Mali Books

The Healing Drum: African Wisdom Teachings

Yaya Diallo, Mitch Hall

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Customer Reviews:
Total reviews: 10 Average rating: 5.0 of 5

inspiring 5 out of 5 stars.
8 of 8 people found this review helpful.

This book is about music, healing, indigenous view of life and above all, it is about harmony, which is achieved when life is lived with respect and with generosity.

Diallo is a member of the mainly agricultural Minianka/Senufo tribe living in what today is Mali. The Minianka have been able to resist the depredations which occur when Islam or X-ianity enters African societies; they are animist, that is, they still observe and follow ancient laws that emphsize the interdependence between humans, nature and the transcendent realms. Music to the Minianka music is much more than entertainment. It is used for work, celebration, ritual, inititations, funerals and healing; each activity (as well as each profession and each person) has its own special rhythms and harmonies. The MInianka understand music as a bridge between the visible and invisible. As such, it is used to establish harmonious relationships between an individual, his community, his ancestors and the Creator. Every night there is dancing at the village square - and EVERYBODY dances. Minianka musicians learn to transpose the essence of their fellow men's characters into music, so that when a villager gets to dance, he is greated by rhythms which match his/her character and emotional configuration. By observing closely, the musicians can adapt the music to the needs of the listener and thereby lead them to health. In Minianka villages, says Diallo, "musicians are healers, the healers musicians.... Music...amplifies to our sense the unheard tones and unseen waves that weave together the matter of existence. The beat, the rhythm, the timing, the orchestration, the flow, the balance between action and rest must all be within well-defined limits...and the music becomes a healing art that helps restore emotionally and psychologically disturbed people to harmonious human functioning. "

THe book is well written and brings us a close -up of Fienso, the village of Diallo's childhood. I found the descriptions of initiation ceremonies, daily work, secret societies very interesting. It made me see the Minianka society as an extremely sophisticated - where there is place for everyone and where everybody is interconnected in a web of mutual obligations between people, spirits and God. Unfortunately, the interdependence on mutual obligations makes the African society also fragile; when reciprocity inherent in such webs is interrupted, as during incursions of oil and diamond money, radical X-ianity or Islam, the African society collapses and we get what we see today in Sierra Leone, Nigeria, Liberia or Sudan - lack of harmony and lack of peace.

Still, we would be fools to pass the opportunity to learn what Africans have to teach us. Music is one of the keys that can open the door of the gilded cage in which the giant of industrial nihilism has imprisoned us and Yaya Diallo shows us in this wonderful book, that it is possible to open one's body, spirit and destiny to the amazing world of harmony and beauty where true healing occurs.

Editorial Review:

The Healing Drum traces the extraordinary cultural legacy of the Minianka tribe of West Africa, for whom music serves a sacred, healing function for the individual and society. The authors explore the Minianka view of humanity, music, and the cosmos relative to work, celebration, herbal medicine, dance, trance, initiation, and death.

The first book of its kind, delivering a message of untapped wisdom and power from a little-known culture through the universal medium of music.

The Gates of Africa: Death, Discovery, and the Search for Timbuktu

Anthony Sattin

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Editorial Review:

London, 1788: a group of British gentlemen---geographers, scholars, politicians, humanitarians, and traders---decide it is time to solve the mysteries of Africa's unknown interior regions. Inspired by the Enlightenment quest for knowledge, they consider it a slur on the age that the interior of Africa still remains a mystery, that maps of the "dark continent" are populated with mythical beasts, imaginary landmarks, and fabled empires. As well, they hoped that more accurate knowledge of Africa would aid in the abolition of the slave trade.These men, a mixed group of soldiers and gentlemen, ex-convicts, and social outcasts, form the African Association, the world's first geographical society, and over several decades send hardened, grizzled adventurers to replace speculation with facts and remove the beasts from the maps. The explorers who ventured forth included Mungo Park, whose account of his travels would be a bestseller for more than a century; American John Ledyard; and Jean Louis Burckhardt, the discoverer of Petra and Abu Simbel. Their exploits would include grueling crossings of the Sahara, the exploration of the Nile, and---most dramatically---the search for the great River Niger and its legendary city of gold: Timbuktu. Anthony Sattin weaves the plotting of the London gentlemen and the experiences of their extraordinary explorers into a gripping account of high adventure, international intrigue, and geographical discovery. The Gates of Africa is a story of human courage and fatal ambition, a groundbreaking insight into the struggle to reveal the secrets of Africa.

Dogon: Africa's People of the Cliffs

Walter E.A. Vanbeek

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Editorial Review:

In a remote area of Mali, West Africa, the people called Dogon survive today as they have for thousands of years: in mud-brick houses below the Bandiagara cliffs. In the sandy plains, they grow the millet and sorghum they need to live. This arresting photographic portrait allows us privileged access to their traditional way of life, remarkably maintained today even after extensive contact with Western civilization.

Stephenie Hollyman’s intimate pictures show a tightly knit, cooperative society engaging in daily activities and sacred rituals: planting and harvesting crops, creating crafts, and performing varied religious ceremonies, most notably the masked dances with which the Dogon celebrate the honored burial of their dead. Walter van Beek’s engaging narrative displays the authority and observant eye of an anthropologist who has long lived among the people he writes about. This astonishing volume will find a rapt audience among readers of Abrams’ acclaimed African Ceremonies and other popular books on vanishing African tribal customs.

The Race for Timbuktu: In Search of Africa's City of Gold

Frank T. Kryza

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Editorial Review:

This book is a dramatic true adventure. It is the first book-length account of Laing's expedition. It appeals to readers of travel, exploration, and adventure writing and was extracted in the travel section of national newspaper eg "FT". This is the incredible true story of Alexander Gordon Laing and the race to discover Timbuktu during the early part of the 19th century - a time when the African continent was still largely uncharted. In the first decades of 19th century, no place burned more brightly in the imagination of European geographers and fortune hunters, than the lost city of Timbuktu. Like the mythical city of El Dorado, the very real Timbuktu held the promise of wealth and fame. Whoever got there first was guaranteed worldwide renown. Yet, though many had tried, no European explorer had been there and returned since the Middle Ages. In 1824, the French Geographical Society offered a cash prize for the first expedition from any nation to return from Timbuktu. The British, unwilling to depend on the fate of one explorer, sent several "African travelers" on their way. "The Race for Timbuktu" focuses on two of these men: Alexander Gordon Laing, the book's protagonist and "voice," and Hugh Clapperton, the man who would become his greatest rival. The book follows Laing and Clapperton on their arduous journeys across the unforgiving Sahara, in constant battle against the elements, illness, attack, and time, to be the first white man to reach the fabled gates of Timbuktu. The story of their expeditions also serves as a narrative history of the European colonization of Africa, the "Great Scramble" that resulted in nearly every square yard of Africa occupied by European nations. "The Race for Timbuktu" offers a close personal look at the extraordinary people and pivotal events of 19th century African exploration that changed the course of history and the shape of the modern world.

In Griot Time

Banning Eyre

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Editorial Review:

Djelimady Tounkara is only one of the memorable people you will meet in this dramatic narrative of life among the griot musicians of Mali. Born into families where music and the tradition of griot story-telling is a heritage and a privilege, Djelimady and his fellow griots -- both men and women -- live their lives at the intersection of ancient traditions and the modern entertainment industry. During the seven months he spent living and studying with Djelimady, Banning Eyre immersed himself in a world that will fascinate you as it did him. Eyre creates a range of unforgettable portraits. Some of the people who stride through his pages are internationally known, musicians like Salif Keita, Oumou Sangare, and Grammy winner Ali Farka Toure. But the lesser-known characters are equally fascinating: Adama Kouyate, Djelimady's dynamic wife; Moussa Kouyate, the Tounkara family's own griot; Yayi Kanoute, the flamboyant jelimuso (female griot) who failed to take America by storm; Foutanga Babani Sissoko, the mysterious millionaire who rebuilt an entire town and whose patronage is much sought after by the griots of Bamako. But the picture Eyre draws is not just a series of portraits. Out of their interactions comes a perceptive panorama of life in Mali in the late twentieth century. The narrative gives us a street-level view of the transformation of musical taste and social customs, the impact of technology and the pressures of poverty, at a crucial time in Mali's history. In individual after individual, family after family, we see the subtle conflicts of heritage and change. Even the complications of democracy -- with democracy, mango vendors think they can charge anything they want,Djelimady points out -- are woven into an unforgettable saga of one man, his family, his profession, and the world of Malian music.

The Peoples of the Middle Niger: The Island of Gold (Peoples of Africa)

Roderick James Mcintosh

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This book provides the first comprehensive history of the peoples of the Middle Niger written by an English-speaking scholar. "The Island of Gold" was the medieval Muslim and later European name for a fabled source of gold and other tropical riches. Although the floodplain of the Niger river lies far from the goldfields, the mosaic of peoples along the Middle Niger created a wealth in grain, fish and livestock that supported some of Africa's oldest cities, including Timbuktu. These ancient cities of the region that came to be known as Western Sudan were founded without outside stimulation and their inhabitants long resisted the coercive, centralized state that characterized the origins of earliest towns elsewhere. In this book, Roderick James McIntosh uses the latest archeological and anthropological research to provide a bold overview of the distant origins of life for the inhabitants of the Middle Niger, and an explanation for their social evolution. He shows, for instance, the difficulties the peoples faced in adapting to an unpredictable climate, and how their particular social organization determined the unusual nature of their responses to that change. Throughout the book oral traditions are integrated into the story, providing vivid insights into the inhabitants' complex culture and belief systems.

Democracy and Development in Mali

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Editorial Review:

Mali, a country rich with history and culture, but one of the poorest in the world, emerged in the 1990s as one of Africa's most vibrant democracies. Strengthened by bold political and economic reforms at home, Mali has emerged as a leader in African peace keeping efforts. How has such a transition taken place? How have these changes built on Mali's rich heritage? These are the questions that the contributors to this volume have addressed.

During the past twenty-five years, the scholarly research and applied development work of Michigan State University faculty and students in Mali represents the most significant combined, long-term, and continuing contribution of any group of university faculty in the United States or Europe to the study of Malian society, economy, and politics. The applied nature of much of this work has resulted in a significant number of working papers, reports, and conference presentations. This volume represents a coherent and connected set of essays from one American university with a widely known and highly respected role in African development. While the essays identify and review Mali's unique historical and contemporary path to democracy and development, they also contribute to the advancement of theoretical knowledge about African development.

Native Sons: West African Veterans and France in the Twentieth Century (Politics, History, and Culture)

Gregory Mann

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For much of the twentieth century, France recruited colonial subjects from sub-Saharan Africa to serve in its military, sending West African soldiers to fight its battles in Europe, Southeast Asia, and North Africa. In this exemplary contribution to the “new imperial history,” Gregory Mann argues that this shared military experience between France and Africa was fundamental not only to their colonial relationship but also to the reconfiguration of that relationship in the postcolonial era. Mann explains that in the early twenty-first century, among Africans in France and Africa, and particularly in Mali—where Mann conducted his research—the belief that France has not adequately recognized and compensated the African veterans of its wars is widely held and frequently invoked. It continues to animate the political relationship between France and Africa, especially debates about African immigration to France.

Focusing on the period between World War I and 1968, Mann draws on archival research and extensive interviews with surviving Malian veterans of French wars to explore the experiences of the African soldiers. He describes the effects their long absences and infrequent homecomings had on these men and their communities, he considers the veterans’ status within contemporary Malian society, and he examines their efforts to claim recognition and pensions from France. Mann contends that Mali is as much a postslavery society as it is a postcolonial one, and that specific ideas about reciprocity, mutual obligation, and uneven exchange that had developed during the era of slavery remain influential today, informing Malians’ conviction that France owes them a “blood debt” for the military service of African soldiers in French wars.

Native Sons: West African Veterans and France in the Twentieth Century (Politics, History, and Culture)

Gregory Mann

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Editorial Review:

For much of the twentieth century, France recruited colonial subjects from sub-Saharan Africa to serve in its military, sending West African soldiers to fight its battles in Europe, Southeast Asia, and North Africa. In this exemplary contribution to the “new imperial history,” Gregory Mann argues that this shared military experience between France and Africa was fundamental not only to their colonial relationship but also to the reconfiguration of that relationship in the postcolonial era. Mann explains that in the early twenty-first century, among Africans in France and Africa, and particularly in Mali—where Mann conducted his research—the belief that France has not adequately recognized and compensated the African veterans of its wars is widely held and frequently invoked. It continues to animate the political relationship between France and Africa, especially debates about African immigration to France.

Focusing on the period between World War I and 1968, Mann draws on archival research and extensive interviews with surviving Malian veterans of French wars to explore the experiences of the African soldiers. He describes the effects their long absences and infrequent homecomings had on these men and their communities, he considers the veterans’ status within contemporary Malian society, and he examines their efforts to claim recognition and pensions from France. Mann contends that Mali is as much a postslavery society as it is a postcolonial one, and that specific ideas about reciprocity, mutual obligation, and uneven exchange that had developed during the era of slavery remain influential today, informing Malians’ conviction that France owes them a “blood debt” for the military service of African soldiers in French wars.