Actors & Actresses Books

"A terrible thing happened. I wish it hadn't. But would I change who I married? Never."

--Dana Reeve

He was a hero in every sense of the word--the chiseled-from-granite star of four blockbuster Superman films and the romantic classic Somewhere in Time who, after being paralyzed in a freak horseback riding accident, became a symbol of hope for millions. Dana Reeve was no less heroic, standing steadfastly by her husband's side until his surprisingly sudden and unexpected death at age fifty-two. When Dana, a non-smoker, passed away from lung cancer just seventeen months after Chris's death, she left behind their thirteen-year-old son, Will, to be raised by friends and family. Dana was only forty-four years old.

That fate could have dealt such a cruel hand to this golden couple seemed unfathomable. That they could endure it all with grace, courage, and humor defied belief.

Yet for all the millions of words that have been written about their public causes and private struggles following Chris's accident, little is known about the lives they led as passionate young lovers. Now, in the manner of his poignant-yet-stirring bestsellers Jack and Jackie, Jackie After Jack, An Affair to Remember, The Day Diana Died, After Diana, and The Day John Died, No. l New York Times bestselling author Christopher Andersen draws on those who knew them best to examine in touching detail the Reeves' unique partnership and the romance, faith, and fortitude that defined it.

Sometimes heartbreaking, often uplifting, always compelling, Somewhere in Heaven is more than just a portrait of a marriage. It is the profoundly human story of two souls whose brief lives made a difference, a bittersweet saga of tragedy, triumph, and loss, and--above all else--a love story for the ages.

Dear Amazon Customer,

Glad to see you here and hopefully purchasing my book. I've heard if you buy multiple copies it's a better experience--a better one for me! But seriously, I'm usually on Amazon, too. I've been buying books through the site for ten years. I enjoy reading the reviews. I get a good sense of the book, and I like to hear what other people have to say. Like in a traditional bookstore, I can look at the cover, peek inside the book, and check out the bestseller lists.

Valerie

1. Do you have a favorite character from a book? I love Scout and Atticus from To Kill A Mockingbird.
2. If you can be any character from a book, who would you like to be? I would like to be Scarlett and I would let Rhett know how much I love him.
3. How do you decide what next book you want to read? If it's for my book group, whoever hosts the next gathering picks the book, so it's picked for me seven out of eight times. But on my own, I read reviews and ask people whose taste I like what they're reading.
4. Where's your favorite place to read? Either lying in bed or on the sofa next to the fireplace.
5. What is your favorite genre? I don't really have one.

For more than fifty years, Ernest--or "Ernie" as he's known to his friends--has been one of the most recognized, celebrated stars in Hollywood as well as a respected, talented actor, and a living legend. Stretching from his childhood as the son of Italian immigrants to a spectacular career that is still thriving in his 91st year, from the early days of live TV to the voiceovers for The Simpsons and SpongeBob SquarePants, Ernie tells of the trials and tribulations on his road to fame, the friendships he shared with some of the silver screen's biggest stars, and the glamorous leading ladies he loved.

Acclaimed for his ability to play sensitive and tough-guy roles equally well, he was also famous for squaring off against some of Hollywood's most formidable actresses--including Bette Davis in A Catered Affair and Joan Crawford in Johnny Guitar. Recalling his experiences starring in classic movies such as The Poseidon Adventure, The Wild Bunch, and Escape from New York, he reveals personal insights and irresistible stories about cinema's greatest icons--including Spencer Tracy, James Stewart, Kirk Douglas, Montgomery Clift, Gary Cooper, Janet Leigh, Raquel Welch, Gene Hackman, Rock Hudson, Sammy Davis, Jr., Tony Curtis, Alan Ladd, Glenn Ford, and Burt Lancaster. And with characteristic frankness, he also talks about his off-screen loves and passions.

A must for every film buff, Ernie: An Autobiography is a fascinating memoir--filled with secrets, well-remembered details, and never-before-told stories--of a star who has thrived in the changing world of Hollywood for more than half a century, and endeared himself to legions of fans everywhere.

Ernest Borgnine is an Academy Award winning actor whose film and TV career has spanned more than sixty years. He lives in Los Angeles with his wife, Tova.

When the stewardess brought me off the plane in a wheelchair, I lowered my head. I was too scared to even look at my father. I didn't want to see the disappointment and horror on his face. All that hate I had accumulated for him over the years, all the resentment against him for not understanding what I was going through, just released with the tears.

"So, where are your parents?" the stewardess asked me after a few minutes. "I can't wait here with you much longer."

I looked up and wiped my eyes. My father was standing ten feet away. He didn't even recognize me.

In the underbelly of Las Vegas, a cesspool of warring biker gangs and seedy strip clubs transformed the gawky, brace-faced Jenna Massoli into the bombshell Jenna Jameson. Today, Jenna Jameson is the biggest star in the history of adult movies, consistently ranked as one of the most beautiful women alive. But behind the glamour and the meteoric rise to fame was a path paved with tragedy and heartbreak. As a teenager drawn into a chaotic world ruled by rape, abuse, and murder, Jenna plunged into a downward spiral of addiction, even as she became one of the most photographed women in adult magazines.

Determined to overcome this past, Jenna rebounded in the adult-film business, where she encountered sadistic directors, experienced lovers of both sexes, amorous celebrities (from Howard Stern to Marilyn Manson to Tommy Lee), bitter rival starlets, and finally, glory, as she went on to become the biggest porn star the world has ever seen. But her struggle for happiness did not end when the accolades began. For years she wrestled with her resentment at her estranged father, the loneliness of growing up from the age of two without a mother, and her enduring childhood desire to find a man who could give her the security and love she never had.

Her unforgettable memoir is many things at once: a shocking sexual history, an insider's guide to the secret workings of the billion-dollar adult-film industry, and a gripping thriller that probes deep into Jenna's dark past. An unparalleled exploration of sexual freedom, How to Make Love Like a Porn Star ventures far beyond the flesh, into the heart-shredding tragedies and adrenaline-pumping triumphs of a woman who has already lived a hundred lifetimes. Always witty and humorous even as she faces the demons of her past, Jenna offers hilarious anecdotes about one of the most controversial businesses in history, and shares outrageous advice, including her ten commandments of dating and sex, how to become a "suitcase pimp," and how to make it in the business as a female (or a male).

Add to this never-before-seen photographs from Jenna's private collection and others taken exclusively for this book, and the result is certain to be one of the most talked-about books of the year.

This book is a memoir, but it is also an illuminating guidebook to stand-up from one of our two or three greatest comedians. Though Martin is reticent about his personal life, he is also stunningly deft, and manages to give readers a feeling of intimacy and candor. Illustrated throughout with black and white photographs collected by Martin, this book is instantly compelling visually and a spectacularly good read.


Amazon.com Exclusive
Three Bonus Deleted Passages from Steve Martin's Born Standing Up

On Returning to Disneyland
Ten years later, after the Beatles, drugs, and Vietnam had changed the entire tenor of American life, I returned to the magic shop at Disneyland and stood as a stranger. As I looked around the eerily familiar room another first came over me, a previously unknown emotion, one that was to have a curious force over me for the rest my life: the longing tug of nostalgia. Looking at the counter where I pitched Svengali Decks and the Incredible Shrinking Die, I was awash with the recollection of indelible nights where the sky was blown open by fireworks and big band sounds drifted through trees strung with fairy lights. I remembered my youth, when every moment was crisply present, when heartbreak and joy replaced each other quickly, fully and without trauma. Even now when I visit Disneyland, I am steeped in melancholy, because a corporation has preserved my nostalgia impeccably. Every nail and screw is the same, and Disneyland looks as new now as it did then. The paint is fresh, and the only wear allowed is faux. In fact, only I have changed. In the dream-like world of childhood memories, so often vague and imprecise, Disneyland remains for me not only vivid in memory, but vivid in fact.

On Meeting Diane Hall
During the day, I attended Santa Ana Junior College, taking drama classes and pursuing an unexpected interest in English poetry from Donne to Eliot. I would occasionally assist on a college stage production--never appearing in one--as a member of the crew. Years later I was looking through a box of memorabilia and noticed a silk-screened playbill of the musical Carousel, May, 1964, which listed me as a stagehand. The lead actress was Diane Hall. Something connected and I remembered that Diane Keaton's name was once Hall, (hence, Annie Hall). I confirmed with her that she was in that production. Neither of us remembers meeting the other, yet we must have worked in proximity. More evidence that I was a wallflower. Decades later, we ended up "making love" on the floor of a movie set on Father of the Bride.

On the Kennedy Assassination
One Friday in 1963, I had finished a class and was about to drive to Knott's Berry Farm for the afternoon shows when I saw a clump of agitated students across the campus. I asked someone what was going on. "They're saying that the president's been shot."

I drove across town to Knott's and punched radio buttons. I could hear the scheduled programs clicking off and being replaced by live broadcasts. Assassination seemed so ancient and inconceivable, I was sure that someone would soon correct the erroneous report. President Kennedy died that day and I didn't know that news could be taken so personally by a nation. Sitting backstage, watching the Birdcage's black-and-white TV drone out the increasingly grave report, we were all mute. We assumed the performance that night would be canceled, but as show time neared, word came down that we were going on. We couldn't fathom why; we believed no one would show up, much less enjoy us. I still can't explain the psychology, why the very full house that night was able to roar with laughter. The obvious must be correct: our silly show was providing some kind of balm that soothed the ache.

In 2003 I hosted the Oscars on the particular weekend that the United States invaded Iraq. The news was grim and just hours before the show I flipped on the TV and saw a report, subsequently proven false, that our captive soldiers were being beheaded. I quickly turned the TV off, sick. I knew, from my experience forty years earlier with the Kennedy assassination, what my job was, and I harbored a secret knowledge that the audience would laugh. I also felt that soldiers who might be watching would be tuning in to see the Oscars and all its hoopla, not a cheerless comedian doing what he doesn't do best. I decided to acknowledge the circumstances early in the show and then get on with the jokes. The academy had announced that the show would "cut back on the glitz." I walked out for the opening monologue, took a look around the stage at the dazzling, swirling staircases, mirrored curtains and polished floor, and simply said, "I'm glad they cut back on the glitz." It got a laugh of relief and the show could go on.

More from Steve Martin

The Alphabet from A to Y with Bonus Letter Z!

Shopgirl

The Pleasure of My Company

Picasso at the Lapin Agile and Other Plays

Pure Drivel

"Absolutely magnificent. One of the best books about comedy and being a comedian ever written." --Jerry Seinfeld, GQ

"The writing is evocative, unflinching and cool. When Martin takes a scalpel to his life, what you feel is the precision of the surgeon more than the primal scream of the unanaesthetized patient...Born Standing Up is neither fanfare nor confession. It gives off a vibe of rigorous honesty. With lots of laughs." --Richard Corliss, Time Magazine

"A spare, unexpectedly resonant remembrance of things past…Martin's one true subject is the evolution of his comedy--the transcendent moments...A smart, gentlemanly, modest book…winning." --Jeff Giles, Entertainment Weekly, EW Pick: A

"A charming memoir tracking what the great comic characterizes as his 'war years.' Martin offers an eloquent and exacting account... [and] approaches his subjects with generosity, warmth and integrity." --Kirkus Reviews

"Sure to delight fans and create new ones." --Laura Mathews, Good Housekeeping

"What fun to discover the humble beginnings of some of his iconic personas...inspiring." --Rachel Rosenblit, Elle

"The archetypical story of the underdog's rise and a particularly American story...beautifully written, honest, engaging, and quietly brave." --Frederic Tuten, Bomb Magazine

"Son, you have an ob-leek sense of humor." --Elvis Presley

"I've been a questioner all my life..."

So begins bestselling author and award-winning actress Shirley MacLaine, as she invites readers to join her on the most powerful, provocative journey of her life. Over the years, Shirley has firmly established herself as a fearless, iconoclastic thinker and seeker of truth. Now, as she confronts the realities and rewards of growing older, she reflects on the greater understanding of her own place in the universe that her experiences have brought to her.

Sparked by the experience of moving into a new house, she is inspired to look back across the remarkable professional and personal milestones she has experienced so far. Surrounded by books, pictures, and the artifacts of a life well lived, Shirley is able to recognize the profound power of synchronicity at work around her, discovering the invisible threads that stitch together the seemingly random events of her days, adding meaning even to the mundane.

Having grown older, she is increasingly concerned with the potential pitfalls of modern medicine. She shares personal insights into nutrition, acupuncture, homeopathy, and alternative medicine. Practical and bracing, here is advice for anyone looking to expand his or her understanding of health and well-being.

Moving beyond the physical, Shirley explores what has always interested her most -- those things that are unseen. What is consciousness? What is the purpose of our lives? Are we alone in the universe? And perhaps the greatest mystery of all, what happens to us after death?

Filled with her trademark wit and candor, this is a fascinating, inspiring book that will delight and captivate Shirley's legions of fans and fellow travelers everywhere.