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Three Wishes: An Intimate Look at Jazz Greats

Pannonica de Koenigswarter

Three Wishes: An Intimate Look at Jazz Greats Pannonica de Koenigswarter Amazon Price: $13.57
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Customer Reviews:
Total reviews: 3 Average rating: 5.0 of 5

Editorial Review:

An unprecedented, behind-the-scenes look at jazz legends

 

In the 1950s, 60s, and 70s, Pannonica de Koenigswarter, known as Nica, was a constant and benevolent presence on the thriving New York jazz scene. Known as the Jazz Baroness (she was born into the wealthy Rothschild family and later married a French aristocrat) she befriended such giants as Thelonious Monk, Charlie Parker, Barry Harris, Art Blakey, Miles Davis, Bud Powell, and many more. She inspired over twenty jazz compositions, bailed musicians out of jail, and even acted as a booking agent.

 

She also collected wishes. Over the course of a decade, Koenigswarter asked three hundred musicians what their three wishes in life were, jotting them all down in a notebook. At the same time she took hundreds of candid photographs, saving them all. In Three Wishes, Koenigswarter’s forays into the psyches and lives of these legendary jazz artists are made available in America for the first time.

 

With a foreword by celebrated jazz critic Gary Giddins, and a introduction from Nica’s granddaughter, Nadine de Koenigswarter, providing rare insights into the mysterious baroness’s life, this funny, eclectic, and moving compilation is a uniquely intimate look into the immortals of the classic era of jazz, and a must-have for any fan or afficianado.

Coltrane: The Story of a Sound

Ben Ratliff

Coltrane: The Story of a Sound Ben Ratliff Amazon Price: $10.88
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Customer Reviews:
Total reviews: 9 Average rating: 4.0 of 5

The Searcher 4 out of 5 stars.
4 of 4 people found this review helpful.

It's hard not to be amazed by John Coltrane's music, even for interested fans who are not expert musicians themselves (that applies to your current reviewer). Here Ben Ratliff digs deep into the substance of Coltrane's creative process - and most of all that elusive entity known as SOUND. Trying to do this in writing is an immediately incongruous prospect, though Ratliff does pretty well with prose that is full of precise musical adjectives and technical terminology that is reasonably easy for the non-expert reader to follow, all things considered. Though just watch out for the frequently congested prose that becomes necessary for Ratliff to transmit the sheer complexity of the music, such as "the meditative and semierotic aesthetic of endurance, of repetition, of ecstatic religion..." Here we can see how technical jazz really is as a genre, with Coltrane perhaps amongst the most knowledge-intensive. Another revelation here is evidence of Coltrane's lifelong search for musical perfection, as he passionately studied various instruments and genres, and even literature and languages, in a quest for the perfect sound. However, there is an underlying irony to Ratliff's entire endeavor, in that there is no proof that Coltrane (or any jazz musician of his caliber) saw the musical process in the same way as critics and writers, no matter how knowledgeable they are. One must wonder if such passionate technical analysis truly makes one appreciate the music, or if a less obsessive attitude is necessary to really feel the sound. What kind of love did Coltrane seek? [~doomsdayer520~]

Editorial Review:

John Coltrane left an indelible mark on the world, but what was the essence of his achievement that makes him so prized forty years after his death? What were the factors that helped Coltrane become who he was? And what would a John Coltrane look like now--or are we looking for the wrong signs?

In this deftly written, riveting study, New York Times jazz critic Ben Ratliff answers these questions and examines the life of Coltrane, the acclaimed band leader and deeply spiritual man who changed the face of jazz music. Ratliff places jazz among other art forms and within the turbulence of American social history, and he places Coltrane not just among jazz musicians but among the greatest American artists.

Miles

Miles Davis

Miles Miles Davis Amazon Price: $11.68
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By: Simon & Schuster
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Total reviews: 66 Average rating: 4.5 of 5

Editorial Review:

For more than forty years Miles Davis has been in the front rank of American music. Universally acclaimed as a musical genius, Miles is one of the most important and influential musicians in the world. The subject of several biographies, now Miles speaks out himself about his extraordinary life.

Miles: The Autobiography, like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence. He speaks frankly and openly about his drug problem and how he overcame it. He condemns the racism he has encountered in the music business and in American society generally. And he discusses the women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus, and many others.

The man who has given us some of the most exciting music of the past few decades has now given us a compelling and fascinating autobiography, featuring a concise discography and thirty-two pages of photographs.

John Coltrane: His Life and Music (The Michigan American Music Series)

Lewis Porter

John Coltrane: His Life and Music (The Michigan American Music Series) Lewis Porter Amazon Price: $13.32
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Customer Reviews:
Total reviews: 20 Average rating: 4.5 of 5

Editorial Review:

John Coltrane was a key figure in jazz, a pioneer in world music, and an intensely emotional force whose following continues to grow. This new biography, the first by a professional jazz scholar and performer, presents a huge amount of never-before-published material, including interviews with Coltrane, photos, genealogical documents, and innovative musical analysis that offers a fresh view of Coltrane's genius.
Compiled from scratch with the assistance of dozens of Coltrane's colleagues, friends, and family, John Coltrane: His Life and Music corrects numerous errors from previous biographies. The significant people in Coltrane's life were reinterviewed, yielding new insights; some were interviewed for the first time ever.
The musical analysis, which is accessible to the nonspecialist, makes its own revelations--for example, that some of Coltrane's well-known pieces are based on previously unrecognized sources. The Appendix is the most detailed chronology of Coltrane's performing career ever compiled, listing scores of previously unknown performances from the 1940s and early 1950s.
Coltrane has become a musical inspiration for thousands of fans and musicians and a personal inspiration to as many more. For all of these, Porter's book will become the definitive resource--a reliable guide to the events of Coltrane's life and an insightful look into his musical practices.
". . . well researched, musically knowledgeable, and enormously interesting to read. Porter is a jazz scholar with deep knowledge of the tradition he is studying, both conceptually and technically." --Richard Crawford, University of Michigan
"Lewis Porter is a meticulous person with love and respect for Afro-American classical music. I applaud this definitive study of my friend John Coltrane's life adn achievements." --Jimmy Heath, jazz saxophonist, composer, educator
Lewis Porter is Associate Professor of Music, Rutgers University in Newark. A leading jazz scholar, he is the author of Jazz Readings from a Century of Change and coauthor of Jazz: From Its Origins to the Present. He was a project consultant on The Complete Atlantic Recordings of John Coltrane, which was nominated for a Grammy Award for Best Historical Reissue, and an editor and assisting author of the definitive Coltrane discography by Y. Fujioka.

Tommy Dorsey: Livin' in a Great Big Way, A Biography

Peter J. Levinson

Tommy Dorsey: Livin' in a Great Big Way, A Biography Peter J. Levinson Amazon Price: $14.13
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Customer Reviews:
Total reviews: 11 Average rating: 4.5 of 5

Editorial Review:

Swing has never gone out of style. It was the music the Greatest Generation danced to--and went to war to. And no musician evokes the Big Band era more strikingly than Tommy Dorsey, whose soaring trombone play and hit tunes influenced popular music for a generation. Tommy Dorsey (1905-1956) led a rich and complex life. Beginning with his childhood in the coal mining towns of Pennsylvania, we follow the young trombonist's journey to fame and fortune during the Jazz Age. Tommy, with his brother Jimmy, created one of the most popular bands of the era and played with such giants as Bing Crosby and Glenn Miller. They also launched the career of a skinny young singer named Frank Sinatra. But Tommy's volcanic personality eventually split the band and Tommy went off on his own. Drawing on exhaustive new research and scores of interviews with the musicians who knew him best, Levinson delves into Dorsey's famously eccentric lifestyle and his oversize appetite for drink, women, and perfection. The first biography on Dorsey in more than thirty years, Tommy Dorsey is a dazzling portrait of the Big Band's brightest star--his tumultuous life, his turbulent times, and the unforgettable music that made him a legend.

Delightfulee: The Life and Music of Lee Morgan (Jazz Perspectives)

Jeff McMillan

Delightfulee: The Life and Music of Lee Morgan (Jazz Perspectives) Jeff McMillan Amazon Price: $16.08
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Total reviews: 1 Average rating: 5.0 of 5

Editorial Review:

One of the most individual stylists of his time, trumpeter Lee Morgan began his professional career in Philadelphia at age fifteen. At eighteen, after a short stint with Art Blakey's Jazz Messengers, Morgan joined Dizzy Gillespie's orchestra, where he stayed until the group disbanded in 1958. A return to Blakey brought Morgan new opportunities, including his first successful attempts at composition. But however much his time with Blakey helped to advance his playing and writing, his boss's and his bandmates' destructive drug habits exerted just as strong an influence. Within three years, Morgan would be back home in Philadelphia, strung out on heroin and penniless.

Morgan's return to music in the early to mid-sixties witnessed a tremendous evolution in his playing. Formerly a virtuoso in the model of his idol, Clifford Brown, Morgan brought to his critically acclaimed Blue Note records of the era an emotionally charged, muscular tone, full of poise and control. But it was with the record Sidewinder, recorded in 1963, that Morgan found his greatest fame and commercial success, due to the infectious groove of the title tune. By the time of his death, at thirty-three---murdered in a New York City club by his girlfriend Helen More, during a gig---Morgan had begun a new phase of his career, experimenting with freer-forms of musical expression.

Jeff McMillan's Delightfulee is the first biography to seriously examine Morgan's vast contributions to jazz, both as a performer and as a composer. Thanks to exclusive access to Lee Morgan's now-deceased brother, McMillan is also able to provide unparalleled insight into Morgan's personal and family life

Jeff McMillan received his master's degree from the Jazz History and Research program at Rutgers-Newark in 2000 and currently works as an archivist for the Metropolitan Opera in New York City.

Trumpet Blues: The Life of Harry James

Peter J. Levinson

Trumpet Blues: The Life of Harry James Peter J. Levinson Amazon Price: $31.49
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Customer Reviews:
Total reviews: 9 Average rating: 4.5 of 5

Editorial Review:

Swing is back in style, and with it a renewed interest in the Big Band Era. And few players dominated that era more than Harry James, whose soaring trumpet solos and romantic hit tunes influenced popular music for a generation. Now, Peter J. Levinson, who knew Harry James personally, has written a revealing biography of this jazz icon, based on nearly 200 interviews with musicians and friends.
Harry James led a truly colorful life, and in Trumpet Blues Levinson captures it all. Beginning with James's childhood in a traveling circus, we follow the young trumpeter's meteoric rise in the 1930s and witness his electrifying performances with the Benny Goodman Orchestra. We see how James formed his own band in 1939, an incubator for many pop music stars of the 1940s and '50s, including Frank Sinatra, Connie Haines, Dick Haymes, Helen Forrest, and Kitty Kallen. Combined with James's superb musicianship, peerless trumpet technique and talented sidemen, this stellar group dominated the war years and the immediate post-war period. And James himself, especially after his marriage to film goddess Betty Grable, became one of America's most famous personalities and lived like true Hollywood royalty. Levinson describes their twenty-two-year marriage with insight and sympathy. But he shows how James's marriage--and his triumphant late-1950s comeback in Nevada's casinos--were slowly undermined by his penchant for compulsive gambling, womanizing, and alcoholism. He gives us the inside story of James's sybaritic life style, and probes the profound psychological reasons for James's destructive behavior.
The first biography ever written on Harry James, Trumpet Blues is a scintillating portrait of Swing's brightest star--his life, his loves, and the music that defined an era.

Beneath the Underdog: His World as Composed by Mingus

Charles Mingus

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Customer Reviews:
Total reviews: 28 Average rating: 4.0 of 5

Genius 5 out of 5 stars.
2 of 3 people found this review helpful.

Genius genius genius, with thriving spellbound ingeniousness, billowed with an ego that would knock the head of anyone who was within eighthundred of his forehead. If you are going to read this book please be prepared to pull your pants off and get wet like a tigress inexorably, repeatedly, being stabbed in the belly by a machette. genius genius genius.......

Disappointing 2 out of 5 stars.
0 of 5 people found this review helpful.

I was looking for a book on his music. This book belongs in Fantasy. It is a play by play of Mr. Mingus' sex life. I have no desire to research him any further.

Editorial Review:

A wild, lyrical, and anguished autobiography, in which Charles Mingus pays short shrift to the facts but plunges to the very bottom of his psyche, coming up for air only when it pleases him. He takes the reader through his childhood in Watts, his musical education by the likes of Louis Armstrong, Duke Ellington, and Charlie Parker, and his prodigious appetites--intellectual, culinary, and sexual. The book is a jumble, but a glorious one, by a certified American genius.

I Put A Spell On You: The Autobiography Of Nina Simone

Nina Simone

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Customer Reviews:
Total reviews: 16 Average rating: 4.0 of 5

Tortured Soul 4 out of 5 stars.
2 of 2 people found this review helpful.

It is true that this book is not well written and seems to have been put together on the quick without any professional editing. My guess is that it was written as a means to make a fast buck. That said, the autobiography is worth reading because it is the only real glimpse many of us will ever get into the psyche of Nina Simone. I read that she was diagnosed with bipolar disorder in the 1960s and this was kept secret until well after her death. I don't know for a fact if she actually had bipolar disorder. However, it is evident from reading her life story as told by her that she did have emotional and psychiatric problems. She made rash and erratic decisions for her and her daughter and her life seemed to be filled with self imposed chaos. She was an angry person, was always running from some thing, and blamed anyone and anything but herself for her unhappiness and problems. Most surprising to me was how she was always looking for someone, usually a man, to save her. I had no idea before reading this book that Nina Simone struggled so much with low self esteem, fear, hate, and erratic behavior. Her music is so powerful and she comes off as such a strong and solid person. That is why this book is worth reading. Compared with her music and stage persona, the autobiography shows a different side or Nina Simone. With the two combined, the reader realizes just how complex and even tragic, Nina Simone the woman was. I would recommend this book to anyone who wants to know a little more about Nina Simone. She is an imperfect human being and this is her account of her life

Editorial Review:

"Ms. Simone's vocal and piano style make her a culture unto herself." --New York Times

A gorgeous, inimitable singer and songwriter, Nina Simone (1933-2003) changed the face of both music and race relations in America. She struck a chord with bluesy jazz ballads like "Put a Little Sugar in My Bowl" and powerful protest songs such as "Mississippi Goddam" and "To Be Young, Gifted, and Black," the anthem of the American Civil Rights movement. Coinciding with the re-release of her famous Philips Recordings, here are the reflections of the "High Priestess of Soul" on her own life.

The mesmerizing autobiography of one of the most revered soul, jazz, and blues divas of our time-the late Nina Simone.

Bill Evans: How My Heart Sings

Peter Pettinger

Bill Evans: How My Heart Sings Peter Pettinger Amazon Price: $11.53
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Customer Reviews:
Total reviews: 33 Average rating: 4.0 of 5

Distorted, Dull, and Uninformative 2 out of 5 stars.
2 of 11 people found this review helpful.

This is not so much a biography as an annotated discography. Immensely significant aspects of Bill Evans's life are either mentioned only in passing are else skipped over entirely. Mostly this book comprises a seemingly endless and thoroughly tedious compilation of superficial descriptions of Bill Evans recording sessions.

Very occasionally the book attempts to impart some actual musical information, and this is where it falls flattest and is most misleading. The author is purportedly some kind of pianist himself, and he seems to labor under a great pianistic misapprehension. There is in fact an entire page of this book devoted to an appreciation of the tone Evans allegedly teases out of a SINGLE ISOLATED note. Here's a news flash, Mr. Pettinger: The pianist controls ONLY the velocity that the hammer hits the strings, which is to say, the dynamic. He can emphasize certain notes in a chord or a melodic line by playing them louder than others, he can play legato, portato, or staccato by putting more or less silence between notes, and so on, but at a given dynamic on a given piano a single isolated note will sound the same whether played by Bill Evans or your pet cat.

The author also seems to believe that Bill Evans's distinction is that he was the first (or even remains the only) jazz pianist with classical training, which is, of course, nonsense. I'd tentatively (I haven't researched this thoroughly or taken a poll) go so far as to say that classical training for jazz pianists is--and was then--the rule rather than the exception. In any case, classical training is certainly not Bill Evans's DISTINCTION as a jazz pianist.

Editorial Review:

A biography of the influential jazz pianist, Bill Evans. Peter Pettinger, himself a concert pianist, describes Evans's life, his personal tragedies and commercial successes, his music making, his technique and compositional methods, his approach to ensemble playing, and his legacy. The volume also includes a full discography and dozens of photographs.

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