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Infinite Jest

David Foster Wallace

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Customer Reviews:
Total reviews: 353 Average rating: 4.0 of 5

Too long, too self absorbed 2 out of 5 stars.
1 of 2 people found this review helpful.

David Wallace may have been a genius, but even geniuses need good editors. This 1000 page book needed a TEAM of editors. It is way too long and self involved a novel to be given anything more than a couple of stars.

If you are interested in what all the fuss is about, be sure you know you will be reading it for a while, and may find it less frustrating to take it out of your local library.

Infinite Jest 4 out of 5 stars.
0 of 0 people found this review helpful.

I had read David Foster Wallce previously. He had authored pieces in Harper's for years. I was saddened by his taking his own life, but upon his death I decided to read as much of his that I could. I.J., as his fans call it, is the first actual example of post modernism that I can relate to another person and explain its basis. I have read all the post mod classics, "White Noise" "Underworld" et al, but until I.J. I was unable to relate it to anyone.

I.J. is an experience in reading. It is unlike any novel that I recall reading in the last 20 years. I describe it as reading on the internet. All the footnotes the author puts in are so many hyper links to other textual treasures. It's intense reading. I liken it to Pynchon in its rapidity and sentence structure. Foster Wallace doesn't have the gift of word choice like Pynchon, but I.J. is just as sad, funny, and exhausting as "Gravity's Rainbow".
Buy this to read at different times of the day. Don't sit down at period of time and try to consume it. I don't believe that was his intent.

David Foster Wallace was a talented artist that will be greatly missed.

Editorial Review:

In a sprawling, wild, super-hyped magnum opus, David Foster Wallace fulfills the promise of his precocious novel The Broom of the System. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction, features a huge cast and multilevel narrative, and questions essential elements of American culture - our entertainments, our addictions, our relationships, our pleasures, our abilities to define ourselves.

A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

David Foster Wallace

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Customer Reviews:
Total reviews: 94 Average rating: 4.0 of 5

Editorial Review:

David Foster Wallace made quite a splash in 1996 with his massive novel, Infinite Jest. Now he's back with a collection of essays entitled A Supposedly Fun Thing I'll Never Do Again. In addition to a razor-sharp writing style, Wallace has a mercurial mind that lights on many subjects. His seven essays travel from a state fair in Illinois to a cruise ship in the Caribbean, explore how television affects literature and what makes film auteur David Lynch tick, and deconstruct deconstructionism and find the intersection between tornadoes and tennis.

These eclectic interests are enhanced by an eye (and nose) for detail: "I have seen sucrose beaches and water a very bright blue. I have seen an all-red leisure suit with flared lapels. I have smelled what suntan lotion smells like spread over 21,000 pounds of hot flesh . . ." It's evident that Wallace revels in both the life of the mind and the peculiarities of his fellows; in A Supposedly Fun Thing I'll Never Do Again he celebrates both.

Consider the Lobster: And Other Essays

David Foster Wallace

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Customer Reviews:
Total reviews: 48 Average rating: 4.0 of 5

Smart, eclectic, and hilariously funny. 5 out of 5 stars.
6 of 6 people found this review helpful.

Full disclosure: I have a major intellectual crush on David Foster Wallace. Yes, yes, I know about his weaknesses - the digressions, the rampant footnote abuse, the flaunting of his amazing erudition, the mess that is 'Infinite Jest'. I know all this, and I don't care. Because when he is in top form, there's nobody else I would rather read. The man is hilarious; I think he's a mensch, and I don't believe he parades his erudition just to prove how smart he is. I think he can't help himself - it's a consequence of his wide-ranging curiosity. At heart he's a geek, but a charming, hyper-articulate geek. Who is almost frighteningly intelligent.

The pieces in "Consider the Lobster" have appeared previously in Rolling Stone, The Atlantic Monthly, the New York Observer, the Philadelphia Enquirer, Harper's, Gourmet, and Premiere magazines. Among them are short meditations on Updike's `Toward the end of Time', on Dostoyevsky, on Kafka's humor, and on the `breathtakingly insipid autobiography' of tennis player Tracy Austin. An intermediate length piece describes Foster Wallace's (eminently sane) reaction to the attacks of September 11th. Each of these shorter essays is interesting, but the meat and potatoes of the book is in the remaining five, considerably longer, pieces. They are:

Big Red Son: a report on the 1998 Adult Video News awards (the Oscars of porn) in Las Vegas.
Consider the Lobster: a report on a visit to the annual Maine Lobster Festival (for Gourmet magazine).
Host: a report on conservative talk radio, based on extensive interviews conducted with John Ziegler, host of "Live and Local" on Southern California's KFI.
Up Simba: an account of seven days on the campaign trail with John McCain in his 2000 presidential bid (for Rolling Stone).
Authority and American Usage: a review of Bryan Garner's "A Dictionary of Modern American Usage" , which serves as a springboard for a terrific exegesis of usage questions and controversies.

Here's what I like about David Foster Wallace's writing: I know of nobody else who writes as thoughtfully and intelligently. That he manages to write so informatively, with humor and genuine wit, on almost any subject under the sun is mind-blowing - it's also why I am willing to forgive his occasional stylistic excesses. (Can you spell `footnote'?) You may not have a strong interest in lobsters or pornography, but the essays in question are terrific. The reporting on Ziegler and McCain is amazingly good, heartbreakingly so, because it makes the relative shallowness of most reporting painfully evident. Finally, the article on usage is a tour de force - when it first appeared in Harper's, upon finishing it, I was immediately moved to go online and order a copy of Garner's book (which is just as good as DFW promised).

How can you not enjoy an essay that begins as follows?

"Did you know that probing the seamy underbelly of US lexicography reveals ideological strife and controversy and intrigue and nastiness and fervor on a near Lewinskian scale?

....... (several other rhetorical questions) ......

Did you know that US lexicography even *had* a seamy underbelly?"

And which later contains sentences such as:
"Teachers who do this are dumb."
"This argument is not quite the barrel of drugged trout that Methodological Descriptivism was, but it's still vulnerable to objections."
and - my personal favorite -
"This is so stupid it practically drools."

Not everyone will give this collection 5 stars, but I do.

Editorial Review:

Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.

Wolves of the Calla (The Dark Tower, Book 5)

Stephen King

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Customer Reviews:
Total reviews: 381 Average rating: 4.0 of 5

The Wolves of Calla...an excellent addition to the Dark Tower series 5 out of 5 stars.
3 of 4 people found this review helpful.

This is my favorite book of the Dark Tower series.

I've never been a huge fan of horror (Stephen King's or anyone's else) but the fantasy aspect of this particular series has really caught my attention. And in truth this is much more fantasy than your typical Stephen King horror.

In their ongoing quest to reach the Black Tower, Roland and his Ka-tet (Eddie, Jake, Susannah and Oy) come to a farm village called Calla Bryn Sturgis where some disturbing occurrences have been happening of late. Strange wolves started raiding the area about the same time children began to disappear, only to reappear, but drastically changed. Does it have something to do with the arrival of the 'wolves'? What is going on with the children? Is Andy the Robot all that he appears? And what is going on with Susannah? Reasonable questions that are all answered by books end.

I found that this 5th installment had a high level of suspense. I could not wait to get to the end of this book as I knew it would be climaxing with a terrific battle; a battle that I felt (IMHO) was one of the best actions of the entire series.

Other reviewers mentioned that there were some areas of this novel that dragged a bit, e.g. the return trip to New York. However, I felt that not only did this side 'trip' add information regarding the entire series, but also allowed me more time to anticipate and appreciate the final sections of this thrilling 5th installment.

Conclusion:
Stephen King at his best; high fantasy that is intriguing, page turning and extremely well done.

Ray Nicholson

Editorial Review:

Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, the DARK TOWER series is unlike anything you have ever read.

Here is the fifth installment, "one of the strongest entries yet in what will surely be a master storyteller's magnum opus" (Locus).

Roland Deschain and his ka-tet are bearing southeast through the forests of Mid-World on their quest for the Dark Tower. Their path takes them to the outskirts of Calla Bryn Sturgis. But beyond the tranquil farm town, the ground rises to the hulking darkness of Thunderclap, the source of a terrible affliction that is stealing the town's soul. The wolves of Thunderclap and their unspeakable depredation are coming. To resist them is to risk all, but these are odds the gunslingers are used to. Their guns, however, will not be enough....

By the Sword: A Repairman Jack Novel (Repairman Jack)

F. Paul Wilson

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Customer Reviews:
Total reviews: 18 Average rating: 3.0 of 5

Editorial Review:

By the Sword takes up the adventures of Repairman Jack directly after Bloodline. Jack is hired to find a legendary Japanese sword, a katana stolen from the Hiroshima Peace Museum and brought to New York City. Central characters include the members of a weird Japanese cult, a young Japanese businessman and his three Yakuza bodyguards, plus Hank Thompson, the Kicker cult leader from Bloodline. The cult, the businessman, the Yakuza, and the Kickers are looking for the sword as well.

Also in the mix is the pregnant teenager carrying a child, loaded with abnormal DNA, who will be a decisive force in the cosmic shadow war raging behind the scenes. She becomes a pawn in the game, hunted by both sides. Following his usual m.o., Jack maneuvers all sides into a bloody melee from which he plans to waltz away with the fabled katana. Of course, when things don’t go as planned, Jack must improvise (and he hates to improvise). By the Sword takes F. Paul Wilson’s trademark breakneck pacing and interweaving storylines to a new level.

Leaves of Grass: The Original 1855 Edition (Thrift Edition)

Walt Whitman

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Customer Reviews:
Total reviews: 5 Average rating: 5.0 of 5

A small part of 'Leaves of Grass' 4 out of 5 stars.
22 of 22 people found this review helpful.

The original edition of 'Leaves of Grass' published in 1855 contained twelve poems only. The subsequent editions beginning in 1856 were to greatly expand the work. Thus I would recommed that anyone who wishes to know the true range of Whitman's work find another selection of his work of which there is a larger share of his great work.
Whitman is the poet who Emerson prophesied, the American visionary poet who sang of the complex greatness of the society, and connected his own soul with its expansive facts of life.

What More Can Be Said? 5 out of 5 stars.
16 of 16 people found this review helpful.

It's difficult to think of something appropriate to say about a man who spent his life trying to express the panorama of humanity through the lense of his own heart. From a drop of blood to the grandeur of a shipyard or a continent, he takes all readers on a journey wild with raving, raging, sorrow, longing, humbleness and pride. At once he is totally modern and yet rife with history.

For readers new to poetry, Walt Whitman is wonderfully accessible. One can pick up Leaves of Grass and virtually start and stop anywhere and pick up something wonderful every time.

Not to be missed.

Editorial Review:

"The most extraordinary piece of wit and wisdom that America has yet contributed." — Ralph Waldo Emerson. Inspired by transcendentalism, Whitman's immortal collection includes some of the greatest poems of modern times, including his masterpiece "Song of Myself." Shattering standard conventions of symbolism and allegory, it stands as an unabashed celebration of body and nature.

101 Great American Poems (Dover Thrift Editions)

Edgar Allan Poe, Walt Whitman, Robert Frost, Langston Hughes, Emily Dickinson, T S. Eliot, Marianne Moore

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Customer Reviews:
Total reviews: 7 Average rating: 4.5 of 5

Quite a Bang for Your Buck!.......... 4 out of 5 stars.
23 of 23 people found this review helpful.

............this small book of poetry contains the work of nearly forty of the best known American poets. From Emily Dickinson to Walt Whitman to Edgar Allan Poe to Robert Frost, there are poems in this collection that are sure to appeal to everyone! Also represented in this collection are ten women poets and eight African Americans including Paul Laurence Dunbar, Langston Hughes and Phyllis Wheatley. There's even a poem by Abraham Lincoln that reveals his thoughts about his childhood experiences.

This collection is a simple, inexpensive way to introduce oneself to the wonderful world of American poetry. Each poet is introduced with a short biography followed by his or her most memorable work. Great buy!

Editorial Review:

Rich treasury of verse from the 19th and 20th centuries, selected for popularity and literary quality, includes Poe's "The Raven," Whitman's "I Hear America Singing," as well as poems by Robert Frost, Langston Hughes, Emily Dickinson, T. S. Eliot, Marianne Moore, many other notables.

The Broom of the System

David Foster Wallace

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Customer Reviews:
Total reviews: 44 Average rating: 3.5 of 5

Disappointing 2 out of 5 stars.
2 of 3 people found this review helpful.

As a raving fanatic of DFW, I was surprisingly and to all contrary expectations let down quite thoroughly by his first novel. People say it's a mini Infinite Jest, but that's really not true at all. I mean there are budding and teasing similarities, but they are, in my opinion, very different novels concerned with different issues. First, The Broom of the System is mostly in dialogue without the sharp wit and rolling-on-the-floor-funny humor and the trademark myriad lengthy footnotes you see in his later works. Second, it is a hell of a lot less pretentious; i.e. I didn't have to consult the OED, not even once, which is unthinkable in his later works, fiction or essays. In this sense, the book is much easier to read, but then for a seasoned DFW fan/reader, it felt lightweight, paltry, and very unsatisfying indeed. In other words, I felt cheated.

Indulge me with a little rant. The quintessential DFW experience is a menagerie of pretentiousness, sophistication, and killer humor blended together with the right amount of direction or plot. And here I say pretentiousness in its most possible sense. People tend to say, "Oh that's pretentious!" in the spirit of angry and dismissive criticism, but if you look at it more carefully, what's wrong with being pretentious? You know a lot of stuff, and you show off what you know. And what's wrong with that? Does it make you feel stupid? Ignorant? Inadequate? Well then, big guy, maybe you should sit, look up those words, learn them, and delve in further. Be a little more patient when reading books. It's literature, not popular fiction. It offers you an opportunity to be more educated, more knowledgeable, and perhaps - God forbid - more pretentious. Anyway, DFW's pretentiousness is by no means a malicious or harmful kind where he's trying to put you down or show he's a hundred times smarter than you. On the contrary, it seems to be informed by a desire to just play around with words (e.g. Hey, this word sounds cool, why not use it?).

But I digress. The point is that The Broom of the System didn't offer the full range and depth of DFW experience. It wasn't pretentious (which can be a good thing for some readers), it wasn't that sophisticated (no footnotes? Come on. And any cool plot? Like a film that makes people watch until they die and is being hunted by a Canadian wheelchair terrorist group to give the big terrorizing finger to the US?), and it wasn't that funny (I can recall only three, at most four, instances when I laughed out loud). The plot, too, was pretty bland and wasn't exciting. It also kept going off on tremendous tangents that weren't 1) funny or 2)relevant to the main story.

So all in all, it was such a let down that it almost hurt when the book ended as it did. Read his essays and his magnum opus, but this one isn't that worth it.

Editorial Review:

Published when Wallace was just twenty-four years old, The Broom of the System stunned critics and marked the emergence of an extraordinary new talent. At the center of this outlandishly funny, fiercely intelligent novel is the bewitching heroine, Lenore Stonecipher Beadsman. The year is 1990 and the place is a slightly altered Cleveland, Ohio. Lenore’s great-grandmother has disappeared with twenty-five other inmates of the Shaker Heights Nursing Home. Her beau, and boss, Rick Vigorous, is insanely jealous, and her cockatiel, Vlad the Impaler, has suddenly started spouting a mixture of psycho- babble, Auden, and the King James Bible. Ingenious and entertaining, this debut from one of the most innovative writers of his generation brilliantly explores the paradoxes of language, storytelling, and reality.

Brief Interviews with Hideous Men

David Foster Wallace

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Total reviews: 68 Average rating: 3.5 of 5

Editorial Review:

Amid the screams of adulation for bandanna-clad wunderkind David Foster Wallace, you might hear a small peep. It is the cry for some restraint. On occasion the reader is left in the dust wondering where the story went, as the author, literary turbochargers on full-blast, suddenly accelerates into the wild-blue-footnoted yonder in pursuit of some obscure metafictional fancy. Brief Interviews with Hideous Men, Wallace's latest collection, is at least in part a response to the distress signal put out by the many readers who want to ride along with him, if he'd only slow down for a second.

The intellectual gymnastics and ceaseless rumination endure (if you don't have a tolerance for that kind of thing, your nose doesn't belong in this book), but they are for the most part couched in simpler, less frenzied narratives. The book's four-piece namesake takes the form of interview transcripts, in which the conniving horror that is the male gender is revealed in all of its licentious glory. In the short, two-part "The Devil Is a Busy Man," Wallace strolls through the Hall of Mirrors that is human motivation. (Is it possible to completely rid an act of generosity of any self-serving benefits? And why is it easier to sell a couch for five dollars than it is to give it away for free?) The even shorter glimpse into modern-day social ritual, "A Radically Condensed History of Postindustrial Life," stretches the seams of its total of seven lines with scathing economy: "She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces." Wallace also imbues his extreme observational skills with a haunting poetic sensibility. Witness what he does to a diving board and the two darkened patches at the end of it in "Forever Overhead":

It's going to send you someplace which its own length keeps you from seeing, which seems wrong to submit to without even thinking.... They are skin abraded from feet by the violence of the disappearance of people with real weight.

Of course, not every piece is an absolute winner. "The Depressed Person" slips from purposefully clinical to unintentionally boring. "Tri-Stan: I Sold Sissee Nar to Ecko" reimagines an Arthurian tale in MTV terms and holds your attention for about as long as you'd imagine from such a description. Ultimately, however, even these failed experiments are a testament to Mr. Wallace's endless if unbridled talent. Once he gets the reins completely around that sucker, it's going to be quite a ride. --Bob Michaels

The Picture of Dorian Gray (Barnes & Noble Classics Series) (Barnes & Noble Classics)

Oscar Wilde

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Customer Reviews:
Total reviews: 262 Average rating: 4.0 of 5

Editorial Review:

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."