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Bright Lights, Big City

Jay Mcinerney

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Customer Reviews:
Total reviews: 93 Average rating: 4.0 of 5

Much before the loss of the innocence 5 out of 5 stars.
3 of 4 people found this review helpful.

Jay McInerney's funny and smart debut "Bright Lights, Big City" was published about 25 years ago. The current Vintage Contemporary edition features in its cover a drawing of a men entering the Odeon and the Twin Towers in the background - as if we all needed to remember this was a book written much before the loss of the innocence.

The set is New York in the middle 1980s, when AIDS wasn't the issue and the city fuelled with cocaine and neon. That decade always seem to be something lost in time. And literature and cinema handles it this way. "Bight Lights, Big City" is sort of a lighter and smarter cousin of "American Psycho", which handles the same generation. But McInerney's prose is much well handed and his narrative more effective than Breat Easton Ellis'. The novel is entirely written in the second person, and it feels like `you' is just one more character.

Rarely did a writer capture the 1980s zeitgeist as McInerney. We see his nameless protagonist frantically crossing the city after drugs, women or something he lost in his life and doesn't know. The plot unfolds in a New York minute. The writer has the ear for capturing vivid and believable dialogues, while creating interesting characters.

However fun it is to read "Bright Lights, Big City", it is impossible not to notice that it is above all a sad story. The main character is only going through the motions, just the course life takes. He never takes the plunge to change his destiny. Could he if he tried? Maybe so. We'll never know. But what we do know is that McInerney has written a novel that will last for ages. When people in the future wonders how the 1980s was like

Editorial Review:

The tragicomedy of a young man in NYC, struggling with the reality of his mother's death, alienation and the seductive pull of drugs.

The Good Life

Jay Mcinerney

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Total reviews: 70 Average rating: 3.0 of 5

Editorial Review:

Amazon.com Exclusive: James Frey Reviews The Good Life

Jay McInerney's Bright Lights, Big City was initially released in 1984. Twenty years later it is still an important book, and it has been an influence on a generation of writers, including me. McInerney's career since has been one of highs (Brightness Falls, The Last of the Savages) and lows (Ransom, The Story of my Life). He became a wine columnist, married and divorced, became a father to a pair of twins. In New York, he has remained a highly visible public figure, regularly seen at book parties and on the gossip page. Outside of New York, many people seem to have forgotten him. Often, when I bring up his later works, people respond with something along the lines of--I didn't know he wrote anything after Bright Lights.

The writer whose career McInernery's most resembles is that of F. Scott Fitzgerald. Both achieved huge, almost overwhelming early success. Both struggled to work their way out of the glare and expectations of that success. Both became known as much for their lifestyles as much as their books. While Fitzgerald wrote a masterpiece, The Great Gatsby, that McInerney, or almost anyone for that matter, has yet to match, McInernery has done something that may, over time, prove to be more interesting: he's lived through the downs of his life, continues to work, and is producing the kind of books we might have expected from Fitzgerald had he lived past the age of 44.

His latest book, The Good Life, is, in my opinion, his best book since Bright Lights, Big City. It tells the story of two Manhattan couples around the days of the events of September 11th. Luke and Sasha, wealthy Upper-East side socialites, and Russell and Corrine, a downtown literary editor and his wife, who were the subject of the earlier book Brightness Falls, are sleepwalking through their lives. They have parties and go to parties, live with spouses they're no longer sure they love, struggle with the correct way to raise their children. Luke is a banker who left his multi-million dollar job in search of something more fulfilling, while his wife is cheating on him with a former rival. Corrine is a stay-at-home mother whose husband is more concerned with work and other women than his family. Neither Luke nor Corrine see any way out of their marriages. Both end up working at a soup-kitchen near Ground Zero in the days immediately following the attacks on the World Trade Centers. They fall in love. They plan a future together. It's a simple story, a basic love story, and in the hands of a lesser writer, The Good Life could be awful. Instead, it's a very subtle, incredibly insightful, heartbreaking story about life in the New York, about marriage, about children and the choices they force us to make, about love and longing, about the search for meaning in our lives. It's a book about hope and how we find it, sustain and lose it, and it's a book about loss and how we deal with it.

It's also a deeply personal book, McInerney's most personal since Bright Lights, and it feels to me like I'm reading about variations of McInerney's own life. He, like Fitzgerald, is at his best when he's putting his own experiences into the lives of his characters, and I've never felt more of McInerney, or felt more vulnerability, which to me is a sign of strength in a writer, Unfortunately, Fitzgerald's life was unsustainable. He died drunk, penniless, alone, forgotten. McInernery could have followed his path, and it sometimes seemed like he would. Thankfully he didn't. People wondered what kind of writer Fitzgerald might have been had he lived. McInerney, his closest succesor, is starting to show us. --James Frey, author of A Million Little Pieces and My Friend Leonard

Story of My Life

Jay Mcinerney

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Customer Reviews:
Total reviews: 44 Average rating: 4.0 of 5

REAL LIFE CAN BE STRANGER THAN FICTION 4 out of 5 stars.
0 of 0 people found this review helpful.

Alison Poole is a wannabe actress living in the fast lane. Her divorced, socialite parents are too busy jetsetting with nubile lovers to give Alison the time of day. Not made for work, she comes up with all sorts of creative ways of pumping cash and credit cards out of her seemingly limitless circle of Ivy League boyfriends. She and her rich, beautiful girlfriends (Paris Hilton was not the first party girl to go around declaring "I'm hot") snort more coke than Al Pacino in "Scarface." McInerney gives Alison a sardonic voice that is witty and authentic, like a postmodern Holden Caulfield (that is, if Holden were a boy-crazed nymphomaniac). The zany, coke-induced banter between Alison and her friends made me simultaneously laugh and cringe. At times, the characters reminded me of the Sally Fowler rat pack in Whit Stillman's movie, "Metropolitan," particularly the scene in which they play Truth or Dare with disastrous consequences.

Here's how Alison describes her sister: "Watch out! Rebecca's coming to town, and I'm definitely not talking about the one from Sunnybrook Farm. This is my maniac sister. She's flying in from Palm Beach with her latest squeeze...Becca uses things up quickly--cars, credit cards, men, drugs, horses, you name it. The men and the credit cards are sort of mixed up together....The best way I can think to describe Rebecca is to say she's like the Tasmanian Devil, that character in the Bugs Bunny cartoons that moves around inside a tornado and demolishes everything in his path. Or else she's like an entire heavy metal band on tour--all wrapped up in this cute little hundred-and-ten-pound package. What really worries me is the combination of Becca and Didi. When those two get together it's like--what were the two things you were never supposed to mix in chemistry class or you'd like blow up the whole school? You know what I mean. Not oil and water--something else." All around Alison, her family and friends are imploding, caught in a materialistic nightmare of their own making. Her own compulsive behavior leads to venereal diseases, drug overdoses, unwanted pregnancy, and abortion.

There's not much of a plot. The attraction is all in Alison's quirky voice, caustic humor, and sharp monologues/dialogues. What plot there is goes like this: Alison's latest fling, Skip Pendleton (probably the most arrogant yuppy in Manhanttan), gives her name out to all his friends, who begin calling her up for a good time. Although Alison is a good-time girl (her motto is "You can't rape the willing"), it irks her that Skip gave her name and number out like that. On the rebound, she meets Dean, with whom she begins to fall in love, or at least lust. But it turns out that Dean knows Skip (small world), and the relationship turns complicated. Most of the book deals with Alison and Dean's love life, as well as Alison's crazy circle of drug addicted girlfriends. Alison is lost in hedonism -- will she find her way out? Don't bet on it.

In one of those bizarre twists where real life gets stranger than fiction, the character Alison Poole is based on the woman who is now infamous for being presidential hopeful John Edwards' mistress (Rielle Hunter). I liked BRIGHT LIGHTS, BIG CITY and BRIGHTNESS FALLS, so I decided to give STORY OF MY LIFE a try, more for the author than the scandal. I'm glad I did; it's hilarious, although not a very deep book. It has lots of adult content, foreshadowing the scandal in vivid detail. Alison Poole also shows up in AMERICAN PSYCHO and GLAMORAMA, novels authored by McInerney's friend, Bret Easton Ellis. Clearly, they hung out around some of the same people.

Editorial Review:

In his breathlessly paced new novel Jay McInerney revisits the nocturnal New York of Bright Lights, Big City. Alison Poole, twenty going on 40,000, is a budding actress already fatally well versed in hopping the clubs, shopping Chanel falling in and out of, lust, and abusing other people's credit cards. As Alison races toward emotional breakdown, McInerney gives us a hilarious yet oddly touching portrait of a postmodern Holly Golightly coming to terms with a world in which everything is permitted and nothing really matters.

Coffee with Mark Twain (Coffee with...Series)

Fred Kaplan

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Editorial Review:

Mark Twain shaped our view of childhood, the frontier spirit, slavery, and humankind’s follies and pretensions. Revel now in his caustic wit, tall tales, and colorfully expressed opinions, all told to a distinguished professor and biographer. This master of repartee regales us with stories about his many different guises, from humorist to riverboat pilot to inventor of the self-pasting photograph album.




Brightness Falls

Jay Mcinerney

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Customer Reviews:
Total reviews: 19 Average rating: 4.5 of 5

Elegiac 4 out of 5 stars.
8 of 9 people found this review helpful.

One can stand at a distance and criticize this novel as a tale of two self-absorbed yuppies, or one can come closer and actually read the book and find that it's not so easy to dismiss. Corinne and Russell are very real people, and McInerney does an excellent job fleshing them out. I sympathized with Corinne, a true lost soul who feels helpless as her husband's drive to succeed starts to change him, and also felt as indignant as Russell for the way he was being treated by his superior at the publishing company. All along the way, I felt dread in the pit of my stomach as to what would happen with Russell's attempt to takeover the company, but since McInerney sets the novel in the months right before the Stock Market Crash of 1987, that dread is most likely intentional.

This is the third McInerney novel I've read, and I can now say that I am a fan. "Brightness Falls" is denser and more complex than "Bright Lights, Big City" and "Story of My Life" but it doesn't hit a false note. He conveys late 80s Manhattan perfectly, and juggles the myriad points of view like a pro.

Why this novel does not have "National Bestseller" emblazoned across the top surprises me. Perhaps in 1992, people just weren't in the mood to read a novel about 80s excess, feeling it was too soon. Their loss. Several years on, this novel holds up very well. Interesting that the book also somewhat mirrors the Manhattan of today, where finance is once again booming, real estate is over the top and many are living well. People live high, and there's no real sign of stopping. Will this new world of ugly luxury condos (face it, they're ugly), the vanishing arts frontier and dwindling middle class last forever, supplanting a vibrant city with a glossy, homogeneous veneer? It seems that way; nobody foresees an end to to this new gilded age. The hubris is thick in the air and brightness falls when people least expect it.

Editorial Review:

he bestselling Brightness Falls--now in trade paper from the author of Bright Lights, Big City. In the story of Russell and Corrine Calloway, set against the world of New York publishing, McInerney provides a stunningly accomplished portrayal of people contending with early success, then getting lost in the middle of their lives.

The Last of the Savages

Jay Mcinerney

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Customer Reviews:
Total reviews: 30 Average rating: 4.0 of 5

People Are Too Hard On This Well-Intended Novel 3 out of 5 stars.
2 of 2 people found this review helpful.

So this novel is not as imaginative and taut as Bright Lights, Big City, and it's not on the same planet as Brightness Falls. It still isn't that bad of a book! What you get here from Mcinerney is a story about a friendship between a social rebel from the deep south and a scholarly conformist that endures for over three decades, from the confines of a ridiculously archaic prep school to the internet age, passing thru Civil Rights, Vietnam, the rise of blues-rock, and finally ending on the theme of what one friend will do for another in a conclusion that I sure as shooting never saw coming. The Last of the Savages opens with a sentence so profoundly lovely it could have belonged in one of F. Scott Fitzgerald's works, and some of the characters in here are more enduring in the memory than even those in Brightness Falls. The humor in this novel is wry and ironic and comes off as funnier than Mcinerney is known for. So even if it's not the best thing ever written, it has its moments of charm. This is Jay Mcinerney is unusual form and I thought it was interesting.

Editorial Review:

McInerney recounts nearly three decades of history through the lives of prep school roommates Patrick Keane and Will Savage. Keane, the narrator, goes the corporate law route. Savage is the rebellious scion of an aristocratic family from the Deep South. Anxious to atone for the misdeeds of a family whose history includes the brutal suppression of a slave rebellion, Savage becomes a leader of the 1970s counterculture and, later, a music company executive whose mission is to record blues musicians. Along the way he marries a black singer at least in part to get a rise out of his family.

Ransom

Jay Mcinerney

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Customer Reviews:
Total reviews: 23 Average rating: 3.5 of 5

Editorial Review:

Ransom, Jay McInerney's second novel, belongs to the distinguished tradition of novels about exile. Living in Kyoto, the ancient capital of Japan, Christopher Ransom seeks a purity and simplicity he could not find at home, and tries to exorcise the terror he encountered earlier in his travels—a blur of violence and death at the Khyber Pass.

Ransom has managed to regain control, chiefly through the rigors of karate. Supporting himself by teaching English to eager Japanese businessmen, he finds company with impresario Miles Ryder and fellow expatriates whose headquarters is Buffalo Rome, a blues-bar that satisfies the hearty local appetite for Americana and accommodates the drifters pouring through Asia in the years immediately after the fall of Vietnam.

Increasingly, Ransom and his circle are threatened, by everything they thought they had left behind, in a sequence of events whose consequences Ransom can forestall but cannot change.

Jay McInerney details the pattern of adventure and disillusionment that leads Christopher Ransom toward an inevitable reckoning with his fate—in a novel of grand scale and serious implications.

Model Behavior

Jay McInerney

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Customer Reviews:
Total reviews: 40 Average rating: 3.0 of 5

Editorial Review:

Readers familiar with Jay McInerney's Bright Lights Big City may feel a sense of déjà vu when reading Model Behavior. Once again our hero is a small cog in the glamorous Manhattan media machine. Yet although the players may look the same, the rules of the game have changed--their ambitions and expectations are not the same as they were a decade or more ago. Connor McKnight is not brought low by drugs and other symbols of 1980s-style excess; instead, his relationship is destroyed by premillennial ennui and the numbing effects of his career as a celebrity journalist (celebrity being to the '90s what cocaine was to the '80s). The fact that all these shiny happy people really aren't happy at all is hardly news, but McInerney is both a chronicler and a satirist of this glitzy corner of the world, and his astute wit saves the novel from being as shallow as its subjects. This is not poisonous satire à la Martin Amis but a more affectionate (yet equally effective) mocking of modern pretensions, such as P.G. Wodehouse in Hugo Boss. McInerney's comic timing is best demonstrated in one of the longest scenes, a Thanksgiving dinner that ends in chaos when Connor's father exposes himself to the turkey-munching patrons of a tony Manhattan eatery. While the author's sixth book may not be very far removed from his first, that isn't necessarily a criticism. Like a botanist who studies only pondweed, McInerney has narrowed his focus to perfect it. Model Behavior, and the seven stories collected with it, demonstrate that no one else can render this peculiar little social set as accurately, or as artfully as McInerney. --Simon Leake

How It Ended

Jay McInerney

How It Ended Jay McInerney By: Bloomsbury Pub Ltd
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Customer Reviews:
Total reviews: 3 Average rating: 3.5 of 5

Not McInerney's Turf, yet he was taught by the best. 3 out of 5 stars.
10 of 11 people found this review helpful.

In the first part of this review I would like to stress that this collection of short stories has only three new short stories by Jay McInerney. Seven of the ten can be found in the American hardcover edition of "Model Behavior."

Jay McInerney is known to write great one liners and there are quite a few in this collection of stories. His wit is shown,but not as greatly executed as in his novels for he does not have the space to juxtapose human tragedy in, there still are the great one-liners he has been known for that will make you both laugh and, in one instance, become politically conscious. Jay McInerney's mentor was Raymond Carver; the master of the short story, yet the short story is not McInerney's niche. I must admit though, there is much delight in "The Business," yet there is not much to be learned from it.

McInerney's true talent comes forth in the form of the novel. If you are a first time McInerney reader I would suggest : "Bright Lights, Big City" or the novella "Model Behavior" though I believe all of his work in the field of the American Novel is superb.

Mr. McInerney is a master of weaving comedy and human tragedy (a talent that is not achieved by very many). If you are to read his work I would strongly suggest you try his novels before delving into his short stories.

Editorial Review:

This collection of stories examines worlds in collision, relationships fragmenting and the dark underbelly of the American dream. The characters in these stories struggle together in a shifting world where old certainties dissolve and nobody can be sure of where they stand.

New Japanese Voices

Jay McInerney

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