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Walt Disney: The Triumph of the American Imagination (Vintage)

Neal Gabler

Walt Disney: The Triumph of the American Imagination (Vintage) Neal Gabler Amazon Price: $13.60
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Customer Reviews:
Total reviews: 70 Average rating: 4.5 of 5

Don't believe the hype! 1 out of 5 stars.
3 of 4 people found this review helpful.

What I have to say has already been said in several two-star reviews: for all its impressive length and alleged research, Gabler never gets a proper handle on Disney as either a man or a creative artist. The new Mike Barrier book is better. The old Richard Schickel book is better. The short chapter in Leonard Maltin's "Of Mice and Magic" is better. Heck, there are websites devoted to Disney that are better!

Somehow - I guess because of its length and sanctioning by the Disney organization - this has been annointed as the "definitve" Disney biography. But it misses by a mile. It's boring, pretentious, and very unsatisfying. You'll get much more of out the shorter, better-written book by Mike Barrier - a lifelong animation scholar who understands Disney in ways that Gabler simply can't.

Please believe me (as somebody who's read nearly everything about Disney, and has been a major animation buff/collector for 40 years) when I say that this disappointing book has been insanely overpraised!

Editorial Review:

The definitive portrait of one of the most important cultural figures in American history.

Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler shows us how, over the course of two decades, Disney revolutionized the entertainment industry. In a way that was unprecedented and later widely imitated, he built a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise. Walt Disney is a revelation of both the work and the man–of both the remarkable accomplishment and the hidden life.

WALT DISNEY: AN AMERICAN ORIGINAL

Bob Thomas

WALT DISNEY: AN AMERICAN ORIGINAL Bob Thomas Amazon Price: $10.85
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Customer Reviews:
Total reviews: 32 Average rating: 4.5 of 5

Walt Disney: An American Original 5 out of 5 stars.
2 of 3 people found this review helpful.

This was a great and interesting book. I loved reading it and learning things about Disney and his history that I didn't know. A great read.

Wonderful Insight to a GREAT MAN 5 out of 5 stars.
2 of 2 people found this review helpful.

If you are a Disney fan this is the one to read. Lots of info about his early days & how Disneyland came to be. He was sure he would die before he had finished what he set out to do. The Disney company was never the same after his death.
But is John Lassiter the new Walt..... Let's hope so.

Wonderful read!! 5 out of 5 stars.
0 of 0 people found this review helpful.

This book was such a pleasure to read. It allows you to escape reality and enter the wonderful world that Walt Disney created. I loaned it to my father as soon as I finished it, and he cannot put it down!
Walt was a true inspiration and is to be admired.

Disney Version? 3 out of 5 stars.
0 of 0 people found this review helpful.

Bob Thomas gets to the heart of things early: Disney was a greatly talented man whose singular vision lives on in his work. Fair enough. We really do forget that all this, that we call "Disney," was created by a man of extraordinary creative genius. The 60s generation sneered at Disney. Many resented the militarized discipline of the Disneyland work force with their clean-shaved faces, the uniforms and the regimented smiles. Now that the hippies have gone with the wind, we see what is enduring in the culture. Ironically, Disney himself was not a money man, not a finance wizard, not a bean counter. He was in debt most of his creative life, owing millions to the Bank of America. It was TV that saved Disney studios, not Cinderella. Disney cared about quality, cared about product, cared about audience. It is almost quaint to read about such an idealism; it even sounds like a mantra from the 60s. If Disney has become a dirty word, it is because of those who came after the Master himself. The greedy killers of the golden goose weren't interested in Disney's world; they were interested in exploiting it. This biography leaves out much, no doubt, but as hagiography it has its purposes. We see that Disney lived at that moment in America when it was possible to turn suffering into nostalgia. Like many of his generation, the down-home mid-westerner that Disney was put aside memories of mindless drudgery and turned his early childhood into a show, with singing ducks, dancing goats, and happy farmers. Author Thomas makes clear that Disney - like other film moguls like Louis B. Mayer - held a vision of America that had not yet been made anachronistic. But what astonishes most of all is Disney's integrity as a man of the arts. His donations to CALARTS coupled with his wife's gift to Disney Hall in Los Angeles make the Disney name synonymous with creative life.

Walt Disney: Young Movie Maker (Childhood of Famous Americans)

Marie Hammontree

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Customer Reviews:
Total reviews: 4 Average rating: 4.5 of 5

I hope more people read this exciting book. 5 out of 5 stars.
12 of 14 people found this review helpful.

This book was enjoyable. Marie Hammontree described how a person can be a big success while being a little poor. It shows the ups and downs of Disney's life. She describes what it took to get to the top of his career. This book tells who he was inspired by and how they helped him. She told me his problems in his life and how they were solved. It gave me the puzzle pieces to his life so I could better understand it. All in all I think it was a really informative book.

Best young person's bio on Walt Disney 5 out of 5 stars.
7 of 8 people found this review helpful.

There are several books that put the biography of Walt Disney in a format meant for children, and this is the best of them. The majority of the book tells what Walt's life as a child was like. The publisher has produced a whole series of bio type books for young people, and has a good formula. They try to put the child in touch not only with the life deeds of the man, but his personality, and how he got his start. In understanding a great person from history, it is tremendously useful to know not just what he did, but why he did it. Who and what influenced this person. What was he like as a kid himself? Without these it is hard for a kid to connect to the historical figure, and this book accomplishes it very well. I highly reccommend! For a good adult bio, check the Bob Thomas book, or the Amy Boothe book.

Editorial Review:

In the childhood story of an American original, readers learn how a farm boy in Missouri grew up to be the father of Mickey Mouse, Donald Duck, Pluto, Goofy, and scores of other beloved characters.

The Animated Man: A Life of Walt Disney

Michael Barrier

The Animated Man: A Life of Walt Disney Michael Barrier Amazon Price: $12.89
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Customer Reviews:
Total reviews: 19 Average rating: 4.5 of 5

Editorial Review:

Walt Disney (1901-1966) was one of the most significant creative forces of the twentieth century, a man who made a lasting impact on the art of the animated film, the history of American business, and the evolution of twentieth-century American culture. He was both a creative visionary and a dynamic entrepreneur, roles whose demands he often could not reconcile.
In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects. A consummate storyteller, Barrier describes how Disney transformed himself from Midwestern farm boy to scrambling young businessman to pioneering artist and, finally, to entrepreneur on a grand scale. Barrier describes in absorbing detail how Disney synchronized sound with animation in Steamboat Willie; created in Snow White and the Seven Dwarfs sympathetic cartoon characters whose appeal rivaled that of the best live-action performers; grasped television's true potential as an unparalleled promotional device; and--not least--parlayed a backyard railroad into the Disneyland juggernaut.
Based on decades of painstaking research in the Disney studio's archives and dozens of public and private archives in the United States and Europe, The Animated Man offers freshly documented and illuminating accounts of Disney's childhood and young adulthood in rural Missouri and Kansas City. It sheds new light on such crucial episodes in Disney's life as the devastating 1941 strike at his studio, when his ambitions as artist and entrepreneur first came into serious conflict.
Beginning in 1969, two and a half years after Disney's death, Barrier recorded long interviews with more than 150 people who worked alongside Disney, some as early as 1922. Now almost all deceased, only a few were ever interviewed for other books. Barrier juxtaposes Disney's own recollections against the memories of those other players to great effect. What emerges is a portrait of Walt Disney as a flawed but fascinating artist, one whose imaginative leaps allowed him to vault ahead of the competition and produce work that even today commands the attention of audiences worldwide.

The Art and Flair of Mary Blair

John Canemaker

The Art and Flair of Mary Blair John Canemaker Amazon Price: $26.40
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Customer Reviews:
Total reviews: 17 Average rating: 4.0 of 5

Mary Blair rocked. 5 out of 5 stars.
1 of 1 people found this review helpful.

Beautiful and unique look into the life and developed portfolio of a retro animator. This book is nostalgic, child-like awe packaged. Wonderfully whimsical images.

It's a Small World Legend 3 out of 5 stars.
0 of 0 people found this review helpful.

When I visited Disneyland last year with my daughter I expected to fall in love all over again with various attractions at the park: Haunted Mansion, Pirates of the Caribbean, the Carousel. I honestly didn't expect to fall in love all over again with "It's a Small World" but I did.
I had already heard the name, Mary Blair, but I didn't know anything about her so I decided to research her online and I found this book.
What an incredible artist she was! John Cane tells her story and her contributions to everything Disney. She was an incredible artist! Her works now sell for many hundreds of dollars. It's too bad that she didn't live long enough to see herself become famous. Like most artists, she became famous after her death. At any rate, here is the story of the woman who created so much of the Disney magic. It's very well illistrated and an enjoyable read.

Editorial Review:

For more than a dozen years, an unassuming, quiet-spoken woman dominated Disney design. The stylishness and vibrant color of Disney films in the early 1940s through mid-1950s came primarily from artist Mary Blair. In her prime, she was an amazingly prolific American artist who enlivened and influenced the not-so-small worlds of film, print, theme parks, architectural decor, and advertising. At its core, her art represented joyful creativity and communicated pure pleasure to the viewer. Her exuberant fantasies brimmed with beauty, charm, and wit, melding a child's fresh eye with adult experience. Blair's personal flair comprised the imagery that flowed effortlessly and continually for more than a half a century from her brush. Emulated by many, she remains inimitable: a dazzling sorceress of design and color.

The Story of Walt Disney: Maker of Magical Worlds (Yearling Biography)

Bernice Selden

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Customer Reviews:
Total reviews: 4 Average rating: 4.5 of 5

Decent Walt bio for 12 to 17 years 4 out of 5 stars.
5 of 6 people found this review helpful.

Yet another bio on Walt Disney, this one written for young people, ages 12 and up. 96 pages in length, it tells the story of his life and career. It is fairly accurate, from a reliable publisher. If you have a child that is younger than this age group, I might suggest "Walt Disney, Young Movie Maker". It focuses more on his childhood, explaining how the events, persons, and places he lived when he was young affected his career as an adult. It really helps kids connect with him.

walt disney bio 4 out of 5 stars.
3 of 3 people found this review helpful.

This book is perfect for 3rd and 4th grade students. My students enjoyed the anecdotes about Walt's childhood. I liked that it was meaty enough to encourage discussion. The book also includes a section of fabulous photographs of Walt Disney and some early Disney characters. It does not include much info about the Walt Disney Company after Walt's death in the early 1960's.

Editorial Review:

When Walt Disney was a child, he loved to draw. It's no wonder he grew up to create such memorable and loveable characters as Mickey Mouse and Donald Duck.



Walt Disney spent a lifetime entertaining and delighting millions of children and adults alike--on film, on television, and in his magical kingdoms of Disneyland and Disney world. This is his story.

How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life (How to Be Like)

Pat Williams, Jim Denney

How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life (How to Be Like) Pat Williams, Jim Denney Amazon Price: $11.16
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Customer Reviews:
Total reviews: 25 Average rating: 5.0 of 5

Editorial Review:

An inspiring biography of one of the most influential and beloved figures of the 21st century, based on more than a thousand interviews.

"I've read every book that has ever been written about Walt Disney, going back to some that were published in the 1930s. [How to Be Like Walt] is by far the most enjoyable to read of them all!"
Tim O'Day, Disney Scholar
"How to Be Like Walt is a fitting tribute to Walt's memory and an important contribution to the Disney legacy . . . Now more than ever, we need people with the qualities Walt had: optimism, imagination, creativity, leadership, integrity, courage, boldness, perseverance, commitment to excellence, reverence for the past, hope for tomorrow, and faith in God."
Art Linkletter

How to Be Like is a "character biography" series: biographies that also draw out important lessons from the life of their subjects. In this new book-by far the most exhaustive in the series-Pat Williams tackles one of the most influential people in recent history.

While many recent biographies of Walt Disney have reveled in the negative, this book takes an honest but positive look at the man behind the myth. For the first time, the book pulls together all the various strands of Disney's life into one straightforward, easy-to-read tale of imagination, perseverance, and optimism. Far from a preachy or oppressive tome, this book scrapes away the minutiae to capture the true magic of a brilliant maverick.

Working with Walt: Interviews with Disney Artists

Don Peri

Working with Walt: Interviews with Disney Artists Don Peri Amazon Price: $14.96
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Customer Reviews:
Total reviews: 3 Average rating: 5.0 of 5

Editorial Review:

Includes interviews with Ken Anderson, Les Clark, Larry Clemmons, Jack Cutting, Don Duckwall, Marcellite Garner, Harper Goff, Floyd Gottfredson, Dick Huemer, Wilfred Jackson, Eric Larson, Clarence Nash, Ken O'Connor, Herb Ryman, Ben Sharpsteen

Walt Disney created or supervised the creation of live-action films, television specials, documentaries, toys, merchandise, comic books, and theme parks. His vision, however, manifested itself first and foremost in his animated shorts and feature-length cartoons, which are loved by millions around the world.

Working with Walt: Interviews with Disney Artists collects revealing conversations with animators, voice actors, and designers who worked extensively with Disney during the heyday of his animation studio. The book includes fifteen interviews with artists who directed segments of such classic animated features as Dumbo and Fantasia. Some interviewed were part of Disney's famed team dubbed "The Nine Old Men of Animation," and some worked closely with Disney on Steamboat Willie, his first cartoon with sound.

Among the subjects the interviewees discuss are the studio's working environment, the high-water mark of animation during Hollywood's Golden Age, and Disney's mixture of childlike charm and hard-nosed business drive. Through these voices, Don Peri preserves an account of the Disney magic from those who worked closely with him.

Don Peri of Davis, California, first gained the confidence of Disney insiders through his work with animator, director, and producer Ben Sharpsteen. He has written and published extensively on Walt Disney's productions.

Walt Disney's Nine Old Men and the Art of Animation

John Canemaker

Walt Disney's Nine Old Men and the Art of Animation John Canemaker Amazon Price: $37.80
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Customer Reviews:
Total reviews: 3 Average rating: 4.5 of 5

Discovering the Genius Of Exactly What Made Disney "Disney" 4 out of 5 stars.
76 of 77 people found this review helpful.

John Canemaker has given readers the Disney animation book that's been missing for decades. Only it's the Readers Digest version. Canemaker is forced to compact nine amazing biographies into one book. Each of his nine subjects - the core group of gifted animators who defined the look and feel of Disney animation from the 1930's through the 1970's - is deserving of far more time and space than a single volume can deliver. Nevertheless, he's done an amazing job, and he introduces us to these men with the same careful critical objectivity he did in "Before the Animation Begins", Canemaker's marvelous 1996 book focusing on the great Disney visual development and story artists.
The author gives us the best un-fairy-dusted glimpse of the real day-to-day workings of Disney's shop since animator Jack Kinney's 1988 "Walt Disney And Assorted Other Characters" (admittedly limited in objectivity, but still enormously entertaining in its candor.) It's impossible not to feel the same admiration and passion as the author. Even in his harsher analysis of temperaments and turmoil the author is writing about the best of times among a group of very real artistic heroes who were such extraordinary people that you'd have treasured any time you could have spent in their company. Sadly, Canemaker only gets to brush on topics such as how the old generation influenced the new. Many of the current generation of Disney artists are interviewed for this book and they have a great deal of insight to contribute (both Andreas Dejas and John Lasseter in particular)and one wishes that the author had been afforded the luxury of a more critical analysis of the older generation's influence on this generation -- both by their presence and their absence; e.g. - in the best chapter in the book, Milt Kahl is characterized as having had the greatest influence on the look of Disney characters. Questions about what affect Kahl's abrupt departure in 1976 had on the next generation - whether by way of his absence or his reluctance to be a true mentor - deserve more space than alotted. Similarly, the reader wants to know more about how veteran Eric Larson was treated by Disney executives who handed over "The Small One" to the ambitious Don Bluth, who later broke ranks and left the studio to start his own production company leaving the studio talent pool seriously decimated.
Canemaker is both the obvious choice and greatest risk for authoring this important animated version of "The Lives of the Artists" (Cainmaker states it was his hope to emulate Vasari's work) as he is admittedly very close to two of his subjects - animators and authors Frank Thomas and Ollie Johnston. Similarly, Ward Kimball and the late Marc Davis were friends of the author's, but he pulls fewer punches in his sharp but loving focus on the latter two. Even so, it would be hard to imagine any other author would have such an unprecedented level of trust from his subjects and their parent company, and thus such privileged access. And though his focus seems less sharp in the chapters on Thomas and Johnston, any biographer suffers from similar lapses when focusing on a living subject, particularly one whom they and the vast majority of the public hold in great affectionate esteem.
The book makes it clear that the memories of the living affect a much harsher view of the dead from among this old boy's network of disparate personalities who helped to define something as far reaching in popular culture as Disney's animated characters. Withered rivalries and carefully aged egos still pepper the perspective here and it only adds to the books ability to evoke something real, and not just the Halceon days of animation. The fact that the dead can't defend themselves even through living relatives and numerous ex-wives is a minor and admittedly unavoidable flaw, and in his preface Canemaker attempts to acknowledge it with a quote from a letter from Thomas to the author re undertaking the project. Even with obvious affection personal favorites, the author has done a terrific job of sharing insights into the passions of each of these nine men whose personalities were made immortal once filtered through such old friends as Captain Hook and Cruella DeVil.
It's to Canemaker's credit that we long for even more on each of these animators -- particularly Kahl and Larson -- and more examples of what made them great animators. Which brings us to the book's only glaring flaw: the illustrations. There simply aren't enough examples of scenes and sequences attributed to each artist -- particularly raw pencil drawings -- and the quality of photo reproductions from finished film frames and other archival material seems oddly yellow or green in tint and not up to the usual Disney publishing standards. e.g. a series of frames showing the Duke from "Cinderella" rolling his monocle between his fingers is so dark that you can barely see the referenced movement it serves to illustrate. This is greatly disappointing. Granted that many such sequences are found in Thomas & Johnston's "The Illusion of Life", but the book is out of print, and the vast resources of the Disney Animation Research Library as well as Mr. Canemaker's personal collection must be able to yield fresher and more fitting illustrations than what's found here. Again, Kahl's chapter gives us more to feast on than others, but it still isn't enough. After all, this is a visual medium we're discussing and a picture here only serves to give us reason to read another thousand written words. But, be that as it may, the book is both a MUST READ and a MUST HAVE for anyone interested in film history, animation, acting and/or Disneyana, and one hopes that Mr. Canemaker's upcoming book on Disney artist Mary Blair heralds a series of more extensive and more intimate (and hopefully much better illustrated) biographies on Kahl, Davis, Reitherman et. al. A long awaited and fine accomplishment, and easily the best book from Disney's publishing arm in 2001.

Editorial Review:

Noted film historian John Canemaker brings to life the team whose combined individual genius defined the art of character animation. Think of your favorite moments and characters in Disney films from the thirties to the seventies and chances are most were animated by one of Walt Disney's "Nine Old Men." Through the span of their careers, these nine highly skilled animators exhibited an unparalleled loyalty to their employer. This book explores their artisitic breakthroughs, failures, and rivalries, and their individual relationships with each other and with Walt.

Quotable Walt Disney

tk

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Customer Reviews:
Total reviews: 7 Average rating: 3.5 of 5

For Disneyphiles Only 3 out of 5 stars.
6 of 8 people found this review helpful.

The book is exactly what is claims to be: a collection of quotes attributed to Walt Disney. It is divided into sections according to theme, rather than chronologically, including materials on films and animation, Mickey Mouse, the theme parks, children, family, education, television, art and music, success and failure (there are 16 in all). Some of the quotes are familiar, others less so. Sometimes quotes are repeated in sections.

One of the book's major flaws is lack of context. Quotes are dropped in without explanation. This is quite common for the genre, but it means that the quotes are not useful for anything other than pithy statement unless the reader is already familiar with the context. The quotes do act as quick sound-bites for those interested in a positive look at Walt Disney's rhetoric. I appreciated the correct version of "I make the pictures for entertainment, and then the professors tell me what they mean" (197). Too often the statement gets changed to the plural we, which reconstructs Walt's statements and contributes to the "Cult of Walt Disney." As this example demonstrates, it should be remembered that, despite his claims to teamwork, Walt was interested in representing his vision on screen and elsewhere.

For that very reason, what isn't so useful to this book is its editing of comments and its omissions, both of which ultimately help construct the Cult of Walt Disney. Ellided are the comments about EPCOT (as the community of tomorrow) that state Walt's intention was not to let retirees live in EPCOT, or Walt's belief that EPCOT's residents should not own the land. Of course, these statements were said in a context that talked about urban planning, individuals' committment to community, and the need for control. Still, by editing the comments out, the book presents an overly simplistic picture of a complex man. Also missing are quotes that are critical, like some of Walt's statements during the animator's strike.

It's as if the Quotable Walt Disney simply wants to celebrate the legend and not reveal the man. To be fair, that's what most of these types of books do. But in continuing to reinforce the Cult of Walt Disney, the book avoids presenting Walt Disney as a human being full of incongruities and inconsistencies...it oversimplifies his reactions, influences, and intentions. And by keeping Walt a mythic figure, the Quotable Walt Disney provides a one-sided picture of the man. All on purpose, to be sure, but disappointing nonetheless.

Again, this unbalaced presentation is to be expected from a quote book meant to celebrate Walt Disney, inspire its readers, and reaffirm the ideas that the converted already hold about Walt. But it would have been nice to see more man and less myth in the picture.

For those interested in learning about Walt Disney, I would not recommend this book. It doesn't provide enough information for the basis of the quotes. Instead, read a biography--whether an "official" one like Thomas or 100 Years or the far more satisfying and complex one by Watts. If you're a Disneyphile or looking for a stocking stuffer gift for your favorite fan, sure, pick this up. Just remember that it is exactly what it claims to be: a book of quotations, meant to reinforce the "genius" and legend of Walt Disney and not to suggest the significance and implications of what Walt said.

Editorial Review:

Walt Disney's animated characters moved across the silver screen with the grace of fine actors. His vision revolutionized everything from television to theme parks. But this book is perhaps the preeminent aspect of his legacy - his philosophies and his dreams. Each anecdote lends sometimes simple, sometimes profound observations on life and all of its triumphs and defeats.

The quotes in this charming volume range from the well known to the obscure. Within the pages of Quotable Walt Disney are anecdotes that not only teach important lessons but also illuminate one of America's greatest creative geniuses. It is the perfect book to uplift, enlighten, and inspire.


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