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Tuesdays with Morrie

Jeffrey Hatcher, Mitch Albom

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Total reviews: 2118 Average rating: 4.5 of 5

Editorial Review:

Maybe it was a grandparent, or a teacher, or a colleague.  Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it.

For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.

Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded, and the world seemed colder.  Wouldn't you like to see that person again, ask the bigger questions that still haunt you, receive wisdom for your busy life today the way you once did when you were younger?

Mitch Albom had that second chance.  He rediscovered Morrie in the last months of the older man's life.  Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college.  Their rekindled relationship turned into one final "class": lessons in how to live.

Tuesdays with Morrie is a magical chronicle of their time together, through which Mitch shares Morrie's lasting gift with the world.

The Groucho Letters: Letter From And To Groucho Marx

Groucho Marx

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By: Da Capo Press
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Total reviews: 14 Average rating: 4.5 of 5

Editorial Review:

No personage is too big, no nuance too small, no subject too far out for Groucho’s spontaneous, hilarious, and ferocious typewriter. He writes to comics, corporations, children, presidents, and even his daughter’s boyfriend. Here is Groucho swapping photos with T. S. Eliot (”I had no idea you were so handsome!”); advising his son on courting a rich dame (”Don’t come out bluntly and say, ’How much dough have you got?’ That wouldn’t be the Marxian way”); crisply declining membership in a Hollywood club (”I don’t care to belong to any social organization that will accept me as a member”); reacting with utmost composure when informed that he has been made into a verb by James Joyce (”There’s no reason why I shouldn’t appear in Finnegans Wake. I’m certainly as bewildered about life as Joyce was”); responding to a scandal sheet (”Gentleman: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription”); describing himself to the Lunts (”I eat like a vulture. Unfortunately the resemblance doesn’t end there”); and much, much more. That mobile visage, that look of wild amazement, and that weaving cigar are wholly captured, bound but untamed, in The Groucho Letters.

Of Mice and Men (Play) (DPS Acting Edition)

John Steinbeck

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Total reviews: 1104 Average rating: 4.5 of 5

One of the most popular books in American Literature-and for good reason! 5 out of 5 stars.
0 of 0 people found this review helpful.

This wonderful book is one of the most popular books written by Nobel prize winner-John Steinbeck.

It is also probably one of the most popular books in American Literature.

Set during The Great Depression,The story is about two migrant farm workers-George Milton(who is a cynical man) and Lennie Small(who is very big,strong but mentally disabled and reliant on George to look after him) and how they dream of owning their own piece of land.

Due to something Lennie has done(which was actually sort of a misunderstanding),the pair must go to a ranch in Soledad,California, to make money and escape the trouble they are in.

The book is an amazing tale of friendship and the heartbreaking thing George must do at the end to save his friend Lennie is so touching.

I first read this book for GCSE and it is now one of my favourite's.

It is a definite 'must read' and I would recommend it 100%

Editorial Review:

Tragic tale of a retarded man and the friend who loves and tries to protect him. With illustrations from the movie starring John Malkovich and Gary Sinise.

Salman Rushdie's Midnight's Children: Adapted for the Theatre by Salman Rushdie, Simon Reade and Tim Supple (Modern Library Paperbacks)

Salman Rushdie

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The original stage adaptation of Salman Rushdie’s Midnight’s Children, winner of the 1993 Booker of Bookers, the best book to win the Booker Prize in its first twenty-five years.

In the moments of upheaval that surround the stroke of midnight on August 14--15, 1947, the day India proclaimed its independence from Great Britain, 1,001 children are born--each of whom is gifted with supernatural powers. Midnight’s Children focuses on the fates of two of them--the illegitimate son of a poor Hindu woman and the male heir of a wealthy Muslim family--who become inextricably linked when a midwife switches the boys at birth.

An allegory of modern India, Midnight’s Children is a family saga set against the volatile events of the thirty years following the country’s independence--the partitioning of India and Pakistan, the rule of Indira Gandhi, the onset of violence and war, and the imposition of martial law. It is a magical and haunting tale, of fragmentation and of the struggle for identity and belonging that links personal life with national history.

In collaboration with Simon Reade, Tim Supple and the Royal Shakespeare Society, Salman Rushdie has adapted his masterpiece for the stage.

Animal Farm

George Orwell

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Total reviews: 1156 Average rating: 4.5 of 5

Animal Farm is instructive for our presidential election. 5 out of 5 stars.
3 of 3 people found this review helpful.

2008 is the ideal time to apply the principles that we have learned from Animal Farm and apply them to November's 2008 Presidential election. Just as Napolean, the pig, instigated a rebellion against the owner of the farm (Jones) by talking about how great things will be once the animals ruled the farm, today we are told by the Obama Democrats that once Bush and the Republicans are thrown off the farm (Washington), that all will be well, that things will look wonderful, and that none of us will ever be hungry again. In Animal Farm, though, the animals were far worse off after Mr. Jones was kicked off the farm. Like Obama, Napolean also did not have any experience in running a farm, but this did not stop him from stating that he would be more competent and able to handle the farm. Further, once Napolean took charge of the farm, the interests of the other animals started to decline more and more. He started to remove any sense of democratic principles by eliminating the need for public comment and strongly took action against any potential dissent. This is exactly where the Obama Democrats want to take our country--first, by stating that they (and he alone) can manage the country -- even though there is no experience to suggest that he ought to, and secondly, by eliminating any form of dissent by destroying talk radio and also by heavily regulating and taxing the internet in order to suppress the one free and open medium that is available to counter their message. The lesson of Animal Farm is clear: those who claim to provide us with utopia on earth often will create hell instead through dictatorship, centralization of authority, and a desire to obtain power for power's sake. If we learn the lessons of Animal Farm, our nation will be far better off.

Editorial Review:

George Orwell's 1945 satire on the perils of Stalinism has proved magnificently long-lived as a parable about totalitarianism anywhere-and has given the world at least one immortal phrase: "Everyone is equal, but some are more equal than others."This new dramatization sticks very closely to the book, and the production has toured all over England, Scotland, Wales and Romania in Orwell's centenary year. "Dare I say it . . . as good as the book."-Guardian

Much Ado about Nothing (Shakespeare in Production)

William Shakespeare

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Total reviews: 289 Average rating: 4.5 of 5

Much Ado about...Nothing 1 out of 5 stars.
0 of 3 people found this review helpful.

It's as the title implies..nothing this film did nothing for me. None of the actors really seemed to sparkle or stand out (maybe that guy from House but barely). This movie also features Keanu Reeves in one of his worst acting roles since Bram Stoker's Dracula. It seems to me I get Shakespeare's dramas better than I get his comedies.The lines are supposedly witty and funny, funny to who an audience from ol' Willie's century? Maybe, or maybe the performance was too dumbed down to make it either but I digress.
There are some scenes I find totally pointless and dumb. The opening shot of the menfolk returning homes from a battle or something riding thier horses over the hill to some extremely corny triumph music "RIDING HORESES YAH! WOO look how cool we look riding slow-mo on our horses while making constipated faces. And another shot of the men and women getting ready to go greet each other by getting cleaned up, they show [...] shots of both sexes (though I think they linger disturbingly longer on the women) just for the sake of having [...] shots. And be warned the lighting for the mens shot has you seeing a little more than you want to.
Tell me when there's a good Shakespeare adaptation I can rave about Ciao!

Editorial Review:

This edition of Much Ado About Nothing focuses wholly on the play in performance. Shifting trends in the production of this popular drama are analyzed in relation to the culture of each period since Shakespeare's time, with particular attention to gender issues. A commentary alongside the New Cambridge edition of the text recreates in lively detail interpretations of each passage in a variety of British, American, Canadian stage, film and TV productions. An essential resource for students, teachers and performers, this is also an illuminating book for theatergoers.

The Master and Margarita (Oberon Modern Plays)

Mikhail Bulgakov

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A GIFT FROM THE GRAVE 5 out of 5 stars.
2 of 2 people found this review helpful.

I found Mikhail Bulgakov's life terribly sad, as I progressed through this novel, realizing how much of it is autobiographical. Here was a brilliant man---the grandson of Priests, who was obviously quite theologically challenged in atheist Russia. His motif surrounding the existence of Jesus and the Devil, told through stories of Faust and Pontius Pilate, was obviously his personal desire to master the concept of good versus evil, in a culture of oppression, brutality, and subjugation, not to mention censorship---the slow death of a creative, freedom-seeking, artist.

A good deal of the read may appear to just be magical folly but on careful inspection, it is filled with deep, political satire and symbolism attacking Stalin's Communist Russia and the justifiable paranoia it bred. The ridicule, denouncement and exposure was nothing short of genius, as were the characters that carried out his themes, my favorite being the personification of the big as a pig, Vodka craving, Black Cat.

Bulgakov, was clearly before his time and it is sad he died at 48. His history shows a man who was broken by his inability of free expression. His determination to complete his works, in spite of censorship, is a testament to his spirit and perseverance---one of the strongest reasons that this book deserves to be read by all. I consider it a literary gift from the grave, carrying messages we must never forget.

Be warned that this is not a quick and easy read---at least it was not for me. I suspect that I've missed, or misinterpreted many scenarios that will read differently with a repeat read. Simply put, it's like trying to watch a ten ring circus---in more ways than one. But, you won't want to miss a single ring of action.

Editorial Review:

A mysterious stranger and his retinue have astonished the locals of Stalin's Moscow with the magic show to end all magic shows and have quite literally set the town alight. But what's the real purpose behind their visit?

Hamlet (The New Folger Library Shakespeare)

William Shakespeare

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Total reviews: 34 Average rating: 4.5 of 5

Utter Tripe 1 out of 5 stars.
6 of 14 people found this review helpful.

What kind of idiot writes this tripe? This is allegedly a "Play" by some long-dead "Master".

Well, let me tell, you: it's boring and derivative. It's about this Prince who doesn't get his father's throne, and feels all depressed about it for a while, and fights back against his uncle (who took the throne and married the prince's mother), to show everyone that it was actually the uncle who killed his father the king.

Excuse me? Haven't we heard this before?

Yep: Disney's "The Lion King".

This is "The Lion King" dressed up in period clothes. Instead of "Simba", we've got "Hamlet". Instead of "Scar", we've got "Claudius". Instead of "Nala", we've got "Ophelia".

And it's in "Denmark", instead of the African Plains. Denmark? Is that even a real country anymore? Anyways, it's called Europe, now; That's a part of London.

And don't get me started on the language this writer used! It's all like it's from the Bible and stuff. Get rid of that, and use real words: Take a lesson from someone like Stephen King.

Don't waste your time with this; watch "The Lion King", and you'll get it. And while you're at it, there's a bridge in Brooklyn I'm selling.

Editorial Review:

Each edition includes:
• Freshly edited text based on the best early printed version of the play
• Full explanatory notes conveniently placed on pages facing the text of the play
• Scene-by-scene plot summaries
• A key to famous lines and phrases
• An introduction to reading Shakespeare's language
• An essay by an outstanding scholar providing a modern perspective on the play
• Illustrations from the Folger Shakespeare Library's vast holdings of rare books
Essay by Michael Neill
The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

American Pastoral

Philip Roth

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Total reviews: 221 Average rating: 3.5 of 5

Scrupulous Account of a Pivotal Point in America 5 out of 5 stars.
8 of 8 people found this review helpful.

I recently finished an outstandingly beautiful novel (The Master Planets), and immediately went into one of those "I'll-Never-Find-Anything-As-Good-Again" funks. Then I found this book, which is not only a brilliant piece of literature (it's by Roth, after all), but also deals with some fascinating issues similar to those in Planets--issues I wanted to read more about.

As just one example: I am not Jewish, but have noticed in certain writings something uniquely poignant in the Jewish love for America immediately after World War II. This was the country that had taken in many Jews' parents and grandparents in a way never before experienced, I believe. For the first time they were not outsiders, but simply immigrants in a land full of immigrants. And for the first time, every opportunity--in this nation of bounteous opportunities--was open to them. It is not surprising that the name "America" would become almost a hymn on the lips of many American Jews in this period, that they would develop an unparalleled love for their country. As all of America basked in a cornucopian economy and the righteous sense that our own good works had entitled us to it, American Jews were, perhaps, "Ultimate Americans." So it is also not surprising that, like everyone else, they also gave little thought to the idea that the richness of life here might be too well fed by our military industrial complex and exploitation of Third World nations.

The protagonist, Seymour "Swede" Levov, certainly does not think about these things, and therein lies his downfall. As Amazon reviewer Ian Muldoon (above) so aptly notes, the central question of the book is whether it is acceptable for Levov to to accept that he is one of the lucky ones and simply enjoy his place in time and history, or whether his good luck also carries an obligation. An inherently decent man, Levov does not look beyond his own life to wonder if it impinges on the lives of others. But his daughter cannot feel so sanguine. Merry has not had the good fortune of Seymour and his wife to be thought "perfect": She grew up with a terrible stutter, over which her beautiful parents agonized. Is this what gave her the ability (willingness? determination?) to see the fissures in the edifice they revere? In any event, she sees the fissures yawning, and her answer is to place sticks of dynamite in them -- and later to withdraw so far from the world that she scarcely eats so as not to "destroy plant life," and will not even wash for fear of "harming the water." She has started by demolishing the world around her, and is now obliterating herself. Miraculously, the stutter that at one time "terrified" Levov is gone... as she herself soon will be.

American Pastoral is the story of a beautiful nation that, about 40 years ago, let some part of its best self slip away. As the "Ultimate American," Levov is the perfect symbol. As he thinks, so thought we.

Editorial Review:

As the American century draws to an uneasy close, Philip Roth gives us a novel of unqualified greatness that is an elegy for all our century's promises of prosperity, civic order, and domestic bliss. Roth's protagonist is Swede Levov, a legendary athlete at his Newark high school, who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father's glove factory, and move into a stone house in the idyllic hamlet of Old Rimrock. And then one day in 1968, Swede's beautiful American luck deserts him.

For Swede's adored daughter, Merry, has grown from a loving, quick-witted girl into a sullen, fanatical teenager—a teenager capable of an outlandishly savage act of political terrorism. And overnight Swede is wrenched out of the longer-for American pastoral and into the indigenous American berserk. Compulsively readable, propelled by sorrow, rage, and a deep compassion for its characters, this is Roth's masterpiece.

August: Osage County

Tracy Letts

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Winner of the 2008 Pulitzer Prize for Drama
"A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people."-Time Out New York
"Tracy Letts' August: Osage County is what O'Neill would be writing in 2007. Letts has recaptured the nobility of American drama's mid-century heyday while still creating something entirely original."-New York magazine
One of the most bracing and critically acclaimed plays in recent Broadway history, August: Osage County is a portrait of the dysfunctional American family at its finest-and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed. After its sold-out Chicago premiere, the play has electrified audiences in New York since its opening in November 2007.
Tracy Letts is the author of Killer Joe, Bug, and Man from Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. His plays have been performed throughout the country and internationally. A performer as well as a playwright, Letts is a member of the Steppenwolf Theatre Company, where August: Osage County premiered.

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General Books

Jeffrey Hatcher, Mitch Albom

Groucho Marx

John Steinbeck

Salman Rushdie

George Orwell

William Shakespeare

Mikhail Bulgakov

William Shakespeare

Philip Roth

Tracy Letts