Superheroes Books

Watchmen

Alan Moore

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Customer Reviews:
Total reviews: 620 Average rating: 4.5 of 5

Editorial Review:

Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.

The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite

The Joker

Brian Azzarello

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Customer Reviews:
Total reviews: 31 Average rating: 4.0 of 5

Editorial Review:

An original hardcover graphic novel that tells the story of one very dark night in Gotham City--from the creative team behind the graphic novel Lex Luthor: Man of Steel.

The Joker has been mysteriously released from Arkham Asylum, and he's none to happy about what's happened to his Gotham City rackets while he's been "away." What follows is a harrowing night of revenge, murder and manic crime as only The Joker can deliver it, as he brutally takes back his stolen assets from The Penguin, The Riddler, Two-Face, Killer Croc and others.

Brian Azzarello brings to The Joker all the visceral intensity and criminal insight that has made his Vertigo graphic novel series 100 Bullets one of the most critically-acclaimed and award-winning series in all of comics.

A Look Inside The Joker
(Click on Images to Enlarge)

A Disease That Infected Gotham City	Pick Your Poison
The Joker	The News Spread

Batman: The Killing Joke

Alan Moore, Brian Bolland

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Customer Reviews:
Total reviews: 181 Average rating: 4.5 of 5

Alan Moore Does it Right, and Bolland Art Revision is Amazing 5 out of 5 stars.
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The Killing Joke was a comic spawned shortly after the work of Frank Miller, and is probably the comic that established The Joker as one of the most important fictional villains of the 20th century. Batman had become a well thought out, complex character in recent years, primarily due to the work of skilled writer Frank Miller. Batman had been brought into a gritty, modern world of comic books, but I always felt that Miller's The Dark Knight Returns failed to bring the antagonistic Joker into a new light...well it did, but not in the way the character was meant to be. Alan Moore, with the help of Brian Bolland's stunning artwork helped bring to life what is widely accepted as today's standard for the famous Harlequin of Hate.

He's crazy, he kills people simply for his own twisted sense of humor, but always has a very zany, cartoonish attitude, which I felt was lacking in Miller's interpretation, where Joker seemed much too serious in appearance, dialogue, and action. The Joker presented in this graphic novel truly is a fiendish jester of fate, who for the most part is truly frightening, but never really acts like anything more than a loon. Bolland's art is very helpful in this aspect, not only bringing the Joker's exaggerated, skeletal body to life, but making it perhaps the most anatomically correct Joker ever seen, while still following the style of the 1970s Joker appearances.

The story revolves around the long struggle between Batman and his foe, and their never ending conflict. Joker, having escaped from Arkham Asylum (again), has decided to prove that one bad day can transform any sane man into a monster, such as himself. Taking possession of an old carnival he's ready to do whatever it takes to prove his point, with the assistance of a circus freak show. Meanwhile The Dark Knight questions himself on how this fight will end; coming to the realization that sooner or later one of them would kill the other, unless they tried to reason it out. A hopeless plan by our hero, but he has to at least try a single time to reason with his arch-nemesis, just so he can say he tried.

While Batman leads the hunt for the psychotic clown, Joker decides to prove his theory, kidnapping Commissioner Gordon, and shooting Barbara Gordon (Batgirl) through the spine (she never walks again). This is one of the most villainous acts in the history of comics; simply because of how pointless the shooting was, considering Barbara wasn't even in the character of Batgirl. She was just a bystander who Joker decided to use as a tool for his plot. Everyone is a puppet, or tool in his mind.

He does this act all of this while wearing a stereotypical beach-going tourist's attire, complete with a large camera, the only exception being his wide-brimmed, purple hat, which conceal his eyes. These are the eyes of a madman, and in one of the comic's final pages his eyes are concealed in shadow once again, before they come out and you see him for the hopeless case he truly is.

The story sets the stage for the most widely accepted Joker back-story through a series of flashbacks, showing him as a failed comedian with a pregnant wife, and soon winds up assisting criminals, and falling victim to tragedy. The character is shown to have had one bad day and that is how he ended up as the smiling super villain who has plagued Gotham City for decades. Of course this back-story isn't necessarily true, being that it comes from flashbacks spawned from Joker's mind, and as he famously states in his confrontation with Batman "If I'm going to have a past, I prefer it to be multiple choice!"

Gordon's capture and torture leads to a fight between these two iconic characters, where Batman tries to see if it is possible to reason with Joker logically, but the villain doesn't even try to lie about what is obviously in store for them. He can never be reasoned with, and won't stop until he's dead, and Batman refuses to kill him so it's a sick cycle that goes round and round. In the end of The Killing Joke the roller coaster has only been reset and it will only be a matter of time before Joker is back on the streets, killing again with some new, random scheme which will only make sense to him alone, depending on the mood he's in at the time, or which version of his past he remembers.

Alan Moore's story is sick, it's disturbing, and doesn't fail to leave the reader in a state of awe. The only problem is that by the end you crave for more! The story practically brings you to the point of begging for a sequel, or expansion which will probably never come. This is a one-shot story, and should remain that way, or else the original's impact may be lost. I don't have a single friend who doesn't think The Killing Joke is one of the most twisted, sick, most perfect stories of the comic medium. It's short, but it delivers a powerful punch!

Brian Bolland's art makes this short graphic novel a masterpiece, providing some of the best art ever seen in the characters' long history, only rivaled (in my opinion) by the art of Alex Ross. Joker really is frightening to look at here, because he doesn't look like a real person in most aspects, but Bolland manages to make this character incredibly believable in appearance, without taking any liberties of changing the body type into something more universal. The tall, skeletal body of the 1970s comics is preserved for the most part, except for the narrowing of the chin, which improves the look even further (hence why it's universally used in today's comics).

Recently I got the hardcover anniversary edition of The Killing Joke, with the artwork being edited by Brian Bolland, and re-colored by Bolland personally the way he intended it to be seen. I must say that I love the changes to the colors, more so than the cheery, bright colors of the original, which I felt distracted from Bolland's line-art, because the colors were way too traditional comic book, not fitting the intensity of the art. These colors are dark, gritty, and really captures to mood of the story more effectively than the bright colors of the original release. I especially love the flashbacks being in black and white, except for concentrating on objects that reflect the color red, which leads up to him taking on the garb of The Red Hood, before his first confrontation, leading to his ultimate disfigurement and insanity. This is a seriously talented artist and I only wish he was presented with more opportunities to draw these characters. Batman and Joker look their very best in these images, and I'd be hard pressed to find a comic with better consistency of art quality.

The Killing Joke is one, if not THE best story in the history of Batman comics, and rightfully earns my rating of 10/10 stars.

Editorial Review:

The Killing Joke, one of my favorite Batman stories ever, stirred a bit of controversy because the story involves the Joker brutally, pointlessly shooting Commissioner Gordon's daughter in the spine. This is a no-holds-barred take on a truly insane criminal mind, masterfully written by British comics writer Alan Moore. The art by Brian Bolland is so appealing that his depiction of the Joker became a standard and was imitated by many artists to follow.

Batman: The Dark Knight Returns

Frank Miller

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Customer Reviews:
Total reviews: 338 Average rating: 4.5 of 5

Editorial Review:

If any comic has a claim to have truly reinvigorated the genre, then The Dark Knight Returns by Frank Miller--known also for his excellent Sin City series and his superb rendering of the blind superhero Daredevil--is probably the top contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. The great Alan Moore (V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argued that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task.

Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon, and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, street gangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite

Marvel Chronicle

Tom DeFalco, Peter Sanderson, Tom Brevoort

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Editorial Review:

Dig into the archives of Marvel Comics with this massive compendium. Every iconic hero and villain of the Marvel Comics Universe is chronologically catalogued in this lush celebration of Marvel's seventy year history including Spider-Man, Iron Man, The Incredible Hulk, Captain America and hundreds more.

Exerpts from Marvel Chronicle (Click on images for larger version)

The Marvel Encyclopedia

Daniel Wallace, Tom Brevoort, Andrew J. Darling, Tom DeFalco, Peter Sanderson, Michael Teitelbaum

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Customer Reviews:
Total reviews: 78 Average rating: 4.0 of 5

ABSOLUTELY, DEFINITELY A MUST-HAVE FOR ALL MARVEL FANS! 5 out of 5 stars.
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Like the average child once, I read comic books, especially marvel comic books. Marvel IMO has the most extensive comic books characters, both hero and villain, ever written. This encyclopedia will open your eyes to all of those characters, educating you on just about every little detail you need to know about them. I was truly excited (and fascinated) upon receiving this book. Although I read a lot of comic books when I was a child, I was totally unaware of the other characters. This book gave me an insight of the extensiveness of the Marvel World. It is truly a work of art. One of this books you must have (and will read from time to time).

Editorial Review:

Marvel Comics' character roster boasts some of the best known and most popular characters ever conceived-heroes that are international household names, both as comic book stars and movie stars, such as Spider-Man, the Hulk and Wolverine. This unique, one-volume encyclopedia contains more than 1000 of Marvel's greatest, with full details of their powers and their thrill-packed careers. The encyclopedia's range of spectacular art features eye-popping work by Marvel's finest artists, while the authoritative text is supplied by a team of top Marvel comic book writers. In addition, double-page features, illustrated with classic covers, trace the fascinating story of Marvel Comics through the decades. The Marvel Comics Encyclopedia is an essential book both for new fans and for those who grew up loving the excitement, heroism and humor of the Marvel Universe. Includes a foreword by Stan Lee.

Batman: Arkham Asylum (15th Anniversary Edition)

Grant Morrison

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Customer Reviews:
Total reviews: 74 Average rating: 4.0 of 5

Joker gooses Batman 5 out of 5 stars.
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The art in this is fantastic which was really the basis of appeal for me overall. The story idea is really a good one also and even though it kinda glides through it, it works because the writing and art feed off each other perfectly. I also like how the history of arkham is wound up in the psychological delivery of this book. Some pages if you just stare at them and absorb all that is printed on them you can feel the chaos. My only gripe is that some of the text is hard to read, but who cares. The art is so good the pages deserve a closer look.

Editorial Review:

In this groundbreaking, painted graphic novel, the inmates of Arkham Asylum have taken over Gothams detention center for the criminally insane on April Fools Day, demanding Batman in exchange for their hostages.Accepting their demented challenge, Batman is forced to live and endure the personal hells of the Joker, Scarecrow, Poison Ivy, Two-Face and many other sworn enemies in order to save the innocents and retake the prison.During his run through this absurd gauntlet, the Dark Knights own sanity is placed in jeopardy.This special anniversary edition trade paperback also reproduces the original script with annotations by Morrison and editor Karen Berger.

Batman: Year One

Frank Miller

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Total reviews: 102 Average rating: 4.5 of 5

Good, But Not as Good as Expected 3 out of 5 stars.
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If you ever hear about Batman: Year One, it's most likely the praise of the story's origins and reinvention. I read it pretty fast, in a day or so, and it was pretty entertaining, but not as good as I'd hoped. I think Frank Miller is a pretty good storyteller, but maybe it's just not my thing. Regardless, it was a good read and it gave me a little bit of insight towards Batman's origins.

I'd give it a 3.5 if I could, but I'm leaning more towards 3 on this one. Pick it up if you're a Batman fan though, definitely.

Masterpiece 5 out of 5 stars.
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Frank Miller hits the nail on the head with Year One. This is the way Batman is supposed to be...this is the true Dark Knight...Kudos to Miller for his intriguing tale.

Editorial Review:

Whether you grew up reading Batman comics, watched the campy television show, or eagerly await each new movie, this is the book for you. A retelling of the events that led to Bruce Wayne's becoming Batman, this book combines Frank Miller's tight film-noir writing with David Mazucchelli's solid artwork.

The DC Vault: A Museum-in-a-Book with Rare Collectibles from the DC Universe

Martin Pasko

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Total reviews: 3 Average rating: 5.0 of 5

Editorial Review:

In 1935, popular culture was forever transformed when DC Comics published the first book of “all new, all original” comic material. To the delight of millions of readers everywhere, the modern comic book was born, and from its pages came leaping an exhilarating cast of characters.

Now The DC Vault unlocks DC Comics’ most fascinating secrets and deeply buried treasures, presenting a colorful array of historic and never-before-published memorabilia, including early sketches, covers, memos, press materials, and much more. From a working reproduction of a 1942 Junior Justice Society of America decoder, to a series of Public Service Announcements starring Superman and Batman, to the original pencils and inks for Wonder Woman #63, this dazzling chronicle contains more than 25 plastic-encased archival pieces for readers to pull out and examine—all while learning about the artists, writers, and world-famous super heroes that make up the DC Universe. Whether you’ve been collecting Superman comics since the ’40s or have just discovered the amazing Sandman saga, you’ll revel in this vibrant treasury!

Batman: The Long Halloween

Jeph Loeb, Tim Sale

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Customer Reviews:
Total reviews: 132 Average rating: 4.5 of 5

Editorial Review:

It's refreshing when you find a Batman story that both is epic and successfully explores the core of a resolutely explored character. Taking as its catalyst a sub-plot from the seminal Batman: Year One, the story revolves around murders occurring on national holidays, the victims connected to Mob boss "The Roman." Dubbed "Holiday," the killer uses an untraceable handgun and leaves small trinkets at the scene. Plenty of suspects are available, but the truth is something the Dark Knight never suspected. This series scores two major coups: it brilliantly portrays the transfer of Gotham rule to the supervillains and charts the horrific transformation of Harvey Dent from hardened D.A. to the psychotic Two-Face. Both orbit around the sharply portrayed relationship between Dent, Commissioner Gordon, and Batman: a triumvirate of radically different perceptions of Justice. It is always great to see the formative incarnation of Batman, drenched in noir here.

Jeph Loeb's writing is keenly aware that Batman is a detective, and Tim Sale portrays a Gotham that is a fertile breeding ground for corruption and madness. Here, Batman is coming to terms with the potent image he projects and the madness it attracts. There are many fine Batman stories, but the ones that capture the spirit with extreme clarity are few. On this alone, The Long Halloween comes highly recommended. Masterfully executed, this is an excellent chance to revisit the world of Batman as fresh as in the summer of 1939. --Danny Graydon