Authors Books - Page 7

Darkness Visible: A Memoir of Madness (Modern Library)

William Styron

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Customer Reviews:
Total reviews: 144 Average rating: 4.0 of 5

descriptive but a bit naive 4 out of 5 stars.
1 of 1 people found this review helpful.

(This is from the recorded version, read by the author.) I have listened to this book several times over many years. I do think he does a fine job of describing the actual feeling of being depressed, and does a great service by saying it is at bottom simply indescribable, and also incomprehensible by people who have never experienced it. Thus the well-meaning admonitions to 'buck up', 'get a hold of yourself' and 'most people are as happy as they set out to be' are torture to the person suffering from depression.

However, much has been learned about depression since he wrote the book. It's so obvious that he was an alcoholic who went cold turkey in June and was still suffering from the effects of alcohol withdrawal in October, which can take months to subside. Then, to complicate things, he doped himself up with sleeping pills, so his system was flooded with foreign chemicals, replacing one he was adapted to with a new one. The result, a profound inability to function, and depression, would now be a surprise to no one but him.

His attempt to link suicide to sensitive artistic temperaments was more a roll call of alcoholics---Hemingway, Jack London, Poe, etc. There may be a link between all three (sensitive types, suicide, and alcohol), but it's a three-legged stool, and Styron is loath to acknowlege his alcohol use as the third leg. Maybe he feels depression is more romantic than alcoholism, or at least more socially acceptable.

The spectulation about repressed mourning, early death of mother, etc. is not nearly as important as his familial tendency to depression, his drinking, and his pill taking. Since he says the hospital did nothing for him but take away the pills, and he got better, that would seem good evidence for their role in his illness.

In his obituary in 2006 it was mentioned that he had to be hospitalized several more times after the first time described in the book.

In short, read the book to experience, as much as possible for an outsider, what depression 'feels' like, but don't buy the diagnosis of what causes it.

Editorial Review:

A work of great personal courage and a literary tour de force, this bestseller is Styron's true account of his descent into a crippling and almost suicidal depression. Styron is perhaps the first writer to convey the full terror of depression's psychic landscape, as well as the illuminating path to recovery.


From the Trade Paperback edition.

The Lost Art of Walking: The History, Science, and Literature of Pedestrianism

Geoff Nicholson

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Editorial Review:

A fascinating, definitive, and very personal rumination on the history, science, philosophy, art, and literature of walking, by a skilled cultural commentator.

Geoff Nicholson, author of Bleeding London and Sex Collectors, turns his eye to the intellectual and cultural history of that most common of activities—walking. This simple, omnipresent activity has inspired numerous subcultures, literary and artistic legacies, sporting events, personal memories, epic journeys, mystical revelations, and scandals.

It’s a rich tradition that embraces such novelists as Charles Dickens and Paul Auster, musicians like Robert Johnson and Bob Dylan, and moviemakers from Buster Keaton to Werner Herzog. But it’s also a tradition that includes obsessives and eccentrics, such as the artist Mudman, who coats his body in mud and then walks the city streets; competitive pedestrians such as Captain Barclay, who walked one mile an hour for a thousand successive hours; and gang members who use the hidden language of the “Crip Walk” to spell out messages in the dirt with their scuffing. How we walk, where we walk, why we walk announces who and what we are.

Geoff Nicholson is a master chronicler of the hidden subversive twists on a seemingly normal activity. He analyzes the hows, wheres, and whys of walking through the ages. He finds people who walk only at night, or naked, or for thousands of miles at a time, in costume, for causes, or for no reason whatsoever. Here, he brings curiosity and genuine insight to a subject that often walks right past us.

Istanbul: Memories and the City

Orhan Pamuk

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Customer Reviews:
Total reviews: 45 Average rating: 4.0 of 5

neo-nostalgia 4 out of 5 stars.
1 of 1 people found this review helpful.

I remember the Boston of my childhood, though I remember Marblehead (a small town to the north) much better because I actually lived there. The two places had certain sights, sounds, smells, and "feelings" that, for the most part, have vanished like a morning fog off the Atlantic. But anchoring all those sensory aspects of the places was history, a giant kaleidescope of shifting people, institutions and events that created the then present, that created the new present, and will create the next present. I can't imagine Boston or Marblehead without that history.

Orhan Pamuk chose to write his great love for his city in a strange form. He weaves himself and his personal history into the picture, but completely avoids any historical details. I wonder whom he wrote for ? If for that "western audience" he refers to so often, there is not enough history to make sense of why Istanbul became such a melancholic, declined, fallen, poor, neglected place (at least he says it was). Fires and accidents, rain and snow, the hiss of tires slipping on old cobblestone alleys in a city that once ruled a big part of the world. If he wrote for a Turkish audience, his style of describing his family and his personal behavior would probably turn them off, along with his emphasis on Turkish cultural poverty. Maybe he wanted to "send a message" to those who insist too much on "Turkishness", by mentioning the now-mostly-disappeared non-Muslim minorities quite often. Maybe, but I conclude that he wrote it for himself---full speed ahead and damn the torpedoes to come. Pamuk writes of western painters and travellers and their views of the city in the 19th century and how they influenced him. He also writes of Turkish authors and how they viewed the city, though I have never seen any of their work in translation (meaning I have no idea how they would resonate with me). I liked this gambit, though I knew nothing about those Turkish writers. What I liked best is how he describes the city itself, how he walked around it as a child and a youth, how he steeped himself in the decay of the old Ottoman heritage before all the old mansions burned, before concrete apartment blocks sprang up like toadstools to sweep away the sad wooden houses that had seen better days. I loved the chapter on smoke from the funnels of steamships in the Bosphorus, and above all I liked the dozens of black and white photos of bygone days that fill the pages. It's a world class essay of nostalgia, but done in a very new way.

It's an interesting way to describe a city and write the first part of an autobiography. It's not a travelogue. There's not a single map---as if all the readers would know the geography of Istanbul. This is not Istanbul for visitors, this is Istanbul for those who loved it (who could AFFORD to love it) back in the Fifties and Sixties, when it had not been inundated in a huge tide of immigrants or refugees from the countryside and abroad, when Turkey was a poor, slow country. I saw it, once, briefly then, when Pamuk was an eleven year old kid. The dynamic, vital, amazing city of 2008 bears little resemblance to that other Istanbul. I understand why he wrote the book; I know a little of what is lost. To know that, you couldn't find a better book than this.

Editorial Review:

A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy–or hüzün– that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire.

With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters–both Turkish and foreign–who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

Brother, I'm Dying

Edwidge Danticat

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Customer Reviews:
Total reviews: 26 Average rating: 4.5 of 5

Editorial Review:

From the best-selling author of The Dew Breaker, a major work of nonfiction: a powerfully moving family story that centers around the men closest to her heart—her father, Mira, and his older brother, Joseph.

From the age of four, Edwidge Danticat came to think of her uncle Joseph, a charismatic pastor, as her “second father,” when she was placed in his care after her parents left Haiti for a better life in America. Listening to his sermons, sharing coconut-flavored ices on their walks through town, roaming through the house that held together many members of a colorful extended family, Edwidge grew profoundly attached to Joseph. He was the man who “knew all the verses for love.”

And so she experiences a jumble of emotions when, at twelve, she joins her parents in New York City. She is at last reunited with her two youngest brothers, and with her mother and father, whom she has struggled to remember. But she must also leave behind Joseph and the only home she’s ever known.

Edwidge tells of making a new life in a new country while fearing for the safety of those still in Haiti as the political situation deteriorates. But Brother I’m Dying soon becomes a terrifying tale of good people caught up in events beyond their control. Late in 2004, his life threatened by an angry mob, forced to flee his church, the frail, eighty-one-year-old Joseph makes his way to Miami, where he thinks he will be safe. Instead, he is detained by U.S. Customs, held by the Department of Homeland Security, brutally imprisoned, and dead within days. It was a story that made headlines around the world. His brother, Mira, will soon join him in death, but not before he holds hope in his arms: Edwidge’s firstborn, who will bear his name—and the family’s stories, both joyous and tragic—into the next generation.

Told with tremendous feeling, this is a true-life epic on an intimate scale: a deeply affecting story of home and family—of two men’s lives and deaths, and of a daughter’s great love for them both.

Love Is a Mix Tape: Life and Loss, One Song at a Time

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Customer Reviews:
Total reviews: 52 Average rating: 4.5 of 5

Editorial Review:

What Is love? Great minds have been grappling with this question throughout the ages, and in the modern era, they have come up with many different answers. According to Western philosopher Pat Benatar, love is a battlefield. Her paisan Frank Sinatra would add the corollary that love is a tender trap. Love hurts. Love stinks. Love bites, love bleeds, love is the drug. The troubadours of our times agree: They want to know what love is, and they want you to show them. But the answer is simple: Love is a mix tape.

In the 1990s, when “alternative” was suddenly mainstream, bands like Pearl Jam and Pavement, Nirvana and R.E.M.—bands that a year before would have been too weird for MTV- were MTV. It was the decade of Kurt Cobain and Shania Twain and Taylor Dayne, a time that ended all too soon. The boundaries of American culture were exploding, and music was leading the way.

It was also when a shy music geek named Rob Sheffield met a hell-raising Appalachian punk-rock girl named Renée, who was way too cool for him but fell in love with him anyway. He was tall. She was short. He was shy. She was a social butterfly. She was the only one who laughed at his jokes when they were so bad, and they were always bad. They had nothing in common except that they both loved music. Music brought them together and kept them together. And it was music that would help Rob through a sudden, unfathomable loss.

In Love Is a Mix Tape, Rob, now a writer for Rolling Stone, uses the songs on fifteen mix tapes to tell the story of his brief time with Renée. From Elvis to Missy Elliott, the Rolling Stones to Yo La Tengo, the songs on these tapes make up the soundtrack to their lives.

Rob Sheffield isn’t a musician, he’s a writer, and Love Is a Mix Tape isn’t a love song- but it might as well be. This is Rob’s tribute to music, to the decade that shaped him, but most of all to one unforgettable woman.


From the Hardcover edition.

Zero: The Biography of a Dangerous Idea

Charles Seife

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Total reviews: 134 Average rating: 4.0 of 5

Editorial Review:

A concise and appealing look at the strangest number in the universe and its continuing role as one of the great paradoxes of human thought

The Babylonians invented it, the Greeks banned it, the Hindus worshiped it, and the Church used it to fend off heretics. Now, as Y2K fever rages, it threatens a technological apocalypse. For centuries the power of zero savored of the demonic; once harnessed, it became the most important tool in mathematics. For zero, infinity's twin, is not like other numbers. It is both nothing and everything.

In Zero science journalist Charles Seife follows this innocent-looking number from its birth as an Eastern philosophical concept to its struggle for acceptance in Europe, its rise and transcendence in the West, and its ever-present threat to modern physics. Here are the legendary thinkers--from Pythagoras to Newton to Heisenberg, from the Kabalists to today's astrophysicists--who have tried to understand it and whose clashes shook the foundations of philosophy, science, mathematics, and religion. Zero has pitted East against West and faith against reason, and its intransigence persists in the dark core of a black hole and the brilliant flash of the Big Bang. Today, zero lies at the heart of one of the biggest scientific controversies of all time, the quest for a theory of everything.

Readers of Fermat's Enigma, The Man Who Loved Only Numbers, Seeing and Believing, and Longitudewill find the revealingly illustrated Zero freshly informative, easy to understand, and--infinitely--fascinating.

Travels with Charley in Search of America: (Centennial Edition)

John Steinbeck

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Customer Reviews:
Total reviews: 188 Average rating: 4.0 of 5

State of the Nation 5 out of 5 stars.
0 of 0 people found this review helpful.

In Travels with Charley, Steinbeck is on a journey to discover if he still knows the country he memorializes in almost all of his other works. Steinbeck manages to express in this memoir of his journey through America a whole host of emotions that many of us still feel today, a conflicting love for our country and disgust with our countrymen, appreciation for our past and worries about what we have become. Like all of his best works, the writing is natural, warm, and often funny. This is a beautiful book that captures America, both the good and the bad, in it's pages.

can't get much better than a Steinbeck 4 out of 5 stars.
0 of 0 people found this review helpful.

Steinbeck's Travels with Charley was his last book I believe. This is a memoir of John Steinbeck's drive from Long Island, New York to the tip of Maine to California and back to Long Island. Of course it's well written, as you'd expect from any Nobel Prize winner in Literature, but it also captures that turbulent time in the early 1960s when Martin Luther King Jr. was trying to achieve Civil Rights and Khrushchev was banging his shoe in the United Nations.

Editorial Review:

With his dog Charley, John Steinbeck set out in his truck to explore and experience America in the 1960s. As he talked with all kinds of people, he sadly noted the passing of region speech, fell in love with Montana, and was appalled by racism in New Orleans.

Magical Thinking: True Stories

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Customer Reviews:
Total reviews: 166 Average rating: 4.0 of 5

Editorial Review:

From the number-one bestselling author of Running with Scissors and Dry comes Augusten Burroughs's most eagerly anticipated collection yet: true stories that give voice to the thoughts that we all have but dare not mention.

It begins with a Tang Instant-Breakfast Drink television commercial:

"Yes, you, Augusten. You were great. We want you." I can now trace my manic adult tendencies to this moment. It was the first time I felt deeply thrilled about something just a fraction of an instant after being completely crushed. I believe those three words "We want you" were enough to cause my brain to rewire itself, and from then on, I would require more than other people....- from Magical Thinking's "Commercial Break"

A contest of wills with a deranged cleaning lady. The execution of a rodent carried out with military precision and utter horror. Telemarketing revenge. A different kind of "roof work." Dating an undertaker who shows up in a minivan. This is the fabric of Augusten Burroughs's life: a collection of true stories that are universal in their appeal yet unabashedly intimate, stories that shine a flashlight into both dark and hilarious places. With Magical Thinking, Augusten Burroughs goes where other memoirists fear to tread.

Touch and Go: A Memoir

Studs Terkel

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Customer Reviews:
Total reviews: 9 Average rating: 4.0 of 5

Editorial Review:

The extraordinary, widely praised memoir—"a masterpiece about a life which itself is a sort of masterpiece" (Oliver Sacks)

Chosen as a best book of the year in 2007 by the Chicago Tribune, Publishers Weekly, and Playboy, Studs Terkel's memoir Touch and Go is "history from a highly personal point of view, by one who has helped make it" (Kirkus).

Terkel takes us through his childhood and into his early experiences—as a law student during the Depression, as a young theatergoer, and eventually as an actor himself on both radio and the stage—offering a brilliant and often hilarious portrait of Chicago in the 1920s and '30s. Describing his beginnings as a disc jockey after World War II, his involvement with progressive politics during the McCarthy era, and later his career as an interviewer and oral historian, Touch and Go is a testament to Terkel's "generosity of spirit, sense of social justice and commitment to capture on his ever present tape recorder the voices of those who otherwise would not be heard" (The New York Times Book Review). It is a brilliant lifetime achievement from the man the Washington Post has called "the most distinguished oral historian of our time."

La suma de los dias

Isabel Allende

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Total reviews: 10 Average rating: 4.5 of 5

Editorial Review:

Una obra al tiempo emotiva y escrita en el tono irónico y apasionado que caracteriza a la autora, en la que nos entrega la suma de sus días como mujer y como escritora

En las páginas de este libro, Isabel Allende narra con franqueza la historia reciente de su vida y la de su peculiar familia en California, en una casa abierta, llena de gente y de personajes literarios, y protegida por un espíritu: hijas perdidas, nietos y libros que nacen, éxitos y dolores, un viaje al mundo de las adicciones y otros a lugares remotos del mundo en busca de inspiración, junto a divorcios, encuentros, amores, separaciones, crisis de pareja y reconciliaciones. También es una historia de amor entre un hombre y una mujer maduros, que han salvado juntos muchos escollos sin perder ni la pasión ni el humor, y de una familia moderna, desgarrada por conflictos y unida, a pesar de todo, por el cariño y la decisión de salir adelante. Esta es la familia que descubrimos en Paula y que desciende de los personajes de La Casa de los Espíritus.