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Bitter is the New Black : Confessions of a Condescending, Egomaniacal, Self-Centered Smartass,Or, Why You Should Never Carry A Prada Bag to the Unemployment Office

Jen Lancaster

Bitter is the New Black : Confessions of a Condescending, Egomaniacal, Self-Centered Smartass,Or, Why You Should Never Carry A Prada Bag to the Unemployment Office Jen Lancaster Amazon Price: $11.16
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Customer Reviews:
Total reviews: 312 Average rating: 4.5 of 5

Book is funny, she is annoying 4 out of 5 stars.
1 of 1 people found this review helpful.

While I loved the book and found myself laughing out loud, I really felt like I would despise her in person. She comes off spoiles and entitled. But, I felt like I was listening to a funny friend talk about life. I would recommend as a beach read.

Editorial Review:

Jen Lancaster was living the sweet life-until real life kicked her to the curb.

She had the perfect man, the perfect job-hell, she had the perfect life-and there was no reason to think it wouldn't last. Or maybe there was, but Jen Lancaster was too busy being manicured, pedicured, highlighted, and generally adored to notice.

This is the smart-mouthed, soul-searching story of a woman trying to figure out what happens next when she's gone from six figures to unemployment checks and she stops to reconsider some of the less-than-rosy attitudes and values she thought she'd never have to answer for when times were good.

Filled with caustic wit and unusual insight, it's a rollicking read as speedy and unpredictable as the trajectory of a burst balloon.

Mother on Fire: A True Motherf%#$@ Story About Parenting!

Sandra Tsing Loh

Mother on Fire: A True Motherf%#$@ Story About Parenting! Sandra Tsing Loh Amazon Price: $15.64
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Customer Reviews:
Total reviews: 5 Average rating: 4.5 of 5

Editorial Review:

This is a story about the year I exploded into flames. Which turns out to be more common than you’d think, among forty-something humans. Yea, we can hold it together in our thirties, with a raft of hair products and semi-tall nonfat half-caf beverages and much brisk walking to a lot of interesting appointments. Come the forties, though, cracks begin to appear. One staggers suddenly along life’s path; gourmet coffee splats; the wig slips askew. In other words, my friends, THE WHEELS COME OFF.

Sandra Tsing Loh is the fiercest, funniest, and most incredibly honest and self-deprecating voice to emerge from the “mommy war” debates. In Mother on Fire, she fires away with her trademark hilarious satire of societal and personal irks large and small, including limo liberals who preach the virtues of public school but send their children to fashionable private ones, the proliferation of costly skin-care products that just don’t cut it, society’s obsession with aromatherapy, her Chinese father’s disdain for her life as an artist, and $10 Target pants (“Are they running pants, exercise pants, pajama pants?”) that are the ubiquitous Mother of Small Children uniform.

Prompted by her own midlife crisis, Loh throws her frantic energy not into illicit affairs, shopping binges, or exotic trips, but into the harrowing heart of contemporary, dysfunctional L.A. life when she realizes that she can’t afford private school for her daughter, and her only alternative is her neighborhood’s public school, Guavatorina, where most of the kids speak Spanish and qualify for free lunches. In a theater-of-the-absurd-style odyssey, Mother on Fire documents Loh’s “year of living dangerously” among pompous school admissions officials, lactose-intolerant, Prius-driving parents, mafia dons of public radio, vindictive bosses, and old friends with new money as she first kisses ass—and then kicks it.

Girls Like Us: Carole King, Joni Mitchell, Carly Simon--And the Journey of a Generation

Sheila Weller

Girls Like Us: Carole King, Joni Mitchell, Carly Simon--And the Journey of a Generation Sheila Weller Amazon Price: $18.45
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Customer Reviews:
Total reviews: 97 Average rating: 4.0 of 5

Editorial Review:

A groundbreaking and irresistible biography of three of America's most important musical artists -- Carole King, Joni Mitchell, and Carly Simon -- charts their lives as women at a magical moment in time.

Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of age in the late 1960s. Their stories trace the arc of the now mythic sixties generation -- female version -- but in a bracingly specific and deeply recalled way, far from cliché. The history of the women of that generation has never been written -- until now, through their resonant lives and emblematic songs.

Filled with the voices of many dozens of these women's intimates, who are speaking in these pages for the first time, this alternating biography reads like a novel -- except it's all true, and the heroines are famous and beloved. Sheila Weller captures the character of each woman and gives a balanced portrayal enriched by a wealth of new information.

Girls Like Us is an epic treatment of midcentury women who dared to break tradition and become what none had been before them -- confessors in song, rock superstars, and adventurers of heart and soul.

Thin Is the New Happy

Valerie Frankel

Thin Is the New Happy Valerie Frankel Amazon Price: $16.29
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Customer Reviews:
Total reviews: 2 Average rating: 5.0 of 5

Editorial Review:

“Val Frankel is a woman of amazing insight. . . . Read this, weep, and heal.”

—Stacy London, cohost of What Not to Wear

You’ve heard the phrase “the mirror is not your friend.” For Valerie Frankel, the mirror was so much more than “not a friend.” It was the mean girl who stole her lunch money, bitch-slapped her in the ladies’ room, and cut the hair off her Barbie.

If you’re like 99.9 percent of women, the war you wage with yourself over your body image begins at the ripe age of eight, and the skirmishes are fought for the next eight decades. Sometimes you don’t even know when you’ve won. (How many of us have taken out a photo from high school and thought, “Hey! I looked great—why didn’t I know it?”) This book is for anyone who has spent most of her life on—or thinking about being on—a diet. It’s for anyone who ever wished for candlelight in dressing rooms. It’s for anyone who has ever owned a pair of “fat pants.” In short, this book is for anyone who ever felt good or bad about themselves based on how they look.

Valerie Frankel, like most women, has spent most of her conscious life on a diet, thinking about a diet, ignoring a diet, or failing on a diet. At age eleven, her mother put Val on her first weight-loss program. As a teen, she was enrolled in Weight Watchers (for which she invented creative ditching methods). As a young woman, her world felt right only when she was able to zip a certain pair of jeans. Not wanting to pass this legacy on to her own daughters, Valerie set out to cleanse herself of her obsession. Thin Is the New Happy is the true story of one woman’s quest to exorcise her bad body-image demons, to uncover the truths behind what put them there, and to learn how to truly love herself. It’s a poignant, hilarious, and all-out honest account of one woman’s struggle with body image—the filter through which she’s always seen the world—and the way she ultimately overcame it.

Coming of Age in Mississippi

Anne Moody

Coming of Age in Mississippi Anne Moody Amazon Price: $11.20
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Customer Reviews:
Total reviews: 98 Average rating: 4.5 of 5

Editorial Review:

Born to a poor couple who were tenant farmers on a plantation in Mississippi, Anne Moody lived through some of the most dangerous days of the pre-civil rights era in the South. The week before she began high school came the news of Emmet Till’s lynching. Before then, she had "known the fear of hunger, hell, and the Devil. But now there was…the fear of being killed just because I was black." In that moment was born the passion for freedom and justice that would change her life.

An all-A student whose dream of going to college is realized when she wins a basketball scholarship, she finally dares to join the NAACP in her junior year. Through the NAACP and later through CORE and SNCC she has first-hand experience of the demonstrations and sit-ins that were the mainstay of the civil rights movement, and the arrests and jailings, the shotguns, fire hoses, police dogs, billy clubs and deadly force that were used to destroy it.

A deeply personal story but also a portrait of a turning point in our nation’s destiny, this autobiography lets us see history in the making, through the eyes of one of the footsoldiers in the civil rights movement.

Escape

Carolyn Jessop, Laura Palmer

Escape Carolyn Jessop, Laura Palmer Amazon Price: $16.47
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Customer Reviews:
Total reviews: 292 Average rating: 4.5 of 5

Editorial Review:

The dramatic first-person account of life inside an ultra-fundamentalist American religious sect, and one woman’s courageous flight to freedom with her eight children.

When she was eighteen years old, Carolyn Jessop was coerced into an arranged marriage with a total stranger: a man thirty-two years her senior. Merril Jessop already had three wives. But arranged plural marriages were an integral part of Carolyn’s heritage: She was born into and raised in the Fundamentalist Church of Jesus Christ of Latter-Day Saints (FLDS), the radical offshoot of the Mormon Church that had settled in small communities along the Arizona-Utah border. Over the next fifteen years, Carolyn had eight children and withstood her husband’s psychological abuse and the watchful eyes of his other wives who were locked in a constant battle for supremacy.

Carolyn’s every move was dictated by her husband’s whims. He decided where she lived and how her children would be treated. He controlled the money she earned as a school teacher. He chose when they had sex; Carolyn could only refuse—at her peril. For in the FLDS, a wife’s compliance with her husband determined how much status both she and her children held in the family. Carolyn was miserable for years and wanted out, but she knew that if she tried to leave and got caught, her children would be taken away from her. No woman in the country had ever escaped from the FLDS and managed to get her children out, too. But in 2003, Carolyn chose freedom over fear and fled her home with her eight children. She had $20 to her name.

Escape exposes a world tantamount to a prison camp, created by religious fanatics who, in the name of God, deprive their followers the right to make choices, force women to be totally subservient to men, and brainwash children in church-run schools. Against this background, Carolyn Jessop’s flight takes on an extraordinary, inspiring power. Not only did she manage a daring escape from a brutal environment, she became the first woman ever granted full custody of her children in a contested suit involving the FLDS. And in 2006, her reports to the Utah attorney general on church abuses formed a crucial part of the case that led to the arrest of their notorious leader, Warren Jeffs.

A Heartbreaking Work of Staggering Genius

Dave Eggers

A Heartbreaking Work of Staggering Genius Dave Eggers Amazon Price: $10.17
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Customer Reviews:
Total reviews: 907 Average rating: 3.5 of 5

Editorial Review:

Dave Eggers is a terrifically talented writer; don't hold his cleverness against him. What to make of a book called A Heartbreaking Work of Staggering Genius: Based on a True Story? For starters, there's a good bit of staggering genius before you even get to the true story, including a preface, a list of "Rules and Suggestions for Enjoyment of This Book," and a 20-page acknowledgements section complete with special mail-in offer, flow chart of the book's themes, and a lovely pen-and-ink drawing of a stapler (helpfully labeled "Here is a drawing of a stapler:").

But on to the true story. At the age of 22, Eggers became both an orphan and a "single mother" when his parents died within five months of one another of unrelated cancers. In the ensuing sibling division of labor, Dave is appointed unofficial guardian of his 8-year-old brother, Christopher. The two live together in semi-squalor, decaying food and sports equipment scattered about, while Eggers worries obsessively about child-welfare authorities, molesting babysitters, and his own health. His child-rearing strategy swings between making his brother's upbringing manically fun and performing bizarre developmental experiments on him. (Case in point: his idea of suitable bedtime reading is John Hersey's Hiroshima.)

The book is also, perhaps less successfully, about being young and hip and out to conquer the world (in an ironic, media-savvy, Gen-X way, naturally). In the early '90s, Eggers was one of the founders of the very funny Might Magazine, and he spends a fair amount of time here on Might, the hipster culture of San Francisco's South Park, and his own efforts to get on to MTV's Real World. This sort of thing doesn't age very well--but then, Eggers knows that. There's no criticism you can come up with that he hasn't put into A.H.W.O.S.G. already. "The book thereafter is kind of uneven," he tells us regarding the contents after page 109, and while that's true, it's still uneven in a way that is funny and heartfelt and interesting.

All this self-consciousness could have become unbearably arch. It's a testament to Eggers's skill as a writer--and to the heartbreaking particulars of his story--that it doesn't. Currently the editor of the footnote-and-marginalia-intensive journal McSweeney's (the last issue featured an entire story by David Foster Wallace printed tinily on its spine), Eggers comes from the most media-saturated generation in history--so much so that he can't feel an emotion without the sense that it's already been felt for him. What may seem like postmodern noodling is really just Eggers writing about pain in the only honest way available to him. Oddly enough, the effect is one of complete sincerity, and--especially in its concluding pages--this memoir as metafiction is affecting beyond all rational explanation. --Mary Park

The Year of Magical Thinking

Joan Didion

The Year of Magical Thinking Joan Didion Amazon Price: $11.16
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Customer Reviews:
Total reviews: 496 Average rating: 4.0 of 5

"Let it go." 5 out of 5 stars.
3 of 3 people found this review helpful.

In "The Year of Magical Thinking," Joan Didion chronicles the death of her husband, author and screenwriter John Gregory Dunne. One evening, Dunne died of a severe heart attack while the couple ate dinner. The day had seemed like any other, aside from the fact that they had just returned from a hospital visit with their grown daughter, Quintana, who was in a coma from an unidentified illness. Didion found herself lost, coping with the trauma of her husband's death at the same time that she faced the uncertainty of her daughter's recovery. This stress manifested itself in numerous ways, including the "magical thinking" from the title. Specifically, Didion talks about wanting her husband back so badly that she tries to trick herself into thinking it possible, such as convincing herself that if she kept his clothes, then he would come back for them. Or vice versa - if she gave away his clothes, this meant that he couldn't come back in the future.

Anyone who has experienced the death of a loved one will likely find something in this superb book that hits them - something that describes their grief perfectly. As is typical, Didion goes through various stages of grief and finds herself wanting answers. She wants to know how her husband died, and she goes about it like an author would - researching the topic. Didion also recounts bits and pieces of their life together as she attempts to piece together a new life. At times, she is a bit of a name-dropper, chronicling her fabulous Hollywood life and her friendships with famous authors. However, in the end, she was a widow grieving a loss, just the same as anyone else; death affects us all, is universal. Didion's beautiful writing and the way she discusses her grief is universal as well.

Overall, "The Year of Magical Thinking" is a sublime work of non-fiction that deservedly won the National Book Award. However, I was slightly annoyed by one aspect of the book - the lack of details about Dunne's age. At the beginning of the book, I assumed, based on how Didion writes about her husband, that Dunne was in his 50s. I haven't read anything else by Didion, so I didn't know much about her life. In actuality, Dunne was 70 years old when he died. Gradually, Didion acknowledges that his death was somewhat expected - Dunne had had heart problems for years. Perhaps her neglecting to tell us that earlier about his heart problems and his advanced age is part of her "magical thinking." If one doesn't acknowledge the heart problem, even when writing about it after his death, then said heart problem does not exist. Of course, the age of a loved one is fairly irrelevant to the person left behind; one is still alone. It's a minor point, perhaps, but one that affected my reaction to this otherwise amazing book.

This review is of the audiobook version, which consists of 4 CDs. The reader is Barbara Caruso, who does an amazing job of embodying the "voice" of Didion. The reading is simple and straight-forward, with very little accompanying music, which really suits the tone of the book.

Editorial Review:

From one of America’s iconic writers, a stunning book of electric honesty and passion. Joan Didion explores an intensely personal yet universal experience: a portrait of a marriage--and a life, in good times and bad--that will speak to anyone who has ever loved a husband or wife or child.

A Million Little Pieces

James Frey

A Million Little Pieces James Frey Amazon Price: $10.85
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Customer Reviews:
Total reviews: 1826 Average rating: 3.5 of 5

Editorial Review:

News from Doubleday & Anchor Books

The controversy over James Frey's A Million Little Pieces has caused serious concern at Doubleday and Anchor Books. Recent interpretations of our previous statement notwithstanding, it is not the policy or stance of this company that it doesn't matter whether a book sold as nonfiction is true. A nonfiction book should adhere to the facts as the author knows them.

It is, however, Doubleday and Anchor's policy to stand with our authors when accusations are initially leveled against their work, and we continue to believe this is right and proper. A publisher's relationship with an author is based to an extent on trust. Mr. Frey's repeated representations of the book's accuracy, throughout publication and promotion, assured us that everything in it was true to his recollections. When the Smoking Gun report appeared, our first response, given that we were still learning the facts of the matter, was to support our author. Since then, we have questioned him about the allegations and have sadly come to the realization that a number of facts have been altered and incidents embellished.

We bear a responsibility for what we publish, and apologize to the reading public for any unintentional confusion surrounding the publication of A Million Little Pieces. We are immediately taking the following actions:

  • We are issuing a publisher's note to be included in all future printings of the book.*
  • James Frey has written an author's note that will appear in all future printings of the book.* Read the author's note.
  • The jacket for all future editions will carry the line "With new notes from the publisher and from the author."

    *Customers should find the Author's Note and Publisher's Note in copies purchased from Amazon.com after April 15, 2006.
    Note: The following editorial reviews were written before the recent revelations by James Frey and the publisher.

    Amazon.com
    The electrifying opening of James Frey's debut memoir, A Million Little Pieces, smash-cuts to the then 23-year-old author on a Chicago-bound plane "covered with a colorful mixture of spit, snot, urine, vomit and blood." Wanted by authorities in three states, without ID or any money, his face mangled and missing four front teeth, Frey is on a steep descent from a dark marathon of drug abuse. His stunned family checks him into a famed Minnesota drug treatment center where a doctor promises "he will be dead within a few days" if he starts to use again, and where Frey spends two agonizing months of detox confronting "The Fury" head on:

    I want a drink. I want fifty drinks. I want a bottle of the purest, strongest, most destructive, most poisonous alcohol on Earth. I want fifty bottles of it. I want crack, dirty and yellow and filled with formaldehyde. I want a pile of powder meth, five hundred hits of acid, a garbage bag filled with mushrooms, a tube of glue bigger than a truck, a pool of gas large enough to drown in. I want something anything whatever however as much as I can.

    One of the more harrowing sections is when Frey submits to major dental surgery without the benefit of anesthesia or painkillers (he fights the mind-blowing waves of "bayonet" pain by digging his fingers into two old tennis balls until his nails crack). His fellow patients include a damaged crack addict with whom Frey wades into an ill-fated relationship, a federal judge, a former championship boxer, and a mobster (who, upon his release, throws a hilarious surf-and-turf bacchanal, complete with pay-per-view boxing). In the book's epilogue, when Frey ticks off a terse update on everyone, you can almost hear the Jim Carroll Band's brutal survivor's lament "People Who Died" kicking in on the soundtrack of the inevitable film adaptation.

    The rage-fueled memoir is kept in check by Frey's cool, minimalist style. Like his steady mantra, "I am an Alcoholic and I am a drug Addict and I am a Criminal," Frey's use of repetition takes on a crisp, lyrical quality which lends itself to the surreal experience. The book could have benefited from being a bit leaner. Nearly 400 pages is a long time to spend under Frey's influence, and the stylistic acrobatics (no quotation marks, random capitalization, left-aligned text, wild paragraph breaks) may seem too self-conscious for some readers, but beyond the literary fireworks lurks a fierce debut. --Brad Thomas Parsons

  • Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure

    Larry Smith, Rachel Fershleiser

    Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure Larry Smith, Rachel Fershleiser Amazon Price: $9.60
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    Customer Reviews:
    Total reviews: 43 Average rating: 4.5 of 5

    Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure 5 out of 5 stars.
    1 of 1 people found this review helpful.

    As with MOST of the books and a lot of the music I purchase, I "heard it on NPR!" I mean, really!! Listening to the awesome interviews of authors and musicians discussing their work is the very best way to find out about them. I presented a copy of the Memoir book to each of several friends at dinner recently, and they immediately responded EXACTLY the way I expected and hoped -- they started reading aloud as they paged through the book. My moment was complete!! I, of course, have a copy for myself and plan to continue to enjoy it. The other reaction that folks have is to try to write their OWN six-word memoirs. Really great idea!!! Kudos to those who compiled the book!!

    Editorial Review:

    Deceptively simple and surprisingly addictive, Not Quite What I Was Planning is a thousand glimpses of humanity—six words at a time.

    One Life. Six Words. What's Yours?

    When Hemingway famously wrote, "For Sale: baby shoes, never worn," he proved that an entire story can be told using a half dozen words. When the online storytelling magazine SMITH asked readers to submit six-word memoirs, they proved a whole, real life can be told this way too. The results are fascinating, hilarious, shocking, and moving.

    From small sagas of bittersweet romance ("Found true love, married someone else") to proud achievements and stinging regrets ("After Harvard, had baby with crackhead"), these terse true tales relate the diversity of human experience in tasty bite-sized pieces. From authors Jonathan Lethem and Richard Ford to comedians Stephen Colbert and Amy Sedaris, to ordinary folks around the world, everyone has a six-word story to tell.


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