghost (I, 4)? Does Polonius, when sending Reynaldo on a spying mission after Laertes, refer to his scheme as "a fetch of wit" or "a fetch of warrant" (II, 1)? Do Hamlet's musings in "To be, or not to be" (III, 1) concern "enterprises of great pith and moment" or "of great pitch and moment," whose "currents turn awry and lose the name of action" by his doubts? Does or doesn't the sight of the Norwegian army while Hamlet is on his way to England (IV, 4) prompt him, who has so far failed to carry out his purpose, to reflect "How all occasions do inform against me," and conclude his soliloquy with the vow "from this time forth my thoughts be bloody or be nothing worth"?

How you answer any of these questions, and how you consequently view the play's characters, depends in no small part on the text you read. Like all Folger Shakespeare editions, this one is based on what the editors have deemed the "best early printed version," while allowing the reader a unique direct comparison of the principal reliable versions by including a text essentially combining these versions, with unobtrusive markers characterizing those passages appearing only in one particular version. For "Hamlet," the editors eschewed the play's very first (1603) quarto, which was possibly compiled by a journeyman actor and whose inconsistencies with all subsequent versions (textually as well as plot-wise and even regarding character names) have caused it to be generally considered a "bad" quarto, in favor of the 1604 Second Quarto, which some even believe to be based on Shakespeare's own first draft of the play and which, in any event, while more extensive than the 1623 First Folio (in turn, thought to be closest to the version(s) actually produced on the Globe Theatre stage), boasts about as secure a claim of authenticity as the latter. In some instances, the text follows the Second Quarto (Q2) without visually alerting the reader to the differences vis-a-vis the First Folio (F1), thus compelling those more used to the latter version to seek out the extensive end notes to reassure themselves that (in the examples given above) it might indeed be "solid flesh," "warrant," and "pith and moment" (F1) instead of "sullied flesh," "wit," and "pitch and moment" (Q2). In other instances, however, the First Folio's language (clearly marked as such) is given preference over that of the Second Quarto; while crucially, the text also includes all those passages *only* contained in the latter, including the "stamp of one defect" and "bloody thoughts" monologues, whose interpretation has such a direct bearing on many a reader's understanding of Hamlet's character.

The text is amplified by illustrations and annotations for those unfamiliar with 16th century English, scene-by-scene plot summaries, a short biography of Shakespeare, and introductory and concluding essays on this and the Bard's other plays and on Shakespearean theatre, as well as extensive suggestions for further reading, and a key to the play's most famous lines. While it is unlikely that after 400 years of debate any one version, be it in print, on stage or on screen, will be able to generate unanimous acceptance as the "definitive" rendition of this complex play, this is an excellent starting point for an in-depth excursion into the Prince of Denmark's world.

Also recommended:
The Oxford Shakespeare: The Complete Works 2nd Edition
BBC Shakespeare Tragedies DVD Giftbox
Olivier's Shakespeare - Criterion Collection (Hamlet / Henry V / Richard III)
William Shakespeare's Hamlet (Two-Disc Special Edition)
Grigori Kozintsev's Hamlet
Hamlet
Rosencrantz & Guildenstern Are Dead
Peter Brook's King Lear
Richard III
Julius Caesar

Editorial Review:

A completely re-edited edition of the classic tragedy contains full explanatory notes on pages facing the text of the play; an introduction to Shakespeare's language; and an essay by a Shakespeare scholar.

No Exit and Three Other Plays

Jean-Paul Sartre

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Customer Reviews:
Total reviews: 48 Average rating: 4.5 of 5

Beautiful melancholy 5 out of 5 stars.
4 of 4 people found this review helpful.

Sartre is sometimes given a reputation that far precedes him, as with many Nobel recipients. These plays are a testament against the skeptic's mindset.

"No Exit" is a modern-day interpretation of the antiquated "fire and brimstone" hell we are so accustomed to hearing about. Sartre adroitly picks up on the small idiosyncracies of human behavior and capitalizes on them with his version of hell. Three incompatible personalities are locked in a hot, stuffy hotel room for eternity, unable to get along with one another or reconcile their personal differences. The lights are always a bit too bright, the furniture a bit too stiff, and the wonder at "what lies down the hall" eats at the occupants for eternity. This is a far cry from biblical interpretations of hell, where an individual can mentally will themselves against pain. Instead, Sartre focuses on the interpersonal nature of unhappiness, and gives his spirits "one of those days" for eternity.

"Dirty Hands" is perhaps my favorite piece of literature. It plants its focus on a young intellectual revolutionary intent on assassinating a corrupt party leader. As he grows closer to Hoederer, the man he is sent to kill, he comes to realize that pure intellectual theories will always become muddied in the waters of reality.

"The Respectful Prostitute" depicts a young woman, a prostitute, who spends the night with a man who turns out to be a politician. The man completes his sordid mission, but the next morning scorns the woman. An lesson in objectivity and the two-faced nature of those who tend to preach loudly.

"The Flies" is set in Ancient Greece, but possesses Sartre's aptitude for human behavior. Just as good as all the others, though not as indicative of how humans behave.

These are all plays, making them quite easy to read. The characters are not hard to keep straight. The ease of reading doesn't detract from their literary quality. These four plays are elegant simplicity at its finest.

Editorial Review:

4 plays about an existential portrayal of Hell, the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict and an arresting attack on American racism.

Nausea (New Directions Paperbook)

Jean-Paul Sartre

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Total reviews: 90 Average rating: 4.0 of 5

Editorial Review:

Winner of the 1964 Nobel Prize in Literature. Jean-Paul Sartre, philosopher, critic, novelist and dramatist, hold a position of singular eminence in the world of French letters. Among readers and critics familiar with the whole of Sartre's work, it is generally recognized that his earliest novel, Le Nausée (first published in 1938), is his finest and most significant. It is unquestionably a key novel of the Twentieth Century and a landmark in Existentialist fiction.

Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogues his every feeling and sensation about the world and people around him. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spread at the bottom of the viscous puddle, at the bottom of our time—the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain." Roquentin's efforts to come to terms with his life, his philosophical and psychological struggles, give Sartre the opportunity to dramatize trhe tents of his Existentialist creed.

he introduction for this edition of Nausea by Hayden Carruth gives background on Sartre's life and major works, a summary of the principal themes of Existentialist philosophy, and a critical analysis of the novel itself.

The Wind in the Willows

Alan Bennett, Kenneth Grahame

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Customer Reviews:
Total reviews: 128 Average rating: 4.5 of 5

Not just for children. 4 out of 5 stars.
1 of 1 people found this review helpful.

While Grahame's The Wind in the Willows may have been written for children, it mimics and speaks to adults, as well. The characters in his "low fantasy" story, though animal in name, physical description, and dwelling habitats, portray many of the same foibles and flaws as those represented by human beings.
Mr. Toad, for example, is not only wealthy and pretentious, but spoiled, haughty, self-serving, and thoughtless. He takes his truest friends for granted, and things nothing of thievery or dealing underhandedly to accomplish his selfish wants. For toad, Mr. Toad, like some people we encounter, has no real material needs, but has wants that seldom satisfy him for more than a moment.
Mr. Toad's friends, Old Badger, Water Rat, and Mole also have personalities that mirror that of adult humans. Perhaps Grahame intended to reach children at an age when they are teachable and impress upon them manners and sensibilities that will guide their interpersonal relationships as they grow.
Though the poetically beautiful settings of the story are present in the "real world," the magical occurrences of motorcar-driving frogs, gondola-sailing rats, and suit-wearing badgers, make this fantastical story entertaining, particular for children, who possess a vivid imagination that is oftentimes stifled by everyday pressures in the world of grown-ups.
Both children and adults can identify with the personalities of Grahame's imaginary characters, and there are age-old lessons taught in this story that are often present in mythology and even Biblical teachings. There is even a God-like character in the book, called The Piper, who brings the seasons and protects the animals.
The morals taught in the story are satisfying, in that, in the end, Mr. Toad is a changed man, er, frog, in that he has learned to appreciate the value of true friendship accept his good fortune with humility. Through his animal characters, Grahame represents the bad in human nature made good, while entertaining us with comedic situations that--if they didn't involve such fantastical creatures--could be considered realistic.

Editorial Review:

The escapades of four animal friends who live along a river in the English countryside--Toad, Mole, Rat, and Badger.

The Interpretation of Dreams (Oxford World's Classics)

Sigmund Freud

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Total reviews: 36 Average rating: 4.0 of 5

Editorial Review:

One hundred years ago Sigmund Freud published The Interpretations of Dreams, a book that, like Darwin's The Origin of Species, revolutionized our understanding of human nature. Now this groundbreaking new translation--the first to be based on the original text published in November 1899--brings us a more readable, more accurate, and more coherent picture of Freud's masterpiece.
The first edition of The Interpretation of Dreams is much shorter than its subsequent editions; each time the text was reissued, from 1909 onwards, Freud added to it. The most significant, and in many ways the most unfortunate addition, is a 50-page section devoted to the kind of mechanical reading of dream symbolism--long objects equal male genitalia, etc.--that has gained popular currency and partially obscured Freud's more profound insights into dreams. In the original version presented here, Freud's emphasis falls more clearly on the use of words in dreams and on the difficulty of deciphering them. Without the strata of later additions, readers will find here a clearer development of Freud's central ideas--of dream as wish-fulfillment, of the dream's manifest and latent content, of the retelling of dreams as a continuation of the dreamwork, and much more. Joyce Crick's translation is lighter and faster-moving than previous versions, enhancing the sense of dialogue with the reader, one of Freud's stylistic strengths, and allowing us to follow Freud's theory as it evolved through difficult cases, apparently intractable counter-examples, and fascinating analyses of Freud's own dreams.
The restoration of Freud's classic is a major event, giving us in a sense a new work by one of this century' most startling, original, and influential thinkers.

The Tragedie Of Julius Caesar

William Shakespeare

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Customer Reviews:
Total reviews: 44 Average rating: 4.5 of 5

Great edition of a great play 5 out of 5 stars.
3 of 3 people found this review helpful.

I really enjoyed reading this edition of the play. Each scene is proceded by a summary of the secene and followed by commentary on the scene, and there are notes alongside the text explaining unusual words/phrases. As an actor, I have been reading Shakespeare for quite awhile, and I still found this book very helpful. If you are new to reading Shakespeare, I particularly recommend this because you will find it very helpful.

Simply the Best 5 out of 5 stars.
1 of 1 people found this review helpful.

The Arden Shakespeare series is the best, for either the beginning of scholarly research, the average needs of the English student, or as a resource for the informed theater professional. My only note of caution is for a casual reader who may find the extensive footnoting more of an interruption than a help. Love this book, love them all.

Exactly what I was looking for! 5 out of 5 stars.
0 of 0 people found this review helpful.

My aim is to cover shakespeare this year with my 9th grader (I home-school). I purchased this book along with "Twelfth Night". I am so happy I did. The whole original text is included along with a translation of the play in todays english. At the end of the book there are MANY, MANY exercises and tests for the student to complete to ensure they have understood what they read. With this book, you can literally give it to your child and leave them to it. Obviously, you may need to give some guidance along the way, but it will be minimal. A homeschooler's dream because there is very little lesson prep. I will definately be buying other titles in this series!

Editorial Review:

Ant. He shall not liue; looke, with a spot I dam him. But Lepidus, go you to Caesars house: Fetch the Will hither, and we shall determine How to cut off some charge in Legacies .

Seedfolks

Paul Fleischman

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Total reviews: 91 Average rating: 4.0 of 5

Editorial Review:

Common Ground

A vacant lot, rat-infested and filled with garbage, looked like no place for a garden. Especially to a neighborhood of strangers where no one seems to care. Until one day, a young girl clears a small space and digs into the hard-packed soil to plant her precious bean seeds. Suddenly, the soil holds promise: To Curtis, who believes he can win back Lateesha's heart with a harvest of tomatoes; to Virgil's dad, who seems a fortune to be made from growing lettuce; and even to Mariclea, sixteen and pregnant, wishing she were dead.

Thirteen very different voices--old, young, Haitian, Hispanic, tough, haunted, and hopeful tell one amazing story about a garden that transforms a neighborhood.

An old man seeking renewal, a young girl connecting to a father she never knew, a pregnant teenager dreading motherhood.Thirteen voices tell one story of the flowering of a vacant city lot into a neighborhood garden. Old, young, Jamaican, Korean, Hispanic, tough, haunted, hopeful'Newbery Medal winner Paul Fleischman weaves characters as diverse as the plants they grow into a rich, multi-layered exploration of how a community is born and nurtured in an urban environment.

00-01 Utah Book Award (Gr. 7-12)

Chosen as a state and citywide read in communities across the country:
Vermont
Racine, WI
Tampa, FL
Newburgh, NY
Boca Raton, FL

The Glass Menagerie

Tennessee Williams

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Total reviews: 126 Average rating: 3.5 of 5

Editorial Review:

No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie. Menagerie was Williams's first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, the play has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by prominent Williams scholar Robert Bray, editor of The Tennessee Williams Annual Review, reappraises the play more than half a century after it won the New York Drama Critics Circle Award: "More than fifty years after telling his story of a family whose lives form a triangle of quiet desperation, Williams's mellifluous voice still resonates deeply and universally." This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." The cover features the classic line drawing by Alvin Lustig, originally done for the 1949 New Directions edition.

Doubt (movie tie-in edition)

John Patrick Shanley

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Total reviews: 21 Average rating: 4.5 of 5

Editorial Review:

Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer Prize–winning play.

“The best new play of the season. That rarity of rarities, an issue-driven play that is unpreachy, thought-provoking, and so full of high drama that the audience with which I saw it gasped out loud a half-dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesn’t try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior.”—Terry Teachout, The Wall Street Journal

“A breathtaking work of immense proportion. Positively brilliant.”—Melissa Rose Bernardo, Entertainment Weekly

“#1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. In just ninety fast-moving minutes, Shanley creates four blazingly individual people. Doubt is a lean, potent drama . . . passionate, exquisite, important and engrossing.”—Linda Winer, Newsday

John Patrick Shanley is the author of numerous plays, including Danny in the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia, Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money? He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo; Alive; Five Corners; Joe Versus the Volcano, which he also directed; and Moonstruck, for which he won an Academy Award for best original screenplay.

Romeo and Juliet (No Fear Shakespeare Graphic Novels) (No Fear Shakespeare Illustrated)

SparkNotes Editors

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Total reviews: 12 Average rating: 4.0 of 5

Caveat Emptor 2 out of 5 stars.
4 of 7 people found this review helpful.

The concept of adapting a Shakespeare play into the graphic novel format is at the very least a worthwhile endeavor. A successful attempt could bridge the widening gap between the generation that read the works of the Bard in the classroom without any significant visual aid and those who are more attuned to visual accompaniment to their stories. Shakespeare never wrote his plays to be read as words on a page without a visual attached, so already this sounds like a good idea.

The illustrations are modern and accessible, and while the text isn't the same as what Shakespeare wrote, it is translated sensibly, and the edits are pretty smooth.

But who's this best suited for? The graphic novel format may lead one to believe that anyone who's capable of following illustrated stories (comic books, manga, animated programs, etc.) will be able to comprehend the story, but this is not the case. Despite a good translation, the story is still just as intricate, carefully crafted and multi-layered as the original. Perhaps a more "dumbed down" translation would have benefitted the graphic novel concept, since some of the longer speeches (including Queen Mab) are woefully ill suited to this type of format.

Also, and this is mostly a warning to parents of junior high and high school students, some of Shakespeare's bawdiest jokes and sexual puns are spelled out quite graphically in the translation. This book is not rated, but I would NOT recommend it be published with a warning about this!

Recommended only for fans of the play who want to see an old favorite from a different angle. NOT recommended for anyone who expects an easy path to understand the play (which should be seen live or via DVD, ideally--even a poorly performed play is better than a play without any performance at all) .

Editorial Review:

No Fear Shakespeare Graphic Novels is a series based on the translated texts of the plays found in No Fear Shakespeare. The original No Fear series made Shakespeare’s plays much easier to read, but these dynamic visual adaptations are impossible to put down. Each of the titles is illustrated in its own unique style, but all are distinctively offbeat, slightly funky, and appealing to teen readers. Each book will feature:

 

Illustrated cast of characters A helpful plot summary Line-by-line translations of the original play Illustrations that show the reader exactly what’s happening in each scene—making the plot and characters even clearer than in the original No Fear Shakespeare books