MacHen, Arthur Books

The Three Impostors and Other Stories: Vol. 1 of the Best Weird Tales of Arthur Machen (Call of Cthulhu Fiction)

Arthur Machen

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Customer Reviews:
Total reviews: 17 Average rating: 5.0 of 5

More chilling than gore 5 out of 5 stars.
3 of 3 people found this review helpful.

This review is only about the title story, or rather, short novel. It is a circular story, as it ends where it begins. Characters have multiple identities and strange coincidences abound. It is a macabre joke, a foundational book of the cosmic horror a la Lovecraft and his Ctulhu mysteries. It is also a peak of the late Victorian era and much more. What makes it more than a genre story is the poetic quality of its literature. There are paragraphs that would make little perfect prose poems.

Along several months, or years, Dyson and Phillips meet different persons, who have in common the search for a shy and nervous young man with a little black moustache and big spectacles. Each one of these persons tells his or her story in inserted chilling tales, full of the imagery that would later become cliche. This is no cheap horror: it has a great sense of humor, it is not about axe-grinding nor about phantoms and exorcisms. It is pure cosmic horror, the horror of hidden forces and obscure memories of a remote past. It is a horror of strange gatherings and incognoscible conspiracies. The inserted stories are often compiled independently of their contextual frame: "The novel of the Dark Valley" is an adventure in the loneliness of the Rocky Mountains, with a pre-Kafkian touch that makes you go pale. "The novel of the Black Seal" happens in the Welsh wilderness, with a mad scientist and beings from the past. "The novel of the Iron Maiden" includes a collectionist of instruments of torture. "The novel of the White Powder" is about a substance that transforms humans into something indefinible and horrific. Finally, ""The story of the Spectacled Young Man" closes the circle and "explains" everything.

Like a good Englishman, Machen is a master of the understatement. More than showing, he insinuates to let the readers feel for themselves all the weight of the horror of the world, the mysteries that haunt us, and the strangeness of this life. Little surprise, then, that this was one of Jorge Luis Borges's favorite books, since much of his beloved subjects are here: ancient and undecipherable languages; stories lost in time; mirror games; equivocal identities; implacable gods; and somber mansions. Much recommended.

Editorial Review:

Some of the finest horror stories ever written. Arthur Machen had a profound impact upon H.P. Lovecraft and the group of stories that would later become known as the Cthulhu Mythos. This first volume of Chaosium's Arthur Machen collection begins with the chilling "The Three Impostors" in its complete form, including the rarely seen sections "The Decorative Imagination" and "The Novel of the Iron Maid." Rounding out the first volume are "The Great God Pan," "The Inmost Light," and "The Shining Pyramid," all are excellent tales. Introduction by S.T. Joshi.

This book is part of an expanding collection of Cthulhu Mythos horror fiction and related topics. Call of Cthulhu fiction focuses on single entities, concepts, or authors significant to readers and fans of H.P. Lovecraft.

The White People and Other Stories: Vol. 2 of the Best Weird Tales of Arthur Machen (Call of Cthulhu Fiction)

Arthur Machen

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Total reviews: 4 Average rating: 4.0 of 5

Volume 2 of Arthur Machen's work 5 out of 5 stars.
19 of 19 people found this review helpful.

I was vary impressed by Chaosium's first collection of Machen's work, which was THE THREE IMPOSTERS AND OTHER STORIES. "The Three Imposters" was a narrative of interwoven tales describing a paranoid man's encounter with three people who are not who they seem. Each is an excellent story in its own right, but the whole is greater than the sum. Considering the success of the first volume, I decided to try the second.

If you don't know Arthur Machen, he wrote "weird" stories in the late Victorian - Edwardian period. They all have a distinctly British flavor that reminds me of M.R. James. Most of his stories are set in his homeland of Wales, where something of charm and magic remains beneath the hills. By necessity he began to write for a newspaper later in life, and a fictional account he wrote for the paper on spectral guardians for British troops in WWI became the "Angel of Mons" stories you can still read about today.

THE WHITE PEOPLE AND OTHER STORIES is an eclectic collection of Machen's weird stories, his poetry, and some of his later writings for newspapers. Despite being a fan of Lovecraft, I have always wondered what HPL meant when he consistently referred to a protagonist hinting at things unknown (to others), dropping outlandish names and meaning more than is said. Well, he borrowed this technique from Machen's "The White People", a story made to look like a young girl's diary. Her journal is just a collection of thoughts and experiences, and many things are hinted at as reminders to herself which we will never understand, but these brief glimpses are horrible enough. Machen's poetry collection, "Ornaments in Jade", also struck me as weirdly beautiful but also indecipherable. More is unsaid than said, hinted at than revealed. I felt that it relied on some code, a common frame of reference, that has been lost over the course of a hundred years. Perhaps his contemporaries felt the same way.

There are other interesting compositions in this volume. "The Red Hand" brings back the investigating protagonists from "The Three Imposters," with a not-too-dissimilar plotline. "A Fragment of Life" seemed to be a glimpse into the everday life from a time long ago. It is almost novel length and simply describes the common affairs of a couple in turn-of-the-century London. If this sounds uninteresting, you'll have to read for yourself how a masterful author makes common situations uncommon. Finally, there are a series of stories written from Machen's journalistic days. Besides a group that are all related to the "Angel of Mons" category, there are a few others that describe other supernatural phenomena and are written in the first-person. They are so straight-forward and sincere that sometimes it is difficult to remember they are meant to be fiction.

Machen's overarching theme is that the material, everday world is merely a shadow of reality and that true living must penetrate that shadow to see the glories beyond. This is something he truly believed and it is evident in all of his stories. The reason these stories continue to frighten and thrill is that we desire to see what is beyond the veil, but we are also afraid of what we will find.

Editorial Review:

Born in Wales in 1863, Machen was a London journalist for much of his life.Among his fiction, he may be best known for the allusive, haunting title story of this book, &"The White People", which H.P. Lovecraft thought to be the second greatest horror story ever written (after Blackwood's "The Wilows"). This wide ranging collection also includes the crystalline novelette "A Fragment of Life", & "The Angel of Mons" (a story so widely reported that it was imagined true by millions in the grim initial days of the Great War), and "The Great Return" telling of the stately visions which graced the Welsh village of Llantristant for a time. Four more tales and the poetical "Ornaments in Jade" are all finely told. This is the second Machen volume edited by S. T. Joshi and published by Chaosium. The first volume was The Three Impostors.

The Terror and Other Stories: Vol. 3 of The Best Weird Tales of Arthur Machen (Call of Cthulhu Fiction)

S. T. Joshi (Editor) Arthur Machen

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Customer Reviews:
Total reviews: 4 Average rating: 3.0 of 5

Machen, An Incomparable Mystic 3 out of 5 stars.
12 of 12 people found this review helpful.

Arthur Machen is, of course, one of the preminent weird fiction writers of the early 20th century. Working at the same time as the Decadents, but most decidedly not one of them, his works would influence such writers as Lovecraft and his circle, as well as modern masters like Peter Straub.

The Terror is Chaosium's third volume of Arthur Machen's work, and as can be expected the best stories can be found in the previous two volumes. Editor S.T. Joshi admits as much in his introduction, but The Terror is still a worthy read.

"The Terror" is the same story featured in The White People, however this is the compete version, and the additions are most welcome. Most of the other stories do not reach such heights of sustained suspense as this story, the largest of the collection. "The Lost Club" deals with two men stumbling on a gentlemen's club that may be far more ominous than they first believe. "Munitions of War" is tale of ghosts and war. "The Islington Mystery" asks if a man can be a murderer if there's no body. "Johnny Double" concerns a boy who cannot possibly be in two places at once... but is. "The Cosy Room" also deals with a murder, but is it his guilt or the chase that drives him over the edge? "Opening the Door" deals with a man who literally disappears through a mysterious door in his garden. "The Children of The Pool" deals with a malignant genius loci that gives literal birth to the monstrous beings lurking within unwary visitors. "The Bright Boy" is an implausible story concerning a little boy who is not what he seems. In "Out Of The Picture," the subject of an artist's paintings menaces London. "Change" harkens back to Machen's early work concering the Little People; while on vacation in a sleepy Welsh town a family finds out just why the locals keep their lights on at night. "The Dover Road" deals with the mystery of a man who disappears within a haunted house... "Ritual," the final story, continues Machen's fascinations with children and pagan remnants of the dim past.

On the whole, these stories do not match Machen's earlier works... but at times the chills are just as sharp as they used to be... witness the first half of "The Dover Road," "Change" and "The Terror." If you like Arthur Machen's work you are well advised to read this book. If you're merely a fan of Lovecraft's predecessors or of Victorian/Edwardian fiction in general, try the previous Chaosium Machen collections first.

The Great God Pan and The Hill of Dreams

Arthur Machen

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Total reviews: 1 Average rating: 5.0 of 5

The Great God Pan 5 out of 5 stars.
3 of 4 people found this review helpful.

As all Machen's works: Excellent!
Brilliant and delightful use of language.
For all those who enjoyed tv series like The Twilight Zone, Dr. Who or even Star Trek, writers like Machen, Blackwood, Bloch and J.L Borges, are key to understand the concept of parallel worlds or dimensions to ours and the existance of portals leading us to those places.
A dimensional concept that ancient civilizations like Romans, Greek, Maya and many other used to explain the contact and communication with ancestor.
It is not pure fear or massacres what makes me read writers like Machen, is the pure fact of enjoying the perfect use of literature to make us believe that imagination can become real.
It really is the Power of Imagination.

Editorial Review:

Two works — one of imaginative and decadent horror, the other lyrical and introspective — comprise these books by one of the pioneers of supernatural fiction. The Great God Pan scandalized Victorian London with its suggestive visions of sexuality and paganism. The Hill of Dreams is a semi-autobiographical work about Machen's battles with his inner demons.

The Great God Pan

Arthur Machen

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Customer Reviews:
Total reviews: 9 Average rating: 4.5 of 5

The Great God Pan. 5 out of 5 stars.
12 of 13 people found this review helpful.

"An incoherent nightmare of sex . . . " - The Westminster Gazette.

_The Great God Pan_ is the first book of the Welsh writer of weird tales and mystic Arthur Machen, published first in 1894. This book was regarded as a form of decadent literature and was panned by critics of the Victorian era. Arthur Machen was a fascinating character and antiquarian whose weird writings reveal his learning in the occult and his mystical inclinations. Machen was an Anglo-Catholic opposed to modernism in all its forms who was to join the secret society of the Golden Dawn, though he would reject the nefarious doings of such individuals as Aleister Crowley. Machen had an enormous influence on later writers of weird tales including especially H. P. Lovecraft who mentions him in his essay "Supernatural Horror in Literature" as an important influence. This book, republished by Creation Classics, is complimented by automatic drawings of Austin Osman Spare, a friend of Machen and a fellow occultist and mystic. In addition, this book contains Machen's introduction to the story proper.

_The Great God Pan_ begins with a scientist/doctor and his friend attempting to perform a surgical operation on the brain of a seventeen year old girl, Mary, so that she may "see the Great God Pan". The doctor discusses his theories of "transcendental medicine", in which he believes he can control her through this operation. The operation fails and Mary is rendered an "idiot". The story then skips to the memoirs of Mr. Clarke, the friend of Dr. Raymond from the experiment on Mary. Mr. Clarke recounts a tale involving a young girl named Helen Vaughan, who encounters a pagan idol from Roman times in a field. The story involves murder and intrigue as well as a demonic sex change, which occur later in the tale. Machen's mystical inclinations can be seen as he presents the reader with an alchemical transformation.

Though this book was initially criticized harshly by the establishment in Victorian times, it has endured and set the place of Arthur Machen as an important writer of weird tales. Machen's stories are quite unique and his influence on subsequent writers of supernatural fiction continues to endure.

Editorial Review:

A terrifying tale about the god of wild places. Newly designed and typeset for easy reading by Boomer Books.

Tales of Horror and the Supernatural

Arthur Machen

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Total reviews: 1 Average rating: 5.0 of 5

The Best Machen Anthology Available 5 out of 5 stars.
22 of 22 people found this review helpful.

This book is no longer in print--at least not in an inexpensive paperback edition--but it's worth searching for a used copy. All of Machen's best supernatural short stories and novellas are brought together in this volume.

For those who have never read Machen, you are in for a treat. Machen was an accomplished writer of supernatural tales with an unusually powerful and original imagination. The premise on which he based many of his most chilling tales--that of the survival of an aboriginal European population worshipping chthonic fertility deities--was later made famous as a historical thesis by Margaret Murray in "The God of the Witches". I don't know how much value this idea has as a scholarly premise, but Machen thought of it decades before Murray, and used it as the understated background in some his best stories, such as "The White People". However, Machen was much more than a purveyor of scary stories; he was a well rounded, sociable man with a strong mystical streak. These personal qualities manifest themselves in his writing through a quiet humor and muted, but powerful, sense of the numinous. Unlike many of the writers of supernatural and fantasy fiction who followed and were indebted to him, (Dunsany, Cabell, Lovecraft are but a few) Machen seems to have thought that the horrors he wrote about were only the shadow side of some more powerful and greater goodness. This strong but undogmatic faith gives Machen's work a unique feeling of wonder and mystery. Even George MacDonald's Christian fantasies lack the freshness and sense of possibility found in Machen's best work. This book, along with most of Machen's other writings, is a satisfying and complex read.

The Three Impostors

Arthur Machen

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Customer Reviews:
Total reviews: 4 Average rating: 5.0 of 5

An Excellently Presented Anthology 5 out of 5 stars.
5 of 7 people found this review helpful.

Arthur Machen can easily be described as one of the writers who provided the foundation to the 20th century fantasy and horror literature. This one is a great collection of horror stories, most of which has a quite Lovecraftian style. If you are new to Machen, and/or like stories with a tinge of "Mythos Horror" in them, you'll definetely like this one.

Death In Disguise 5 out of 5 stars.
4 of 4 people found this review helpful.

Horror master Arthur Machen's crowning achievement, a still shocking compendium of interwoven short horror tales. In late 19th century London, a scientist and an unpublished writer join forces as amateur detectives in an attempt to solve a minor but puzzling mystery which ultimately leads to the discovery of a truly diabolical conspiracy. In the course of their investigations, the two men find themselves repeatedly surrendering their attention to a series of seemingly outlandish tales spun by an assortment of eccentric story tellers. The stories, which all deal with imposture of some kind, are only tangentially related to each other, yet offer the somewhat bumbling sleuths important clues to the mystery at hand. Machen builds suspense slowly and methodically, masterfully leading the reader on to a completely unexpected, gruesome climax. Comical, tragic, sophisticated, violent, horrific, and even downright disgusting, THE THREE IMPOSTORS is a classic horror novel of sly deception and wit.

The 1995 Everyman paperback is the only critical edition of this remarkably rich book released to date, offering a scholarly introduction (by editor David Trotter) that carefully details Machen's main influences (chiefly Robert Louis Stevenson) and themes (imposture of various kinds, also derived from Stevenson). A short text summary nicely encapsulates the narrative's various twists and turns. Finally, a section entitled "Machen and His Critics" provides a welcome offering of mostly contemporaneous critical responses to this remarkable book; while many of these reviews were laudatory, quite a few passionately outraged quotes reveal just how shocking THE THREE IMPOSTORS must truly have been in its time.

Editorial Review:

In a novel that is at once richly terrifying and delightfully funny, a bustling suburb appears normal and cheerful — but nothing is really as it seems. For in this world of impostors, conspiracies combine with dark forces, and one astonishing event follows another, veiling a once-ordinary community in a cloud of mystery.

The House of Souls

Arthur Machen

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Total reviews: 3 Average rating: 3.5 of 5

Essential Reading 5 out of 5 stars.
6 of 7 people found this review helpful.

Machen (1863-1947) stands as one of the great figures in "weird", or supernatural, literature. This plain but functional reprint of the 1922 U.S. edition of "The House of Souls" contains two of his finest works in the genre - "The White People" and "The Great God Pan".

The book opens with an introduction, penned by Machen, which provides insight into the writing of the pieces within and into Machen himself.

The first of the four novellas, "A Fragment of Life", concerns the awakening of an "ordinary" man to his mystic and real self. This piece, rather subtle and slow moving, may require rereading for full appreciation.

"The White People" takes us into the pages of a journal written by a young girl who has been privy since early childhood, via her nursemaid, to ancient and arcane secrets. The journal is the gist of this story and is quite a gripping mix of fantasy and myth (yes, there is a difference). The narrative framework around the journal introduces us, via the discussion of two protagonists, to Machen's fascinating theories about good and evil.

"The Great God Pan" concerns the appearance of the title entity into the everyday world of men through the agency of a more or less typical "mad doctor"; or, as Machen describes the character, a practitioner of "transcendental medicine".

The fourth and final story, "The Inmost Light", is not among my favorites in the Machen cannon. Nonetheless, the narrative about another doctor dabbling in occult realms is an effective mystery and an enjoyable read.

All in all, an excellent collection from an excellent writer and requisite reading for any serious student of supernatural fiction.

Editorial Review:

Combining in one volume four of Machen's classics from the '90s: A Fragment of Life The White People The Great God Pan The Inmost Light Lovecraft in his Supernatural Horror in Literature called Machen one of the four modern masters.