Recording & Sound Books

The Penguin Guide to Recorded Classical Music 2009 (Penguin Guide to Recorded Classical Music)

Ivan March, Edward Greenfield, Robert Layton

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Editorial Review:

This has remained the best and most successful guide to classical music for more than forty years. Fully revised by its team of eminent authors and written with wit and passion, The Penguin Guide to Recorded Classical Music offers reviews of all the latest releases as well as the finest established recordings. It also includes an overview of the greatest historic performances, major period instrument recordings, an in-depth survey of the best of the budget-priced CDs, and the core collection of 100 handpicked, must-have CDs. Now published annually for the first time, this book is essential reading for every serious classical music fan.

Apple Pro Training Series: Logic Pro 8 and Logic Express 8 (Apple Pro Training)

David Nahmani

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Customer Reviews:
Total reviews: 35 Average rating: 4.5 of 5

Editorial Review:

This brand-new Apple-certified guide, reconceived for Logic's new interface, uses all-new projects and media files to show you how to record, produce, and polish your musical creations with Apple's professional audio software. Veteran audio producer David Nahmani uses step-by-step, project-based instruction and straightforward explanations to teach everything from basic music creation to advanced production techniques.Using the book's DVD files and either Logic Pro 8 or Logic Express 8, you'll begin making music in the first lesson. From there, you'll learn to record audio and MIDI, edit sequences, master mixing techniques, and use Logic's software synthesizers, sampler, and digital signal processors to put the perfect aural polish on your audio creations. A special troubleshooting section helps you set up and optimize your studio and Logic system effectively. Whether you're looking to use your computer as a digital recording studio, create musical compositions and cutting-edge surround-sound mixes, or transfer that song in your head into living music, this comprehensive book/DVD combo will show you how.

The Mixing Engineer's Handbook, Second Edition

Bobby Owsinski

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Customer Reviews:
Total reviews: 61 Average rating: 4.5 of 5

Editorial Review:

Secrets of the top mixing engineers are revealed in this second edition of the bestselling Mixing Engineer’s Handbook. In this edition, you will learn about the history and evolution of mixing, various mixing styles, the six elements of a mix, the rules for arrangement and how they impact your mix, where to build your mix from, and mixing tips and tricks for every genre of music. You will also learn the secrets of EQ and the “magic frequencies,” along with tips and tricks for adding effects, EQ’ing reverbs, effects layering, calculating the delay time, and much more. A lot has changed in the recording industry since the last edition was published seven years ago, so the new edition provides completely updated information on tips for a loud mix, hypercompression, mixing for Internet distribution, warning signs of an amateur mix, MP3 encoding, streaming audio, audio codecs, de-essing, gating, surround sound mixing, and more. There is also a completely new chapter on how to get the most from mixing inside your computer, as well as a new section on the bass/drum relationship and how to make this difficult part of the mix easy. The book wraps up with insightful interviews with the top engineers in the fi eld, including George Massenburg, Allen Sides, Bruce Swedien, Elliot Scheiner, Andy Johns, Nathanial Kunkel, and several others. Join the tens of thousands of engineers who have used this book to master the art of mixing.

Here, There and Everywhere: My Life Recording the Music of the Beatles

Geoff Emerick, Howard Massey

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Customer Reviews:
Total reviews: 164 Average rating: 4.5 of 5

Editorial Review:

Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles "She Loves You" and "I Want to Hold Your Hand," the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as "Eight Days A Week" and "I Feel Fine."

Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.

Mastering Audio, Second Edition: The art and the science

Bob Katz

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Customer Reviews:
Total reviews: 39 Average rating: 4.5 of 5

Editorial Review:

Written by an award winning, highly respected professional, Mastering Audio gives you a thorough introduction to the unique procedures and technical issues involved in mastering.

Suitable for all levels of students and professionals, it is ideal for anyone who wants to increase their mastery of digital and analog audio: musicians, producers, A&R, mastering, recording and mixing engineers.

Fully updated to cover the latest technologies, Mastering Audio discusses audio philosophy and art: sequencing, leveling, processing; how to make a record album radio-ready; mixing as it reltes to mstering. Divided into 5 parts, the book begins with the basics - monitoring, mastering techniques, useful tutorials and the fundamentals of dithering and decibels and moves on to more advanced concepts - jitter and clocking, monitor collaboration as well as multi channel audio, miking and acoustics. Leading-edge audio concepts are explained in an easy-to-grasp holistic style.

Including practical tips and real world experiences, Bob Katz explains the technical detail of the subject in his informative and humorous style.

* Written by a well respected engineer who has engineered albums which have won the Grammy
* Provides you with information on the latest techniques and processes used in mastering
* Covers equipment, training and the business of mastering and answers all the frequently asked questions

Critical Listening Skills for Audio Professionals

F. Alton Everest

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Customer Reviews:
Total reviews: 11 Average rating: 4.0 of 5

Editorial Review:

Audio productions are made or broken by the quality of the recording engineer's ears. The ability to properly discern sounds, identify subtle problems, and act accordingly to apply the necessary fix makes all the difference in the quality of the final tracks and master. The good news is that these crucial skills can be learned. The ability to instantly identify frequencies, hear hidden distortions, and instinctively reconcile conflicts in the EQ of instruments, audio elements, vocals and more are traits of those who have mastered the art of audio production. The best engineers have trained their ears to immediately recognize audio problems that the consumer and those new to recording arts would likely not hear, but that, if left unresolved, would result in an amateurish final product. For more than two decades, students of F. Alton Everest's Critical Listening and Auditory Perception courses have rapidly developed these skills by using the intense lessons found in this book and on the CD. Unfortunately the books and CDs included with the course were usually too expensive for aspiring engineers to purchase and were often available only in colleges, universities, or school libraries. Now for the first time these indispensable training sessions are available with this release of Critical Listening Skills for Audio Professionals. Through hundreds of illustrations and an accompanying disc containing high-resolution MP3 files with nearly five hours of narration of the entire course, you can acquire the audio discernment skills of a seasoned recording engineer by studying this course at your own pace, in your own home.

Absolute Beginner's Guide to iPod and iTunes, 3rd Edition

Brad Miser

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Customer Reviews:
Total reviews: 11 Average rating: 5.0 of 5

Editorial Review:

Since the inception of iTunes, the iPod (the best-selling portable digital music player), and iTunes Music Store (Time magazine's Invention of the Year for 2003), Apple has taken the world of digital music by storm. The Absolute Beginner's Guide to iPod and iTunes, Third Edition, provides all the information that music and media fans need to get the most out of these amazing digital devices and tools. From the basics of listening to audio CDs to advanced customization of music on an iPod, this book equips even those who have never explored digital audio to master their digital music by using these awesome tools. The book covers both Windows and Macintosh platforms to reach the broadest possible audience. The book is organized into two major parts, with each focusing on an element of the iPod, and iTunes and finally a third part focusing on the iTunes Music Store. Along the way, it explains how all of these tools work together and shows readers how to get the most from them. It progresses from very basic topics in a logical manner to lead even absolute beginners on the path to musical mastery.

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

Part I The iPod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

1 Touring the iPod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

2 Getting Started with an iPod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

3 Controlling an iPod or iPod nano . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

4 Listening to Music on an iPod or iPod nano . . . . . . . . . . . . . . . . . . . . 49

5 Listening to Music on an iPod shuffle . . . . . . . . . . . . . . . . . . . . . . . . . 67

6 Building an iPod’s Music Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

7 Using an iPod to Listen to and Watch Podcasts . . . . . . . . . . . . . . . . 101

8 Using an iPod to Listen to Audiobooks . . . . . . . . . . . . . . . . . . . . . . . 115

9 Using an iPod to Store and View Photos . . . . . . . . . . . . . . . . . . . . . . 127

10 Using an iPod to Watch Videos . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

11 Taking the iPod Further . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

12 Configuring an iPod to Suit Your Preferences . . . . . . . . . . . . . . . . . 177

13 Maintaining an iPod and Solving Problems . . . . . . . . . . . . . . . . . . . . 193

Part II iTunes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

14 Touring iTunes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

15 Getting Started with iTunes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

16 Listening to Audio CDs and Internet Audio with iTunes . . . . . . . . . . 231

17 Building, Browsing, Searching, and Playing Your iTunes

Music Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255

18 Labeling, Categorizing, and Configuring Your Music . . . . . . . . . . . . 279

19 Creating, Configuring, and Using Playlists . . . . . . . . . . . . . . . . . . . . 303

20 Subscribing to and Listening to Podcasts . . . . . . . . . . . . . . . . . . . . . 329

21 Working with iTunes Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345

22 Burning Your Own CDs or DVDs . . . . . . . . . . . . . . . . . . . . . . . . . . . 361

23 Sharing iTunes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377

24 Maintaining iTunes and Solving Problems . . . . . . . . . . . . . . . . . . . . . 395

Part III The iTunes Store . . . . . . . . . . . . . . . . . . . . . . . . 409

25 Touring the iTunes Store . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411

26 Configuring iTunes for the iTunes Store . . . . . . . . . . . . . . . . . . . . . . 419

27 Shopping in the iTunes Store . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435

28 Working with Purchased Content . . . . . . . . . . . . . . . . . . . . . . . . . . . 459

29 Solving iTunes Store Problems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479

The Sound Reinforcement Handbook

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Customer Reviews:
Total reviews: 50 Average rating: 4.5 of 5

The definitive resource, not dated - more like learning painting from an old master 5 out of 5 stars.
1 of 1 people found this review helpful.

This was, is, and will be the definitive live sound guide. Take it from MANY professionals. I studied music and this was what was recommended for live sound reinforcement and funny enough when I checked recently - it still is. So never mind the "these digital times" review - this is indeed like learning an art from a master with timeless and always-pertinent concepts useful to those who know this and use this powerful material. The concepts are solid and still pertinent. If you want to learn how to use modern digital equipment specifically and ignore that the concepts in this book can be applied since the acoustics and challenges of live sound remain relatively unchanged, read the manuals that came with the digital equipment. Then read this book to REALLY learn how to do more with whatever you have.

Editorial Review:

Sound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. The Whirlwind pcDI is the first direct box designed to interface your unbalanced stereo line sources with professional balanced low impedance equipment. This unit contains two separate DIs - input your signals with one 3.5mm (1/8 inch) mini TRS stereo jack or two sets of color coded RCA phono type in and through jacks. Output is via corresponding color coded XLRs.

iPod & iTunes For Dummies, DVD + Book Bundle (Dummies)

Tony Bove

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Customer Reviews:
Total reviews: 1 Average rating: 4.0 of 5

Editorial Review:

Learn about the different iPod models and get started with your iPod with for Dummies. In a straightforward and fun way, you'll find out how to set up iTunes and your iPod, shop at the iTunes store, bring content into and play content in iTunes, share content from your iTunes library, manage photos and videos, synchronize other devices with iTunes, burn CDs from iTunes, play iPod content, get wired for playback, fine-tune the sound, choose an encoding format, go mobile, use your iPod as a hard drive, synchronize personal information with your iPod, update and troubleshoot your iPod, maintain battery life, and more.

The DVD rovides step-by-step instructions for: Setting Up Your iPod, Getting to Know the Controls, Locating Your Content on Your iPod, Playing Music on Your iPod, Adjusting and Limiting the Volume, Charging and Maintaining Your Battery, Getting to Know iTunes, Playing Your iPod through iTunes, Importing Music into iTunes, Ripping Music from a CD in iTunes, Burning Music to a CD in iTunes, Installing Software Upgrades, Setting Up an Account at the iTunes Store, Buying and Downloading Content from iTunes, Searching for and Sorting Content in iTunes, Retrieving Song Information Online, Editing Content Information in iTunes, Creating Playlists, Cross-Fading Playback on Your iPod, Synchronizing Your iPod with iTunes, and Backing Up Your Music.

Mixing Audio: Concepts, Practices and Tools

Roey Izhaki

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Customer Reviews:
Total reviews: 19 Average rating: 4.5 of 5

This is the book to own..... 5 out of 5 stars.
2 of 2 people found this review helpful.

As a home studio owner and pro musician of 40 years I am always on the lookout for that "next bit of info" that will push me to yet again improve...and this book was it. I have looked at this book for month's and thought..."Man, is it REALLY worth the $$?"

Now, as I look at my bookshelf full of "Mixing & Mastering & Studio Tips & Tricks" books, I can honestly say that this is the best book I have bought over the years.....period. Read what everyone else has wrote here in their reviews, and you got the gist of it, this book is the bomb!

Even if you "know it all", I recommend this book for 3 chapters, Compression, Reverb, and Gates-Expanders. Written so that ANYONE can understand it, but deep enough to make us old timers go "WHOA..." And the DVD, full of example audio clips and 4 full mixes that are tore apart at the end of the book, just drive the information home.

All of the reviews are correct(including the "eglash" in places), if you are serious about your Sound and Audio in general, this is the book to own. If you REALLY want to understand what the Ratio control does, on anything that uses one, this is the book to own. If you really want to improve your Engineering & Mixing Skills, this is the book to own. If you are using a computer to do audio, this is the book to own. If you use Cubase, Music Studio, Pro Tools, Audacity, or the Kristal Audio Engine, this is the book to own. It is worth every penny!

Can you tell I like the book?! I am on my 2nd read thru!

Editorial Review:

Mixing remains one of the most illusive arts of recording practice and can take a life time to master. Looking at practices, concepts, tools and mixing instruments the author provides a comprehensive insight to the art and science of mixing.

Whether a hobbyist of professional this book covers basic concepts to advanced techniques as well as tips and tricks and is a vital read for anyone wanting to succeed in the field of mixing.

The book is accompanied by the website www.mixingaudio.com, featuring a sample chapter, illustrations, audio and a user forum.

* Rounded, extensive and complete coverage of music mixing
* Includes a DVD with over 700 audio samples and 4 sample mixes
* Covers new topics and mixing trends such as computer centred mixing