Science Fiction & Fantasy Books - Page 5

Backup

Jim Butcher

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Editorial Review:

Let's get something clear right up front.

I'm not Harry Dresden.

Harry's a wizard. A genuine, honest-to-goodness wizard. He's Gandalf on crack and an IV of Red Bull, with a big leather coat and a .44 revolver in his pocket. He'll spit in the eye of gods and demons alike if he thinks it needs to be done, and to hell with the consequences--and yet somehow my little brother manages to remain a decent human being.

I'll be damned if I know how.

But then, I'll be damned regardless.
My name is Thomas Raith, and I'm a monster.

So begins "Backup," a twelve thousand word novelette set in Jim Butcher s ultra-popular Dresden Files series. This time Harry's in trouble he knows nothing about, and it's up to his big brother Thomas to track him down and solve those little life-threatening difficulties without his little brother even noticing.

The Accidental Time Machine

Joe Haldeman

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Customer Reviews:
Total reviews: 68 Average rating: 3.5 of 5

Bestseller?!?! 2 out of 5 stars.
4 of 4 people found this review helpful.

The story was mildly interesting though the characters were shallow and two-dimensional. While the author introduces ideas and lines of thought that have great potential, he drops them and leaves you unsatisfied. Whether it's laziness or perhaps he can't be bothered with exploring the realm of "What if?", I can't decide. And why does the author hate Christians so much? Reads almost like an atheist manifesto. My time machine shows this book sitting on the bargain shelf in the near future. 75% off.

Unfulfilling 2 out of 5 stars.
3 of 4 people found this review helpful.

A few too many open ends. There are interesting points, such as mildly explaining some futuristic aspects. The time travel possibility was interesting and belieavable, though as to why only his could was a mystery. I can buy random error, though I see a couple other reviewers could not. Could have been much better with a little more explanation of what was fully going on instead of the slow moving build up it creates that never quite get resolved.

Also, the main character is difficult to identify with, due to being a beer guzzling, drug using, MIT student. It's really just personal preference, but I tend to feel that if you're into science then you should at least follow some of its proven recommendations. These being adequate sleep, exercise, non-drug use, reasoning out decisions, etc, which amazingly the main character does all entirely backwards. Again, just personal preference, but very difficult for me to identify with to fully enjoy.

Editorial Review:

NOW IN PAPERBACK-FROM THE AUTHOR OF MARSBOUND

Grad- school dropout Matt Fuller is toiling as a lowly research assistant at MIT when he inadvertently creates a time machine. With a dead-end job and a girlfriend who left him for another man, Matt has nothing to lose in taking a time-machine trip himself—or so he thinks.

Cast in Fury (Chronicles of Elantra, Book 4)

Michelle Sagara

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Customer Reviews:
Total reviews: 11 Average rating: 4.5 of 5

Great last half 4 out of 5 stars.
1 of 1 people found this review helpful.

I liked this book. I am a big Fan of Michelle's starting from the Sundered Series. This book was better than the last but not as good as the first two in the series.

Cat and Leslie have written two very eloquent reviews which I agree with completely. I want more Nightshade! The story really picks up for me in the latter 1/3 when Kaylin goes to the fiefs. The climax was awesome. I know this is not a romance book, and I am not expecting any loev scenes, but I would love a little of the romantci tension between Kaylin-Nightshade-Severn that was present in the first two books.

The first half of the book was ho-hum. The plot line about Rennick writing the play about the the Thalaani was a bore. The origin of the Leontine race was interesting. The side characters, particular Arkon, Marcus,Sanablis,Tiamaris are wonderful.Severn is reduced to nothing more than someone who follows Kaylin, holds her hand on occasion and brings her food.

I agree we need some growth to Kaylin's character. Enough already about the impetousness, the interupting people, forgetting to eat, being tough on her uniform, etc. This has been rehashed ad infinitum and is now tedious. I am ready for some serious character growth, and I agree an adult relationship with a man (Severn or Nightshade) is appropriate by book 4.

Michelle- if you read these reviews, please, please ,please can you expand on the Nightshade/Kaylin relationship in the next book! A year is so long to wait.

Editorial Review:

When a minority race of telepaths is suspected of causing a near-devastating tidal wave, Private Kaylin Neya is summoned to Court—and into a PR nightmare. To ease racial tensions, the emperor has commissioned a play, and the playwright has his own ideas about who should be the focus.…

But Kaylin works her best magic behind the scenes, and though she tries to stay neutral, she is again drawn into a world of politics…and murder. To make matters worse, Marcus, her trusted sergeant, gets stripped of his command, leaving Kaylin vulnerable. Now she's juggling two troubling cases, and even magic's looking good by comparison. But then nobody ever said life in the theater was easy.…

Harry, A History: The True Story of a Boy Wizard, His Fans, and Life Inside the Harry Potter Phenomenon

Melissa Anelli

Amazon Price: $10.88 List Price: $16.00 Not yet published By: Pocket

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Editorial Review:

The Harry Potter Books Were Just The Beginning of the Story...

During the brief span of just one decade, hundreds of millions of perfectly ordinary people made history: they became the only ones who would remember what it was like when the Harry Potter saga was still unfinished. What it was like to seek out friends, families, online forums, fan fiction, and podcasts to get a fix between novels. When the potential death of a character was a hotter bet than the World Series. When the unfolding story of a boy wizard changed the way books are read for all time.

And as webmistress of the Leaky Cauldron, one of the most popular Harry Potter sites on the Internet, Melissa Anelli had a front row seat to it all. Whether it was helping Scholastic stop leaks and track down counterfeiters, hosting live PotterCasts at bookstores across the country, touring with the wizard rock band Harry and the Potters, or traveling to Edinburgh to interview J. K. Rowling personally, Melissa was at the center of the Harry Potter tornado, and nothing about her life would ever be the same.

The Harry Potter books are a triumph of the imagination that did far more than break sales records for all time. They restored the world's sense of wonder and took on a magical life of their own. Now the series has ended, but the story is not over. With remembrances from J. K. Rowling's editors, agents, publicists, fans, and Rowling herself, Melissa Anelli takes us on a personal journey through every aspect of the Harry Potter phenomenon -- from his very first spell to his lasting impact on the way we live and dream.

The Living Dead

Stephen King, Joe Hill, George R. R. Martin, Clive Barker, Neil Gaiman, Laurell K. Hamilton, Joe R. Lansdale, Poppy Z. Brite, Harlan Ellison

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Customer Reviews:
Total reviews: 6 Average rating: 4.5 of 5

Zombie-tastic! 5 out of 5 stars.
12 of 12 people found this review helpful.

Yes, some of the stories that are in the book have been published before in other compilations, the editor even states this in the beginning, however, 'The Living Dead' is an absolute must-have for anyone who is a fan of zombies. You can not go wrong here.

I would have paid this price if only for Dan Simmons short: 'This Years Class Picture'. I cried...Is that even possible in a zombie short? I can't believe that Dan Simmons name isn't on the cover, after all, A Winter Haunting is like one of the best ghost stories ever.

There are numerous shorts that can be found here:

This Years Class Picture -- Dan Simmons
Some Zombie Contigency Plans -- Kelly Link
Death and Sufferage -- Dale Bailey
Ghost Dance -- Sherman Alexie
Blossom -- David J Schow
The Third Dead Body -- Nina Kiriki Hoffman
The Dead -- Michael Swanwick
The Dead Kid -- Darrell Schweitzer
Malthusians Zombie -- Jeffrey Ford
Beautiful Stuff -- Susan Palwick
Sex, Death and Starshine -- Clive Barker
Stockholm Syndrome -- David Tallerman
Bobby Conroy Comes Back from the Dead -- Joe Hill
Those Who Seek Forgiveness -- Laurell K Hamilton
In Beauty, Like the Night -- Norman Partridge
Prarie -- Brian Evenson
Everything is Better with Zombies -- Hannah Wolf Bowers
Home Delivery -- Stephen King
Less Than Zombie -- Douglas E Winter
Sparks Fly Upward -- Lisa Morton
Meathouse Man -- George R R Martin
Deadman's Road -- Joe R Lansdale
The Skull-Faced Boy -- David Barr Kirtley
The Age of Sorrow -- Nancy Kilpatrick
Bitter Grounds -- Neil Gaiman
She's Taking her T[..]s to the Grave -- Catherine Check
Dead Like Me -- Adam-Troy Castro
Zora and the Zombie -- Andy Duncan
Calcutta, Lord of Nerves -- Poppy Z Brite
Followed -- Will McIntosh
The Song the Zombie Sang -- Harlan Ellison and Robert Silverberg
Passion Play -- Nancy Holder
Almost the Last Story by Almost the Last Man -- Scott Edelman
How the Day Runs Down -- John Langan

Editorial Review:

"When there's no more room in hell, the dead will walk the earth!" From White Zombie to Dawn of the Dead, Resident Evil to World War Z, zombies have invaded popular culture, becoming the monsters that best express the fears and anxieties of the modern west. Gathering together the best zombie literature of the last three decades from many of today's most renowned authors of fantasy, speculative fiction, and horror, including Stephen King, Harlan Ellison, Robert Silverberg, George R. R. Martin, Clive Barker, Poppy Z. Brite, Neil Gaiman, Joe Hill, Laurell K. Hamilton, and Joe R. Lansdale, The Living Dead covers the broad spectrum of zombie fiction.

1984 (Signet Classics)

George Orwell

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Customer Reviews:
Total reviews: 1384 Average rating: 4.5 of 5

Editorial Review:

"Outside, even through the shut window pane, the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into spirals, and though the sun was shining and the sky a harsh blue, there seemed to be no color in anything except the posters that were plastered everywhere."

The year is 1984; the scene is London, largest population center of Airstrip One.

Airstrip One is part of the vast political entity Oceania, which is eternally at war with one of two other vast entities, Eurasia and Eastasia. At any moment, depending upon current alignments, all existing records show either that Oceania has always been at war with Eurasia and allied with Eastasia, or that it has always been at war with Eastasia and allied with Eurasia. Winston Smith knows this, because his work at the Ministry of Truth involves the constant "correction" of such records. "'Who controls the past,' ran the Party slogan, 'controls the future: who controls the present controls the past.'"

In a grim city and a terrifying country, where Big Brother is always Watching You and the Thought Police can practically read your mind, Winston is a man in grave danger for the simple reason that his memory still functions. He knows the Party's official image of the world is a fluid fiction. He knows the Party controls the people by feeding them lies and narrowing their imaginations through a process of bewilderment and brutalization that alienates each individual from his fellows and deprives him of every liberating human pursuit from reasoned inquiry to sexual passion. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.

Newspeak, doublethink, thoughtcrime--in 1984, George Orwell created a whole vocabulary of words concerning totalitarian control that have since passed into our common vocabulary. More importantly, he has portrayed a chillingly credible dystopia. In our deeply anxious world, the seeds of unthinking conformity are everywhere in evidence; and Big Brother is always looking for his chance. --Daniel Hintzsche

Wolfsbane and Mistletoe

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Customer Reviews:
Total reviews: 7 Average rating: 3.5 of 5

Editorial Review:

The editors of Many Bloody Returns deliver the perfect howl-iday gift, with new tales from Patricia Briggs, Carrie Vaughn, and many more.

New York Times bestselling authors Charlaine Harris, Patricia Briggs, Keri Arthur, and Carrie Vaughn—along with eleven other masters of the genre—offer all-new stories on werewolves and the holidays, a fresh variation on the concept that worked so well with birthdays and vampires in Many Bloody Returns.

The holidays can bring out the beast in anyone. They are particularly hard for lycanthropes. Charlaine Harris and Toni L. P. Kelner have harvested the scariest, funniest and saddest werewolf tales by an outstanding pack of authors, best read by the light of a full moon with a silver bullet close at hand.

Whether wolfing down a holiday feast (use your imagination) or craving some hair of the dog on New Year’s morning, the werewolves in these frighteningly original stories will surprise, delight, amuse, and scare the pants off readers who love a little wolfsbane with their mistletoe.

Batman: Arkham Asylum (15th Anniversary Edition)

Grant Morrison

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Customer Reviews:
Total reviews: 69 Average rating: 4.0 of 5

The Dark Knightmare 5 out of 5 stars.
5 of 5 people found this review helpful.

"I see now the virtue in madness" begins Amadeus Arkham, locked in his own family home which he spent his life converting into a home for the mentally deranged only to later descend into madness himself. "I pity the poor shades confined to the Euclidean prison that is sanity. All things are possible here and I am what madness has made me. Whole. And complete. And free at last..."

"Arkham Asylum: A Serious House on Serious Earth" is a nightmare vision featuring The Batman and some of his most deadly foes as you've never seen them before. Not a typical comic book by any means; this is art, plain and simple. A psychological exploration overflowing with oblique symbolism, jaw-dropping and stylish artwork, imagery meant to terrify, and prose meant to provoke. Some readers may be turned off by the out-of-character situations and reactions of some of their favorite characters or the mind-twirling nature of the story progression and art, but this is the creepiest and most avant-garde comic I've ever read and that alone makes it a must. This is not a superhero story; this is pure unadulterated psychological horror of the highest caliber.

The story is actually two concurrent tales. One is an illustrated reading of the journal of Amadeus Arkham exploring his life, his death, his ambitions, and his succumbing to the very thing he dedicated his life to curing. The other follows the exploits of The Batman, called to the most storied sanitarium in all of fiction to face some of his greatest foes -and greatest fears- alone. The two overlap at times with Arkham's words adding symbolism to the events during Batman's journey into the heart of darkness.

The look of this book is jarring. Outstanding. Amazing. It's like real life bleed into a classic painting to create this surreal abstract art style. I figured Heath Ledger's portrayal of The Joker in The Dark Knight would be the one to haunt my nightmares. I was wrong. From his very first frame here he looks positively demonic; not a man at all but a grinning atrocity with frightening eyes and a horrific countenance. The very embodiment of Satan himself: a fitting representation in this context. Clayface is not the shapeshifter we know here, but has become a living symbol of disease and corruption, a pathetic being like many of the other villains residing within Arkham's walls. After successful therapy, Two-Face has been weaned from his coin-flipping habit and now makes decisions based on tarot cards, offering him shelter from the black/white absolutes of his criminal past. The problem: he can no longer even go to the bathroom without relying on his cards to tell him what to do. The end result is messy. Scarecrow makes a brief, but frightening appearance, and The Caped Crusader does battle with Killer Croc as well. The Mad Hatter shows up in true Lewis Carroll form (but with more pedophilic undertones) and offers up the solution to the mystery of this bizarre version of Batman's existence; confirming what I had suspected.

If there is any chink in this book's armor, it's that the symbolism overpowers the story much of the time. Fans of David Lynch, David Cronenburg, and H. P. Lovecraft will eat this up, but anybody looking for a traditional linear good vs. evil story may want to think twice. This is an exploration of the psychology of Batman; his fear that he is the reason Arkham is overflowing with madmen, or worse: that he is no different from those he puts behind it's walls. There are several recurring themes that are shared in the past experiences of both Amadeus Arkham and Bruce Wayne that are pretty fascinating. All of this insanity is held together by the outstanding art. "Arkham Asylum" is a complete package that requires multiple readings and a patient mind to unravel, but it is well worth the effort for those who want to get down to the elemental core of the Batman and gain insight into his thoughts and feelings. At first read, there is a lot that will be very off-putting the the Batman faithful, but once you understand the true nature of the book, it is an amazing work.

This 15th anniversary edition features a real treat. The back pages are full of commentary by the creator of this beautiful mess who shares a ton of insight in entertaining fashion. But the real gem is the original script for the comic, which reads a lot like a screenplay for a film. Anyone still in the dark about writer Grant Morrison's intentions with this story would do well to give it a hard read. It really lays out the symbolism and references that would otherwise fly over most anybody's head and answers any remaining questions the reader may have about any given scene. A brilliant addition. Here's one little factoid for you: The Joker's mouth was originally to be drawn as a reference to the fabled vagina dentata. The concept never made it onto the page, but you're welcome for that mental image. Thanks, Mr. Morrison!

So there it is. If you've ever questioned Batman's (or your own) sanity then this is the book for you. It's a nightmare of ink on paper and a deep, thoughtful look at the mind of one of the most iconic heroes of all time. It's dark, brutal, chilling, and downright gorgeous in the most disturbing possible way. It will change the way you look at the denizens of Gotham City, I can tell you that.

4 1/2 stars, rounded up for treating comics as an adult medium.

Editorial Review:

In this groundbreaking, painted graphic novel, the inmates of Arkham Asylum have taken over Gothams detention center for the criminally insane on April Fools Day, demanding Batman in exchange for their hostages.Accepting their demented challenge, Batman is forced to live and endure the personal hells of the Joker, Scarecrow, Poison Ivy, Two-Face and many other sworn enemies in order to save the innocents and retake the prison.During his run through this absurd gauntlet, the Dark Knights own sanity is placed in jeopardy.This special anniversary edition trade paperback also reproduces the original script with annotations by Morrison and editor Karen Berger.

Icarus at the Edge of Time

Brian Greene

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Customer Reviews:
Total reviews: 21 Average rating: 3.5 of 5

Editorial Review:

Product Description
From one of America's leading physicists--a moving and visually stunning futuristic re-imagining of the Icarus fable written for kids and those journeying with them toward a deeper appreciation of the cosmos.

With a minimum of words set on 34 full color boardbook pages, Icarus travels not to the sun, but to a black hole, and in so doing poignantly dramatizes one of Einstein's greatest insights.

Unlike anything Brian Greene has previously written, Icarus at the Edge of Time uses the power of story, not pedagogy, to communicate viscerally one small part of the strange reality that has emerged from modern physics. Designed by Chip Kidd, with spectacular images from the Hubble Space Telescope, it's a short story that speaks to curiosity and wisdom in a universe we've only begun to fathom.

An Interview with Author Brian Greene

Q: After writing two big four-hundred-plus page bestselling books, what made you decide to write an illustrated book for all ages?
A: There's an emotional side to science which the general public rarely experiences. When Einstein's calculations in 1916 showed that his new general theory of relativity could explain strange aspects of the planet Mercury's motion, he experienced--by his own description--heart palpitations. He'd revealed a fundamental cosmic truth and it filled him with awe and reverie. Yet, by contrast, in the public sphere science is still largely viewed as merely a cold body of knowledge. To many people, science is aloof, distant, abstract. I remember, some years back, reading a poem of Whitman’s about an astronomy student who grows tired and frustrated by his professor's teachings, and blissfully leaves the class to go outside, look skyward, and simply experience the wonderment of the star filled heavens. There are many for whom this poem would resonate. This highlights for me the need for people to connect with science in a new way--outside of the classroom and beyond the textbooks. My two previous books tried to make some heady ideas of modern physics widely available, and they did this through straightforward exposition. In Icarus At The Edge Of Time, my intention is to open a different kind of avenue onto science--a more visceral, more emotional side that a fictional narrative more readily accesses.

Q: Where did the idea to re-imagine the Icarus legend (set in outer space and involving black holes!) come from?
A: I recently told my two and a half year old son a bedtime story that involved space travelers moving near the speed of light. Within days he was telling his own animated stories of dinosaurs and monsters outrunning a new and wonderful concept--"the speed of dark." Which got me thinking. Storytelling is our most basic and powerful means of communication. We listen with a different kind of intensity--and open ourselves most fully--to a gripping tale. So why not allow some of science’s greatest wonders to be experienced not through pedagogy but through the force of narrative? Science in fiction, as opposed to science fiction. Scientific insights that are absorbed rather than studied. Icarus At The Edge Of Time is my first attempt to explore this terrain. Instead of a journey near the sun--a "light" star--Icarus heads to a black hole--a "dark" star. And then the wonders of Einstein's relativity kick in, warping the more familiar ending into a painful conclusion, to be sure, but perhaps one that's more hopeful than the original.

Q: The story of Icarus is a cautionary tale, what do you think it has to say when applied (as it is here) to the nature of scientific exploration of the universe?
A: Great scientists are great adventurers, boldly exploring unknown terrain--"anxiously searching" as Einstein once put it "for a truth one feels but cannot find, until final emergence into the light." Icarus's fearlessness fits this profile to a "T". But there's another side to scientific exploration. Scientific research has the capacity to reveal realms that turn the status quo on its head. And when this happens, we're often not prepared--as a society we're often not sufficiently mature--to take on the responsibility that such new realms can require.

From nuclear knowledge to stem cells, from global climate change to cloning, science not only opens up new vistas but confronts us with profound challenges. In this new version of the Icarus tale, Icarus's unrestrained explorations take him, literally, to a startling new realm--one in which the universe as he knew it becomes forever beyond his reach. We can imagine him maturing into his new life and experience, but we also feel the wrenching pain of his being torn from his familiar reality--and from his family--and entering a completely new world--the very process of maturation we collectively navigate as science rewrites the rules of what's possible.

Q: Who do you see as the audience for this book?
A: The intended audience is broad. While I've found that science-enthusiasts get a big kick out of the story (it's not often that general relativity is the lynch pin in a narrative!), I wrote the story with two kinds of imaginary readers looking over my shoulder--adults who don't generally have much contact with science, and kids who love a short adventure story.

Q: Since the writing of your last book you have become a father. How has fatherhood impacted you as a writer?
A: I feel a stronger urge to go beyond a connection with readers that's purely intellectual. The intellectual side is critical of course. But I think you communicate far more effectively if you can engage the reader on multiple levels. I've always felt this way. But I now experience it everyday--all the time--with my son, and also my one-year-old daughter. Fatherhood has heightened my recognition that to communicate you need an emotional link.

Q: Your passion for science and making it come alive for people of all ages is well known--as evidenced through your founding of The World Science Festival and also in a recent New York Times op-ed in which you wrote about "the powerful role science can play in giving life context and meaning," and stated, "It's the birthright of every child, it's a necessity for every adult, to look out on the world . . . and see that the wonder of the cosmos transcends everything that divides us." How do you feel about the way Science is taught in most schools today and what would be the biggest changes you would recommend?
A: We need to get beyond the urge--however important--of merely teaching kids the results of science, the methods of science. We need to communicate the stories of science. If a kid thinks of science as a subject taught in a classroom, we've failed. Kids need to think of science as the greatest of adventure stories as we've sought to understand ourselves and the universe around us. Kids need to recognize that science is a perspective, a way of life--it's something you hold with you long, long after you leave the classroom.

Q: What were some of the books that most inspired your passion for Science?
A: When I was really young, it wasn't actually books that inspired me. It was great teachers. From my dad (a self-educated high-school drop-out) to a couple of public school teachers where I grew up in New York City, I was fortunate to be surrounded by people who knew how to nurture and excite a young mind.

Q: So do you think anyone will ever actually find out what happens at the center of a black hole?
A: Absolutely. But not by jumping in.

Q: Is it a challenge, as a physicist and mathematician to write in a way that everyone understands?
A: It is a challenge, but for me its both a useful and exciting one. I find that translating cutting-edge research into more familiar language forces me to strip away extraneous details and zero in on the core ideas. Often, this helps me to organize my own thoughts and has even suggested research directions. And it's exciting to see ideas that are close to my heart and those of other researchers in the field reach a wider audience. The questions we are tackling are universal, and everyone deserves the right to enjoy the progress we're making.

Q: What are black holes and what do they tell us about the nature of universe?
A: Black holes are regions of space filled with such intense gravity that anything which gets too close, even light, is unable to escape. Although Albert Einstein’s insights led to the idea of black holes, he remained skeptical about their existence. Yet, in the decades since, a wealth of astronomical observations have provided strong evidence that black holes not only exist in the cosmos, they’re commonplace.

Black holes have a profound effect on time: their gravitational force pulls on time itself, slowing its rate of passage ever more as one gets ever nearer a black hole’s edge. Because of this, black holes provide for a specific kind of time travel. Were you to hover near the edge of a black hole, time for you would pass more slowly than for everyone else who remained far away. On returning to Earth you would thus find that hundreds or even thousands of years had elapsed, depending on the size of the black hole and how close you ventured to its edge.

Scientists still haven’t figured out what happens at the very center of a black hole. Einstein’s mathematics breaks down and so provides no insight. Some scientists have suggested that a black hole’s center is where time comes to an end while others have proposed that it’s a portal to another universe. Finding the definitive answer is widely recognized as one of the great remaining challenges in our continuing quest to understand space, time and the cosmos.

Q: How close are we to really understanding the nature of the universe?
A: Sometimes I think the final theory is just around the corner. Sometimes I think such thoughts are naive. The bottom line is I don't know, but what we're learning is so startling, that in a way it doesn't matter. When or if we reach the deepest understanding, it will be a major moment for our species. But until then, making progress at unraveling the cosmos is its own reward.

Q: Where did you get the idea to illustrate this book with photos from the Hubble Space Telescope?
A: That was Chip Kidd's idea. On reading the story he immediately felt that an abstract, as opposed to literal, visual treatment would be most effective. I agreed completely. And was kind of blown away when he came up with this design. It is so simple, but so powerful.

(Photo Credit: Andrea Cross)

Designer Chip Kidd Discusses His Vision for Icarus at the Edge of Time

Q: So Chip, where did the inspiration for this design come from?
A: The genesis, if you will, of the design and art direction of Icarus at the Edge of Time represents (for me), a prime example of design challenges at its purest and most exhilarating. In the spring of 2007, Marty Asher (Brian Greene's editor at Knopf) brought me Brian's manuscript of a fable of a teenage boy-genius (Icarus) who lives on a starship heading back to Earth after a generations-long mission and, against the stern warnings of his scientist father, commandeers a sort of pod-ship to go explore a black hole. When he returns from doing so, he finds that everything he knew has changed, and he learns a devastating lesson.

The story takes place in deep space, and as I was reading it, my mind instantly flashed to those incredible images that have been beamed back from the Hubble telescope. A quick investigation into the Hubble website bore out the fact that a) these images are in the public domain, and b) you can literally download good hi-resolution files of them from the site. Honestly, this discovery made me feel good about paying my taxes for the first time in decades. Anyway, the idea was born to illustrate the text metaphorically rather than literally. Although it is a fantastic tale, Brian grounds it in very real science, so the most appropriate thing was to show actual pictures of space (which happen to be jaw-droppingly gorgeous) as opposed to having someone draw or paint them.

In that sense it became like designing the cover of Jurassic Park all over again--you start with something concrete and real (a diagram of an existing T-Rex skeleton) and apply it to a fictional conceit. So you end up with what just might be outside Icarus's window as he hurtles through space. Added to that is a graphic element that represents the approaching and receding black hole, which is literally that--a small black circle appears smack dab in the center of the second spread and slowly grows as you read the book. Then, when it's so relatively large it threatens to completely consume everything, it slowly starts shrink (as Icarus pulls the pod-craft back away from it), until by the end of the book it disappears and is replaced by the Earth. If you have trouble picturing that, you'll just have to see the book! I thank Brian for the opportunity to work on it, and urge you all to check it out. Learning scientific space-physics was never so beautiful. –CK

(Photo Courtesy of Chip Kidd)

A Look Inside Icarus at the Edge of Time
(Click on Images to Enlarge)

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Ender's Game

Orson Scott Card

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Editorial Review:

In order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut--young Ender is the Wiggin drafted to the orbiting Battle School for rigorous military training.

Ender's skills make him a leader in school and respected in the Battle Room, where children play at mock battles in zero gravity. Yet growing up in an artificial community of young soldiers Ender suffers greatly from isolation, rivalry from his peers, pressure from the adult teachers, and an unsettling fear of the alien invaders. His psychological battles include loneliness, fear that he is becoming like the cruel brother he remembers, and fanning the flames of devotion to his beloved sister. Back on Earth, Peter and Valentine forge an intellectual alliance and attempt to change the course of history.

This futuristic tale involves aliens, political discourse on the Internet, sophisticated computer games, and an orbiting battle station. Yet the reason it rings true for so many is that it is first and foremost a tale of humanity; a tale of a boy struggling to grow up into someone he can respect while living in an environment stripped of choices. Ender's Game is a must-read book for science fiction lovers, and a key conversion read for their friends who "don't read science fiction."

Ender's Game won both the Hugo and the Nebula the year it came out. Writer Orson Scott Card followed up this honor with the first-time feat of winning both awards again the next year for the sequel, Speaker for the Dead. --Bonnie Bouman