Shelley, Mary Wollstonecraft Books

Frankenstein (Enriched Classics)

Mary Shelley

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Total reviews: 34 Average rating: 3.5 of 5

Editorial Review:

ENDURING LITERATURE ILLUMINATED

BY PRACTICAL SCHOLARSHIP

A timeless, terrifying tale of one man's obsession to create life -- and the monster that became his legacy.

EACH ENRICHED CLASSIC EDITION INCLUDES:

• A concise introduction that gives readers important background information

• A chronology of the author's life and work

• A timeline of significant events that provides the book's historical context

• An outline of key themes and plot points to help readers form their own interpretations

• Detailed explanatory notes

• Critical analysis, including contemporary and modern perspectives on the work

• Discussion questions to promote lively classroom and book group interaction

• A list of recommended related books and films to broaden the reader's experience

Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON

Bernie Wrightson's Frankenstein

Mary Wollstonecraft Shelley

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Total reviews: 1 Average rating: 5.0 of 5

Wrightson at his best! 5 out of 5 stars.
2 of 2 people found this review helpful.

Mary Shelley's story comes to life thanks to Bernie Wrightson's drawings! A must have for any fan of classic horror.

Editorial Review:

Few works by comic-book artists have earned the universal acclaim and reverence that Bernie Wrightson's illustrated version of Mary Wollstonecraft Shelley's Frankenstein was met with upon its original release in 1983. Twenty-five years later, this magnificent pairing of art and literature is still considered to be one of the greatest achievements made by any artist in the field. Now, Wrightson and Dark Horse Books are collaborating on a beautiful new hardcover edition of the book, published in a larger 9' x 12' format intended to show off the exquisitely detailed line art of one of the greatest living artists in comics today. This book includes the complete text of the original groundbreaking novel, and the original forty-seven full-page illustrations that stunned the world with their monumental beauty and uniqueness.

Frankenstein (Signet Classics)

Mary Shelley

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Customer Reviews:
Total reviews: 318 Average rating: 4.0 of 5

Editorial Review:

Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

Frankenstein (Norton Critical Editions)

Mary Wollstonecraft Shelley

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Total reviews: 26 Average rating: 4.0 of 5

Gothic at its best 5 out of 5 stars.
5 of 6 people found this review helpful.

Mary Shelley was the daughter of the famous feminist and author, Mary Wollstonecraft, who is best known for her work The Vindication of the Rights of Women. In Mary Shelley's Frankenstein, a young university student, Victor Frankenstein, obsesses with wanting to know the secret to life. He studies chemistry and natural philosophy with the goal of being able to create a human out of spare body parts. After months of constant work in his laboratory, Frankenstein attains his goal and brings his creation to life. Frankenstein is immediately overwrought by fear and remorse at the sight of his creation, a "monster." The next morning, he decides to destroy his creation but finds that the monster has escaped. The monster, unlike other humans, has no social preparation or education; thus, it is unequipped to take care of itself either physically or emotionally. The monster lives in the forest like an animal without knowledge of "self" or understanding of its surroundings. The monster happens upon a hut inhabited by a poor family and is able to find shelter in a shed adjacent to the hut. For several months, the monster starts to gain knowledge of human life by observing the daily life of the hut's inhabitants through a crack in the wall. The monster's education of language and letters begins when he listens to one of them learning the French language. During this period, the monster also learns of human society and comes to the realization that he is grotesque and alone in the world. Armed with his newfound ability to read, he reads three books that he found in a leather satchel in the woods. Goethe's Sorrows of Young Werther, Milton's Paradise Lost, and a volume of Plutarch's Lives. The monster, not knowing any better, read these books thinking them to be facts about human history. From Plutarch's works, he learns of humankind's virtues. However, it is Paradise Lost that has a most interesting effect on the monster's understanding of self. The monster at first identifies with Adam, "I was apparently united by no link to any other being in existence." The monster, armed only with his limited education, thought that he would introduce himself to the cottagers and depend on their virtue and benevolence; traits he believed from his readings that all humans possessed. However, soon after his first encounter with the cottagers, he is beaten and chased off because his ugliness frightens people. The monster is overwrought by a feeling of perplexity by this reaction, since he thought he would gain their trust and love, which he observed them generously give to each other on so many occasions. He receives further confirmation of how his ugliness repels people when, sometime later, he saves a young girl from drowning and the girl's father shoots at him because he is frightful to look at. The monster quickly realizes that the books really lied to him. He found no benevolence or virtue among humans, even from his creator. At every turn in his life, humans are judging him solely based on his looks. The monster soon realizes that it is not Adam, the perfect being enjoying the world, which he is most alike. Instead, he comes to realize that he most represents Satan. The monster is jealous of the happiness he sees humans enjoy that he has never attained for himself. The monster tells Frankenstein that he found his lab journal in his coat pocket and read it with increasing hate and despair as he came to understand what Frankenstein's intent was in creating him. The monster curses Frankenstein for making a creature so hideous that even his creator turned from him in disgust.

Shelley's intent here is plain to see. "The fate of the monster suggests that proficiency in `the art of language' as he calls it, may not ensure one's position as a member of the `human kingdom." In a sense, she is showing that both her parents were mistaken when they advocated greater education reform for people. They thought education would make people better, which in turn would improve society for all. Mary Shelley's Frankenstein contradicts this belief.

Starting with the full title of Mary Shelley's book, Frankenstein: or The Modern Prometheus one can instantly see that mythology was integral to her book. Lord Byron, poet and friend of the Shelley's was writing a poem entitled Prometheus, and Mary was reading the Prometheus legend in Aeschylus' works when she had a dream, which was the impetus for her book. The Greek god Prometheus, is known for two important tasks that he performed, he created man from clay, and he stole fire from the gods and gave it to man. The stealing of fire really angered Zeus because the giving of fire began an era of enlightenment for humankind. Zeus punished Prometheus by having him carried to a mountain, where an eagle would pick at his liver; it would grow back each day and the eagle would eat it again.

The presence of fire and light in this gothic story helps to point to the similarities to Prometheus and Victor Frankenstein, the creator of the monster, in Shelley's book. The book uses light as a symbol of discovery, knowledge, and enlightenment. The natural world is full of hidden passages, and dark unknown scientific secrets; Victor's goal as a scientist is to grasp towards the light. Light is a by-product of fire that the monster learned quickly when he is living on his own. The monster experienced fires' duality when he first encountered it in an unattended fire in the woods. He is mesmerized by the fact that fire produces light in the darkness in the woods, but is shocked at the sensation of pain it gives him when he touches it. Victor is defiant of god in the same way that Prometheus was defiant of Zeus. Victor steals the secret of life from god and creates a human out of spare body parts. He does this out of an altruistic wish to spare humankind from the pain and suffering of death. Thus, Victor Frankenstein embodies both aspects of the Promethean myth creation and fire. Victor in a sense has the same experience with the fire of enlightenment similar to his monster; he is "burned" by the fire of enlightenment. Victor also suffers from the classic Greek tragic condition of hubris for his transgression against god and nature.

The book also adopts two other great mythic legends. One is Adam from the Bible. Victor Frankenstein bears striking resemblance to Adam and his fall from grace for eating the fruit from the Tree of Knowledge. The other is Satan, a mythic figure that Shelley admired from her readings in Milton's book Paradise Lost. In an interesting juxtaposition of booth myths, she expands on the motif of the fall from grace in her book when she portrays the monster comparing himself to Adam; after he read, Milton's book Paradise Lost. The monster tells Victor, that he at first identifies with Adam God's first creation. "I was apparently united by no link to any other being in existence." However, after several incidents of mistreatment that he suffered from the humans he encountered in his travels; the monster soon realized that it is not Adam, the perfect being enjoying the world, which he was most alike. Instead, he came to realize that he most represented Satan. The monster's feelings of hatred and despair stem from the fact that humans found him grotesque to look at and would not accept him as a member of human society. The monster cursed Victor for making a creature so hideous that even his creator turned from him in disgust. Thus, it is obvious for all to see that Shelley's Frankenstein is replete with mythological references and they are central to the plot.

This was required reading for a graduate course in the Humanities. Recommended reading for anyone interested in history, psychology, philosophy, and literature.

Editorial Review:

This "Norton Critical Edition" of "Frankenstein" contains the 1818 first edition text. Only the obvious typographical errors have been corrected. The book also includes writings by Mary Shelley, Percy Bysshe Shelley, Lord Byron and John William Polidori, enabling the reader to place the novel in its historical context. Six 19th-century responses to the novel illustrate contemporary reactions, whilst 12 modern critical essays cover the different aspects (psychoanalytic, mythic, feminist) of the work.

Frankenstein (Penguin Classics)

Mary Shelley

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Customer Reviews:
Total reviews: 41 Average rating: 4.5 of 5

Not what I remembered... turns out there are 2 versions 4 out of 5 stars.
2 of 2 people found this review helpful.

Short Summary: Victor Frankenstein is young, intelligent, and quite full of himself. He discovers through his studies the methods of creating life, and does so. The creature he creates is of enormous size and strength and is hideous to behold. Terrified of what he has made, he flees, leaving the creature to fend for itself.

I just finished re-reading this book, it has been over 10 years since I read it the last time. My memory of the book was a tremendous feeling of sadness and compassion for the creature that Frankenstein created. In this re-reading I was shocked at the change in my feelings toward the characters. Though everything seemed the same it evoked an entirely different set of emotions in me. After doing a bit of poking about the internet I discovered that there are two versions of the story that Shelley wrote, one the first one, which is the one I just read, is much harsher, the creature is much less amiable, and Victor is much less forgivable. The second version she wrote, which I understand was written about 10-15 years later, evokes more sympathy for Victor and his creation.

Both are almost identical, starting with the gentleman on the ship in the Northern Ice who meets Victor. Victor relates his tale to the young seamen, this tale often becomes a tale within a tale within a tale as we shift points of view, always related to the young sailor through the stories of Victor. As I read this book I found myself thinking that this may be one of the few books that manages to encompass all 5 versions of Conflict, Man vs Man, Man vs Self, Man vs Nature, and Man vs God. Shelley's prose can at times be difficult, not to read, but to focus on because of the style and time frame it was written in. It is very easy to find yourself skimming, which you do not want to do.

The story is one of love and loss, creation and our relationship with our creator, the faults of man attempting to become God, and the cruelty that lies with our society to that which we perceive as ugly, frightening or hideous. When Victory abandons the monster he leaves him to learn of the cruelty of our society and to react to it as inappropriately as he does. This tale is NOT what you watched on TV, it is not found in the movie you watched. This is a story that can only be found in this book.

Did I love it? Not really, in the version I just read, Victor is a whiner, who considers himself a genius though he stands aside while his family and friends are killed. The monster, though more understandable, is also a contemptible character as he murders one after the other with little to no remorse. Yes it is well written and filled with interesting comparisons, warnings, and meaning... but as for a fun filled entertaining read, the characters were a bit to whiny and non-committal for me to really have anyone to root for. Still, they were full characters, completely rounded and interesting even though they were pathetic. The story is so filled with meaning that you could discuss it for days. And the concept of the feminine in this book is very interesting to read... I recommend this book, but I won't say that it ranks above Dracula in my mind.

Editorial Review:

Edited by Maurice Hindle.

Frankenstein: A Kaplan SAT Score-Raising Classic

Mary Shelley

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Customer Reviews:
Total reviews: 9 Average rating: 4.0 of 5

Good for SAT, but not the original version of Frankenstein 3 out of 5 stars.
17 of 17 people found this review helpful.

I ordered this book to use with my AP Literature class. I was already teaching Frankenstein, and thought that my students would really benefit from the extra SAT study as well. However, as we are going through the book, I find that the story in this book is very different from the old copies I had always taught from. Key parts of the story are changed, and many of the parts are rearranged. If you are looking for an accurate version of Mary Shelley's story, this may not be the one for you.

Inaccurate and misleading 1 out of 5 stars.
15 of 16 people found this review helpful.

We purchased this book to use in our accelerated curriculum since we have a substantial vocabulary unit connected to Frankenstein. However, a few days into the book, we are noticing major departures from Mary Shelley's novel. Kaplan has irresponsibly marketed this book as if it is the original version.

Editorial Review:

Frankenstein: A Kaplan SAT Score-Raising Classic features:

*The complete tale of the classic novel, Frankenstein

*More than 600 vocabulary words frequently tested on the SAT highlighted throughout the text

*Definitions for each highlighted word on the facing page

*A word-pronunciation guide

*An index for easy reference

Frankenstein; Dracula; Dr Jekyll and Mr Hyde

Mary Shelley, Bram Stoker, Robert Louis Stevenson

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Customer Reviews:
Total reviews: 4 Average rating: 5.0 of 5

TO DIE FOR! 5 out of 5 stars.
5 of 6 people found this review helpful.

Three classics books, three classic monsters, and three classic stories that have been told and retold time and time again, all here in one great book! I'm sure you Horror Film fans like me have seen the Boris Karloff Frankenstein, the Bela Lugosi Dracula, and the Fredric March Dr. Jekyll and Mr. Hyde, but if you haven't read the original novels...YOU AIN'T SEEN OR READ NOTHING YET! Buy this book now, you won't regret it!

Trio of Horror 5 out of 5 stars.
5 of 6 people found this review helpful.

There is an introduction written by Stephen King but it adds some to the stories themselves as it places them within historical context. But if you are a first time reader of these stories be warned there are no footnotes, endnotes, or explanations of unfamiliar terms - so you could find yourself at a bit of a loss.

The book contains the third edition of "Frankenstein" originally published in 1831, I understand from other readings that Shelley made some changes in the text itself. The third, and last, edition includes the introduction she finally wrote for the novel.

For the experienced gothic reader or the novice willing to look up unfamiliar words, this book is a treasure as it has the three most famous and chilling gothic stories of the 19th century.

Enjoy them thoroughly and chillingly.

Editorial Review:

A spine-tingling collection of terrifying classics with an introduction by horror master Stephen King. The mesmerizing story of a demented scientist's monster creation; the horror masterpiece that has led to countless vampire novels and films; and the ultimate tale of the never-ending battle between good and evil--these frightening works continue to enthrall even the boldest readers. Reissue.

Classic Starts: Frankenstein (Classic Starts Series)

Mary Wollstonecraft Shelley

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Customer Reviews:
Total reviews: 3 Average rating: 4.5 of 5

A modern retelling of the classic that retains the power of the original 4 out of 5 stars.
1 of 1 people found this review helpful.

In my opinion, the classics should be read in their original form. However, if that is not possible, then, as long as they are done right, reading an adaptation is acceptable. This retelling of the classic tale by Shelley captures the terror of science gone wrong, the primary message of the original story. It would be an effective literary counterweight if it were to be read either before or after the movie was shown in class.
This is not the original story; it has been rewritten to appeal to modern young readers while retaining all the original structure of the original. Sterling publishing has successfully accomplished that goal, and they are to be commended for that.

Editorial Review:

Mary Shelley’s tragic story of a scientist who created a monster is perhaps even more compelling and meaningful today than when it was written nearly two centuries ago. From the bits and pieces of dead bodies, and the power of electricity, the brilliant Victor Frankenstein fashions a new form of life—only to discover, too late, the irreparable damage he has caused.

Frankenstein (Case Studies in Contemporary Criticism)

Mary Shelley

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Total reviews: 13 Average rating: 4.0 of 5

Critical Theory and Frankenstein 3 out of 5 stars.
2 of 3 people found this review helpful.

This edition contains several critical essays about Frankenstein (they follow the actual story). Each essay uses a particular literary theory and applies it to the text 9in front of the essay is a description/analysis of the theory being used). For example, one essay applies Freud's Oedipus Complex and Lacan's Mirror Stage to the development of Victor and the monster. Some of the other theories are Feminism, Marxism and New Historicism. It is interesting to see the novel from all these different perspectives. Expect to see contradictions in interruptions from theory to theory. My only complaint is the selection of essays. Half of them are poorly chosen (ex. Psychoanalysis and Feminism). I could have selected a better selection. The essays can be very confusing; jumping all over the place and trying to cover to many ideas at once. It takes awhile simply to figure out exactly what the author's main point is. You would have better luck simply researching the theory and then applying what you know yourself to the text. Either way, it is a fun exercise and makes one appreciate even more just how amazing a book it truly is.

Editorial Review:

This revision of a widely adopted critical edition presents the 1831 text of Mary Shelley’s English Romantic novel along with critical essays that introduce students to Frankenstein from contemporary psychoanalytic, Marxist, feminist, gender, and cultural studies perspectives. An additional essay demonstrates how various critical perspectives can be combined. In the second edition, 3 of the 6 essays are new. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms.

Frankenstein (Ignatius Critical Editions)

Mary Shelley

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Customer Reviews:
Total reviews: 2 Average rating: 3.0 of 5

The first Gothic novel 5 out of 5 stars.
1 of 1 people found this review helpful.

Mary Shelley was the daughter of the famous feminist and author, Mary Wollstonecraft, who is best known for her work The Vindication of the Rights of Women. In Mary Shelley's Frankenstein, a young university student, Victor Frankenstein, obsesses with wanting to know the secret to life. He studies chemistry and natural philosophy with the goal of being able to create a human out of spare body parts. After months of constant work in his laboratory, Frankenstein attains his goal and brings his creation to life. Frankenstein is immediately overwrought by fear and remorse at the sight of his creation, a "monster." The next morning, he decides to destroy his creation but finds that the monster has escaped. The monster, unlike other humans, has no social preparation or education; thus, it is unequipped to take care of itself either physically or emotionally. The monster lives in the forest like an animal without knowledge of "self" or understanding of its surroundings. The monster happens upon a hut inhabited by a poor family and is able to find shelter in a shed adjacent to the hut. For several months, the monster starts to gain knowledge of human life by observing the daily life of the hut's inhabitants through a crack in the wall. The monster's education of language and letters begins when he listens to one of them learning the French language. During this period, the monster also learns of human society and comes to the realization that he is grotesque and alone in the world. Armed with his newfound ability to read, he reads three books that he found in a leather satchel in the woods. Goethe's Sorrows of Young Werther, Milton's Paradise Lost, and a volume of Plutarch's Lives. The monster, not knowing any better, read these books thinking them to be facts about human history. From Plutarch's works, he learns of humankind's virtues. However, it is Paradise Lost that has a most interesting effect on the monster's understanding of self. The monster at first identifies with Adam, "I was apparently united by no link to any other being in existence." The monster, armed only with his limited education, thought that he would introduce himself to the cottagers and depend on their virtue and benevolence; traits he believed from his readings that all humans possessed. However, soon after his first encounter with the cottagers, he is beaten and chased off because his ugliness frightens people. The monster is overwrought by a feeling of perplexity by this reaction, since he thought he would gain their trust and love, which he observed them generously give to each other on so many occasions. He receives further confirmation of how his ugliness repels people when, sometime later, he saves a young girl from drowning and the girl's father shoots at him because he is frightful to look at. The monster quickly realizes that the books really lied to him. He found no benevolence or virtue among humans, even from his creator. At every turn in his life, humans are judging him solely based on his looks. The monster soon realizes that it is not Adam, the perfect being enjoying the world, which he is most alike. Instead, he comes to realize that he most represents Satan. The monster is jealous of the happiness he sees humans enjoy that he has never attained for himself. The monster tells Frankenstein that he found his lab journal in his coat pocket and read it with increasing hate and despair as he came to understand what Frankenstein's intent was in creating him. The monster curses Frankenstein for making a creature so hideous that even his creator turned from him in disgust.

Shelley's intent here is plain to see. "The fate of the monster suggests that proficiency in `the art of language' as he calls it, may not ensure one's position as a member of the `human kingdom." In a sense, she is showing that both her parents were mistaken when they advocated greater education reform for people. They thought education would make people better, which in turn would improve society for all. Mary Shelley's Frankenstein contradicts this belief.

Starting with the full title of Mary Shelley's book, Frankenstein: or The Modern Prometheus one can instantly see that mythology was integral to her book. Lord Byron, poet and friend of the Shelley's was writing a poem entitled Prometheus, and Mary was reading the Prometheus legend in Aeschylus' works when she had a dream, which was the impetus for her book. The Greek god Prometheus, is known for two important tasks that he performed, he created man from clay, and he stole fire from the gods and gave it to man. The stealing of fire really angered Zeus because the giving of fire began an era of enlightenment for humankind. Zeus punished Prometheus by having him carried to a mountain, where an eagle would pick at his liver; it would grow back each day and the eagle would eat it again.

The presence of fire and light in this gothic story helps to point to the similarities to Prometheus and Victor Frankenstein, the creator of the monster, in Shelley's book. The book uses light as a symbol of discovery, knowledge, and enlightenment. The natural world is full of hidden passages, and dark unknown scientific secrets; Victor's goal as a scientist is to grasp towards the light. Light is a by-product of fire that the monster learned quickly when he is living on his own. The monster experienced fires' duality when he first encountered it in an unattended fire in the woods. He is mesmerized by the fact that fire produces light in the darkness in the woods, but is shocked at the sensation of pain it gives him when he touches it. Victor is defiant of god in the same way that Prometheus was defiant of Zeus. Victor steals the secret of life from god and creates a human out of spare body parts. He does this out of an altruistic wish to spare humankind from the pain and suffering of death. Thus, Victor Frankenstein embodies both aspects of the Promethean myth creation and fire. Victor in a sense has the same experience with the fire of enlightenment similar to his monster; he is "burned" by the fire of enlightenment. Victor also suffers from the classic Greek tragic condition of hubris for his transgression against god and nature.

The book also adopts two other great mythic legends. One is Adam from the Bible. Victor Frankenstein bears striking resemblance to Adam and his fall from grace for eating the fruit from the Tree of Knowledge. The other is Satan, a mythic figure that Shelley admired from her readings in Milton's book Paradise Lost. In an interesting juxtaposition of booth myths, she expands on the motif of the fall from grace in her book when she portrays the monster comparing himself to Adam; after he read, Milton's book Paradise Lost. The monster tells Victor, that he at first identifies with Adam God's first creation. "I was apparently united by no link to any other being in existence." However, after several incidents of mistreatment that he suffered from the humans he encountered in his travels; the monster soon realized that it is not Adam, the perfect being enjoying the world, which he was most alike. Instead, he came to realize that he most represented Satan. The monster's feelings of hatred and despair stem from the fact that humans found him grotesque to look at and would not accept him as a member of human society. The monster cursed Victor for making a creature so hideous that even his creator turned from him in disgust. Thus, it is obvious for all to see that Shelley's Frankenstein is replete with mythological references and they are central to the plot.

This was required reading for a graduate course in the Humanities. Recommended reading for anyone interested in history, psychology, philosophy, and literature.

Editorial Review:

Mary Shelley's "Frankenstein" is one of the most influential and controversial novels of the nineteenth century; it is also one of the most misunderstood and misinterpreted. It has been vivisected critically by latter-day Victor Frankensteins who have transformed the meanings emergent from the novel into monsters of postmodern misconception. Seldom has a work of fiction suffered so scandalously from the slings and arrows of outrageous criticism. This critical edition, containing accessible essays by literary scholars, refutes the errors and serves as an antidote to the poison that has contaminated the critical understanding of this classic gothic novel.