Arts & Literature Books - Page 4

I Know Why the Caged Bird Sings

Maya Angelou

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Customer Reviews:
Total reviews: 303 Average rating: 4.0 of 5

INAPPROPRIATE FOR YOUTH. 2 out of 5 stars.
5 of 15 people found this review helpful.

I read with my daughter who is in the 7th grade. Her teacher assigned to read as a book report. The students had to write about symbols, motifs, etc. and compare them to personal life experiences. But, as we read together, the words were very graphic beginning around ( i believe chapter going forward ) describing the rape by Maya mother's boyfriend, Mr. Freeman. The book stated that his private part " stood up like a piece of corn ". This is not a " youth friendly book ". PARENTS : Take time to read with your children. I gave two stars because there were funny, interesting points in the book at teh beginning. Other than that, INAPPROPRIATE !

Editorial Review:

In this first of five volumes of autobiography, poet Maya Angelou recounts a youth filled with disappointment, frustration, tragedy, and finally hard-won independence. Sent at a young age to live with her grandmother in Arkansas, Angelou learned a great deal from this exceptional woman and the tightly knit black community there. These very lessons carried her throughout the hardships she endured later in life, including a tragic occurrence while visiting her mother in St. Louis and her formative years spent in California--where an unwanted pregnancy changed her life forever. Marvelously told, with Angelou's "gift for language and observation," this "remarkable autobiography by an equally remarkable black woman from Arkansas captures, indelibly, a world of which most Americans are shamefully ignorant."

Keep the Faith: A Memoir

Faith Evans

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Total reviews: 23 Average rating: 4.5 of 5

Editorial Review:

It's been over ten years since Big was killed. I grieved for him for a very long time. And then, as time passed, the icy wall of grief surrounding my heart began to thaw and I began to heal. I remarried, had more children, and continued to record and release more music. I continued to live my life. And while I can never discount the time I spent with Big, I've never felt the need to live in the past.


But sometimes, I still find myself thinking about Big being rushed the hospital, and I break down in tears.


It's not just because we hung up on each other during what would be our last telephone conversation. And it's not because I am raising our son, a young man who has never known his father.


It's partly all of those things. But mainly it's because he wasn't ready to go. His debut album was called Ready to Die. But in the end, he wasn't. Big never got a chance to tell his story. It's been left to others to tell it for him. In making the decision to tell my own story, it means that I've become one of those who can give insight to who Big really was. But I can only speak on what he meant to me.


Yet I also want people to understand that although he was a large part of my life, my story doesn't actually begin or end with Big's death. My journey has been complicated on many levels. And since I am always linked to Big, there are a lot of misconceptions about who I really am.


I hope that in reading my words, there is inspiration to be found. Perhaps you can duplicate my success or achieve where I have failed. Maybe you can skip over the mistakes I've made. Use my life as an example-of what to do and in some cases, what not to do.


It's not easy putting your life out there for the masses. But I've decided I'll tell my own story. For Big. For my children. And for myself.

Moving to Higher Ground: How Jazz Can Change Your Life

Wynton Marsalis, Geoffrey Ward

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Editorial Review:

Product Description
"In this book I hope to reach a new audience with the positive message of America's greatest music, to show how great musicians demonstrate on the bandstand a mutual respect and trust that can alter your outlook on the world and enrich every aspect of your life-from individual creativity and personal relationships to conducting business and understanding what it means to be American in the most modern sense."
--Wynton Marsalis

In this beautiful book, the Pulitzer Prize-winning musician and composer Wynton Marsalis explores jazz and how an understanding of it can lead to deeper, more original ways of being, living, and relating-for individuals, communities, and nations. Marsalis shows us how to listen to jazz, and through stories about his life and the lessons he has learned from other music greats, he reveals how the central ideas in jazz can influence the way people think and even how they behave with others, changing self, family, and community for the better. At the heart of jazz is the expression of personality and individuality, coupled with an ability to listen to and improvise with others. Jazz as an art--and as a way to move people and nations to higher ground--is at the core of this unique, illuminating, and inspiring book, a master class on jazz and life by a brilliant American artist.

An Interview with Wynton Marsalis

Q: You're a musician and composer. Why did you write this book, which is about life and lots of other things besides jazz?
A: When I first decided to become a musician, at the age of 12 or 13, I was inspired by my father, and by the New Orleans jazz tradition. I was under the impression that I had only to learn the fundamentals of music--rhythm, melody, harmony, texture--to progress as a musician. What I didn't know then was that over the next three decades, jazz music would teach me many significant things about living. This book grew out of ten years of conversatins with my friend Geoff Ward, and is my attempt to share some of it—about how important it is to be yourself in the world, and at the same time create while respecting the creativity of others.

Q: What does the title of this book, Moving to Higher Ground, mean to you?
A: Too often in life, petty squabbles and small-mindedness keep us from realizing a higher purpose. In jazz, that higher purpose is not theoretical: We want to sound good. And when we do, you can hear what it's like when people are really trying to get along. It's purely human: In Jazz, you can mess up and still come together, still move together to higher ground. The title means ascending through engagement.

Q: You suggest that the ideas at the heart of jazz can carry over into everyday life. How so?
A: Let's take two ideas in jazz that are most central: swinging and the blues.

Swinging is the art of negotiation with someone else, under the pressure of time. It shows you how opposites can come together, without compromising who they are. The one who plays the highest-sounding instrument in the rhythm section--the time-keeping cymbal--has to find a way of working with the one who plays the lowest instrument, the bass. And the bass player, who plays the softest instrument, has to find a way of working with the player of the loudest, the drums. To succeed, everybody has to have a very clear idea of the common goal: What exactly are we here to do? In jazz we know: swing. In life, if everyone involved can agree on a primary objective, a group can accomplish almost anything.

The blues is many things--a musical form, a distinctive sound, a universal feeling--but above all, the blues is survival music. It's message is simple: things are never so bad that they can't get any better. It's about crying over something, actually wailing--and it's about coming back. The words may be sad but the dancing shuffle (the definitive rhythm of the blues) is always happy or heading toward happiness. The blues is about what is--and what is has demons and angels sitting at the same table. That's a bitter-sweet and realistic message about life that everybody needs, that everybody can hear and respond to. I've heard people respond to it, all over the world.

Q: How do jazz principles apply to, say, holding a successful meeting?
A: If you come to a meeting without an agenda it's probably not going to be a very good meeting. In jazz improvisation, the agenda is the form of the song. But an agenda alone doesn't guarantee success. If everybody feels free to participate, unexpected things are sure to come up and will have to be dealt with intelligently. That's true in jazz improvisation, too. Things are bound to come up. Some need to be discarded right away. Others need to be expounded upon. Anyone in the rhythm section playing along behind the soloist can decide, "Hey, we need to investigate this further." And the soloist can respond, "Yeah, let's go into that." It's a system of checks and balances, but what makes it work is the fact that everybody is listening and responding to what the soloist is saying without ever forgetting the agenda. That's a pretty good model for swinging, and for getting things done.

Q: How do jazz principles apply to a family?
The central relationship on the bandstand is between the bass and the drums. They're opposites of volume and register. The drums are the loudest and the swung cymbal is the highest-pitched while the bass is the softest and lowest-pitched. In order to swing, the right-hand stroke on the cymbal must find the right-hand pluck of the bass on every beat. While it is impossible to line those beats up with metronomic perfection it is possible to achieve a perfect intent to be together. That's what you would like to see with a mama and a daddy. They represent gender opposites. While they try to come together to solve a problem we can go in the direction of a good time. When they don't--when one is too loud or the other is unyielding--it becomes a matter of endurance, not swinging.

Q: What can jazz teach us about our feelings and ourselves as individuals?
A: We're all given the gift of creativity. It comes out in all kinds of ways--the way we talk or dress or cook or whistle. I remember when I was a kid my friends and I used to see who could cut grass in the most creative way. But many times young people are put down for having a gift or skill that doesn't fit with somebody else's idea of what he or she should do with their lives. Jazz is the opposite of that. It tells you, "That's you! Take pride in this thing. Express yourself. Your sound is unique. Work on it. Understand it." Often it teaches you to celebrate yourself.

When we talk about expressing feelings in jazz, we mean spiritual feelings, empathetic feelings, feelings that are beyond thought. In jazz, musical ideas move too quickly for you to stop and analyze or to formulate a lie. By the time you think about it, that moment of music is long gone. Jazz teaches you to cherish how you feel in the moment. It puts a premium on having faith in the people you're playing with. Because the second you lose that faith and start to question what they're doing, the distraction takes your mind off the music and onto bad decisions that you will surely begin to make. The combination of emotional honesty and mutual trust that jazz demands can help you if applied to almost any field.

Q: How can jazz help you understand your own friends and family better?
A: At first it may seem like a paradox, but jazz helps you understand other people by teaching you that you never really know anybody. When you play music with someone--even someone you think you know really well--they'll play things you don't expect and can't anticipate. You'll go in one direction, based on what you think is going to happen and they'll take a completely different path. Jazz lets people be free, and to surprise you--and them. It doesn't let you mail in your response or let you lump people into categories that turn out to be meaningless.

It also shows you that people, even geniuses, evolve over time. The Duke Ellington who played in 1931 was very different from the Duke of 1961. So you learn to be patient with other people and respect the progress they've made and are still capable of making. One of the biggest challenges in dealing with friends and family is communication and more communication. Jazz forces us to communicate with people while recognizing their objectives, and over objectives, and where we can come together.

Q: How is jazz related to America, the country that created it?
A: This art form was created to explain who we are. We have rights and responsibilities in the music just as we do as citizens. The Constitution can be amended and songs can always be added to or changes. In jazz we place a premium on the individual's right to self-expression but we also insist on checks and balances between one person's rights infringing on another--the soloists and the rhythm section have to work things out together. Otherwise the piece is a mess.

Jazz allows us to improvise, to negotiate with one another. It's the sound of many people coming together in one thing. You might be from Chicago and be Jewish but you can stand on this bandstand with a Creole from New Orleans and when both of y'all play, you'll agree on what sounds good, and you'll agree on it because you both can hear it. It's democracy in action and it allows us, for all our faults, to see the success of our history. It tells us who we have been, who we are now, and who we can be in the future.

Q: Why is jazz especially relevant today?
A: This country is looking for change. Just look at what's going on: An African American and a woman were leading contenders for the presidency; Big questions of race and identity; millions of brand-new voters turning out. Barack Obama carrying southern states in the primaries with a charismatic message of coming together. It's a different time in our country and I think it's the perfect time for this music.

Now, jazz has always been timely because it deals with the timeless issues of people, and of our democracy. Louis Armstrong dealt with them. So did Duke Ellington and Benny Goodman. But if you listen to political candidates today, they almost never talk about culture. It's never really been part of our national dialogue and it should be, because it's the best was for us actually to come together. We talk a lot about having national conversations and we've tried legislating unity. But we need to understand that art can bring people who are different together. Jazz provides a context for all the experiences we as human beings share.

The direction of our culture is ascendant. Jazz is a perfect embodiment of that. Jazz is ascendant. If we take a long view of the past 150 years, we won't come to the conclusion that things are getting worse. We still have problems of corruption and greed. Jazz can provide a good antidote for them, too. To maintain their integrity, musicians have had to make many decisions that placed substance over commercial success. Jazz musicians have always aspired to an almost Utopian vision of a country in which everybody would come together and swing.

The contemporary excitement around empowering people is not new to jazz. Jazz is empowerment. Its first great achievement was to empower individual musicians to take part in the creative process through improvisation. Participation is essential to a healthy American democracy, and it's essential to America's greatest music, too. Everybody has to participate to make it sound good. Whether you're playing or listening, you have to be active. If you're just sitting there and waiting for something to happen, nothing will. I hope this book will empower as many people as possible to take part by showing how an understanding of jazz and its principles can change your life, and our lives together.

A Midwife's Tale: The Life of Martha Ballard, Based on Her Diary, 1785-1812

Laurel Thatcher Ulrich

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Customer Reviews:
Total reviews: 38 Average rating: 4.5 of 5

Midwife's Tale 4 out of 5 stars.
4 of 7 people found this review helpful.

Interesting diary of a Maine midwife. Not the easiest read but enjoyable.

Absolutely terrific and important work 2 out of 5 stars.
2 of 2 people found this review helpful.

Please disregard the 2 stars in the rating. It is a 5 star book. The system automaticaly put 2 stars and would not let me change it.

I can't say enough about how wonderful this book is and how much I enjoyed reading it. This book would be a wonderful gift for anyone in the medical profession. It is a fascinating account of an amazing woman facing the challenges of life in early Maine as well as the every day facts of life necessary for survival. She contributed immensely to life itself as she was the midwife to hundreds of, if not more, women and the birth of their children.

For myself, I used it as a genealogical tool because that is the area of the country where all of my ancestors came from. It is facinating to know the trials and tribulations as well as the joys of our ancestors.

Priscilla Paul
Memphis

Editorial Review:

Drawing on the diaries of a midwife and healer in eighteenth-century Maine, this intimate history illuminates the medical practices, household economies, religious rivalries, and sexual mores of the New England frontier.

Books: A Memoir

Larry McMurtry

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Total reviews: 18 Average rating: 3.5 of 5

Editorial Review:

Amazon Best of the Month, July 2008: It wasn't enough for Pulitzer Prize-winning author Larry McMurtry to become one of the most prolific, bestselling, and beloved of American writers. Besides writing nearly forty books, including the Pultizer Prize-winning novel Lonesome Dove, he has emerged as one this nation's greatest bookmen. In Books: A Memoir, McMurtry shares with readers his lifelong passion and dogged pursuit of books. In short, gem-like chapters, he paints a fascinating picture of the landscape of American book culture and book selling over a 50-year period. The story is as dusty, musty and crusty as any of McMurtry's fictionalized Westerns, and filled with characters who seem like they stepped out of central casting. Whether you love McMurtry, books, bookstores or a combination thereof, you'll find something to love in Books: A Memoir. Settle in with a cuppa coffee and let McMurtry kindle your passion for physical books. --Lauren Nemroff

Wild Boy: My Life in Duran Duran

Andy Taylor

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Customer Reviews:
Total reviews: 5 Average rating: 4.0 of 5

Editorial Review:

Wild Boy is the explosive first inside account of the rise and fall of Duran Duran. The band rose to conquer the globe with a string of unforgettable hits such as "Rio,""Hungry Like the Wolf," and "The Reflex." With Simon Le Bon as their frontman, they were the defining pop act of the 1980s, but Andy Taylor, the enigmatic lead guitarist, is widely acknowledged to have been their musical driving force.

Then, at the very height of their achievement in 1985, Duran Duran imploded. Now Andy shares the story of what went wrong. With searing honesty, he charts every moment of Duran Duran's roller-coaster rise from their early days as club musicians through to international superstardom. He captures the glamour and excitement of the band's epic video shoots and the opulence of their world tours.

He reveals the truth about the allegations of drug abuse and wild hedonism that dogged Duran Duran. Packed with more than twenty-five years worth of rock 'n' roll anecdotes, Andy tells of his time in the band The Power Station, and explains why Duran Duran reformed with its original line-up in 2003.

But Wild Boy is also a moving story on a human level, as Andy describes how the pressures of fame took a terrible personal toll on him and his family. Moving from hilarious to harrowing at the turn of a page, WILD BOY is a must-read for anyone who lived through the 1980s, or who cares about music.

Gift from the Sea: 50th Anniversary Edition

Anne Morrow Lindbergh

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Customer Reviews:
Total reviews: 106 Average rating: 5.0 of 5

This book is truly a gift 5 out of 5 stars.
0 of 0 people found this review helpful.

I have never been a big fan of books on CD. This changed with Gift from the Sea with the forward by Reeve Lindbergh and beautifully read by Claudette Colbert. This is a beautifully written and recorded book. I keep it in my car and play it quite often. I have orderered additional copies to share with friends. It is indeed as relevant today as it was fifty years ago and probably even more pertinent in today's fast paced world where we fail to slow down give ourselves alone time to comtemplate our lives. Reeve Lindbergh's forward about her mother was a lovely bonus. Although I have not read any of her children's books, I have read everything else she has written that I can find and encourage anyone who has not read her books to check her out on [...].

Editorial Review:

I found a 1955 printing of this book in an old waterfront cabin and was struck by the care with which the previous owner had read it. Eve (the name inscribed inside the front cover and then again above the heading for chapter 3) made pencil marks on nearly every paragraph of the book, underlining a phrase, highlighting many passages with strong vertical marks, scratching out some words that she seems to have found superfluous and even x-ing out whole sections that apparently missed their mark with her altogether. Two rusting paper clips isolate several pages, absent any marking at all. Anne Morrow Lindbergh's lyrical words are still relevant and presage so many of the themes of today's most popular books: simplicity, peaceful solitude, caring for the soul, a woman finding her place in society and life. I heard that the woman who had lived in the cabin had actually passed away some time before. Thank you, Eve, for your gift... from the sea.

This Boy's Life: A Memoir

Tobias Wolff

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Customer Reviews:
Total reviews: 140 Average rating: 4.0 of 5

absorbing and painful with moments of comic relief 4 out of 5 stars.
0 of 0 people found this review helpful.

I'm about 2/3rds through this, and I find it entirely absorbing. Wolff's writing talent is not in using fancy words or complex forms...just one sentence after another of perfectly pitched prose that feels entirely true and believable. He gains the reader's trust and empathy early on and never loses them, even though, in my case, I wasn't much interested in the details of his somewhat sordid and pathetic early years. I keep asking myself this holds my attention, while most memoirs by people I have a lot more in common with don't. (Not to sound like a snob, but guns, dogs, smoking, drinking, etc. have never been my thing.) I think the reason is that his writing seems entirely transparent, plus you care about him. postscript: I've finished it now and towards the end I was increasingly pained by how f**ked up a person Wolff is--or was. It's troubling and yet the writing is still transparent. You might say he gives us a God's eye view: if there is a force that knows everything and can look at all our failings, faults and mistakes with simultaneous compassion and dispassion, then I think such a Being would write up Wolff's early life in the way he himself wrote it. You get a feeling that there is no self-judging or constrictions and nothing to hide: just the truth, the all too human truth.

Editorial Review:

Fiction writer Tobias Wolff electrified critics with his scarifying 1989 memoir, which many deemed as notable for its artful structure and finely wrought prose as for the events it describes. The story is pretty grim: Teenaged Wolff moves with his divorced mother from Florida to Utah to Washington State to escape her violent boyfriend. When she remarries, Wolff finds himself in a bitter battle of wills with his abusive stepfather, a contest in which the two prove to be more evenly matched than might have been supposed. Deception, disguise, and illusion are the weapons the young man learns to employ as he grows up--not bad training for a writer-to-be. Somber though this tale of family strife is, it is also darkly funny and so artistically satisfying that most readers come away exhilarated rather than depressed.

Girl, Interrupted

Susanna Kaysen

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Customer Reviews:
Total reviews: 430 Average rating: 4.0 of 5

Just watch the movie 1 out of 5 stars.
1 of 1 people found this review helpful.

This was...senseless jibberjaw..Truly that is the only word that comes to mind. The movie was wonderful, but I can see now that it was very loosely based on this book.. It took a few characters and added on to their personalities.. the book was mostly just rambling and opinions. Half of the interesting things that occured in the movie were not in this book. Those that love the movie will be greatly disapointed in this. I would also like to add, you will have in completely read in one or two sittings.

Editorial Review:

When reality got "too dense" for 18-year-old Susanna Kaysen, she was hospitalized. It was 1967, and reality was too dense for many people. But few who are labeled mad and locked up for refusing to stick to an agreed-upon reality possess Kaysen's lucidity in sorting out a maelstrom of contrary perceptions. Her observations about hospital life are deftly rendered; often darkly funny. Her clarity about the complex province of brain and mind, of neuro-chemical activity and something more, make this book of brief essays an exquisite challenge to conventional thinking about what is normal and what is deviant.

Traveling Mercies: Some Thoughts on Faith

Anne Lamott

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Total reviews: 304 Average rating: 4.5 of 5

Editorial Review:

For most writers, the greatest challenge of spiritual writing is to keep it grounded in concrete language. The temptation is to wander off into the clouds of ethereal epiphanies, only to lose readers with woo-woo thinking and sacred-laced clichés. Thankfully, Anne Lamott (Operating Instructions, Crooked Little Heart) knows better. In this collection of essays, Lamott offers her trademark wit and irreverence in describing her reluctant journey into faith. Every epiphany is framed in plainspoken (and, yes, occasionally crassly spoken) real-life, honest-to-God experiences. For example, after having an abortion, Lamott felt the presence of Christ sitting in her bedroom:

This experience spooked me badly, but I thought it was just an apparition born of fear and self-loathing and booze and loss of blood. But then everywhere I went I had the feeling that a little cat was following me, wanting me to reach down and pick it up, wanting me to open the door and let it in. But I knew what would happen: you let a cat in one time, give it a little milk and then it stays forever.

Whether she's writing about airplane turbulence, bulimia, her "feta cheese thighs," or consulting God over how to parent her son, Lamott keeps her spirituality firmly planted in solid scenes and believable metaphors. As a result, this is a richly satisfying armchair-travel experience, highlighting the tender mercies of Lamott's life that nudged her into Christian faith. --Gail Hudson