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1984 (Signet Classics)

George Orwell

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Total reviews: 1377 Average rating: 4.5 of 5

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"Outside, even through the shut window pane, the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into spirals, and though the sun was shining and the sky a harsh blue, there seemed to be no color in anything except the posters that were plastered everywhere."

The year is 1984; the scene is London, largest population center of Airstrip One.

Airstrip One is part of the vast political entity Oceania, which is eternally at war with one of two other vast entities, Eurasia and Eastasia. At any moment, depending upon current alignments, all existing records show either that Oceania has always been at war with Eurasia and allied with Eastasia, or that it has always been at war with Eastasia and allied with Eurasia. Winston Smith knows this, because his work at the Ministry of Truth involves the constant "correction" of such records. "'Who controls the past,' ran the Party slogan, 'controls the future: who controls the present controls the past.'"

In a grim city and a terrifying country, where Big Brother is always Watching You and the Thought Police can practically read your mind, Winston is a man in grave danger for the simple reason that his memory still functions. He knows the Party's official image of the world is a fluid fiction. He knows the Party controls the people by feeding them lies and narrowing their imaginations through a process of bewilderment and brutalization that alienates each individual from his fellows and deprives him of every liberating human pursuit from reasoned inquiry to sexual passion. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.

Newspeak, doublethink, thoughtcrime--in 1984, George Orwell created a whole vocabulary of words concerning totalitarian control that have since passed into our common vocabulary. More importantly, he has portrayed a chillingly credible dystopia. In our deeply anxious world, the seeds of unthinking conformity are everywhere in evidence; and Big Brother is always looking for his chance. --Daniel Hintzsche

Animal Farm (Signet Classics)

George Orwell

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Total reviews: 1148 Average rating: 4.5 of 5

Editorial Review:

Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson

Nineteen Eighty-Four

George Orwell

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Total reviews: 67 Average rating: 5.0 of 5

my first Orwell, and I'm already hooked 5 out of 5 stars.
0 of 0 people found this review helpful.

I think this is my favorite novel about a dystopia. So far, I have read "We", "A Handmaid's Tale", "Brave New World", "Anthem", and "A Clockwork Orange", and though I have thoroughly enjoyed quite a few of the novels that I've listed, 1984 is my absolute favorite. How is it different? The main character, Winston, if not entirely likable, is very relatable. What I like most about him is that he doesn't assume to be anything or know anything, but rather, he feels instinctively that something is wrong with how the world is set up. He is not especially intelligent (although he's not exactly stupid either) or strong-willed or moral or handsome. And as if to emphasize Winston's relatable mediocrity, Orwell gave him an exceedingly boring office job! In some novels about dystopias, the protagonist can be overly heroic (as in Anthem) or tragic (as in a Handmaid's Tale), and thus more admirable but also a lot less relatable.

Another thing that is different . . . this book gives you different perspectives. Orwell's theme of government control over language is pretty common in this genre, but because he took his thesis a little farther than merely saying that government control is bad, the book is an interesting read. He even gets a little into metaphysics. As a reader, you also get the perspectives of different characters in the book, and thus, the perspectives of both the government and of rebels. Often, books in this genre can be very straight-foward, but 1984, with its many twists, is a very worthwhile read.

Editorial Review:

Thought Police. Big Brother. Orwellian. These words have entered our vocabulary because of George Orwell's classic dystopian novel, 1984. The story of one man's nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory, 1984 is a prophetic, haunting tale.

More relevant than ever before, 1984 exposes the worst crimes imaginable-the destruction of truth, freedom, and individuality.
With a new forward by Thomas Pynchon.

Animal Farm

George Orwell

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Total reviews: 3 Average rating: 5.0 of 5

Editorial Review:

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Mr. Jones, of the Manor Farm, had locked the henhouses for the night, but was too drunk to remember to shut the pop-holes. With the ring of light from his lantern dancing from side to side, he lurched across the yard, kicked off his boots at the back door, drew himself a last glass of beer from the barrel in the scullery, and made his way up to bed, where Mrs. Jones was already snoring. As soon as the light in the bedroom went out there was a stirring and a fluttering all through the farm buildings. Word had gone round during the day that old Major, the prize Middle White boar, had had a strange dream on the previous night and wished to communicate it to the other animals. It had been agreed that they should all meet in the big barn as soon as Mr. Jones was safely out of the way. Old Major (so he was always called, though the name under which he had been exhibited was Willingdon Beauty) was so highly regarded on the farm that everyone was quite ready to lose an hour's sleep in order to hear what he had to say.

Homage to Catalonia

George Orwell

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Total reviews: 91 Average rating: 4.5 of 5

Homage, Take 2: what about Aragon? 4 out of 5 stars.
46 of 50 people found this review helpful.

After re-reading Catalonia, some 20 years after my first encounter, I am disappointed. I do not think that this is Orwell's best work. It has many of his strengths, mainly the elegant, efficient and straightforward prose that he developed so impressively, but there are some flaws. Main flaw in my view is the fact that the main political theme has become dead and irrelevant. Stalin died some decades ago, the Soviet Empire collapsed, we don't need to dig in the little details of their abominable strategies any longer. Of course we can't blame Orwell for the fact that his concerns are not ours any more. But it shows that the book was not timeless in the sense of surviving its immediate subject, as his other non-fiction did.
Second main weakness of the book: the narration of the Barcelona street fighting and the attempts at understanding them are rather boring.
On the strong side: the tales from the Aragon front are much more interesting. Orwell saw less fighting than he was keen to experience, but he describes the trench routine with the same livelyness that he brought to Wigan coalmines and Paris restaurants previously.
He did see enough fighting to get dangerously injured. People said to him that few men survive a shot through the neck, so he was lucky. He thinks he would have been luckier if he had not been shot at all.
Orwell published the book a few months after his adventure, and before the Spanish Civil War was over. Surprisingly the book was a commercial failure then, and equally surprisingly it has later been named as one of the best non-fiction books of the century.
Why was it ignored in the early time? Possibly because he told the world things that the world didn't want to know. He busted the myth that there was a confrontation of the good and the bad in Spain, that democracy fought fashism. Orwell shows us that there were at least 3 camps, not 2. The most vicious fighting that he experienced was among the 'good guys'. The government side was influenced strongly by the communist party who had secured the support from Russia. Since no other country provided weapons to the government side, that secured a lot of mileage.
Orwell was a hopeless romantic, who loved the feeling of working class rule that he got when he first arrived in Barcelona. That must be the reason for the otherwise incomprehensible book title. That basically socialist attitude must also have put quite a few potential readers off at the time of publication.
Orwell later saw the few months in Spain as his political training period. It put him off communism and Stalin for good, but confirmed his socialist attitude, which however never found a political home in a party, though he did support Labor in his remaining years, from the outside.

Editorial Review:

"I wonder what is the appropriate first action when you come from a country at war and set foot on peaceful soil. Mine was to rush to the tobacco-kiosk and buy as many cigars and cigarettes as I could stuff into my pockets." Most war correspondents observe wars and then tell stories about the battles, the soldiers and the civilians. George Orwell--novelist, journalist, sometime socialist--actually traded his press pass for a uniform and fought against Franco's Fascists in the Spanish Civil War during 1936 and 1937. He put his politics and his formidable conscience to the toughest tests during those days in the trenches in the Catalan section of Spain. Then, after nearly getting killed, he went back to England and wrote a gripping account of his experiences, as well as a complex analysis of the political machinations that led to the defeat of the socialist Republicans and the victory of the Fascists.

Down and Out in Paris and London

George Orwell

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Total reviews: 90 Average rating: 4.5 of 5

Editorial Review:

What was a nice Eton boy like Eric Blair doing in scummy slums instead of being upwardly mobile at Oxford or Cambridge? Living Down and Out in Paris and London, repudiating respectable imperialist society, and reinventing himself as George Orwell. His 1933 debut book (ostensibly a novel, but overwhelmingly autobiographical) was rejected by that elitist publisher T.S. Eliot, perhaps because its close-up portrait of lowlife was too pungent for comfort.

In Paris, Orwell lived in verminous rooms and washed dishes at the overpriced "Hotel X," in a remarkably filthy, 110-degree kitchen. He met "eccentric people--people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent." Though Orwell's tone is that of an outraged reformer, it's surprising how entertaining many of his adventures are: gnawing poverty only enlivens the imagination, and the wild characters he met often swindled each other and themselves. The wackiest tale involves a miser who ate cats, wore newspapers for underwear, invested 6,000 francs in cocaine, and hid it in a face-powder tin when the cops raided. They had to free him, because the apparently controlled substance turned out to be face powder instead of cocaine.

In London, Orwell studied begging with a crippled expert named Bozo, a great storyteller and philosopher. Orwell devotes a chapter to the fine points of London guttersnipe slang. Years later, he would put his lexical bent to work by inventing Newspeak, and draw on his down-and-out experience to evoke the plight of the Proles in 1984. Though marred by hints of unexamined anti-Semitism, Orwell's debut remains, as The Nation put it, "the most lucid portrait of poverty in the English language." --Tim Appelo

1984: 2

George Orwell

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Total reviews: 10 Average rating: 4.5 of 5

The abolition of ideas, through the destruction of words to express them. 5 out of 5 stars.
5 of 5 people found this review helpful.

Truly, a more bleaker look at the future you could never find.
No one can advocate revolution, if the words to express revolution don't exist.
A fascinating concept on the part of Mr Orwell.
This is the only book I couldn't stop thinking about months after I'd read it,
and now with CCTV cameras just about on every street corner, in every city of the world,
makes this story more relevant now then when first published.
If there's a bit of Winston Smith in us all, then there's probably a bit of the O'Brien character too.
Fascinating and terrifying in equal measure.
Down with Big Brother?.... not likely.
This is most deservedly, a Classic.
(First published 1949.)

the hobo philosopher 5 out of 5 stars.
1 of 2 people found this review helpful.

When I was young and read this book for the first time strangely enough I never thought of it as a warning about some other country's type of government. I thought of it as a description of what could happen in my own country if the wrong type of thinking was supported by a majority of the people of my country. I don't know what Mr. Orwell intended it to be but looking at my own country today I still think that my original interpretation was accurate.
I felt the same way about Animal Farm.

Editorial Review:

The George Orwell classic with an afterword and bibliography.

A Collection of Essays

George Orwell

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Total reviews: 24 Average rating: 4.5 of 5

Editorial Review:

Imagine any of today's writers of "creative nonfiction" dispatching a rogue elephant before an audience of several thousand. Now, imagine the essay that would result. Can we say "narcissism"? As part of the Imperial Police in Burma, George Orwell actually found himself aiming the gun, and his record--first published in 1936--comprises eight of the highest voltage pages of English prose you'll ever read. In "Shooting an Elephant," Orwell illumines the shoddy recesses of his own character, illustrates the morally corrupting nature of imperialism, and indicts you, the reader, in the creature's death, a process so vividly reported it's likely to show up in your nightmares ever after. "The owner was furious, but he was only an Indian and could do nothing.... Among the Europeans opinion was divided. The older men said I was right, the younger men said it was a damn shame to shoot an elephant for killing a coolie, because an elephant was worth much more than any damn Coringhee coolie."

This essay alone would be worth the cover price, and the dozen other pieces collected here prove that, given the right thinker/writer, today's journalism actually can become tomorrow's literature. "The Art of Donald McGill," ostensibly an appreciation of the jokey, vaguely obscene illustrated postcards beloved of the working classes, uses the lens of popular culture to examine the battle lines and rules of engagement in the war of the sexes, circa 1941. "Politics and the English Language" is a prose working-out of Orwell's perceptions about the slippery relationship of word and thought that becomes a key premise of 1984. "Looking Back on the Spanish War" is as clear-eyed a veteran's memoir of the nature of war as you're likely to find, and Orwell's long ruminations on the wildly popular "good bad" writers Charles Dickens and Rudyard Kipling showcase his singular virtues--searing honesty and independent thinking. From English boarding schools to Gandhi's character to an early appreciation of Henry Miller's Tropic of Cancer, these pieces give an idiosyncratic tour of the first half of the passing century in the company of an articulate and engaged guide. Don't let the idea that Orwell is an "important" writer put you off reading him. He's really too good, and too human, to miss. --Joyce Thompson

The Road to Wigan Pier

George Orwell

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Customer Reviews:
Total reviews: 31 Average rating: 4.0 of 5

We have nothing to lose but our aitches 5 out of 5 stars.
21 of 28 people found this review helpful.

Contrary to my expectations, this is Orwell's most personal book. He bares his soul to us. At least I think he seriously tries to be perfectly honest, if not complete.
After his success with Down and Out in Paris and London, Orwell got commissioned by the influential Left Book Club (Victor Gollancz one of the editors)to write a book about unemployment in the industrial and empoverished northern part of England. This was the mid 30s, the recent depression had led to high unemployment and endless misery in England as elsewhere.
GO went there and dug in and lived with workers and in boarding houses and crawled through mines (though he was about twice as tall as a miner should be) and talked to people and read statistics and reports.
The outcome is an oddity. Part 1 is a solid piece of investigative reporting and journalistic sociology. Chapter 1 is along the lines of Down and Out, an account of life in a boarding house in the North. Start with chapter 2 if you are squeamish. The hygienic conditions are worse than anything in Down and Out.
The following chapters in part 1 give us decsriptions of the life of miners and work in the coal mines, of the miners' leisure time, health, work safety, accidents, the housing conditions in the fearful northern slums (worse than the slums in India and Burma, says GO, because of the cold dampness), of unemployment and malnutrition, of food and fuel, of the uglyness of industrial countries at the time. The strongest chapter in this part, in my opinion, is the one on unemployment and its psychology. This subject is timeless. Even if the slums have changed, the essential condition of unemployment is surely unchanged.
So far so good and in line with the job description.
But then the man went and added a second part which deals in first place with himself, an autobiography and history of the thought of GO. Having grown up as a son of shabby genteels, he was raised on contempt for the working class. Public school education enforced the attitude. After school and after WW1, GO took a job in the imperial police in Burma and there learned to hate the system. He quit after 5 years and went into a personal crisis, a kind of horror vacui and hatred against his self. He goes on search of redemption as told with some embellishment in Down and Out. He tries to anihilate his social persona, but learns it does not work that way. The North England job gives him a chance to reconsider his position. He philosophizes about socialism and the classes. Interesting to us (at least to me), but shocking to the Left Book Club.
They decide to publish it anyway, but Gollancz adds a foreword where he thinks he needs to warn his club members that here is somebody who does not walk the line of good doctrinarism. Very odd.
By the way, did you know that quite likely fish and chips and the football pools have averted revolution in England by providing 'panem and circenses'? Says Orwell, and I love him for that kind of insight.
(This concludes my Orwell cycle, unless I decide to re-visit Burma and Catalonia.)

Editorial Review:

Although George Orwell grew up in the relative comfort of the English middle class, his socialist convictions and general sense of fairness led him to hate his country's deeply ingrained class structure. That perspective permeates this book, but the most striking elements are the quotidian details of life that Orwell observes in his first-person account of the lives of coal miners and others in the poor north of England. Wigan Pier is almost too realistic at times, as Orwell brings his unparalleled powers of observation to portray the wretched conditions of the working class. That Orwell may have slanted his reporting to make things look worse than they were is a question that does not lessen the book's interest.

Burmese Days: A Novel

George Orwell

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Total reviews: 52 Average rating: 4.5 of 5

Editorial Review:

Imagine crossing E.M. Forster with Jane Austen. Stir in a bit of socialist doctrine, a sprig of satire, strong Indian curry, and a couple quarts of good English gin and you get something close to the flavor of George Orwell's intensely readable and deftly plotted Burmese Days. In 1930, Kyauktada, Upper Burma, is one of the least auspicious postings in the ailing British Empire--and then the order comes that the European Club, previously for whites only, must elect one token native member. This edict brings out the worst in this woefully enclosed society, not to mention among the natives who would become the One. Orwell mines his own Anglo-Indian background to evoke both the suffocating heat and the stifling pettiness that are the central facts of colonial life: "Mr. MacGregor told his anecdote about Prome, which could be produced in almost any context. And then the conversation veered back to the old, never-palling subject--the insolence of the natives, the supineness of the Government, the dear dead days when the British Raj was the Raj and please give the bearer fifteen lashes. The topic was never let alone for long, partly because of Ellis's obsession. Besides, you could forgive the Europeans a great deal of their bitterness. Living and working among Orientals would try the temper of a saint."

Protagonist James Flory is a timber merchant, whose facial birthmark serves as an outward expression of the ironic and left-leaning habits of mind that make him inwardly different from his coevals. Flory appreciates the local culture, has native allegiances, and detests the racist machinations of his fellow Club members. Alas, he doesn't always possess the moral courage, or the energy, to stand against them. His almost embarrassingly Anglophile friend, Dr. Veraswami, the highest-ranking native official, seems a shoo-in for Club membership, until Machiavellian magistrate U Po Kyin launches a campaign to discredit him that results, ultimately, in the loss not just of reputations but of lives. Whether to endorse Veraswami or to betray him becomes a kind of litmus test of Flory's character.

Against this backdrop of politics and ethics, Orwell throws the shadow of romance. The arrival of the bobbed blonde, marriageable, and resolutely anti-intellectual Elizabeth Lackersteen not only casts Flory as hapless suitor but gives Orwell the chance to show that he's as astute a reporter of nuanced social interactions as he is of political intrigues. In fact, his combination of an astringently populist sensibility, dead-on observations of human behavior, formidable conjuring skills, and no-frills prose make for historical fiction that stands triumphantly outside of time. --Joyce Thompson