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1984 (Signet Classics)

George Orwell

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Total reviews: 1377 Average rating: 4.5 of 5

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"Outside, even through the shut window pane, the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into spirals, and though the sun was shining and the sky a harsh blue, there seemed to be no color in anything except the posters that were plastered everywhere."

The year is 1984; the scene is London, largest population center of Airstrip One.

Airstrip One is part of the vast political entity Oceania, which is eternally at war with one of two other vast entities, Eurasia and Eastasia. At any moment, depending upon current alignments, all existing records show either that Oceania has always been at war with Eurasia and allied with Eastasia, or that it has always been at war with Eastasia and allied with Eurasia. Winston Smith knows this, because his work at the Ministry of Truth involves the constant "correction" of such records. "'Who controls the past,' ran the Party slogan, 'controls the future: who controls the present controls the past.'"

In a grim city and a terrifying country, where Big Brother is always Watching You and the Thought Police can practically read your mind, Winston is a man in grave danger for the simple reason that his memory still functions. He knows the Party's official image of the world is a fluid fiction. He knows the Party controls the people by feeding them lies and narrowing their imaginations through a process of bewilderment and brutalization that alienates each individual from his fellows and deprives him of every liberating human pursuit from reasoned inquiry to sexual passion. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.

Newspeak, doublethink, thoughtcrime--in 1984, George Orwell created a whole vocabulary of words concerning totalitarian control that have since passed into our common vocabulary. More importantly, he has portrayed a chillingly credible dystopia. In our deeply anxious world, the seeds of unthinking conformity are everywhere in evidence; and Big Brother is always looking for his chance. --Daniel Hintzsche

Animal Farm (Signet Classics)

George Orwell

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Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson

Nineteen Eighty-Four

George Orwell

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Total reviews: 67 Average rating: 5.0 of 5

my first Orwell, and I'm already hooked 5 out of 5 stars.
0 of 0 people found this review helpful.

I think this is my favorite novel about a dystopia. So far, I have read "We", "A Handmaid's Tale", "Brave New World", "Anthem", and "A Clockwork Orange", and though I have thoroughly enjoyed quite a few of the novels that I've listed, 1984 is my absolute favorite. How is it different? The main character, Winston, if not entirely likable, is very relatable. What I like most about him is that he doesn't assume to be anything or know anything, but rather, he feels instinctively that something is wrong with how the world is set up. He is not especially intelligent (although he's not exactly stupid either) or strong-willed or moral or handsome. And as if to emphasize Winston's relatable mediocrity, Orwell gave him an exceedingly boring office job! In some novels about dystopias, the protagonist can be overly heroic (as in Anthem) or tragic (as in a Handmaid's Tale), and thus more admirable but also a lot less relatable.

Another thing that is different . . . this book gives you different perspectives. Orwell's theme of government control over language is pretty common in this genre, but because he took his thesis a little farther than merely saying that government control is bad, the book is an interesting read. He even gets a little into metaphysics. As a reader, you also get the perspectives of different characters in the book, and thus, the perspectives of both the government and of rebels. Often, books in this genre can be very straight-foward, but 1984, with its many twists, is a very worthwhile read.

Editorial Review:

Thought Police. Big Brother. Orwellian. These words have entered our vocabulary because of George Orwell's classic dystopian novel, 1984. The story of one man's nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory, 1984 is a prophetic, haunting tale.

More relevant than ever before, 1984 exposes the worst crimes imaginable-the destruction of truth, freedom, and individuality.
With a new forward by Thomas Pynchon.

Animal Farm

George Orwell

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Total reviews: 3 Average rating: 5.0 of 5

Editorial Review:

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Mr. Jones, of the Manor Farm, had locked the henhouses for the night, but was too drunk to remember to shut the pop-holes. With the ring of light from his lantern dancing from side to side, he lurched across the yard, kicked off his boots at the back door, drew himself a last glass of beer from the barrel in the scullery, and made his way up to bed, where Mrs. Jones was already snoring. As soon as the light in the bedroom went out there was a stirring and a fluttering all through the farm buildings. Word had gone round during the day that old Major, the prize Middle White boar, had had a strange dream on the previous night and wished to communicate it to the other animals. It had been agreed that they should all meet in the big barn as soon as Mr. Jones was safely out of the way. Old Major (so he was always called, though the name under which he had been exhibited was Willingdon Beauty) was so highly regarded on the farm that everyone was quite ready to lose an hour's sleep in order to hear what he had to say.

Animal Farm and 1984

George Orwell

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ANIMAL FARM

George Orwell's classic satire of the Russian Revolution is an intimate part of our contemporary culture. It is the account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. Out of their cleverness, the pigs Napoleon, Squealer, and Snowball emerge as leaders of the new community in a subtle evolution that proves disastrous. The climax is the brutal betrayal of the faithful horse Boxer, when totalitarian rule is reestablished with the bloodstained postscript to the founding slogan: But some Animals Are More Equal Than Others. . . .

1984

In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind. Winston is a man in grave danger for the simple reason that his memory still functions. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.

The Same Man: George Orwell and Evelyn Waugh in Love and War

David Lebedoff

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One climbed to the very top of the social ladder, the other chose to live among tramps. One was a celebrity at twenty-three, the other virtually unknown until his dying days. One was right-wing and religious, the other a socialist and an atheist. Yet, as this ingenious and important new book reveals, at the heart of their lives and writing, Evelyn Waugh and George Orwell were essentially the same man.

Orwell is best known for Animal Farm and 1984, Waugh for Brideshead Revisited and comic novels like Scoop and Vile Bodies. However different they may seem, these two towering figures of twentieth-century literature are linked for the first time in this engaging and unconventional biography, which goes beyond the story of their amazing lives to reach the core of their beliefs–a shared vision that was startlingly prescient about our own troubled times.

Both Waugh and Orwell were born in 1903, into the same comfortable stratum of England’s class-obsessed society. But at first glance they seem to have lived opposite lives. Waugh married into the high aristocracy, writing hilarious novels that captured the amoral time between the wars. He converted to Catholicism after his wife’s infidelity and their divorce. Orwell married a moneyless student of Tolkien’s who followed him to Barcelona, where he fought in the Spanish Civil War. She saved his life there–twice–but her own fate was tragic.

Waugh and Orwell would meet only once, as the latter lay dying of tuberculosis, yet as The Same Man brilliantly shows, in their life and work both writers rebelled against a modern world run by a privileged, sometimes brutal, few. Orwell and Waugh were almost alone among their peers in seeing what the future–our time–would bring, and they dedicated their lives to warning us against what was coming: a world of material wealth but few values, an existence without tradition or community or common purpose, where lives are measured in dollars, not sense. They explained why, despite prosperity, so many people feel that our society is headed in the wrong direction. David Lebedoff believes that we need both Orwell and Waugh now more than ever.

Unique in its insights and filled with vivid scenes of these two fascinating men and their tumultuous times, The Same Man is an amazing story and an original work of literary biography.

Homage to Catalonia

George Orwell

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Total reviews: 91 Average rating: 4.5 of 5

Homage, Take 2: what about Aragon? 4 out of 5 stars.
46 of 50 people found this review helpful.

After re-reading Catalonia, some 20 years after my first encounter, I am disappointed. I do not think that this is Orwell's best work. It has many of his strengths, mainly the elegant, efficient and straightforward prose that he developed so impressively, but there are some flaws. Main flaw in my view is the fact that the main political theme has become dead and irrelevant. Stalin died some decades ago, the Soviet Empire collapsed, we don't need to dig in the little details of their abominable strategies any longer. Of course we can't blame Orwell for the fact that his concerns are not ours any more. But it shows that the book was not timeless in the sense of surviving its immediate subject, as his other non-fiction did.
Second main weakness of the book: the narration of the Barcelona street fighting and the attempts at understanding them are rather boring.
On the strong side: the tales from the Aragon front are much more interesting. Orwell saw less fighting than he was keen to experience, but he describes the trench routine with the same livelyness that he brought to Wigan coalmines and Paris restaurants previously.
He did see enough fighting to get dangerously injured. People said to him that few men survive a shot through the neck, so he was lucky. He thinks he would have been luckier if he had not been shot at all.
Orwell published the book a few months after his adventure, and before the Spanish Civil War was over. Surprisingly the book was a commercial failure then, and equally surprisingly it has later been named as one of the best non-fiction books of the century.
Why was it ignored in the early time? Possibly because he told the world things that the world didn't want to know. He busted the myth that there was a confrontation of the good and the bad in Spain, that democracy fought fashism. Orwell shows us that there were at least 3 camps, not 2. The most vicious fighting that he experienced was among the 'good guys'. The government side was influenced strongly by the communist party who had secured the support from Russia. Since no other country provided weapons to the government side, that secured a lot of mileage.
Orwell was a hopeless romantic, who loved the feeling of working class rule that he got when he first arrived in Barcelona. That must be the reason for the otherwise incomprehensible book title. That basically socialist attitude must also have put quite a few potential readers off at the time of publication.
Orwell later saw the few months in Spain as his political training period. It put him off communism and Stalin for good, but confirmed his socialist attitude, which however never found a political home in a party, though he did support Labor in his remaining years, from the outside.

Editorial Review:

"I wonder what is the appropriate first action when you come from a country at war and set foot on peaceful soil. Mine was to rush to the tobacco-kiosk and buy as many cigars and cigarettes as I could stuff into my pockets." Most war correspondents observe wars and then tell stories about the battles, the soldiers and the civilians. George Orwell--novelist, journalist, sometime socialist--actually traded his press pass for a uniform and fought against Franco's Fascists in the Spanish Civil War during 1936 and 1937. He put his politics and his formidable conscience to the toughest tests during those days in the trenches in the Catalan section of Spain. Then, after nearly getting killed, he went back to England and wrote a gripping account of his experiences, as well as a complex analysis of the political machinations that led to the defeat of the socialist Republicans and the victory of the Fascists.

Down and Out in Paris and London

George Orwell

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What was a nice Eton boy like Eric Blair doing in scummy slums instead of being upwardly mobile at Oxford or Cambridge? Living Down and Out in Paris and London, repudiating respectable imperialist society, and reinventing himself as George Orwell. His 1933 debut book (ostensibly a novel, but overwhelmingly autobiographical) was rejected by that elitist publisher T.S. Eliot, perhaps because its close-up portrait of lowlife was too pungent for comfort.

In Paris, Orwell lived in verminous rooms and washed dishes at the overpriced "Hotel X," in a remarkably filthy, 110-degree kitchen. He met "eccentric people--people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent." Though Orwell's tone is that of an outraged reformer, it's surprising how entertaining many of his adventures are: gnawing poverty only enlivens the imagination, and the wild characters he met often swindled each other and themselves. The wackiest tale involves a miser who ate cats, wore newspapers for underwear, invested 6,000 francs in cocaine, and hid it in a face-powder tin when the cops raided. They had to free him, because the apparently controlled substance turned out to be face powder instead of cocaine.

In London, Orwell studied begging with a crippled expert named Bozo, a great storyteller and philosopher. Orwell devotes a chapter to the fine points of London guttersnipe slang. Years later, he would put his lexical bent to work by inventing Newspeak, and draw on his down-and-out experience to evoke the plight of the Proles in 1984. Though marred by hints of unexamined anti-Semitism, Orwell's debut remains, as The Nation put it, "the most lucid portrait of poverty in the English language." --Tim Appelo

1984: 2

George Orwell

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Total reviews: 10 Average rating: 4.5 of 5

The abolition of ideas, through the destruction of words to express them. 5 out of 5 stars.
5 of 5 people found this review helpful.

Truly, a more bleaker look at the future you could never find.
No one can advocate revolution, if the words to express revolution don't exist.
A fascinating concept on the part of Mr Orwell.
This is the only book I couldn't stop thinking about months after I'd read it,
and now with CCTV cameras just about on every street corner, in every city of the world,
makes this story more relevant now then when first published.
If there's a bit of Winston Smith in us all, then there's probably a bit of the O'Brien character too.
Fascinating and terrifying in equal measure.
Down with Big Brother?.... not likely.
This is most deservedly, a Classic.
(First published 1949.)

the hobo philosopher 5 out of 5 stars.
1 of 2 people found this review helpful.

When I was young and read this book for the first time strangely enough I never thought of it as a warning about some other country's type of government. I thought of it as a description of what could happen in my own country if the wrong type of thinking was supported by a majority of the people of my country. I don't know what Mr. Orwell intended it to be but looking at my own country today I still think that my original interpretation was accurate.
I felt the same way about Animal Farm.

Editorial Review:

The George Orwell classic with an afterword and bibliography.

A Collection of Essays

George Orwell

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Total reviews: 24 Average rating: 4.5 of 5

Editorial Review:

Imagine any of today's writers of "creative nonfiction" dispatching a rogue elephant before an audience of several thousand. Now, imagine the essay that would result. Can we say "narcissism"? As part of the Imperial Police in Burma, George Orwell actually found himself aiming the gun, and his record--first published in 1936--comprises eight of the highest voltage pages of English prose you'll ever read. In "Shooting an Elephant," Orwell illumines the shoddy recesses of his own character, illustrates the morally corrupting nature of imperialism, and indicts you, the reader, in the creature's death, a process so vividly reported it's likely to show up in your nightmares ever after. "The owner was furious, but he was only an Indian and could do nothing.... Among the Europeans opinion was divided. The older men said I was right, the younger men said it was a damn shame to shoot an elephant for killing a coolie, because an elephant was worth much more than any damn Coringhee coolie."

This essay alone would be worth the cover price, and the dozen other pieces collected here prove that, given the right thinker/writer, today's journalism actually can become tomorrow's literature. "The Art of Donald McGill," ostensibly an appreciation of the jokey, vaguely obscene illustrated postcards beloved of the working classes, uses the lens of popular culture to examine the battle lines and rules of engagement in the war of the sexes, circa 1941. "Politics and the English Language" is a prose working-out of Orwell's perceptions about the slippery relationship of word and thought that becomes a key premise of 1984. "Looking Back on the Spanish War" is as clear-eyed a veteran's memoir of the nature of war as you're likely to find, and Orwell's long ruminations on the wildly popular "good bad" writers Charles Dickens and Rudyard Kipling showcase his singular virtues--searing honesty and independent thinking. From English boarding schools to Gandhi's character to an early appreciation of Henry Miller's Tropic of Cancer, these pieces give an idiosyncratic tour of the first half of the passing century in the company of an articulate and engaged guide. Don't let the idea that Orwell is an "important" writer put you off reading him. He's really too good, and too human, to miss. --Joyce Thompson