China Books - Page 12

The Forbidden City (Wonders of the World)

Geremie R. Barmé

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Editorial Review:

Read supplementary material prepared by Geremie Barmé

Read the Bldg Blog interview with Mary Beard about the Wonders of the World series (Part I and Part II)

The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and terrible in dynastic China’s legacy.

The Forbidden City’s vermilion walls have fueled literary fantasies that have become an intrinsic part of its disputed and documented history. Mao Zedong even considered razing the entire structure to make way for the buildings of a new socialist China. The fictions surrounding the Forbidden City have also had an international reach, and writers like Franz Kafka, Elias Canetti, Jorge Luis Borges, and Mervyn Peake have all succumbed to its myths. The politics it enshrined have provided the vocabulary of power that is used in China to the present day, though it is now better known as a film set or the background of displays of opera, rock, and fashion.

Geremie Barmé peels away the veneer of power, secrecy, inscrutability, and passions of imperial China, to provide a new and original history of the culture, politics, and architecture of the Forbidden City. Designed to overawe the visitor with the power of imperial China, the Forbidden City remains one of the true wonders of the world.

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Cinderella's Sisters: A Revisionist History of Footbinding (Philip A. Lilienthal Asian Studies Imprint)

Dorothy Ko

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The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history.
Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women--those who could afford it--bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism--as a way to live as the poets imagined--ended up being an exercise in excess and folly.

Red Star over China: The Classic Account of the Birth of Chinese Communism

Edgar Snow

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Total reviews: 20 Average rating: 4.0 of 5

An excellent look at the Chinese Civil War 5 out of 5 stars.
13 of 21 people found this review helpful.

For the last few decades, we Americans have had an extremely negative view of the Chinese Communist Party, and especially such now-mythical forefathers as Mao Zedong and Zhou Enlai, whose drastic excesses and failures have led to their demonisation in Western society as mere liars, thugs, and brutish dictators. But yet, in the '30s and '40s, such men managed to overcome both the tanks and rifles of powerful Japanese war machine and the propaganda and armies of the Western-financed Nanjing government with primarily the support of the Chinease peasantry; certainly such mass support would not be easily handed to one of the dime-a-dozen bandit-kings that infested pre-1949 China. What would have driven the rural laobaixing to throw in their lot against all the power of the Kuomintang?

Snow's excellent Red Star Over China is not, as many critics seem to think, glowing puff praise of Communists. Rather, it is an in-depth, powerful explanation of the reasons for their support among both the starving poor and ethnic minorities, and an examination of how less than 200 men managed to turn this support into a mass movement powerful enough to wash both the overextended Japanese and unpopular Nationalists out of the mainland.

When Snow waxes about the moral rigor of the Red soldier and the zealous dedication of the "Little Red Devil" youth, he is not merely praising moral men, but is showing how the fanaticism of Red soldiers gave them advantages in morale and tactics the hesitant-but-well-financed KMT army could not attain. When he shows the propaganda-writing classes, it is not because Snow believes "the Red army is the fist of the poor" but because of the great importance of the Red literacy programs: the gratitude formerly-illiterate peasants felt to their teachers translated into a great respect and willingness to assist men they had once believed were "Red bandits."

Yes, under Mao great tragedies were unleashed, as his Communist zeal began to outweigh his common sense. But this book is not the story of the famines of the Great Leap Forward twenty years after Red Star Over China was writeen, nor could Snow have predicted the anarchy of the Cultural Revolution thirty years after he finished his book. This is a book about revolutionaries, not a book about the government they would later establish. And its importance as a book about revolutionaries is incredible. This is an explanation of how the world's most populous nation would fall to revolution--written by a neutral observer among the revolutionaries.

If you are of the belief that Communists are intrinsically evil and that any book finding good in them--even if to explain why they enjoyed overwhelming local popularity--you will find Red Star Over China difficult to digest. If you would prefer to think of Mao as a raving psychopathic lunatic who blundered his way into power, there are certainly other books for you to read. But if you want to see the Chinese Communist Party as it was seen by those who carried into power, you can't do any better than this, the book written by the man who watched it happen.

Editorial Review:

The first Westerner to meet Mao Tse-tung and the Chinese Communist leaders in 1936, Edgar Snow came away with the first authorized account of Mao’s life, as well as a history of the famous Long March and the men and women who were responsible for the Chinese revolution. Out of that experience came Red Star Over China, a classic work that remains one of the most important books ever written about the birth of the Communist movement in China. This edition includes extensive notes on military and political developments in China, further interviews with Mao Tse-tung, a chronology covering 125 years of Chinese revolution, and nearly a hundred detailed biographies of the men and women who were instrumental in making China what it is today.

Art and China's Revolution (Asia Society)

Melissa Chiu

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Although numerous books on the Cultural Revolution have been published, they do not analyze the profound shift in aesthetic values that occurred in China after the Communists took power. This fascinating book is the first to focus on artwork produced from the 1950s to the 1970s, when Mao Zedong was in leadership, and argues that important contributions were made during this period that require fuller consideration in Chinese art history, especially with relevance to the contemporary world.

Previously, historians have tended to dismiss the art of the Cultural Revolution as pure propaganda. The authors of this volume (historians, art historians, and artists) argue that while much art produced during this time was infused with politics, and individual creativity and displays of free thought were sometimes stifled and even punished, it is short sighted to overlook the aesthetic sophistication, diversity, and accessibility of much of the imagery.

Bringing together more than 200 extraordinary artworks, including oil paintings, ink scroll paintings, artist sketchbooks, posters, and objects from daily life, as well as primary documentation that has not been published outside of China or seen since the mid-20th century, this invaluable volume sheds new light on one of the most controversial and critical periods in history.

Empire of Lies: The Truth About China in the Twenty-First Century

Guy Sorman

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Total reviews: 4 Average rating: 4.5 of 5

The mask ripped off, the Potemkin Village blown up 5 out of 5 stars.
20 of 22 people found this review helpful.

Economic conservatives and neoliberal "spinners" from James Fallows and Reed Hundt through Bill Clinton (singled out in one passage) are exposed as frauds, liars and enablers for a China of modern myth in this power-packed new book.

French journalist, politician and philosopher (and why can't we get that combo in America), exposes the lies of both the Chinese Communist Party and its Western apologists, which range from hardcore economic conservative American capitalists to French communists.

There's a few basic lies that underscore the scores of surface lies both the Chinese Party and its western enablers tell.

Sorman says Lie No. 1 is that capitalism will lead to democracy. He has a clear, albeit much smaller, counterexample - Singapore, led by, ironically or not, Chinese.

Lie No. 2 is that there is a "Chinese mindset," "Chinese way of business," or whatever, that is antithetical to democracy. Variants of that include references (usually wrong ones, according to Sorman) to Confucianism, etc. Counterexample? Taiwan. Daoism, repressed in China, flourishes there along with Confucianism, Buddhism and Protestant and Catholic Christianity -- along with traditional Chinese culture.

Lie No. 3 is the lie of Chinese economic statistics. Sorman says that even if you don't discount the costs of environmental degradation, Chinese growth rates are almost surely somewhat overstated, and possibly highly overstated.

Lie No. 4 might be a partial variant of No. 2, and would be the "China isn't all that bad" lie, especially if you compare it to the former Soviet Union. Sorman argues the other way around, that China is arguably more repressive than the Soviets of Khrushchev and beyond, at least in some ways.

As a result of all this, Sorman says, we really don't have that much to fear from China as a foreign power in general or a military adventurer in particular. On the economic side, in fact, he expects the rich-poor gap to be likely to worsen, not improve.

Another "sublie" would be the one that Western countries, through "economic involvement" with China, can moderate its behavior. China isn't going to be moderated by that. And, as a sidebar, Sorman estimates that about half the Western-owned factories in China are money-losers.

Read this book and get an unvarnished view of today's China.

Editorial Review:

Before the totalitarian reign of Mao Zedong and his immediate successors, never in human history had an entire nation been under such intense surveillance. The Chinese not only had to speak alike; they had to think alike. Traveling to China regularly since 1967, and spending all of 2005 and 2006 there, Guy Sorman saw it all, and in this jaw-dropping book, he documents the horrifying stories of China through the 21st century. He shows how the Party's primary concern is not improving the lives of the downtrodden; it seeks power more than it seeks social development. It expends extraordinary energy in suppressing Chinese freedoms-the media operate under suffocating censorship, and political opposition can result in expulsion or prison-even as it tries to seduce the West, which has conferred greater legitimacy on it than do the Chinese themselves.

The Seventy Wonders of China

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A complete and essential overview of China's marvels in all areas, from the natural world to inventions to artistic and architectural achievements.

As China emerges as a great world economic power, this book shows what makes it such a special country and civilization, with topics ranging from the natural wonders of mountains and rivers to the Silk Road, from the arts and great monuments of the past to the booming cities of today.

China's artistic achievements are unparalleled in scope. Calligraphy, jade, silk, ceramics, lacquer work, paintings, bronzes, furniture, and gardens are dealt with in highly expert but succinct entries. Monuments like the Forbidden City in Beijing and the Great Wall are celebrated around the world, but the book also presents lesser-known yet breathtaking buildings, palaces, tombs, and monasteries.

The marvels of China touch on everyday life too. The Chinese invented gunpowder, paper, printing, and the compass, as well as such objects as umbrellas and playing cards. China's food is also celebrated in these pages in all its diversity, as is the heritage of the imperial system that ruled the Middle Kingdom for more than two thousand years.

The individual entries are written by experts from leading academic institutions in Asia and the West, including Robert Ash, Fucshia Dunlop, Alison Hardie, Erling Hoh, Ronald Knapp, Vivienne Lo, Victor Mair, Shane McCausland, Carol Michaelson, Ann Paludan, Lei-Lei Qu, Nathan Sivin, Nancy Steinhardt, Shelagh Vainker, Frances Wood, Ni Yibin, and Zhang Yinglan. 320 illustrations, 250 in color.

The Shambhala Guide to Taoism (Shambhala Guides)

Eva Wong

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Total reviews: 16 Average rating: 3.5 of 5

A painful reading experience 2 out of 5 stars.
15 of 16 people found this review helpful.

I don't know what Eva Wong was thinking when she wrote this. Although her style of writing was painful to read, I finished the entire book and by the end I realized it wasn't worth it. It's hard to follow her style of writing and she drops so many names and dates that you get lost in her sentences.
You will not get any insight into taoist philosophy and thought by reading this tiresome book.

Editorial Review:

This guide to the spiritual landscape of Taoism not only introduces the important events in the history of Taoism, the sages who wrote the Taoist texts, and the various schools of Taoist thinking, but also gives the reader a feel for what it means to practice Taoism today. The book is divided into three parts: "The History of Taoism" traces the development of the tradition from the shamans of prehistoric China through the classical period (including the teachings of the famous sage Lao-tzu), the beginnings of Taoism as a religion, the rise of mystical and alchemical Taoism, and the synthesis of Taoism, Buddhism, and Confucianism. "Systems of Taoism" explores magical sects, divination practices, devotional ceremonies, internal alchemy, and the way of right action. "Taoist Practices" discusses meditation, techniques of cultivating the body, and rites of purification, ceremony, and talismanic magic. A comprehensive bibliography for further study completes this valuable reference work.

Village at War: An Account of Conflict in Vietnam

James W. Trullinger

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China A to Z: Everything You Need to Know to Understand Chinese Customs and Culture

May-lee Chai, Winberg Chai

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A practical and accessible guide to an ancient but rapidly changing culture

Perfect for business and armchair travelers alike, China A to Z explains the customs, culture, and etiquette essential for any trip or for anyone wanting to understand this complex country. In one hundred brief, reader-friendly chapters, alphabetized by subject, China A to Z introduces a general audience to contemporary Chinese society, as well as its venerable history. Discover:
• Why Chinese names are written in reverse order
• What to bring when visiting a Chinese household
• What the current relationship is between Japan and China
• Why you should wrap gifts in red or pink paper, and never send white flowers

With the 2008 Summer Olympics being held in Beijing, thousands of Chinese adoptions occurring each year, and China becoming the fourth most popular international destination, the need for information about this complex country is greater than ever.

Red China Blues: My Long March From Mao to Now

Jan Wong

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Editorial Review:

Jan Wong, a Canadian of Chinese descent, went to China as a starry-eyed Maoist in 1972 at the height of the Cultural Revolution. A true believer--and one of only two Westerners permitted to enroll at Beijing University--her education included wielding a pneumatic drill at the Number One Machine Tool Factory. In the name of the Revolution, she renounced rock & roll, hauled pig manure in the paddy fields, and turned in a fellow student who sought her help in getting to the United States. She also met and married the only American draft dodger from the Vietnam War to seek asylum in China.

Red China Blues is Wong's startling--and ironic--memoir of her rocky six-year romance with Maoism (which crumbled as she became aware of the harsh realities of Chinese communism); her dramatic firsthand account of the devastating Tiananmen Square uprising; and her engaging portrait of the individuals and events she covered as a correspondent in China during the tumultuous era of capitalist reform under Deng Xiaoping. In a frank, captivating, deeply personal narrative she relates the horrors that led to her disillusionment with the "worker's paradise." And through the stories of the people--an unhappy young woman who was sold into marriage, China's most famous dissident, a doctor who lengthens penises--Wong reveals long-hidden dimensions of the world's most populous nation.

In setting out to show readers in the Western world what life is like in China, and why we should care, she reacquaints herself with the old friends--and enemies of her radical past, and comes to terms with the legacy of her ancestral homeland.