Milton, John Books

Paradise Lost (Penguin Classics)

John Milton

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Total reviews: 24 Average rating: 4.5 of 5

A Humbling Triumph of Emotion, Spirituality and Despair. 5 out of 5 stars.
3 of 4 people found this review helpful.

One of the many results of the increased literacy rate is the ability for every Tom, Dick or Harry to consider themselves literary experts and to opine on the supposed faults of great literature, presuming that it should serve merely their basest pleasures. The correct response to such vulgarity is to rebuke, letting them make their solitary way till one greater man restore them. Before the charge of arrogance is levelled against me, I must too opine that this attitude of literary snobbery should be applied to each one of us when we approach the genius of Milton and Paradise Lost, relenting to the sensation of humility as this epic poem enters our mind. Only by reading in such a frame of mind, can one truly appreciate and enjoy the poetry of Milton.

Paradise Lost is Milton's attempt to recount the debacle of Satan in Heaven, and his role in the Fall of Humanity. While Milton grandly presents his work as an attempt to `justify the ways of God to men' regarding His motivations for our expulson from Paradise, the focus of Paradise Lost is firmly upon Satan and his emotional turmoil at losing Heaven, only to see a creature of dirt replace him as God's focus. From a Catholic perspective, one of the faults of Milton is that his anthropomorphism of the devil is almost too convincing, making Satan appear as a tragic, almost pathetic figure, rather than the merciless deceiver that he is. That is not to say that Milton portrays the devil in a positive frame, but attempts to offer reasons of insecurity, envy and self-righteous hostility for Satan's path of destruction; all too human traits, as many readers will find disconcerting.

As some have noted, while one's grasp and love of the English language should improve at the behest of Milton's poetry, it is unlikely that one will find any theological inspiration from this work. Heresies abound in Paradise Lost; hardly surprising due to the unorthodox religious convictions of Milton. Without condoning such-in my conviction-wicked ideas, one should attempt to read Milton, not as a theological treatise or an attempt to historically describe the Fall, but as a courageous attempt to venture into the midst of the spiritual, the power of emotion and the capability of both unto despair.

A classic which all will do well to read.

Editorial Review:

Edited with an introduction and notes by John Leonard.

Paradise Lost (Oxford World's Classics)

John Milton

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Customer Reviews:
Total reviews: 11 Average rating: 4.5 of 5

Editorial Review:

Paradise Lost is the great epic poem of the English language, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle ranges across heaven, hell, and earth, as Satan and his band of rebel angels conspire against God. At the center of the conflict are Adam and Eve, motivated by all too human temptations, but whose ultimate downfall is unyielding love. This marvelous new edition boasts an introduction by one of Milton's most famous modern admirers, the best-selling novelist Philip Pullman. Indeed, Pullman not only provides a general introduction, but also introduces each of the twelve books of the poem. In these commentaries, Pullman illuminates the power of the poem and its achievement as a story, suggests how we should read it today, and describes its influence on him and his acclaimed trilogy His Dark Materials, which takes its title from a line in the poem. His observations offer a tribute that is both personal and insightful, and his enthusiasm for Milton's language, skill, and supreme gifts as a storyteller is infectious. He encourages readers above all to experience the poem for themselves, and surrender to its enchantment. Pullman's tremendous admiration and passion for Paradise Lost will attract a whole new generation of readers to this classic of English literature. An ideal gift, the book is beautifully produced, printed in two colors throughout, illustrated with the twelve engravings from the first illustrated edition published in 1688, with ribbon marker.

Paradise Lost & Paradise Regained

John Milton

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Total reviews: 25 Average rating: 4.5 of 5

Amazing book, Terrible book quality 1 out of 5 stars.
4 of 4 people found this review helpful.

The star rating is given purely for the edition of Paradise Regained published by First World Library. This book is every bit as fascinating as its predecesor Paradise Lost, however I highy dissuade you from buying this particular edition because the words are in size 14 Times New Roman, thus extremely difficult to read, and it is much too expensive for an edition of its quality.

Rise and fall! 5 out of 5 stars.
1 of 1 people found this review helpful.

First off, let me say that we're not talking here about the famous Qi gong instructor named John Milton. We're talking about the famous 17th-century English poet who wrote _Paradise Lost_ and _Paradise Regained_, two of the most wonderfully overlong Christian poems in the history of Western literature.

Your English teacher will tell you that _Paradise Lost_ "narrates the story of Adam and Eve's disobedience, explains how and why it happened, and places the story within the larger context of Satan's rebellion and Jesus' resurrection." And you know that can't be far wrong, because SparkNotes says the exact same thing.

But the main reason everyone should read Milton's grand epic is that it contains certain secrets about prayer.

In PL, Milton reminds us how important it is, when we pray, to be absolutely specific. The Lord has a strange, often disturbing, sense of humour (PL, books I-XII). If you leave Him wiggle room, He will answer your prayer in a way you never intended, and then say it was your own damned fault, because your prayer contained seven types of ambiguity.

John Milton writes from experience. Example: Almost every time a good-looking woman passed within view of John Milton, he suffered an involuntary erection. Daniel of the Old Testament might well have suffered such a condition without complaining, but John Milton found it onerous. John was both a Puritan and a student of Saint Augustine. He was not happy when he suffered an erection, he hated it, and he especially resented the women who made that thing happen to him.

In a Latin letter to his friend, George Wither, John Milton reports that, in his youth, he would sometimes see a pretty woman even in his dreams at night, and suffer, not just an erection, but the whole nine yards, up to and including a nocturnal emission; which he trained himself to handle according to Scripture, thereby to purify himself (Deut. 23:10); but sometimes he was unable to wait that long before he handled it, which filled his soul full of Puritan remorse and self-reproach.

At age 33, the poet took to wife a 16-year-old lolita named Mary Powell; and you may already have guessed the reason why, which is that she gave him an erection -- more accurately, she gave him "one damned erection after another," without remission. (Giving John Milton an erection was not the girl's conscious intent, but it just happened to him, every time they met.) And since Christian marriage is Saint Paul's only approved method whereby to deal with that kind of torment, John Milton (being an honourable man) thought it best to marry the girl (1 Cor. 7:9).

Frailty, thy name is woman! After two years of marriage - after just two years of witnessing those insufferable erections that could not be beaten down, or at least, not for long - the poet's young Puritan bride ran away and skipped back home to live with her mother, Mrs. Anne Powell, who likewise gave John an erection; which is why John Milton resented his mother-in-law as well as his estranged wife.

Those were the hardest years of the poet's life - nothing but a daily struggle against involuntary erections, yet here he was, trapped in a loveless marriage to a barely pubescent teenager who lived with her entirely-too-attractive mother. Which is partly why John Milton wrote those four revolutionary Christian pamphlets, correcting Moses' and Jesus' hardline policy on divorce (Mark 10:11-12).

In his Latin correspondence, some of which is preserved in the Bodleian Library, John Milton reports that he was fine when alone in his study, or when hobnobbing with Parliamentarians, or even when having a hasty pudding, or a figgy one, over at the Inns of Court; but let just one good-looker cross his path, showing good ankle between the hem of her dress and the top of her shoe, and it was boing! - instant erection, just like a spring-loaded mechanical device; causing John to exclaim bitterly, "Oh, God, please, not again! Save me from this penal fire!"

It even happened to him once when Oliver Cromwell's wife, Elizabeth Bourchier Cromwell, bent over to pick up a handkerchief that had fallen to the floor. On that occasion there was a lamentable accident ("an hard mishap" [verbatim quote]) with John's ordinarily modest codpiece - an incident so humiliating that John never even wrote a poem about it, although he did apologise, profusely, to Oliver Cromwell, and to Mrs. Cromwell, who saw the whole thing, and then fainted. (John at the time was employed as Cromwell's Latin secretary.)

By the way: It was modesty, not arrogance, that moved John Milton, after that embarrassing incident, to wear a baggy codpiece, with plenty of wiggle room.

Which brings me back to the beginning, when I was explaining why you should give the Lord no wiggle room when you pray: John Milton took his problem to the Lord in prayer, stating in his journal, "Father, I pray Thee, let me not suffer a stiffe joynt when I see a beautifull woman."

And here's how the Lord answered that prayer, in 1651: He struck John Milton blind.

At first, John thought that his blindness was a punishment for his own bad behaviour - which is how that whole thing got going, in Anglo-American Christianity, about how, if you are a boy who does what John Milton used to do, it could make you go blind. But God revealed to John, by means of a dream, that his blindness was actually an answer to his own prayers ¬- because the poet had said, "Father, let me not suffer a stiff joint when I see a beautiful woman."

John Milton then said, "Lord, that is not what I meant, at all" - but it was too late to change the outcome, because the prayer was already answered.

The erections that John Milton suffered in the years 1651-1674, and there were many, even after the Lord answered his prayer, were not from seeing a beautiful woman, it was actually because John had a condition that modern physicians call PSAS ("Persistent Sexual Arousal Syndrome"). So the chronic "stiffe joynt" problem was not really the women's fault, and it never was; but John Milton never knew that. Even when he wrote Paradise Lost (by dictation, from 1652-1667), John was still under the impression that women, seen or unseen, were to blame for his condition; which is why he makes all of those snide remarks in blank verse about your mother, Eve, in Books IV-V and IX-X of Paradise Lost. Because whenever he pictured Eve in his mind's eye, it was boing! - the same old problem. And there would come no more blank verse to his head for the next twenty minutes or so, until things settled down. John Milton hated that.

But it all turned out for the best: if God had not answered John Milton's prayer in that unusual way, by blinding him, Paradise Lost might never have been completed, and sold to the publisher, Sam Simmons, in 1667, for £5 - which was a tidy sum for a religious poem during the decadent Restoration era.

It was while writing the early books of Paradise Lost that John was introduced to Katherine, a ship captain's daughter, a fat woman whom he had never seen (because he was blind); whom he nonetheless married in 1656, but not for the same old reason as before: John asked fat Kate to marry him (a.) because he needed secretarial assistance with Paradise Lost, and (b.) because Katherine did not have the same pernicious effect on him as Mary Powell and her mother Anne had done. John could dictate blank verse to Kate all night long without feeling so much as a tingle down there.

Kate's surname was Woodcock. Beelzebub made a little joke about that: he said, "The Lord finally gave John Milton just what he always wanted."

- L.

Editorial Review:

Here in one volume are the complete texts of two of the greatest epic poems in English literature, each a profound exploration of the moral problems of God's justice. They demonstrate Milton's genius for classicism and innovation, narrative and drama-and are a grand example of what Samuel Johnson called his "peculiar power to astonish."

Edited by Christopher Ricks
With a New Introduction by Dr. Susanne Woods

Milton's Paradise Lost

John Milton

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Customer Reviews:
Total reviews: 6 Average rating: 4.5 of 5

Breathtaking 5 out of 5 stars.
14 of 14 people found this review helpful.

With its fine binding, large type, and beautiful paper, this large addition of Milton's Paradise Lost will make a handsome addition to any shelf. Some will say that it is not well suited for the first time reader, lacking the line notes of other annotated additions. I would beg to differ, as such commentary, while deepening ones understanding, can also detract from the majesty of Milton's words. Yes, it is true that the laymen will miss many or even most of the references woven into this, perhaps after Shakespeare's work the greatest piece of literature ever produced in English. However, once captivated by the poetry, readers can always go back and peruse thicker, commentary laced edition. First and foremost, one must dive into the language of Milton, before attempting to wring every drop of meaning from that pool's heady wine.

A note, of course, must also be given to the extraordinary illustrations of Gustave Dore included in this volume. Dore's vision, especially the inexorable dissent of Satan from angelic beauty to demonic ugliness can only add to the readers' joy. At less than $20, one cannot go wrong in acquiring this very fine edition.

Editorial Review:

Paradise Lost is the greatest work of one of the most acclaimed poets in English literature. It has had a profound influence on Western culture, and has attracted a vast amount of critical commentary of every sort. First published in 1968, Alastair Fowler's annotated edition of Paradise Lost is acknowledged as the most authoritative guide to this major work, and to the critical analysis that it has prompted. This important new edition maintains the detailed annotation that has for many years provided an interesting and comprehensive explanation to this difficult but compelling poem, making it accessible both to the student and the general reader. It is the only recent edition of Paradise Lost to be based on the text of the first (1667) edition, now widely accepted to be closer to Milton's intention than that of 1674.

Paradise Lost (Norton Critical Editions)

John Milton

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Total reviews: 11 Average rating: 4.0 of 5

Editorial Review:

This Norton Critical Edition is designed to make Paradise Lost accessible for student readers, providing invaluable contextual and biographical information and the tools students need to think critically about this landmark epic. Gordon Teskey's freshly edited text of Milton's masterpiece is accompanied by a new introduction and substantial explanatory annotations. Spelling and punctuation have been modernized, the latter, importantly, within the limits imposed by Milton's syntax.

"Sources and Backgrounds" collects relevant passages from the Bible and Milton's prose writings, including selections from The Reason of Church Government and the full text of Areopagitica.

"Criticism" brings together classic interpretations by Andrew Marvell, John Dryden, Victor Hugo, and T. S. Eliot, among others, and the most important recent criticism and scholarship surrounding the epic, including essays by Northrop Frye, Barbara Lewalski, Christopher Ricks, and Helen Vendler.

A Glossary and Selected Bibliography are also included.

About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Paradise Lost

John Milton, David Scott Kastan, Merritt Yerkes Hughes

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Total reviews: 19 Average rating: 5.0 of 5

Editorial Review:

Paradise Lost remains as challenging and relevant today as it was in the turbulent intellectual and political environment in which it was written. This edition aims to bring the poem as fully alive to a modern reader as it would have been to Milton’s contemporaries. It provides a newly edited text of the 1674 edition of the poemâ€"the last of Milton's lifetimeâ€"with carefully modernized spelling and punctuation. Marginal glosses define unfamiliar words, and extensive annotations at the foot of the page clarify Milton’s syntax and poetics, and explore the range of literary, biblical, and political allusions that point to his major concerns. David Kastan’s lively Introduction considers the central interpretative issues raised by the poem, demonstrating how thoroughly it engaged the most vitalâ€"and contestedâ€"issues of Milton’s time, and which reveal themselves as no less vital, and perhaps no less contested, today.

The edition also includes an essay on the text, a chronology of major events in Milton’s life, and a selected bibliography, as well as the first known biography of Milton, written by Edward Phillips in 1694.

Paradise Lost (Dover Giant Thrift Editions)

John Milton

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Total reviews: 3 Average rating: 5.0 of 5

Cheap and well done 5 out of 5 stars.
8 of 8 people found this review helpful.

A heafty volume for a thrifty price. Good binding, clean & easy to read font and enough room in the margins for notes if you are a student. A great side item if you get the Dore' engravings of Paradise Lost [which are just quotes from the book and not the whole poem] and want to read more than just the famous lines.

Unabriged and yet small enough to get away with lugging around.

From the Publisher 5 out of 5 stars.
5 of 7 people found this review helpful.

"'From almost the moment of its publication in 1667, Paradise Lost was considered a classic. It is difficult now to appreciate both how audacious an undertaking it represents, and how astonishing its immediate and continued success was. Over the course of twelve books Milton wrote an epic poem that would ''justify the ways of God to men,'' a mission that required a complex drama whose source is both historical and deeply personal. The struggle for ascendancy between God and Satan is played out across hell, heaven, and earth but the consequences of the Fall are all too humanly tragic--pride, ambition, and aspiration the motivating forces.' In this new edition derived from their Oxford Authors text, Stephen Orgel and Jonathan Goldberg discuss the complexity of Milton's poem in a new introduction, and on-page notes explain its language and allusions."

Editorial Review:

First published in 1667, Paradise Lost is considered to be the greatest epic poem in English literature. Its roots lie in the Genesis account of the world's creation and Adam and Eve's expulsion from Eden; it also references tales from the Metamorphoses, the Iliad and Odyssey, and the Aeneid. Notes by John A. Himes.

John Milton, Complete Poems and Major Prose

John Milton

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Customer Reviews:
Total reviews: 5 Average rating: 5.0 of 5

This is the best edition 5 out of 5 stars.
32 of 32 people found this review helpful.

Others have suggested the Norton is the edition for college students. I disagree. The Hughes edition is definitely worth the money. The notes are the best -- in reading criticism on Milton, there's usually plenty of references to Mr. Hughes's notations themselves. This is the standard, accepted text. This is the complete poems, with his Latin and Italian poetry appearing ajacent to an English translation. There's a generous selection of Milton's prose, too.

Spend the wad and buy the book. If you're reading this, then you're a bibliophile, no doubt. For the rest of your life wouldn't you prefer to have the best edition of Milton on your shelf, or will you be satisified with a $9 Signet Classic? (I tossed mine.)

Check out the Dore Illustrations for PL, too.

BTW, after reading Areopagitica, I believe that everything Jeffereson said was a debt to Milton.

Editorial Review:

First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume.

John Milton: Life, Work, and Thought

Gordon Campbell, Thomas N. Corns

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Editorial Review:

Drawing on insightful new findings in the study of seventeenth-century history and in a more nuanced exploration of notions like Puritanism, republicanism, radicalism, and dissent, this book sheds fresh light on the writings, the thought, and the life of poet John Milton, whose career spanned one of the most turbulent periods in English history.
A more human Milton appears in these pages, a Milton who is flawed, self-contradictory, self-serving, arrogant, passionate, ruthless, ambitious, and cunning. He is also among the most accomplished writers of the period, the most eloquent polemicist of the mid-century, and the author of the finest and most influential narrative poem in English, Paradise Lost, which the book examines in detail. The authors also show how, amid the chaos sparked by the shifting political circumstances of the period, Milton emerged as a major political thinker and a significant systematic theologian. Working through Milton's polemical and imaginative works, the book unravels the evolution of his thought as he moves from a culturally advanced but ideologically repressive young manhood, to his struggle for a new reformation of the church and a defense of regicide and republicanism, and finally to his thinking about how to retain ideological integrity in the threatening context of the Restoration. The authors also examine his final years--years of creative fulfillment and renewed political engagement.
What Milton achieved in the face of crippling adversity, blindness, bereavement, and political eclipse, remains wondrous. Here is a fascinating biography of this towering literary figure--the first new serious study in forty years--one that profoundly challenges the received wisdom about one of England's leading poets and thinkers.

The Complete Poetry and Essential Prose of John Milton (Modern Library)

John Milton

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Total reviews: 5 Average rating: 4.5 of 5

Editorial Review:

John Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter. The Complete Poetry and Essential Prose of John Milton celebrates this author’s genius in a thoughtfully assembled book that provides new modern-spelling versions of Milton’s texts, expert commentary, and a wealth of other features that will please even the most dedicated students of Milton’s canon. Edited by a trio of esteemed scholars, this volume is the definitive Milton for our time.

In these pages you will find all of Milton’s verse, from masterpieces such as Paradise Lost–widely viewed as the finest epic poem in the English language–to shorter works such as the Nativity Ode, Lycidas, A Masque, and Samson Agonistes. Milton’s non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as Of Education and Areopagitica, and a generous portion of his heretical Christian Doctrine. These works reveal Milton’s passionate advocacy of controversial positions during the English Civil War and the Commonwealth and Restoration periods.

With his deep learning and the sensual immediacy of his language, Milton creates for us a unique bridge to the cultures of classical antiquity and medieval and Renaissance Christianity. With this in mind, the editors give careful attention to preserving the vibrant energy of Milton’s verse and prose, while making the relatively unfamiliar aspects of his writing accessible to modern readers. Notes identify the old meanings and roots of English words, illuminate historical contexts–including classical and biblical allusions–and offer concise accounts of the author’s philosophical and political assumptions. This edition is a consummate work of modern literary scholarship.

Praise
“Over the coming months, [John Milton’s] 400th anniversary will be celebrated in many different ways, but it is highly unlikely that any of the tributes he receives will do as much for him as the appearance of the Modern Library edition of his collected poetry and selected prose. The edition is a model of its kind, well designed and attractively produced. There are scholarly but unintimidating footnotes and helpful introductions to the major works. Spelling and punctuation have been modernized -- a difficult decision but the right one….A great deal has been packed in, but Milton has still been left room to breathe. The whole enterprise is meant to be reader-friendly, and it succeeds.” — The Wall Street Journal

“This magnificent edition gives us everything we need to read Milton intelligently and with fresh perception. You could take it to a desert island, or just stay home and further your education in a great writer.”
–William H. Pritchard, Amherst College

“For generations of readers Milton has been the measure of both eloquence and nobility of mind. For the next generation this new Modern Library volume will be the standard: it is meticulously edited, full of tactful annotations that set the stage for his work and his times, and it brings Milton, as a poet and a thinker, vividly alive before us.”
–Robert Hass

“Years ago I began a series of poems about Milton and his daughters. Ever since, I have been combing through Milton’s poems and prose for those moments when the poet would turn and speak to the poet in me. It is in the new Kerrigan-Rumrich-Fallon edition that I now find prompt rejoinders to questions, ready clarifications of problems, and a more intimate dimension of that formidable adjective Miltonic.”
–Richard Howard

“A superb edition of the great poet, with modernized spelling, lucid introductions to each work, illuminating footnotes, and fresh prose translations of poems in Latin, Greek, and Italian. This will surely be the edition of choice for teachers, students, and general readers too.”
–Leo Damrosch, Harvard University

“The introductions alone constitute a fine new book on Milton, beautifully written, challenging and balanced, with equal care and insight given to textual, biographical, historical, literary-historical and literary-critical concerns. It is a book to last a lifetime.”
–James Earl, University of Oregon

“In this landmark edition, teachers will discover a powerful ally in bringing the excitement of Milton’s poetry and prose to new generations of students. In the clarity of its overall conception, its thoroughness, and its never-faltering attention to literary and historical detail, the Modern Library Milton serves almost as another teacher–patient, thoughtful, endlessly concerned with genuine comprehension.”
–William C. Dowling, Rutgers University

“The editors display a remarkable combination of scholarly rigor and sensitivity to literary values, expressed in prose of exemplary clarity and extraordinary grace; even the notes, concise as well as precise, approach a kind of epigrammatic brilliance. A superb edition.”
–Edward W. Tayler, Columbia University

“The editors succeed gloriously, meeting the needs of the whole spectrum, from general readers to advanced students. A modernized text, one sensitive to Milton’s poetic rhythm, illuminates both the author’s meaning and artistry. It’s a beautiful edition–a home worthy of its subject.”
–Marina Favila, James Madison University