Authors Books - Page 5

Darkness Visible: A Memoir of Madness

William Styron

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Customer Reviews:
Total reviews: 144 Average rating: 4.0 of 5

Journey into Depression 4 out of 5 stars.
0 of 0 people found this review helpful.

This is a very slim volume, just 84 pages long, which started life as a lecture given at a symposium sponsored by the Department of Psychiatry at the Johns Hopkins University School of Medicine. It was later developed into a piece for Vanity Fair before being published as a book.

Styron was hit by serious depression at the age of 60, and describes most evocatively his own struggle with the life-threatening illness from first symptoms, through his treatment, his brush with suicide, hospitalisation to eventual cure. Along the way he includes the stories of friends and others so afflicted - many of them also writers.

It's the honesty of the book that makes it so compelling. It was one of the first "insider" accounts of depression, and captures extremely well just what it feels like. (You have to have been there to know.) I agree with him that the word "depression" is totally inadequate, sounding more like a mild case of the blues rather than something that fills your soul with dread and despair. (

Editorial Review:

In 1985 William Styron fell victim to a crippling and almost suicidal depression, the same illness that took the lives of Randall Jarrell, Primo Levi and Virginia Woolf. That Styron survived his descent into madness is something of a miracle. That he manages to convey its tortuous progression and his eventual recovery with such candor and precision makes Darkness Visible a rare feat of literature, a book that will arouse a shock of recognition even in those readers who have been spared the suffering it describes.

Stranger Than Fiction: True Stories

Chuck Palahniuk

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Customer Reviews:
Total reviews: 25 Average rating: 3.5 of 5

Some stories are slow, but overall worth it. 4 out of 5 stars.
0 of 1 people found this review helpful.

Many other reviewers have noted that some of the stories in this book are slow and dry. The drawn out descriptions of the castle builders immediately comes to mind, as does the personal story of Juliette Lewis. But overall this is a worthwhile look into the mind and life of one of the best authors of our time. I feel like I know Chuck Palahniuk on a more personal level now, and that's what I was hoping for. I find him a fascinating man, someone I would love to sit down for coffee with. With that desire in mind, I am very happy I waded through this book.

Editorial Review:

Chuck Palahniuk’s world has always been, well, different from yours and mine. In his first collection of nonfiction, Chuck Palahniuk brings us into this world, and gives us a glimpse of what inspires his fiction.

At the Rock Creek Lodge Testicle Festival in Missoula, Montana, average people perform public sex acts on an outdoor stage. In a mansion once occupied by The Rolling Stones, Marilyn Manson reads his own Tarot cards and talks sweetly to his beautiful actress girlfriend. Across the country, men build their own full-size castles and rocketships that will send them into space. Palahniuk himself experiments with steroids, works on an assembly line by day and as a hospice volunteer by night, and experiences the brutal murder of his father by a white supremacist. With this new direction, Chuck Palahniuk has proven he can do anything.

The Pilgrimage: A Contemporary Quest for Ancient Wisdom

Paulo Coelho

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Customer Reviews:
Total reviews: 63 Average rating: 4.0 of 5

The Camino - a test of body and character 3 out of 5 stars.
2 of 2 people found this review helpful.

I read The Pilgrimage by Paulo Coelho soon after completing my own 800 km pilgrimage from St Jean Pied de Port in France to Santiago in the north-west of Spain.

Readers who are looking for a factual, chronological, "travel book" of the Camino de Santiago de Compostela will be disappointed. There is only the vaguest chronology in the book. A few towns and important pilgrimage sites are mentioned. There is only a sketchy picture drawn of the terrain and countryside.

But that is quite irrelevant. The Pilgrimage is a much more sophisticated account of the psychological and spiritual aspects of pilgrimage. In fact, the physical vagueness in the book complements the inner struggles of the pilgrim.

The pilgrim in Coelho's book is on a quest for his sword so that he can complete his apprenticeship in the Tradition and be able to perform the deeds of his Master. The quest takes place on the road to Santiago and the pilgrim (with his spiritual guide) encounters magical tests that expand his psychological horizons.

This resonated with me in the sense that the Camino finds the weak points in our bodies and characters and tests them. Reflective pilgrims gain personal insights, and, for many, their lives change in significant ways after completing the Camino. Coelho makes the same points by his use of magic to illustrate the inner transformation of his pilgrim.

The book also includes meditative exercises that the pilgrim performed at critical times on his journey. While some of the exercises are a little unrealistic, such as the Cruelty Exercise of self-mortification, most of them can be performed by anyone, with resulting benefit. I wish I had read the book before my own pilgrimage so I could have done more in this respect.

This was Coelho's first book and it shows to a large extent. It is uneven in quality and lacks the tightness of his later work, such as The Alchemist - which it resembles in its basic structure of an individual's quest for meaning.

Editorial Review:

Here Paulo Coelho details his journey across Spain along the legendaryroad of San Tiago, which pilgrims have travelled since Middle Ages. On this contemporary quest, he encounters a Chaucerian variety of mysterious guides and devilish opponents and learns to understand the nature of truth through the simplicity of life. The Pilgrimage holds an important place in Paulo Coelho's literary canon. His first book, it not only paved the way for his phenomenal novel The Alchemist , but it also fully expresses his humanist philosophy and the depth of his unique search for meaning.

Teacher Man: A Memoir

Frank McCourt

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Total reviews: 233 Average rating: 4.0 of 5

Editorial Review:

For 30 years Frank McCourt taught high school English in New York City and for much of that time he considered himself a fraud. During these years he danced a delicate jig between engaging the students, satisfying often bewildered administrators and parents, and actually enjoying his job. He tried to present a consistent image of composure and self-confidence, yet he regularly felt insecure, inadequate, and unfocused. After much trial and error, he eventually discovered what was in front of him (or rather, behind him) all along--his own experience. "My life saved my life," he writes. "My students didn't know there was a man up there escaping a cocoon of Irish history and Catholicism, leaving bits of that cocoon everywhere." At the beginning of his career it had never occurred to him that his own dismal upbringing in the slums of Limerick could be turned into a valuable lesson plan. Indeed, his formal training emphasized the opposite. Principals and department heads lectured him to never share anything personal. He was instructed to arouse fear and awe, to be stern, to be impossible to please--but he couldn't do it. McCourt was too likable, too interested in the students' lives, and too willing to reveal himself for their benefit as well as his own. He was a kindred spirit with more questions than answers: "Look at me: wandering late bloomer, floundering old fart, discovering in my forties what my students knew in their teens."

As he did so adroitly in his previous memoirs, Angela's Ashes and 'Tis, McCourt manages to uncover humor in nearly everything. He writes about hilarious misfires, as when he suggested (during his teacher's exam) that the students write a suicide note, as well as unorthodox assignments that turned into epiphanies for both teacher and students. A dazzling writer with a unique and compelling voice, McCourt describes the dignity and difficulties of a largely thankless profession with incisive, self-deprecating wit and uncommon perception. It may have taken him three decades to figure out how to be an effective teacher, but he ultimately saved his most valuable lesson for himself: how to be his own man. --Shawn Carkonen

The Invisible Wall: A Love Story That Broke Barriers

Harry Bernstein

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Customer Reviews:
Total reviews: 11 Average rating: 5.0 of 5

Editorial Review:

“There are places that I have never forgotten. A little cobbled street in a smoky mill town in the North of England has haunted me for the greater part of my life. It was inevitable that I should write about it and the people who lived on both sides of its ‘Invisible Wall.’ ”

The narrow street where Harry Bernstein grew up, in a small English mill town, was seemingly unremarkable. It was identical to countless other streets in countless other working-class neighborhoods of the early 1900s, except for the “invisible wall” that ran down its center, dividing Jewish families on one side from Christian families on the other. Only a few feet of cobblestones separated Jews from Gentiles, but socially, it they were miles apart.

On the eve of World War I, Harry’s family struggles to make ends meet. His father earns little money at the Jewish tailoring shop and brings home even less, preferring to spend his wages drinking and gambling. Harry’s mother, devoted to her children and fiercely resilient, survives on her dreams: new shoes that might secure Harry’s admission to a fancy school; that her daughter might marry the local rabbi; that the entire family might one day be whisked off to the paradise of America.

Then Harry’s older sister, Lily, does the unthinkable: She falls in love with Arthur, a Christian boy from across the street.

When Harry unwittingly discovers their secret affair, he must choose between the morals he’s been taught all his life, his loyalty to his selfless mother, and what he knows to be true in his own heart.

A wonderfully charming memoir written when the author was ninety-three, The Invisible Wall vibrantly brings to life an all-but-forgotten time and place. It is a moving tale of working-class life, and of the boundaries that can be overcome by love.


From the Hardcover edition.

Gertrude Bell: Queen of the Desert, Shaper of Nations

Georgina Howell

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Total reviews: 20 Average rating: 4.0 of 5

Editorial Review:

A marvelous tale of an adventurous life of great historical import

She has been called the female Lawrence of Arabia, which, while not inaccurate, fails to give Gertrude Bell her due. She was at one time the most powerful woman in the British Empire: a nation builder, the driving force behind the creation of modern-day Iraq. Born in 1868 into a world of privilege, Bell turned her back on Victorian society, choosing to read history at Oxford and going on to become an archaeologist, spy, Arabist, linguist, author (of Persian Pictures, The Desert and the Sown, and many other collections), poet, photographer, and legendary mountaineer (she took off her skirt and climbed the Alps in her underclothes).

She traveled the globe several times, but her passion was the desert, where she traveled with only her guns and her servants. Her vast knowledge of the region made her indispensable to the Cairo Intelligence Office of the British government during World War I. She advised the Viceroy of India; then, as an army major, she traveled to the front lines in Mesopotamia. There, she supported the creation of an autonomous Arab nation for Iraq, promoting and manipulating the election of King Faisal to the throne and helping to draw the borders of the fledgling state. Gertrude Bell, vividly told and impeccably researched by Georgina Howell, is a richly compelling portrait of a woman who transcended the restrictions of her class and times, and in so doing, created a remarkable and enduring legacy.

The Gulag Archipelago 1918-1956 Abridged: An Experiment in Literary Investigation (P.S.)

Aleksandr I. Solzhenitsyn

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Total reviews: 105 Average rating: 4.5 of 5

The nail in the coffin of the Soviet State 5 out of 5 stars.
12 of 21 people found this review helpful.

"A stone is not a human being, and even stones get crushed."

This was an absolutely brutal, yet enlightening read. Aleksandr Solzhenitsyn was a young, decorated Red Army officer who served bravely during the war, only to be arrested, tortured, and sent to the Gulag Archipelago (the forced labor camp system) to do a ten year sentence, followed by permanent internal exile. This book is a combination of his own personal experiences, and a general history of the gulag system which he has gathered from research as well as other personal stories sent to him by other inmates.

For privately criticizing Stalin, the author was clearly guilty of being a dangerous "enemy of the people" worthy of torture and death,(Solzhenitsyn writes with a brilliant sense of sarcasm) but the fact is, many were arrested quite arbitrarily, many simply because of a need to fill quotas. I'm reminded of a quote by Stalins right hand man Molotov, when speaking about the randomness of arrests, years after the war: "a man could have been a right-winger, and not realized he was a right-winger. We had to be sure." Or something to that effect. These enemies of the people would feed the "sewage disposal system" of the Soviet state.

In his sarcastic, metaphorical writing style, the author describes all the horrors of the system, beginning with arrest and torture, *ahem* interrogation, and all through the stages of the camp system where death and cruelty became the only certainties. Ruthlessness, Solzhenitsyn writes, was the measure of a Bolsheviks worth. The more single-mindedly cruel he was, determined his dedication to the state. Any form of kindness toward the accused was seen as a sign of weakness and lack of zeal. Most disturbing was his descriptions of the torture, he claims that there were 52 different methods at the interrogators disposal, to ensure they don't become bored of course! 14 hour work days in subzero temperatures with inadequate clothing and pitiful food rations were also the norm. People were often beaten, terrorized and shot out of hand for the smallest infractions, or occasionally for the mere amusement of the guards. Such is life in the Archipelago!

Although some have accused Solzhenitsyn of throwing the baby out with the bathwater, i.e. condemning communism as a whole because of Stalinism, he is absolutely right when he claims that the brutality and terror were started under Lenin and Trotsky. While one can split hairs and argue that things might have turned out differently without Stalin, I see no reason to believe that things would have been THAT different. He also makes a consistent point of comparing the Soviet state to that of the Tsars, claiming that whatever their faults, life in Imperial Russia was never even close to this harsh. I specifically appreciated how he pointed out how easy the Bolshevik revolutionaries had it when they were arrested under the Tsar. Two, maybe three years in lenient exile for trying to overthrow the state! Yet under the Soviets, you would get 10, maybe 25 years of hard labor for practically nothing, which you would probably not survive anyway. All in all, this is a disturbing but brilliant and essential read for understanding the Soviet state. 5 stars.

Editorial Review:

Solzhenitsyn's gripping epic masterpiece, the searing record of four decades of Soviet terror and oppression, in one abridged volume, authorized by the author

Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas

Chuck Klosterman

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Customer Reviews:
Total reviews: 30 Average rating: 4.5 of 5

One of the most enjoyable collections I've ever read. 5 out of 5 stars.
5 of 5 people found this review helpful.

If you're familiar with Klosterman, then you probably don't need these review. If you're not, then I highly recommend that you start familiarizing yourself with either this book, or his "Sex, Drugs, and Coco Puffs." Both are quick, smart, and humourous books.

Chuck's a talented writer. "IV' is his latest work. I'm eager for my next installment of Klosterman.

If you're into pop culture and taking something pointless and moronic and emphasising its importance and influence on our lives (the essay from "Sex..." concerning "Saved by the Bell" comes to mind) then I hihgly recommend Chuck Klosterman. This might be his best yet.

Editorial Review:

NEW YORK TIMES BESTSELLING AUTHOR OF SEX, DRUGS, AND COCOA PUFFS

CHUCK KLOSTERMAN IV

CONSISTS OF THREE PARTS:

THINGS THAT ARE TRUE

Profiles and trend stories: Britney Spears, Radiohead, Billy Joel, Metallica, Val Kilmer, Bono, Wilco, the White Stripes, Steve Nash, Morrissey, Robert Plant -- all with new introductions and footnotes.

THINGS THAT MIGHT BE TRUE

Opinions and theories on everything from monogamy to pirates to robots to super people to guilt, and (of course) Advancement -- all with new hypothetical questions and footnotes.

SOMETHING THAT ISN'T TRUE AT ALL

This is old fiction. There's a new introduction, but no footnotes. Well, there's a footnote in the introduction, but none in the story.

If I Die in a Combat Zone : Box Me Up and Ship Me Home

Tim O'Brien

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Total reviews: 33 Average rating: 4.5 of 5

Editorial Review:

Over time, Tim O'Brien has used both art and artifice to shape his fictional accounts of Vietnam. Award-winning novels such as Going After Cacciato and The Things They Carried offer up a surreal view of the war: a soldier who decides to walk to Paris, leaving only a trail of M&M's in his wake; a young man who imports his high-school girlfriend to his base camp high in the jungled mountains, only to lose her to a shadowy squad of Special Forces Green Berets and to "that mix of unnamed terror and unnamed pleasure" that was Vietnam. O'Brien's first account of the war, however, was written in the raw, unfiltered months following his return from Southeast Asia in 1969. If I Die in a Combat Zone has all of the eloquence and attention to language and detail that are a mark of the author's work; what is different about it is its straightforward, unembellished depiction of his personal experience of hell.

"When you are ordered to march through areas such as Pinkville--GI slang for Song My, parent village of My Lai ... you do some thinking. You hallucinate. You look ahead a few paces and wonder what your legs will resemble if there is more to the earth in that spot than silicates and nitrogen. Will the pain be unbearable? Will you scream or fall silent? Will you be afraid to look at your own body, afraid of the sight of your own red flesh and white bone? You wonder if the medic remembered his morphine."

O'Brien paints an unvarnished portrait of the infantry soldier's life that is at once mundane and terrifying--the endless days of patrolling punctuated by firefights that end as suddenly and inconclusively as they begin; the mind-numbing brutality of burned villages and trampled rice patties; the terror of tunnels, minefields, and the ever-present threat of death. Powerful as these scenes are, perhaps the most memorable chapter in the book concerns his decision to desert just a few weeks before he was sent to Vietnam. "The AWOL bag was ready to go, but I wasn't.... I burned the letters to my family. I read the others and burned them, too. It was over. I simply couldn't bring myself to flee. Family, the home town, friends, history, tradition, fear, confusion, exile: I could not run." Tim O'Brien went into the war opposing it and came out knowing exactly why. If I Die in a Combat Zone is more than just a memoir of a disastrous war; it is also a meditation on heroism and cowardice, on the mutability of truth and morality in a war zone and, most of all, on the simple, human capacity to endure the unendurable. --Alix Wilber

Posthumous Keats: A Personal Biography

Stanley Plumly

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Total reviews: 3 Average rating: 3.5 of 5

Editorial Review:

An acclaimed American poet reflects on the life and legacy of John Keats.

Posthumous Keats is the result of Stanley Plumly's twenty years of reflection on the enduring afterlife of one of England's greatest Romanticists. John Keats's famous epitaph—"Here lies One Whose Name was writ in Water"—helped cement his reputation as the archetype of the genius cut off before his time. Keats, dead of tuberculosis at twenty-five, saw his mortality as fatal to his poetry, and therein, Plumly argues, lies his tragedy: Keats thought he had failed in his mission "to be among the English poets."

In this close narrative study, Plumly meditates on the chances for poetic immortality—an idea that finds its purest expression in Keats, whose poetic influence remains immense. Incisive in its observations and beautifully written, Posthumous Keats is an ode to an unsuspecting young poet—a man who, against the odds of his culture and critics, managed to achieve the unthinkable: the elevation of the lyric poem to sublime and tragic status. 7 illustrations.