African American Books

Playing in the Dark: Whiteness and the Literary Imagination

Toni Morrison

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Customer Reviews:
Total reviews: 14 Average rating: 4.0 of 5

Editorial Review:

The Pulitzer Prize-winning author of Beloved and Jazz now gives us a learned, stylish, and immensely persuasive work of literary criticism that promises to change the way we read American literature even as it opens a new chapter in the American dialogue on race.

Toni Morrison's brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. She shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires.

Written with the artistic vision that has earned Toni Morrison a pre-eminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of American literature.

"By going for the American literary jugular...she places her arguments...at the very heart of contemporary public conversation about what it is to be authentically and originally American. [She] boldly...reimagines and remaps the possibility of America."
--Chicago Tribune

"Toni Morrison is the closest thing the country has to a national writer."
The New York Times Book Review

The New Negro : Voices of the Harlem Renaissance

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Total reviews: 2 Average rating: 4.5 of 5

The Bible of the Harlem Renaissance 5 out of 5 stars.
15 of 16 people found this review helpful.

This anthology contains works by many of the most important contributers to the Harlem Renaissance. The best parts of the volume are the poetry selections by poets such as Hughes, Cullen, and McKay as well as the essays by Alain Locke. The works by Hurston and Toomer are also quite good. The essays by Locke (especially the New Negro) feature insight into many of the ideas and developments that took place in order to bring about this important historical and cultural movement. This book is a definite must read.

Caution.......... 4 out of 5 stars.
9 of 15 people found this review helpful.

This book is a remarkable example of the time period. Before reading this, one must understand the logic and the use of words during the renaissance. Understanding this is imperative in order to avoid becoming upset with the literature.

Editorial Review:

An interpretative anthology that acted as a manifesto for the Harlem Renaissance defines the artistic and social goals of the New Negro Movement of the 1920s.

The Signifying Monkey: A Theory of African-American Literary Criticism

Henry Louis Gates

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Subjects -> Literature & Fiction -> World Literature -> United States -> African American -> Gates, Henry Louis

Customer Reviews:
Total reviews: 3 Average rating: 4.5 of 5

Editorial Review:

Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself. Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system of interpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g).

Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other.

The second volume in an enterprising trilogy on African-American literature, The Signifying Monkey--which expands the arguments of Figures in Black--makes an important contribution to literary theory, African-American literature, folklore, and literary history.

Multicultural American Literature: Comparative Black, Native, Latino/a, and Asian American Fictions

A. Robert Lee

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Total reviews: 6 Average rating: 2.5 of 5

Editorial Review:

In the United States, Ishmael Reed, Leslie Marmon Silko, Ralph Ellison, N. Scott Momaday, Toni Morrison, Rudolfo Anaya, Sandra Cisneros, Maxine Hong Kingston, and Jessica Hagedorn are among the notable writers of color who have emerged since World War II. Although definitely individual and widely diverse, they are all-American in their collective mixture of African American, Native American, Asian American, and Hispanic strains. The work of each, although distinct, has not remained in cultural isolation but has enriched the inclusive literary treasury of the United States.

This comprehensive, timely study by a British scholar closely examines their fiction and autobiographical writings in cultural perspective. It analyzes the ways politics and popular tradition have influenced their work and the ways these ethnic authors address and question such matters as whiteness, autobiography, geography, and the forms of prose.

Other books have explored the variety of ethnic traditions in American literature, but this is the first to consider them in comparative terms in a single volume. In focusing on these writers and their place in the context of American history and contemporary popular culture, Multicultural American Literature underlines the reality that it is multicultural writing that has revolutionized recent American literary history.

For those wishing clear and accurate perspective on the national literature of the present day, this informative book analyzes the spectrum and provides an exact and faithful view of its multicultural character.

A. Robert Lee, a professor of American literature at Nihon University in Tokyo, is the author of Designs of Blackness: Mappings in the Literature and Culture of Afro-America and, with Gerald Vizenor, Postindian Conversations.

Modernism and the Harlem Renaissance

Houston A. Baker

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Editorial Review:

"Mr. Baker perceives the harlem Renaissance as a crucial moment in a movement, predating the 1920's, when Afro-Americans embraced the task of self-determination and in so doing gave forth a distinctive form of expression that still echoes in a broad spectrum of 20th-century Afro-American arts. . . . Modernism and the Harlem Renaissance may well become Afro-America's 'studying manual.'"--Tonya Bolden, New York Times Book Review

The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism

Brent Hayes Edwards

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Editorial Review:

A pathbreaking work of scholarship that will reshape our understanding of the Harlem Renaissance, The Practice of Diaspora revisits black transnational culture in the 1920s and 1930s, paying particular attention to links between intellectuals in New York and their Francophone counterparts in Paris. Brent Edwards suggests that diaspora is less a historical condition than a set of practices: the claims, correspondences, and collaborations through which black intellectuals pursue a variety of international alliances.

Edwards elucidates the workings of diaspora by tracking the wealth of black transnational print culture between the world wars, exploring the connections and exchanges among New York–based publications (such as Opportunity, The Negro World, and The Crisis) and newspapers in Paris (such as Les Continents, La Voix des Nègres, and L'Etudiant noir). In reading a remarkably diverse archive--the works of writers and editors from Langston Hughes, René Maran, and Claude McKay to Paulette Nardal, Alain Locke, W. E. B. Du Bois, George Padmore, and Tiemoko Garan Kouyaté--The Practice of Diaspora takes account of the highly divergent ways of imagining race beyond the barriers of nation and language. In doing so, it reveals the importance of translation, arguing that the politics of diaspora are legible above all in efforts at negotiating difference among populations of African descent throughout the world. (20040501)

The Jim Dilemma: Reading Race in Huckleberry Finn

Jocelyn Chadwick-Joshua

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Customer Reviews:
Total reviews: 2 Average rating: 4.5 of 5

The book adds to the dialogue about teaching Huck Finn. 5 out of 5 stars.
15 of 15 people found this review helpful.

Jocelyn Chadwick-Joshua's slim volume packs a lot of power. As an African-American rhetorician and Twain scholar, she eloquently makes the case for book's continued study. Using the lexicon of classical rhetoric, she carefully examines the role of Jim in Twain's book to show that he is elevated to a place of prominence and importance in conveying Twain's message of humanity. She examines closely Jim's words, his dialogues with Huck, and the language of slavery used by the society in the novel as a way of exposing Twain's methods.

If one carefully reads Twain's masterpiece and then thoughtfully reads Chadwick-Joshua's book, s/he must surely see that _Adventures of Huckleberry Finn_ needs to remain an important element in the American landscape of literature. Without Twain's honest look at race in the 19th century, an important part of the American experience would be lost. We need this book, black and white alike. __The Jim Dilemma_ helps us to appreciate Huck and Jim's journey to freedom all the more.

Editorial Review:

Especially in academia, controversy rages over the merits or evils of Mark Twain's ADVENTURES OF HUCKLEBERRY FINN, especially its portrayal of Jim, the runaway slave. Here the author of THE JIM DILEMMA focuses her discussion on both sides of the issue and unflinchingly defends the importance of keeping the book in the classroom for both its historical value and literary merit.

Toni Morrison's Beloved: A Casebook (Casebook in Contemporary Fiction)

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Customer Reviews:
Total reviews: 1 Average rating: 5.0 of 5

Editorial Review:

With the continued expansion of the literary canon, multicultural works of modern literary fiction and autobiography have assumed an increasing importance for students and scholars of American literature. This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray.
This casebook to Morrison's classic novel presents seven essays that represent the best in contemporary criticism of the book. In addition, the book includes a poem and an abolitionist's tract published after a slave named Margaret Garner killed her child to save her from slavery--the very incident Morrison fictionalizes in Beloved.

Our Mothers, Our Powers, Our Texts: Manifestations Of Aje In Africana Literature (Blacks in the Diaspora)

Teresa N. Washington

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Total reviews: 2 Average rating: 4.5 of 5

Editorial Review:

Aje is a Yoruba word that signifies a spiritual power of vast potential, as well as the human beings who exercise that power. Although both men and women can have Aje, its owners and controllers are women, the literal and cosmic Mothers who are revered as the gods of society. Because of its association with female power, its invisibility and profundity, Aje is often misconstrued as witchcraft. However, as Teresa N. Washington points out in "Our Mothers, Our Powers, Our Texts", Aje is central to the Yoruba ethos and cosmology. Not only does it underpin the concepts of creation and creativity, but as a force of justice and retribution, Aje is essential to social harmony and balance. As Africans were forced into exile and enslavement, they took Aje with them and continued its work of creating, destroying, harming, and healing in the New World. Washington seeks out Aje's subversive power of creation and re-creation in a diverse range of Africana texts, from both men and women, from both oral and contemporary literature, and across space and time. She guides readers to an understanding of the symbolic, methodological, and spiritual issues that are central to important works by Africana writers, but are rarely elucidated by Western criticism. She begins with an examination of the ancient forms of Aje in Yoruba culture, which creates a framework for innovative readings of important works by Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This rich analysis will appeal to readers of Africana literature, African religion and philosophy, feminist studies, and comparative literature. Teresa N. Washington is Assistant Professor of English at Kent State University and lives in Stowe, Ohio.

African American Literary Theory: A Reader

Winston Napier

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Editorial Review:

"African American Literary Theory is an extraordinary gift to literary studies. It is necessary, authoritative and thorough. The timing of this book is superb!"

--Karla F.C. Holloway, Duke University

"The influence of African American literature can be attributed, in no small part, to the literary theorists gathered in this collection. This is a superb anthology that represents a diversity of voices and points of view, and a much needed historical retrospective of how African American literary theory has developed."

--Marlon B. Ross, University of Michigan

"A volume of great conceptual significance and originality in its focus on the development of African American literary theory."

--Farah Jasmine Griffin, University of Pennsylvania

African American Literary Theory: A Reader is the first volume to document the central texts and arguments in African American literary theory from the 1920s through the present. As the volume progresses chronologically from the rise of a black aesthetic criticism, through the Blacks Arts Movement, feminism, structuralism and poststructuralism, and the rise of queer theory, it focuses on the key arguments, themes, and debates in each period.

By constantly bringing attention to the larger political and cultural issues at stake in the interpretation of literary texts, the critics gathered here have contributed mightily to the prominence and popularity of African American literature in this country and abroad. African American Literary Theory provides a unique historical analysis of how these thinkers have shaped literary theory, and literature at large, and will be a indispensable text for the study of African American intellectual culture.

Contributors include Sandra Adell, Michael Awkward, Houston A. Baker, Jr., Hazel V. Carby, Barbara Christian, W.E.B. DuBois, Ann duCille, Ralph Ellison, Henry Louis Gates, Jr., Addison Gayle Jr., Carolyn F. Gerald, Evelynn Hammonds, Phillip Brian Harper, Mae Gwendolyn Henderson, Stephen E. Henderson, Karla F.C. Holloway, Langston Hughes, Zora Neale Hurston, LeRoi Jones (Amiri Baraka), Joyce A. Joyce, Alain Locke, Wahneema Lubiano, Deborah E. McDowell, Harryette Mullen, Larry Neal, Charles I. Nero, Robert F. Reid-Pharr, Marlon B. Ross, George S. Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Sherley Anne Williams, and Richard Wright.